Relevant bibliographies by topics / Avengers: Age of Ultron

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Avengers: Age of Ultron'

Author: Grafiati
Published: 3 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Avengers: Age of Ultron"

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Bilbo, Adrianus Aditya Christaldo. "Captain America’s, Ironman’s, and Thor’s Anxiety and Defense Mechanism in The Avengers and Avengers: Age of Ultron." K@ta Kita 7, no. 3 (2019): 427–34. http://dx.doi.org/10.9744/katakita.7.3.427-434.

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This thesis aims to discuss the anxiety and defense mechanism of three main characters of the superhero movies, namely, Marvel’s The Avengers and Avengers: Age of Ultron. The three main characters discussed have the capabilities to save the world. Yet, despite their capabilities as superheroes, they have their own weaknesses, just like human beings. In my analysis, I investigate the weaknesses of the main characters, namely, Captain America, Ironman, and Thor. Using Cramer’s concept of anxiety and defense mechanism (1991, 2009, 2016), I find that their weaknesses triggers anxiety. In return, t
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Rowson, Emily. "‘We Are Not Things’: Infertility, Reproduction, and Rhetoric of Control in Avengers: Age of Ultron and Mad Max: Fury Road." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 10, no. 3 (2017): 57–70. http://dx.doi.org/10.31165/nk.2017.103.515.

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Pregnancy occupies an uncertain position in Hollywood cinema, and discussions of infertility are notably absent. Indeed, two blockbusters (Avengers: Age of Ultron and Mad Max: Fury Road) invested in the politics and rhetoric of reproduction met with disparate critical and popular opinion. This article will examine the potential reasons for this, whilst establishing ideological parity between the films.
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Nangimah, Musrifatun. "The cultural repertoire of recontextualized superhero in the Avengers sequels." EduLite: Journal of English Education, Literature and Culture 6, no. 2 (2021): 353. http://dx.doi.org/10.30659/e.6.2.353-368.

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This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe�s superhero motion pictures. It investigates the content, theme, and core ideas of Avengers sequels: The Avengers (2012), Avengers: Age of Ultron (2015), Avengers: Infinity War (2018), and Avengers: Endgame (2019). It explores how the Avengers sequels portrays recontextualization of superhero characters and whether as well as to what extent it provides US cultural monomyth. The finding shows that each character of the Avengers has flaws and vulnerabilities as common human beings that leave them from
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Jasmine Nurkamila, Dea Bella Indriani, and Marudut Bernadtua Simanjuntak. "THOR'S CHARACTERIZATION ANALYSIS IN AVENGERS: INFINITY WAR." Jurnal Pendidikan dan Kebudayaan 2, no. 1 (2022): 45–50. http://dx.doi.org/10.55606/jurdikbud.v2i1.135.

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The film “Avengers: Infinity War” is a film that sequel to 2012's The Avengers, and 2015's Avengers: Age of Ultron. The purpose of this study is to describe the character of one of the main characters, namely Thor and also the representation of the superhero formula from Thor. The method used in this study is a qualitative method with two research approaches, namely structural to examine the character of Thor, while the literary psychology approach uses the theory of Coogan and Cawelti about the superhero formula (protagonist). The results show that Thor has 4 characters, namely 1) Thor is the
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Lucord, Anita Mays. "Avengers: The Age of Ultron and the Gospel of John: John 1:1-18." Interpretation: A Journal of Bible and Theology 78, no. 3 (2024): 256–58. http://dx.doi.org/10.1177/00209643241243291.

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Nannar, Ajay Ramdas. "Ultron and the Ultra-Age of Nanoparticles." Nanomedicine & Nanotechnology Open Access 9, no. 1 (2024): 1–9. http://dx.doi.org/10.23880/nnoa-16000294.

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Nanotechnology has advanced over the past 4 years and shows no signs of stopping. Nanotechnology-based technologies and products have completely changed every part of daily life, from the food sector to medical uses. With the use of nanoparticles, food products may now have much longer shelf life, hydrophobic medication distribution can be improved within cells, and the effectiveness of certain treatments, such anticancer medicines, can be increased. Consequently, the world economy has been influenced by nanotechnology in addition to the global level of life. This review discusses the properti
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Randell, Karen. "“It Was Like a Movie,” Take 2: Age of Ultron and a 9/11 Aesthetic." Cinema Journal 56, no. 1 (2016): 137–41. http://dx.doi.org/10.1353/cj.2016.0060.

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Zehr, E. Paul. "Avengers Assemble! Using pop-culture icons to communicate science." Advances in Physiology Education 38, no. 2 (2014): 118–23. http://dx.doi.org/10.1152/advan.00146.2013.

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Engaging communication of complex scientific concepts with the general public requires more than simplification. Compelling, relevant, and timely points of linkage between scientific concepts and the experiences and interests of the general public are needed. Pop-culture icons such as superheroes can represent excellent opportunities for exploring scientific concepts in a mental “landscape” that is comfortable and familiar. Using an established icon as a familiar frame of reference, complex scientific concepts can then be discussed in a more accessible manner. In this framework, scientists and
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Lu, Zirong. "How do Films Reflect our Societies Today? An Analysis of Films and Film Genres." Communication, Society and Media 6, no. 4 (2023): p69. http://dx.doi.org/10.22158/csm.v6n4p69.

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“Avengers: Endgame”, released in 2019, became the highest-grossing film of all time, surpassing $2.8 billion in worldwide box office revenue. Its massive success demonstrates the immense popularity and widespread appeal of blockbuster films, attracting millions of viewers and generating significant economic impact. Thus, today, films are not only a form of art, but also play a significant role today as a powerful medium of storytelling, entertainment, and reflection of culture and society. In the digital age, films have evolved to encompass various genres, styles, and distribution methods, mak
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Schneider, Luisa T. "The ogbanje who wanted to stay: The occult, belonging, family and therapy in Sierra Leone." Ethnography 18, no. 2 (2016): 133–52. http://dx.doi.org/10.1177/1466138116673381.

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Although prominent in literature on West Africa and especially Nigeria, the phenomenon of ogbanjes in Sierra Leone is little discussed. By following the story of one ogbanje, this paper unravels their significance for social life, for local epistemologies and cosmologies in Freetown. The paper discusses personhood and morality, conceptions of femininity and motherhood as well as the search for culprits. It argues that ogbanjes have to be understood as avengers who, in the name of society, penalize those deeds of women which meet with the disapproval of the community. Ogbanjes embody a breakdow
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Dissertations / Theses on the topic "Avengers: Age of Ultron"

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Larsson, Vix. "Låt ingen komma undan : Hanteringen av främmande kroppar i Marvels filmuniversum." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-25607.

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This​ ​essay​ ​examines​ ​the​ ​appearance​ ​of​ ​non-normative​ ​bodies​ ​in​ ​three​ ​films​ ​from​ ​the Marvel​ ​Cinematic​ ​Universe;​ ​​The​ ​Avengers​​ ​(2012),​ ​​Thor:​ ​The​ ​Dark​ ​World​​ ​(2013) ​and Avengers:​ ​Age​ ​of​ ​Ultron​​ ​(2015),​ ​in​ ​an​ ​attempt​ ​to​ ​find​ ​qualities​ ​that​ ​might​ ​suggest​ ​queer, non-binary​ ​or​ ​gender​ ​disruptive​ ​attributes,​ ​in​ ​addition​ ​to​ ​looking​ ​at​ ​how​ ​the​ ​movies handle​ ​them.​ ​Using​ ​a​ ​combination​ ​of​ ​feminist​ ​film​ ​theory,​ ​queer​ ​theory​ ​and​ ​discourse analysis,​ ​the​ ​Otherness​ ​of​ ​these​ ​bodies​
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Books on the topic "Avengers: Age of Ultron"

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Palacios, Tomas. Avengers age of Ultron, friends and foes. Little Brown & Company, 2015.

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ill, Choi Woo Bin, Lee, Jae Sung, 1985- ill, Lee Min Ju ill, et al., eds. Avengers K.: Avengers vs. Ultron. Marvel Worldwide, Incorporated, 2016.

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Eugene, Son, ed. Marvel Avengers: Ultron revolution. Marvel Worldwide, Incorporated, 2016.

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artist, Opeña Jerome, Larraz Pepe 1981 artist, and Morales, Mark (Comic book artist), artist, eds. Avengers. Rage of Ultron. Marvel Worldwide, Incorporated, 2015.

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Cory, Petit, Lee Jae Woong, Lee Min Ju, Lee Jae Sung 1985-, and Choi Woo Bin, eds. Avengers K.: The advent of Ultron. Marvel Worldwide, Incorporated, 2016.

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Chenard, Marcel Rene. Dark age avengers. Golden Meteorite Press, 2009.

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A, Mardon Austin, ed. Dark age avengers. Golden Meteorite Press, 2009.

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1964-, Whedon Joss, and Marvel Entertainment Group, eds. Age of Ultron: Book of the film. Parragon, 2015.

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Elfman, Danny xzo, and Brian Tyler. Avengers - Age of Ultron. Leonard Corporation, Hal, 2015.

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10

AVENGERS: AGE OF ULTRON PRELUDIO. PANINICOMICS, 2019.

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Book chapters on the topic "Avengers: Age of Ultron"

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Ben-Mna, Ilias. "Capital City: How Billionaire Heroism Mediates Post-Imperial Ambiguities in The Avengers and The Avengers – Age of Ultron." In Belgrade English Language and Literature Studies: BELLS90 Proceedings. Volume 2. Faculty of Philology, University of Belgrade, 2020. http://dx.doi.org/10.18485/bells90.2020.2.ch32.

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"8. ‘Isn’t that why we fight? So we can end the fight and go home?’: The Enduring American Monomyth in Avengers: Age of Ultron." In Avengers Assemble! Columbia University Press, 2018. http://dx.doi.org/10.7312/mcsw18624-011.

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Suárez Estavillo, Ulises, and Héctor Ignacio Castañeda García. "Representaciones Sociales e Imaginarios Sociales Sobre la IA en el Entorno Educativo." In Inteligencia artificial transformación, retos y prospectiva social. Astra Ediciones, 2024. http://dx.doi.org/10.61728/ae24001083.

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Desde los albores del cine hasta las narrativas contemporáneas, la inteligencia artificial (IA) ha tejido un tapiz complejo de imaginarios en la mente colectiva. Desde la mítica Metrópolis (Lang, 1927) hasta el éxito taquillero de Avengers: Age of Ultron (Weedon, 2015), la humanidad ha proyectado sus sueños y temores en la figura de la IA. Estas construcciones simbólicas, moldeadas por obras icónicas como Yo, Robot (Asimov, 1950) y Terminator (Cameron, 1984), han evolucionado para convertirse en representaciones sociales arraigadas en la psique colectiva. La presente investigación pretende hac
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"Prologue: The Heroes We Need Right Now?: Explaining ‘The Age of the Superhero’." In Avengers Assemble! Columbia University Press, 2018. http://dx.doi.org/10.7312/mcsw18624-002.

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RICHTER, KLAUS. "“HORRIBLE WERE THE AVENGERS, BUT THE JEWS WERE HORRIBLE, TOO”:." In Sites of European Antisemitism in the Age of Mass Politics, 1880–1918. Brandeis University Press, 2014. http://dx.doi.org/10.2307/j.ctv102bhwk.14.

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Xinyue, Bobby. "Humiliation and revenge in Ovid’s Fasti." In Essays on Propertian and Ovidian Elegy. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198908111.003.0008.

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Abstract Unlike most poems of the Augustan age, Ovid’s Fasti is unusually fond of recording Roman defeats and moments of national humiliation. From the complete thrashing of the Fabii in the battle of the Cremera to Crassus’ disaster at Carrhae, Ovid’s poetic calendar offers an intriguing, ‘alternative’, view of Roman history. This chapter offers a fresh consideration of these and other related episodes, and argues that the recurrence to humiliation and revenge in the Fasti amounts to a persistent attempt by Ovid to assert that the need to avenge humiliation is hardwired into Rome’s DNA. In ma
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Conference papers on the topic "Avengers: Age of Ultron"

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"The making of the characters of Marvel's "avengers: age of ultron"." In SIGGRAPH '15: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2015. http://dx.doi.org/10.1145/2745234.2773224.

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"The making of the characters of Marvel's "avengers: age of ultron"." In SIGGRAPH '15: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2015. http://dx.doi.org/10.1145/2773215.2773224.

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