Journal articles on the topic 'Avignon Festival'
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Amargier, Nathalie. "Avignon, Festival Off 1997." Revue Russe 12, no. 1 (1997): 57–58. http://dx.doi.org/10.3406/russe.1997.1952.
Full textMiller, Judith Graves. "Performance Review: Avignon Theatre Festival." Theatre Journal 49, no. 1 (1997): 63–65. http://dx.doi.org/10.1353/tj.1997.0015.
Full textSchneider, Robert. "Avignon Theatre Festival Strike (review)." Theatre Journal 56, no. 2 (2004): 296–99. http://dx.doi.org/10.1353/tj.2004.0072.
Full textChalaye, Sylvie. "Avignon 2006. Un festival en sol." Africultures 68, no. 3 (2006): 164. http://dx.doi.org/10.3917/afcul.068.0164.
Full textFaivre d�Arcier, Bernard. "Le Festival d�Avignon, terre de colloques." L'Observatoire N�48, no. 2 (2016): 15. http://dx.doi.org/10.3917/lobs.048.0015.
Full textSalazar-Martin, Florian. "La magie politique du Festival d�Avignon." L'Observatoire N�48, no. 2 (2016): 24. http://dx.doi.org/10.3917/lobs.048.0024.
Full textMiroir, Groupe. "Shakespeare at the Avignon Festival in 2015." Cahiers Élisabéthains: A Journal of English Renaissance Studies 90, no. 1 (2016): 171–75. http://dx.doi.org/10.1177/0184767816648908.
Full textChalaye, Sylvie. "Avignon 2009 : Festival et histoires de lézards." Africultures 79, no. 4 (2009): 200. http://dx.doi.org/10.3917/afcul.079.0199.
Full textHong, Ran Joo, and Young Seob Shin. "Company See-Sun's Avignon Off Festival Promotion Actual." Journal of Korean Theatre Education 36 (June 30, 2020): 325–49. http://dx.doi.org/10.46262/kte.36.1.9.
Full textMarch, Florence. "Amateur reviewing at the Avignon Festival: the “Mirror Group”." Cahiers Élisabéthains 81, no. 1 (2012): 133–39. http://dx.doi.org/10.7227/ce.spiss12.20.
Full textFabiani, Jean-Louis, and Emmanuel Ethis. "O Festival e a cidade: O exemplo de Avignon." Revista Crítica de Ciências Sociais, no. 67 (December 1, 2003): 07–30. http://dx.doi.org/10.4000/rccs.1106.
Full textKohler, Michael. "Festival D'Avignon, Avignon, France, 16-18 July 1999 (review)." Theatre Journal 52, no. 2 (2000): 263–66. http://dx.doi.org/10.1353/tj.2000.0048.
Full textDenkova, Lidia, and Alain Badiou. "Rhapsody for the Theatre. Between Dance and Cinema." Sledva : Journal for University Culture, no. 39 (August 20, 2019): 4–13. http://dx.doi.org/10.33919/sledva.19.39.1.
Full textLooseley, David. "The World Theatre Festival, Nancy, 1963–88: a Critique and a Retrospective." New Theatre Quarterly 6, no. 22 (1990): 141–53. http://dx.doi.org/10.1017/s0266464x00004218.
Full textLanskin, Jean‐Michel Charles. "Antoine Vitez re‐staging Molière for the 1978 Avignon festival." Contemporary Theatre Review 6, no. 1 (1997): 13–35. http://dx.doi.org/10.1080/10486809708568406.
Full textMiller, Judith G., and Rachel M. Watson. "Un théâtre populaire." TDR: The Drama Review 69, no. 2 (2025): 153–61. https://doi.org/10.1017/s1054204325000139.
Full textRuppel, Daniel J. "Global Imaginaries and Elephantine Artifice." TDR: The Drama Review 66, no. 4 (2022): 83–108. http://dx.doi.org/10.1017/s1054204322000582.
Full textDONIZEAU, Pauline. "Faire d’Avignon « une sorte de Grenade, de ville dans laquelle toute la Méditerranée s’est synthétisée ». Retour sur la programmation arabe du festival d’Avignon 2022." Regards, no. 29 (March 31, 2023): 179–89. https://doi.org/10.70898/regards.v0i29.810.
Full textPy, Olivier, and Jean-Pierre Saez. "Le Festival d�Avignon comme sc�ne de l�espoir politique." L'Observatoire N�48, no. 2 (2016): 11. http://dx.doi.org/10.3917/lobs.048.0011.
Full textJannarone, Kimberly. "Le Théâtre Du Peuple, and: Avignon Festival (review)." Theatre Journal 64, no. 2 (2012): 253–57. http://dx.doi.org/10.1353/tj.2012.0052.
Full textFabiani, Jean-Louis. "The Audience and Its Legend: A Sociological Analysis of the Avignon Festival." Journal of Arts Management, Law, and Society 32, no. 4 (2003): 265–77. http://dx.doi.org/10.1080/10632920309596980.
Full textLieblein, Leanore. "‘Les Grecs’ à la Française." Theatre Research International 18, no. 2 (1993): 123–37. http://dx.doi.org/10.1017/s0307883300017284.
Full textStuart, Ian. "A Political Language for the Theatre: Edward Bond's RSC Workshops, 1992." New Theatre Quarterly 10, no. 39 (1994): 207–16. http://dx.doi.org/10.1017/s0266464x00000518.
Full textBaïraktari, Maria. "Dialectic aspects between periphery and center: the translations of Aeschylus’ tragedies into French by Olivier Py." Romanica Wratislaviensia 68 (July 16, 2021): 27–38. http://dx.doi.org/10.19195/0557-2665.68.3.
Full textCărbunariu, Gianina, and Bonnie Marranca. "The Reality of Fiction." PAJ: A Journal of Performance and Art 38, no. 2 (2016): 112–22. http://dx.doi.org/10.1162/pajj_a_00323.
Full textCampos, Liliane. "This is Not a Chair: Complicite's Master and Margarita." New Theatre Quarterly 30, no. 2 (2014): 175–82. http://dx.doi.org/10.1017/s0266464x14000281.
Full textWilson, Robert, and Maria Shevtsova. "Covid Conversations 5: Robert Wilson." New Theatre Quarterly 38, no. 1 (2022): 1–26. http://dx.doi.org/10.1017/s0266464x21000385.
Full textSimilar, Anca. "The Hybrid Theater of Robert Pinget." Theatrical Colloquia 10, no. 2 (2020): 58–69. http://dx.doi.org/10.2478/tco-2020-0020.
Full textDumot, Méline. "A Contemporary Clown." Pacific Coast Philology 56, no. 1 (2021): 27–40. http://dx.doi.org/10.5325/pacicoasphil.56.1.0027.
Full textGatti, Armand, Hélène Châtelain, and Wesley Hutchinson. "Seventeen Ideograms and the Search for the Wandering Word." New Theatre Quarterly 10, no. 38 (1994): 107–16. http://dx.doi.org/10.1017/s0266464x00000270.
Full textKelleher, Joe. "TAKING THE ACTORS SERIOUSL : MICHIEL VANDEVELDE S “PARADISE NOW (1968 – 2018)”." Culture Crossroads 14 (November 9, 2022): 92–103. http://dx.doi.org/10.55877/cc.vol14.94.
Full textRuban, Viktor. "Contemporary Dance Artists' Projects as a Tool of Cultural Diplomacy of Ukraine Under Martial Law." Issues in Cultural Studies, no. 42 (November 13, 2023): 270–85. https://doi.org/10.31866/2410-1311.42.2023.293800.
Full textKnowles, Dorothy. "Armand Gatti's Theatre of Social Experiment, 1989–1991." New Theatre Quarterly 8, no. 30 (1992): 123–39. http://dx.doi.org/10.1017/s0266464x00006576.
Full textKoch, Sophie. "SUZAN-LORI PARKS AND NAOMI WALLACE IN RELATION: PLAYING THE AMERICAN GAME FOR REAL AND BEYOND." Revista de Estudios Norteamericanos, no. 27 (2023): 63–81. http://dx.doi.org/10.12795/ren.2023.i27.11.
Full textMiller, Gemma. "Review of Shakespeare'sRichard III(directed by Thomas Ostermeier for the Festival d'Avignon) at the Opera Grand, Avignon, recorded 11 and 12 July and broadcast at 10:40 pm 13 July on arte Concert." Shakespeare 12, no. 2 (2015): 217–19. http://dx.doi.org/10.1080/17450918.2015.1089314.
Full textKlaeui, Andreas. "Der konservative Harlekin." Theater heute 63, no. 10 (2022): 14–15. http://dx.doi.org/10.5771/0040-5507-2022-10-014.
Full textMaksakovskiy, N. V., and N. S. Maksakovskaya. "Cultural heritage and event tourism as a driver of a large historical town development (on the example of Avignon, southeastern France)." Heritage and Modern Times 6, no. 3 (2023): 276–305. http://dx.doi.org/10.52883/2619-0214-2023-6-3-276-305.
Full textGartmann, Thomas. "VON DER FUGE IN ROT BIS ZUR ZWITSCHERMACHINE. PAUL KLEE UND DIE MUSIK." Zwitscher - Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee - Studien, no. 9 (August 11, 2020): 65–66. https://doi.org/10.5281/zenodo.3989029.
Full textDelorme, Alexandre, Emmanuel Ethis, Damien Malinas, Raphaël Roth, and Camille Royon. "Synthèse 2017 de bibliographie générale des enquête menées sur le Festival d'Avignon." Les Synthèses Publics de la Culture et Communication 5, no. 1 (2018). https://doi.org/10.5281/zenodo.3775279.
Full textEthis, Emmanuel, Damien Malinas, and Raphaël Roth. "Synthèse intermédiaire sur les publics du festival d'Avignon en 2017." Les Synthèses Publics de la Culture et Communication 5, no. 1 (2018). https://doi.org/10.5281/zenodo.3775295.
Full textEthis, Emmanuel, Lauriane Guillou, Damien Malinas, and Raphaël Roth. "Synthèse sur les publics du festival d'Avignon en 2015." Les Synthèses Publics de la Culture et Communication 3, no. 1 (2015). https://doi.org/10.5281/zenodo.3775215.
Full textEthis, Emmanuel, Lauriane Guillou, Damien Malinas, and Raphaël Roth. "Synthèse sur les publics du festival d'Avignon en 2016." Les Synthèses Publics de la Culture et Communication 4, no. 1 (2016). https://doi.org/10.5281/zenodo.3775236.
Full textEthis, Emmanuel, Damien Malinas, and Raphaël Roth. "Synthèse sur les publics du festival d'Avignon en 2017." Les Synthèses Publics de la Culture et Communication 5, no. 1 (2017). https://doi.org/10.5281/zenodo.3775291.
Full textEthis, Emmanuel, Damien Malinas, and Raphaël Roth. "Synthèse sur les publics du festival d'Avignon en 2018." Les Synthèses Publics de la Culture et Communication 6, no. 1 (2018). https://doi.org/10.5281/zenodo.3775313.
Full textEthis, Emmanuel, Lauriane Guillou, Damien Malinas, and Raphaël Roth. "Synthèse intermédiaire sur les publics du festival d'Avignon en 2015." Les Synthèses Publics de la Culture et Communication 3, no. 2 (2015). https://doi.org/10.5281/zenodo.3775221.
Full textEthis, Emmanuel, Lauriane Guillou, Damien Malinas, Raphaël Roth, and Laure-Hélène Swinnen. "Synthèse sur les publics du festival d'Avignon en 2019." Les Synthèses Publics de la Culture et Communication 5, no. 1 (2019). https://doi.org/10.5281/zenodo.5708838.
Full textEthis, Emmanuel, Damien Malinas, Emilie Pamart, Raphaël Roth, and Baptiste Rol. "Synthèse sur les publics du festival d'Avignon en 2011." Les Synthèses Publics de la Culture et Communication 1, no. 1 (2012). https://doi.org/10.5281/zenodo.3775201.
Full textEthis, Emmanuel, Lauriane Guillou, Damien Malinas, and Raphaël Roth. "Synthèse intermédiaire sur les publics du festival d'Avignon en 2016." Les Synthèses Publics de la Culture et Communication 4, no. 2 (2016). https://doi.org/10.5281/zenodo.3775244.
Full textEthis, Emmanuel, Lauriane Guillou, Damien Malinas, and Raphaël Roth. "Synthèse sur les publics du festival d'Avignon en 2014." Les Synthèses Publics de la Culture et Communication 2, no. 1 (2014). https://doi.org/10.5281/zenodo.3775205.
Full textGUERRERO, Isabel. "WILLIAM SHAKESPARE EN AVIÑÓN. ANÁLISIS DE SU RECEPCIÓN EN EL CONTEXTO DE UN FESTIVAL DE TEATRO." Signa: Revista de la Asociación Española de Semiótica, January 9, 2022, 459–77. http://dx.doi.org/10.5944/signa.vol31.2022.29473.
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