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Journal articles on the topic 'Azerbaijani Folk literature'
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1
Fidan, Alizade. "XVIII CENTURY AZERBAIJAN HISTORICAL REALITY AND LITERATURE." Scientific Journal of Polonia University 62, no. 1 (July 8, 2024): 20–27. http://dx.doi.org/10.23856/6202.
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Throughout the entire history of mankind, literature has been a fact of the time of its creation. When we look at the issue both in a universal context and in a local one, we see approximately the same picture. Just as Homer is a fact of ancient Greece, the work of the genius Azerbaijani poet Nizami Ganjavi of the 12th century is considered to be the fact of the mighty Seljuk Empire, the state of the Atabays of Azerbaijan. Khagani Shirvani's literary heritage, dominated by rebellious and grievous motives, was a literary phenomenon caused by the state of the Shirvanshahs, the Akhsitan dynasty. The invasion of the Mongols, the invasion of Emir Timur, the period-specific manifestations of discontent against oppression and slavery, the spread of philanthropy and the phenomenon of Imadaddin Nasimi.. The work of Alishir Navai, the Uzbek-Chagatai poet and statesman of the 15th century, the author of the first “Khamsa” in Turkic, and the great Turkic culture, which was called the Timurid renaissance, were echoes of Huseyn Baygara's rule which lasted 37 years, in culture, science and literature. The establishment of the Safavid state of Azerbaijan in the XVI century and the fact that Azerbaijan remained the “metropolis and central province of the state” (Efendiyev, 2007: 11) throughout the century, the domestic and foreign policy has had a direct impact on the change of the direction of literature. The biggest event was the stabilization of the tradition of writing in the Azerbaijani language, the preference for the folk language, and the rapid development of ashug poetry. If in the literature of three centuries ago there was a palace splendor, then in the poetry of this period there is already a roar of battlefields, heroic motives surpass love poems, ashug poetry, which is closer to the people, and therefore has a lot of influence and propaganda power. The 18th century Azerbaijani literature is also a “mirror that shows the straight and the crooked” of its time. The article examines the most important events in the history of Azerbaijan of the XVIII century, their influence on the development of literature and features of their reflection in artistic works.
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Heydarov, Rasim. "Toponyms and their study in the Caucasus territory and tribal descriptive material collection (SMOMPK)." Scientific Bulletin 2 (2019): 149–54. http://dx.doi.org/10.54414/zfgm7094.
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In terms of being very important source of oral folk literature, ethnography, history, ethnopsychology, etc. of the Azerbaijani people, CMDLCT (SMOMPK) collection has been over a century since the launch of the first edition, its interest still does not diminish. The reason for this is undoubtedly the compilation of an important part of the national-moral culture of the Azerbaijani people. Published by the Caucasian Education Department in Tbilisi, this collection is in Russian language and was considered as one of the most important sources in the study of traditions and customs of the Azerbaijani people and the names of the places in Azerbaijan, including other nations of Caucasus. From 1881 to 1929, a collection of materials about the various fields of science in the Caucasus was published by SMOMPK (CMDLCT, a collection of materials of description of locality of Caucasus tribes). The article deals with the investigation of the toponyms found in the SMOMPK paper.
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Hasan, Tahira Hasanova. "Azerbaijani folk pedagogy as the main means of education." Scientific bulletin of South Ukrainian National Pedagogical University named after K. D. Ushynsky 2023, no. 4 (145) (December 28, 2023): 61–64. http://dx.doi.org/10.24195/2617-6688-2023-4-9.
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The main aim of the article is to study Azerbaijani folk pedagogy as the main means of education. Thus, the role folk pedagogy in the field of education is actual. Actually, folk pedagogy is a school of education in the truest sense of the word. In these examples, the people's opinion, vision and idea are concentrated. The basis of these examples is the topic of education. The object of education is a person. Regardless of age and gender, every person needs education because a person is formed as a personality thanks to education. We should emphasized that folk pedagogy belongs not only to us, but to the whole nation. Wise people are the creators of folk pedagogy. Wise people observed life and development, came to concrete conclusions based on their experiences, and put forward interesting and educational ideas about it. These ideas were expressed in proverbs, sayings, fairy tales and epics, as well as played a leading role in the education of the growing generation. Therefore, all examples of oral folk literature created by people serve to educate a person and direct him/her to the path of spiritual perfection. Each example serves this purpose. To sum up, the issue of education has always been relevant, solutions to the issue have been implemented using folk pedagogy. Thus, folk pedagogy, as always, is of great importance in the upbringing of the young generation in a noble and gentle spirit.
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Əli qızı Quliyeva, Nazilə. "Rasul Rza's creativity as the beginning of the tradition of free poetry in Azerbaijani literature." SCIENTIFIC WORK 67, no. 06 (June 21, 2021): 68–73. http://dx.doi.org/10.36719/2663-4619/67/68-73.
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There was a certain tradition of free poetry in Azerbaijan until the 20th century. In the Middle Ages, along with the chain of eruz poetry, the increase of syllable rhythms is also a concrete practical indicator of the poem's internal struggle for liberation. The beginning of the stage of free poetry in the twentieth century was the logical result of centuries-old processes of liberation in Azerbaijani poetry. People's poet Rasul Rza's contribution to the transformation of free poetry into a special stage of development in Azerbaijani literature is unparalleled. The literary process, marked by the transition to figurative poetic thinking since the late 1950s, is enrichhed with a number of new forms and elements of expression that define the innovative direction of poetry. Since the early 1960s, our poetry has been characterized by a method of figurative-associative expression, the first examples of intellectual beginnings, which should be considered as a new form of return to tradition. Different forms of associative artistic thinking, which we find in folk poetry, especially in bayats and in our classical poetry, begin to acquire a new essence in the second half of the twentieth century with their rebirth in poetry. In the process of this development, the main factors determining R.Rza's creativity are the departure from rhetorical pathos, pathetic expression, the transition to concrete, figurative, and then associative thinking, and innovative qualities. Key words: Azerbaijani literature, free poetry, tradition, innovation, style poetry, Rasul Rza, poem, weight, inner rhyme
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Babadjanova, Nazokat. "STUDYING THE EPIC STORY "YUSUF AND ZULAIKHA"IN THE TURKISH FOLK LITERATURE." INTERNATIONAL JOURNAL OF WORD ART 3, no. 3 (March 30, 2020): 22–29. http://dx.doi.org/10.26739/2181-9297-2020-3-3.
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The article analyzes the history of the study of the work of art based on the ancient epic plot about Yusuf and Zulaikha which is widespread in the literature of the Turkic peoples. Sources testify that the evolution of Joseph's plot was a very complex and at the same time multi-layered stage of evolution.The artistic evolution of this plot is determined on the basis of the analysis of scientific sources on Tatar, Turkish, Kazakh, Azerbaijani and Turkmen literature.
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TÜRKMENOĞLU, Ömer, and Dilek ALİYAZICIOĞLU. "A STUDY ABOUT THE "ARSHIN MAL ALAN" OPERETTA." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (August 15, 2021): 287–304. http://dx.doi.org/10.46291/zfwt/130215.
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Azerbaijan became acquainted with opera at the beginning of the twentieth century thanks to the tours organized by Russian and European operas to Baku. The intense admiration of the Azerbaijani people led Azerbaijani composers to produce works in opera style. In that period, Üzeyir Hacıbeyli combined his knowledge of authorship, historiography, scientists, education, journalism and musicians in the art of opera, based on the impact of the strong and aesthetic touch of art on people, and laid the foundations of opera in the East by composing the mugam opera "Leyli and Mecnun". In the revolution and democracy struggle that started in Azerbaijan, the artists and intellectuals of the period started an enlightenment movement through their works. On this occasion, Hacıbeyli turned from the opera style to the operetta style. Operetta is a musical / dialogue stage piece that takes its subject from social problems and aims to make the audience laugh while making them think. Hacıbeyli compiled the topics of his operettas from the reactionary perspectives that prevent his people from adopting modern life, offered solutions through his works and gave new and modern perspectives to his audience. The "Arşın Mal Alan" has gained a worldwide reputation thanks to the musical structure that it has created by carefully synthesizing the elements of the Azerbaijani national music style, folk mahnis, dances and mugam traditions with the European operetta style. This work, which is about the tradition of arranged marriage rebelled by the new generation, has been translated into more than sixty languages worldwide thanks to its musical and sociological success and has been adapted to the big screen. Considering that it is a very popular work in our country and in other countries where it has been staged and is of such importance for the Turkish world opera literature, the work does not take place in our opera scenes enough and it is noteworthy that the number of publications such as articles, theses and books about it in Turkey. With this study, it is thought to contribute to the literature. In this article, the history of Azerbaijan operetta, the life of Üzeyir Hacıbeyli and the operetta "Arşın Mal Alan" are examined. Keywords: Azerbaijan Opera, Üzeyir Hacıbeyli, Operetta, Opera, Arşın Mal Alan
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TÜRKMENOĞLU, Ömer, and Zümra AZİZOĞLU. "THE FIRST OPERA OF THE TURKISH WORLD "LEYLI AND MAJNUN’’." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (August 15, 2021): 305–20. http://dx.doi.org/10.46291/zfwt/130216.
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The Turkish world's opera history gave its first example in 1908 with the opera "Leyli and Majnun" by Azerbaijani composer Üzeyir Hacıbeyli. According to many sources, "Leyli and Majnun" is described as the first opera of the Turkish world and the Islamic world, and the east. The most important feature of this opera is the masterful synthesis of classical western music and folk music. The opera, which was composed for the first time in this way, influenced the east with its staging and ensured that the art of opera was adopted by the public. The great composer Uzeyir Hajibeyli was born in the city of Shusha in Azerbaijan, which was developed in the field of literature and music and called the "natural conservatory." He developed his existing talent here and built it on solid foundations. He was interested in music and literature, wrote many books, articles, and was a writer for newspapers. The subject of the opera Leyli and Majnun is taken from Fuzuli's "Leyli and Majnun" poetry of the same name. At the age of 13, the composer decided to write this opera, influenced by the theater show "At the tomb of Majnun Leyli'' which he watched in Shusha, his home city. He started working on opera in 1907 when he was only 22 years old. By bringing a different perspective to opera, he used the tonal structure of western music with 'mugham,' also known as Azerbaijani folk music. This type of opera is also called "Mugam Opera.'' The opera, which was composed and performed despite the conditions of the period, preserved its originality by combining two cultures and was performed many times in other countries. Operas from the Turkish world are rarely staged in our country, and there is a need for such an article because the opera "Leyli and Majnun" has not been staged much in Turkey and there are very few theses, articles, and books about it. In this study; Different titles have been created such as the history of Azerbaijan opera, the life of Uzeyir Hajibeyli, the composer's process of creating the opera, and the content of the opera Leyli and Majnun. Keywords: Leyli and Majnun, Uzeyir Hajibeyli, Turkish World, Opera
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Nabieva, Almara V. "POETICS OF AZERBAIJANI LOVE DASTANS." Alfred Nobel University Journal of Philology 2, no. 26/1 (December 20, 2023): 179–93. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-13.
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The article aims to study the peculiarities of the content and structure of the love dastan genre as a product of the artistic thinking of the Azerbaijani people, to determine its poetic originality as well as the impact on the development of Azerbaijani literature and spiritual values of the next generations. The article traces the causes and origins of the similarities and differences between the ancient Turkic epic as a product of folk poetry and the subsequent medieval classical love epics created by Ashuga poets. In order to achieve the goal, historical-literary, cultural-historical, comparative, and hermeneutic research methods were used. Poetological originality of love dastans is conditioned by cultural-historical and literary aspects. On the one hand, love dastans contain the ancient culture of composing epics, which is characteristic of the Turks, and on the other hand, they combine features of the artistic outlook specific to medieval Sufism. Thus, the features of Turkic folklore and Sufi consciousness are synthesized in the Azerbaijani love dastans, which is reflected in the level of structure and content specificity of the love epic. In contrast to the works of the heroic epic, which often consisted of separate songs and legends united by a single plot line in a complete work (“Keroglu”, “Kitabi-Dede Gorgud”, etc.), the structure of love dastan tends to the structure of fairy tale genre, where the original plot is built into a universal structure. Love dastans are mainly characterized by a five-level structure, which includes the introductory part (ustadname) and the main one, where the following stages are distinguished: the wonderful birth of the hero, the stage of obtaining “buta”, the stage of overcoming obstacles, and the stage of winning in competitions. The specificity of the content of love dastans is determined by the dominance of the love theme, the understanding of the problems of morality, family values, cognition and mentoring, and a special type of hero – a young man with a pure heart, worthy of receiving a higher gift, which contributes to the spiritual growth of the character and success in achieving the goal (conquest of the beloved). It should be noted that unlike the heroic epic, which focuses on patriotic issues, social values, the main of which is devotion to the Motherland and its people, in love dastans the theme of individual love is understood in the context of the general national values of the Azerbaijani people. In this regard, love dastan as a work of folklore already has the features of an author’s literary work, marking the stage of transition from traditionalist to individual creative poetics.
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Shahla, HUSEYNLI. "THE PROBLEM OF FUNCTIONAL GENRE IN AZERBAIJANI FOLKLORE STUDIES." Epic studies 1, no. 33 (March 29, 2024): 36–44. http://dx.doi.org/10.25587/2782-4861-2024-1-36-44.
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In this article the problem of functional genre, which is an important issue in folklore studies, is studied scientifically and theoretically. The formation of a new genre as a result of the process of deriving a genre from a genre has been brought to attention on the basis of specific texts. These genres are called functional genres and it has been considered on the basis of which specifics functionalize the genres such as “bayati”, “gerayli”, “goshma”, “temsil” and fairy tales. Thus, it was initially noted that the genre of “bayati” (quatrain) is not a specific genre, like many other genres, but, in fact, a literary formula. Because many genres are formed on the basis of the genre “bayati”. Among them are quatrains, lullabies, folk songs, ceremonial songs, elegy and other folklore genres are studied in the article and brought to the attention, due to this functionality, even before it was also considered that it was called a literary kind by A. Abid. In particular, it has been observed that the genres created on the basis of “bayati” are widely included in the ceremonial folklore and from the genres of “bayati” forms created in this direction such as wishes, lullabies, Novruz songs, beliefs, occasions, religious holidays, laments, etc. have been looked through. As a functional genre “garayli” like the genre “bayati” has been put forward as a new problem in theoretical and methodological research and garayli, folk songs and important parts of epics, which appeared on the basis of the genre garayli can serve as an example of it as the main genre component. In the article the genre “goshma” is also studied as a functional genre. So, on the basis of this genre “goshma”, “tajnis”, the verse part of epics, “ustadname”, “vujudname”, “gifilbend”, “baghlama” and other genres were formed. Fables have also been brought to the attention as a functional genre, such as representation derived from this genre, allegorical narrative, examples that arise in written and oral literature, etc. can be examples for it. At the same time the representation is manifested both in fairy tales and the fairy tale itself has spawned many genres from itself. The genres of fairy tales, garavelli, anecdotes, jokes and other genres have been reviewed. The theoretical problem proposed in the study is rich in important innovations for the scientific community.
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ZALIYEVA, Leyla. "THE DRAMATURGİCAL ROLE OF CHORAL SCENES İN VASİF ADİGOZALOV’S OPERA “DEAD”." IEDSR Association 6, no. 12 (March 29, 2021): 57–67. http://dx.doi.org/10.46872/pj.268.
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Vasif Adigozalov was one of the artists who attracted attention during the brilliant development of the Azerbaijani composition school in the 70 s of the XX century. Born in Karabakh, a fascinating sorner of Azerbaijan, in the family of the famous and talented singer Zulfu Adigozalov’s works reflected the priceless pages of the national music culture. The story-based opera “The Dead”, which entered the history of literature as a comedy, is also regarded as the first comedy opera in our music history. However, every Azerbaijani who knows the work realizes what a great tragedy is actually happening here. V.Adigozalov began writing this work after graduating from the conservatory. The play was performed at the Azerbaijan State Opera and Ballet Theater named after M.F.Akhundof, in 1963. In V.Adigozalov’s opera, the choir acts as one of the main characters in the dramatic development of the work. Each choral stage server as a driving force within, as well as conditioning the course of events. The choir also represents the image of the public and character that expresses the main idea of the work. In this respect, particular attention should be paid to women’s choir. Because women who are victims of this ignorance. Therefore, the screams, deep tragedies and dramas of the women’s choir are reflected. Another concrete example of the women’s theme is seen in the scenes with Nazli and her mother. In particular, choral scenes, which express Nazli’s belief in the return of his dead sister, eventually lost all hope, and the moaning of traumatized young girls, are the dramatic culmination of the tragedy in opera. When we look at the musical language of the choirs, national intonation and rhythmic features draw attention. The intonations of folk music, characteristic of the composer’s musical language, are clearly felt in all stages of the opera and in the choir. Considering the unique melodies of V.Adigozalov’s vocal music in the vocal and choral performance is important. This direction is also reflevted in other music and stage work, including the composer’s vocal music.
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Zeyqəm qızı Rzayeva, Qərənfil. "Issues of spiritual education in proverbs and parables." SCIENTIFIC WORK 67, no. 06 (June 21, 2021): 34–39. http://dx.doi.org/10.36719/2663-4619/67/34-39.
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The folklore of each nation is an indicator of the history of the formation of its thinking and artistic thinking. If we look at the history of our oral literature, we see that our oldest examples date back to the archaic period of hundreds of thousands of years ago. Our folklore, which originated from mythological thought, has improved over time, formed as a product of new thought in different historical periods, passed down from generation to generation and has survived to the present day. The folklore of the Azerbaijani people is rich in genre and colorful in terms of its theme and content. Our oral literature, which is the heart of our people, has not lost its freshness, but is also valuable as a source of our national and spiritual values. Labor songs, counting words, holavars, bayats from lyrical genres; proverbs and parables, legends, myths, epics, etc. from the genres of the epic type. In the womb of genres, the spiritual values that our people have acquired throughout human history are embodied. Proverbs and parables in the most concise genres of oral folk literature are very valuable materials from the point of view of education. There are hundreds of proverbs for all aspects that form the basis of education (patriotism, love of work, collectivism, struggle, loyalty, respect for elders, passion for science, knowledge, etc.). Many proverbs and parables were created by hard working people. Therefore, they talk more about the hard work and poverty of the people in the past, and express deep hatred and protest against the ruling classes and the exploiters. Key words: proverbs, parables, epic type, oral literature, folk literature, spiritual heritage, wisdom, folk wisdom
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Sarxan qızı Fətullayeva, Məhbubə. "Karabakh is Azerbaijan - the national-historical culture of the country, where history and modernity meet." SCIENTIFIC WORK 66, no. 05 (May 20, 2021): 53–56. http://dx.doi.org/10.36719/2663-4619/66/53-56.
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The article tells about the history of the Karabakh region, its cultural monuments, rich literature, art and musical culture. Considered the cradle of Azerbaijani culture, Karabakh is described as a land where history and modernity meet, describing the richness of the region's beautiful nature, climate and natural resources. It is explained that the cultural values of the ancient land are the result of the centuries-old traditions of the people of this land, the mysterious nature of the region, the wealth of natural resources, which has a positive effect on artistic thinking and creativity. Thanks to the work of the Karabakh people, the folk art of Karabakh, which is widely used in the life of the region, has a long and rich history. Key words: Karabakh, cultural monuments, Shusha fortress, Karabakh horses, national-historical culture
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Huseynova, M. N. "DIALECTISMS IN NASIMI’S WORKS AND THEIR INTEGRATION INTO TURKIC LANGUAGES." Linguistic and Conceptual Views of the World, no. 68 (1) (2021): 40–54. http://dx.doi.org/10.17721/2520-6397.2021.1.04.
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In this paper, dialectic lexemes, which is the part of the vocabulary of an outstanding poet Imadaddin Nisami’s, are analyzed. He played the great role in the development of the Azerbaijani language of the XIV–XV centuries. Based on the folk texts and the works of his famous predecessors Khagan, Nizami, leading representatives of the Middle East poetry, Nasimi himself, knowing and skillfully using all the meanings and forms of classical poetry, gave a new freshness to the literature of his epoch, created poetic texts which have being highly appreciated till our days. The outstanding poet realized his responsibility as a craftsman in the history of the standard Azerbaijani language, also used dialectic words for the creation of certain stylistic effects and enriching the vocabulary of the language. Being the master of his talent, he was able to express very subtle and deep philosophical meaning. The comprehensive investigation of his literary heritage with rich and varied vocabulary and its integration into Turkic languages is one of the urgent task which the modern Turkology faces. In this sense his every line and verse is the challenge for any reader who is far from the East poetry, Islamic religion eastern theology and mythology. Undoubtedly, the scope of an article is beyond the scope of exploring this great and relevant topic. But this paper is the first attempt to investigate and comment the integration of the dialectic words into Nasimi’s literary heritage and also the integration of these lexems into turkic languages. It is analyzed also the peculiarities of reflexive pronounce (oz, kendi) and their usage in all Turkic languages.
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Alıyeva, Saltanat. "GAZI BURHANADDIN’S “DIVAN” AND ITS RESOURCES." Scientific Journal of Polonia University 58, no. 3 (September 1, 2023): 15–22. http://dx.doi.org/10.23856/5802.
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The sources of the XIV century Azerbaijani poet Qazi Burhanaddin's creativity are diverse and rich. These resources are mainly: 1. Oral folklore 2. Written all-Turkic poetry 3. Religious sources, Quran motifs 4. Sufistic philosophy Oral folk literature is defined as the main and primary source for the poet's creativity. As we investigate, it becomes clear that the work of Yunus Amre, one of the representatives of Turkish-language poetry, had a serious impact on the worldview of the poet. The reason for this is primarily Yunus Emre's creativity, including It is shown that the Sufism poetry of XIII,XIV centuries became widespread. The influence of the poet by Nizami Ganjavi's poetry was also emphasized. As well as his excellent religious education and the demands of the time, the motifs of the Qur'an also acted as a source for the poet's creativity. The question of reflection of the Sufism philosophy, which became the object of controversy in the artist's poetry for a long time, was also clarified. As a result, it has been proved by facts that Sufism philosophy plays the role of a source for the poet's creativity.
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Madyar-Novak, Vira. "Fields of Activity of Volodymyr Goshovskyi (Dedicated to the Centenary of the Scientist)." Problems of music ethnology 17 (November 17, 2022): 16–26. http://dx.doi.org/10.31318/2522-4212.2022.17.270895.
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In the conditions of the Russian occupation, when Ukraine is fighting for independence, the commemoration of the centennial anniversary of one of the “titans” of Ukrainian ethnomusicology, Volodymyr Hoshovsky (1922–1996), acquires special national significance.
The article reviews the spheres of activity of the scientist throughout his life starting from his childhood. The diverse upbringing and education of the European level formed V. Hoshovsky’s interest in the exact sciences and humanities, as well as in art, even in his childhood. This diversity of interests allows you to respond to changing life circumstances and master a new profession.
After receiving a doctorate in philology and ethnography at the Charles University in Prague (1944), V. Hoshovsky prepared to become a scientist and became a polyglot. His main linguistic studies fell on the Prague period: work at the Institute of Slavic Studies, teaching at the Modern Languages Club, brilliant proposals and scientific prospects for the future.
Ethnographic studies took place in Uzhhorod in 1946–1948. V. Hoshovsky headed the ethnographic department of the Uzhhorod Historical and Ethnographic Museum, began an in-depth survey of the folk culture and lifestyle of the villages of the Transcarpathian region, and organized a number of large exhibitions.
The strengthening of ideological pressure and the closing of the ethnographic department led to the search for a new field of activity and realization as a professional musician. V. Hoshovsky obtained a second higher education – this time – in music. He graduated from the Lviv State Conservatory named after M.V. Lysenko (1953), as in Prague, having chosen two specialties. As a result, he became the first professional guitarist and the first professional conductor of an orchestra of folk instruments in Transcarpathia. A passion for musical aesthetics and musicology was added to the performances. His musical activity was very intense.
Since 1955, V. Hoshovsky entered the field of ethnomusicology, which turned into his life’s work. His research on folk music evolved, delineating three periods. In the early period (Uzhhorod, 1955–1961), the scientist focused on regional studies: he carried out numerous field surveys of Transcarpathian villages, began the study of the history of musical folklore of Transcarpathia, studied the kolomyika in the context of Slavic studies, and engaged in the discovery of the musical dialects of Transcarpathia.
In the mature period (Lviv, Yerevan, 1962–1986) V. Hoshovsky significantly expanded the range of scientific interests, reached the level of Carpathian studies, Slavic studies and cybernetic ethnomusicology, completed studies in the field of musical dialectology, significantly updated the research methodology by involving the methods of linguistics, semiotics, genetics, cybernetics, etc. The main his works were the anthology “Ukrainian Songs of Transcarpathia” (1968), the monograph “On the Origins of Folk Music of the Slavs” (1971), the two-volume collection of Klyment Kvitka’s works “K.V. Kvitka. Selected Works” (1971, 1973), development of UNSACAT (on the basis of Lviv analytical maps, and in cooperation with Armenian programmers), computer research of Ukrainian, Slovak, Armenian and Azerbaijani folk music. In the later period (Lviv, Uzhhorod, 1986–1996) he focused on the coverage of certain ethnomusicological issues and memories.
The review made it possible to come to the conclusion that the realization of V. Hoshovsky in the field of linguistics and ethnography laid an interest in scientific work. The switch to the musical sphere made it possible to wait out the ideological pressure. Fascination with ethnomusicology marked a return to the bosom of science, but at a new level: with the unification of all previously acquired knowledge and experience. The breadth of scientific interests, familiarity with modern methods of research in various fields of science, the possibility of studying the latest European specialized literature in the original language distinguished this scientist among contemporary ethnomusicologists and provided space for bold experiments.
As for pedagogical and social work, they formed a supporting line to the philological, musical, and ethnomusicological spheres of V. Hoshovsky’s activities. On the one hand, they stimulated public interest in certain issues, and on the other hand, they contributed to the education of followers who formed the musical, performing and ethnomusicological future of Ukraine.
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KAYHAN, Shurubu. "A COMPARATIVE EXAMINATION ON GENRES OF FOLK LITERATURE IN ANATOLIAN AND AZERBAIJAN FIELDS." SOCIAL SCIENCE DEVELOPMENT JOURNAL 8, no. 37 (May 15, 2023): 152–61. http://dx.doi.org/10.31567/ssd.902.
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Turkey and Azerbaijan, with their deep ties in their roots, are two states, a nation that lives together with the same history, culture, epics, heroism, losses and victories. The cultural values shared by both states are quite similar. Folk literature products, which continue as a continuation of the oral tradition in Anatolia, where the Turks have settled, are composed of genres that are jointly created by societies and that reflect their unique tastes. Folk literature genres include epic, fairy tale, folk tale, legend, folk song, mania, lullaby, lament, riddle, rhyme, idiom and proverb, applause and confusion. The mentioned species are important products that make up societies and keep them together for generations. In this study, folk literature genres in both Anatolia and Azerbaijan will be discussed, and the literary and cultural ties between the two peoples will be tried to be determined by making a comparative analysis between genres as a method. The aim of this study is to examine both prose (epic, tale, folk tale, legend) and verse types (folk song, mania, lullaby, lament, riddle, rhyme, idiom and proverb) applause and confusion) by comparing them with examples. In this context, first literary genres will be mentioned and then the features between genres will be compared.
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Morkoç, Ayvaz. "On the novel “Armenian Named Letters” of the Mevlüt SüleymanlıMevlüt Süleymanlı’nın “Ermeni Adındaki Harfler” romanı ve tarihi gerçekler." Journal of Human Sciences 13, no. 3 (December 8, 2016): 5290. http://dx.doi.org/10.14687/jhs.v13i3.4278.
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Mevlüt Süleymanli, born in 1943, is one of the significant living representatives of the contemporary Azerbaijan novelism. He is a bright person who combines talents of a novelist, short story writer, scriptwriter, radio and television producer. He entered Azerbaijan literature in 1964 with his poem “Ellerim” (“My Hands”) which was published in the newspaper “Azerbaycan Gençleri” (“Azerbaijan Youth”). Süleymanli who was living in a village, enriched his literary works with his observations of those years. He successfully used elements of folk literature and folklore. In his works he masterfully showed his love to Azerbaijan people, language, culture and literature. In his works he mostly criticized social and ethic aspects and Soviet system.In this work, the novel “Armenian Named Letters” which expresses the view of Süleymanlı on Armenians in the form of novel, was crticised, analysed and evaluated. Özet1943 yılında dünyaya gelen Mevlüt Süleymanlı, çağdaş Azerbaycan romancılığının yaşayan önemli temsilcilerindendir. Romancı, hikâyeci, senaryo yazarı, radyo ve televizyon yapımcısı gibi çok sayıda niteliği bünyesinde barındıran bir aydındır. Edebiyat dünyasına 1964 yılında Azerbaycan Gençleri gazetesinde yayımlanan “Ellerim” şiiri ile adım atmıştır. Köyde yaşayan Süleymanlı, bu yıllara ait gözlemlerini edebi eserlerinde zengin malzeme halinde sunmuştur. Halk edebiyatı ve folklora ait unsurları başarıyla kullandığı görülür. Azerbaycan halkına, diline, kültür ve edebiyatına olan sevgisini eserlerinde ustaca dile getirmiştir. Kaleme aldığı ürünlerinde toplumsal ve ahlaki tenkitlere ağırlık vermiş, Sovyet sistemine eleştiriler yöneltmiştir. Pek çok ünlü roman ve hikâyenin yazarı olan Süleymanlı, son eseri Ermeni Adındaki Harfler adlı romanıyla edebiyat dünyasında adından çokça söz ettirmektedir. Türklerle Ermenilerin kaotik ilişkilerinin gündemden düşmediği günümüzde Ermeni Adındaki Harfler romanı üzerinde çok yönlü yorumlar yapılmaktadır.Çalışmamızda Mevlüt Süleymanlı’nın Ermenilere bakışını roman formu içinde dile getiren Ermeni Adındaki Harfler romanı incelenmiş, üzerinde tahlil, yorum, açıklama ve değerlendirmeler yapılmıştır.
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Alimuradov, Ilkin. "The role of the Institute of Oriental Studies named after academician Ziya Bunyadov of the National Academy of Sciences of Azerbaijan in the study of Arabic literature." Metafizika Journal 6, no. 4 (December 15, 2023): 150–59. http://dx.doi.org/10.33864/2617-751x.2023.v6.i4.150-159.
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Language‟s definition varies in the literature. One of the most accurate definitions of language is that the language is the voice through which people express their purpose, it is a tool for communication, understanding and interaction between people, and this is a phenomenon that reflects human knowledge and culture. At the same time, it is a powerful factor that animates people and helps them to develop and thrive. The beauty of the language is reflected in examples of poetry and prose of folk literature. It is one of the most famous and widely spoken languages in the world. Arabic is the language of science and culture and helps to transmit religious, scientific and literary knowledge throughout history. There is no doubt that Arabic literature emphasizes the beauty of the Arabic language from preIslamic times to the present day. Arabic literature attracts the attention of the whole world, both ancient and modern. One of the countries where the Arabic language and its literature is taught is Azerbaijan. There are universities and institutes that contain faculties of Arabic literature and its departments. One of the scientific institutions that study the Arabic literature is the Institute of Oriental Studies named after Ziya Bunyadov of the National Academy of Sciences of Azerbaijan. It should be noted that the most important results of scientific research and books of the Institute are used in educational institutions within the country and abroad.
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Ibrahimova, S., A. Ibrahimov, and A. Alasgarova. "Study of Bioactive Compounds and Resources of Some Species of Wormwood (Artemisia abrotanum L., A. maritima L., A. pauciflora Weber, A. issaevii Rzazade) Distributed in the Flora of Azerbaijan." Bulletin of Science and Practice, no. 6 (June 15, 2023): 54–66. http://dx.doi.org/10.33619/2414-2948/91/05.
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As a result of analysis of the literature data and our research, for the first-time distribution of the species Artemisia abrotanum L., A. maritima L., A. pauciflora Weber, A. issaevii Rzazade in different regions of Azerbaijan by obtaining bioactive compounds typical for them is confirmed in the article in detail. Distribution, resources, ecological features, as well as useful properties of wormwood (Artemisia L.) species found in the flora of Azerbaijan were studied by us, their possibilities of use in various fields of folk and agriculture were recommended. General distribution areas, biological and ecological features of all species were studied. Essential oil was obtained using the Ginsberg hydrodistillation method and component content was determined by the method of Gas Chromato-Mass Spectroscopy. Gas Chromato-Mass Spectroscopy was performed using Agilent 5977A MS gas chromatography and Agilent 7890 GC inert Mass Selector Detector. A. abrotanum L., which is new for the flora of Azerbaijan, two new substances, steroids (β-sitosterol St-1, stigmasterol St-1) was obtained from A. maritima L. species three substances, α-santonin, artemisin, glabellin was obtained. In the composition of the aerial part of the species A. pauciflora Web., 60 terpenoid compounds were identified, 17 components were detected by mass spectroscopy.
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Pace, Ian. "The Panorama of Michael Finnissy (II)." Tempo, no. 201 (July 1997): 7–16. http://dx.doi.org/10.1017/s0040298200005775.
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A large body of Michael Finnissy's work refers to music, texts and other aspects of culture outside the mainstream European tradition. As a child he met Polish and Hungarian friends of the family, and was further attracted to aspects of Eastern European music when asked to transcribe Yugoslav music from a record, for a ballet teacher. Study of anthropological and other literature led him to a conviction that folk music lay at the roots of most other music, and related quite directly to the defining nature of man's interaction with his environment. Finnissy went on to explore the widest range of folk music and culture, from Sardinia, Yugoslavia, Rumania, Bulgaria, the Kurdish people, Azerbaijan, the Vendan Africans, China, Japan, Java, Australia both Aboriginal and colonial, Native America and more recently Norway, Sweden, Denmark, India, Korea, Canada, Mexico and Chile.
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Valerio, Emanuela, Mariarosaria Manzo, Francesco Casu, Vincenzo Convertito, Claudio De Luca, Michele Manunta, Fernando Monterroso, Riccardo Lanari, and Vincenzo De Novellis. "Seismogenic Source Model of the 2019, Mw 5.9, East-Azerbaijan Earthquake (NW Iran) through the Inversion of Sentinel-1 DInSAR Measurements." Remote Sensing 12, no. 8 (April 24, 2020): 1346. http://dx.doi.org/10.3390/rs12081346.
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In this work, we investigate the Mw 5.9 earthquake occurred on 7 November 2019 in the East-Azerbaijan region, in northwestern Iran, which is inserted in the tectonic framework of the East-Azerbaijan Plateau, a complex mountain belt that contains internal major fold-and-thrust belts. We first analyze the Differential Synthetic Aperture Radar Interferometry (DInSAR) measurements obtained by processing the data collected by the Sentinel-1 constellation along ascending and descending orbits; then, we invert the achieved results through analytical modelling, in order to better constrain the geometry and characteristics of the seismogenic source. The retrieved fault model shows a rather shallow seismic structure, with a center depth at about 3 km, approximately NE–SW-striking and southeast-dipping, characterized by a left-lateral strike-slip fault mechanism (strike = 29.17°, dip = 79.29°, rake = −4.94°) and by a maximum slip of 0.80 m. By comparing the inferred fault with the already published geological structures, the retrieved solution reveals a minor fault not reported in the geological maps available in the open literature, whose kinematics is compatible with that of the surrounding structures, with the local and regional stress states and with the performed field observations. Moreover, by taking into account the surrounding geological structures reported in literature, we also use the retrieved fault model to calculate the Coulomb Failure Function at the nearby receiver faults. We show that this event may have encouraged, with a positive loading, the activation of the considered receiver faults. This is also confirmed by the distribution of the aftershocks that occurred near the considered surrounding structures. The analysis of the seismic events nucleated along the left-lateral strike-slip minor faults of the East-Azerbaijan Plateau, such as the one analyzed in this work, is essential to improve our knowledge on the seismic hazard estimation in northwestern Iran.
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Kazimi, Parviz Firudin Oqlu. "Social and Cultural Features of Trilingual Creativity in Oriental Literature and the Work of Nizami Gandzhavi." Scholars Journal of Arts, Humanities and Social Sciences 9, no. 8 (August 24, 2021): 358–62. http://dx.doi.org/10.36347/sjahss.2021.v09i08.003.
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This article is aimed at examining the cultural, historical and sociological environment of the peoples known to us as medieval oriental literature - Anatolia, the South Caucasus, Iran and a large part of Central Asia, which created bilingual and trilingual literary examples in "Islamic" cultural geography. As a result of the subjective approach of a number of researchers to this process, incorrect, misleading and harmful terms and concepts were introduced, and we observe the trend of “brand” searches in the history of literature. R. Tagore (India), who wrote excellent works in English, Kafka (Israel), the author of valuable works in German, Nizami Ganjavi (Azerbaijan), who wrote important works in Persian and many others, do they express their national "belonging" in accordance with the language of the works? On the basis of this concept, an attempt is made to analyze the socio-cultural picture of medieval Islamic culture and to identify the "baseless terminology" (which has no scientific basis), to evaluate it on specific examples. The early Islamic culture, the stages of the introduction of the Arabic and Persian languages into everyday life and public life, the process of expanding the Islamic cultural environment as a folk, academic and poetic language are studied and analyzed. We also tried to provide a scientific answer to the erroneous judgments and analyzes of various researchers.
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Rza qızı İsmayılova, Nəzakət. "The ideas of child play in the creative activities of writers from Nakhchivan." SCIENTIFIC WORK 15, no. 2 (March 9, 2021): 19–23. http://dx.doi.org/10.36719/2663-4619/63/19-23.
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This scientific article focuses on plays written only in regard to child literature by writers from Nakhchivan. Works written by some writers such as J.Mammadguluzada, A.Abbasov, A.Yadigar, Tofig Mutallibov, K.Agayeva, B.Iskandarli, Z.Vedili, T.Seyidov, S.Djanbakhshiyev etc are involved in research. Plays for children are the most important field in terms of influencing child's inner world and forming child's mindset. Considering these fact we can say that plays written by writers from Nakhchivan have great impact on the literal- aesthetical education of young generation. The dramaturgy of child and the youth has entered a new phase of development since 1960. Over these years the theme of child dramaturgy has so expanded that it has started to play a marked role in the education of young generation.In this field Puppet theatre named after Mammad Tagi Sidgi and Nakhchivan State Child theatre has immense services. Top priorities of these theatre are works written on a basis of Azerbaijan folk fairy tales. The recording of fairy tales are crucially important in this time when there is a considerable decline in book reading habits and fairy tales are getting forgotten gradually. The opportunities of this field in the enlightenment of children are extensive. Key words: Nakhchivan, dramaturgy, child, literature, play, spectacle
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Göher Balçin, Feyzan. "Animal style in Siberian and Central Asian Music." Altaistics, no. 4 (January 2, 2024): 83–91. http://dx.doi.org/10.25587/2782-662-2023-4-83-91.
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In traditional music, it is possible to talk about stylizations that have persisted for many years and are widespread. The musical styles mentioned are often linked to social traditions and various cults. This work is themed on the «animal style», which we claim is a dominant style in Siberian and Central Asian music. This article is a continuation of the study titled «Animal Style in the Music of Central Asian and Siberian Turks», published in 2020, and the research I submitted as my second doctoral thesis at the Department of History at Ankara University in 2018. This article has been prepared for the purpose of briefly introducing the scope of our animal style claim and the subheadings it includes. The study is a summary of the studies on the folk music of Sakhas-Yakuts, Tuvans, Khakas, Altai, Nenets, Khanty-Mansi in Siberian peoples and Mongols, Bashkirs, Kazakhs, Kyrgyz, Azerbaijanis in Central and Western Asia. The data of this descriptive study have been obtained as a result of field research along with literature review.
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Mammadova, Husniya Gara. "Phytochemical Features of <i>Malabaila dasyantha</i> (Apiaceae) Aerial Parts." Растительные ресурсы 59, no. 3 (July 1, 2023): 321–26. http://dx.doi.org/10.31857/s0033994623030032.
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Malabaila dasyantha (C. Koch) Grossh (Apiaceae) is one of the species widely used in folk medicine. However, scientific research of this species has not been carried out, and almost no information on it is found in academic scientific databases. The new distribution areas of M. dasyantha were discovered in Gadabay district, Azerbaijan. It was determined that the plant belongs to the xerophytic ecological group. The chemical composition of the species was studied, focusing on the isolation and elucidation of phytochemical structures. The aerial parts of Malabaila dasyantha were finely cut and dried at ambient conditions. The mixture of extractive substances was obtained through three consecutive extractions with acetone, each 3 days long. The resulting acetone was filtered and evaporated on a water bath, resulting in a yellow resin with a 7% yield. The resin was then dissolved in CHCl3 and chromatographed over a column of neutral Al2O3 with elution by hexane, hexane + benzene, benzene, benzene + chloroform, chloroform, and chloroform + ethanol, in different ratios. Each fraction had a volume of 100 mL, and the separation and isolation process was carried out using column (silica gel) and thin-layer chromatographic methods. The structural elucidation of the purified compounds was based on infrared spectroscopy, ultraviolet, 1H and 13C-NMR data, and compared with those previously reported in the literature. The isolated compounds from the acetone extracts of M. dasyantha were identified as scopoletin (4.3%), oxypencedanin (2.6%), isoimperatorin (3.5%), and columbianetin (2.5%). These findings may have potential applications in the fields of medicine and pharmacology. Further studies are needed to fully explore the potential of these compounds and their therapeutic properties.
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Khodjaeva`, Rano Umarovna. "The Role Of The Central Asians In The Socio-Political And Cultural Life Of Mamluk Egypt." American Journal of Social Science and Education Innovations 02, no. 10 (October 29, 2020): 227–36. http://dx.doi.org/10.37547/tajssei/volume02issue10-38.
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The article considers the strengthening of the Turkic factor in Egypt after the Mamluk Emirs, natives from the Khwarezm, Turkmen and Kipchak tribes, who came to power in the second half of the XIII century. The influence of the Turkic factor affected all aspects of life in Egypt. Under the leadership of the Turkic Emirs, the Egyptians defeated the crusaders who invaded Egypt in 1248. This defeat of the 7th crusade marked the beginning of the General collapse of the Crusades. Another crushing defeat of the Mamluks led by Sultan Kutuz caused the Mongols, stopping their victorious March through the Arab world. As a result of these brilliant victories, Egypt under the first Mamluk Sultans turned into a fairly strong state, which developed agriculture, irrigation, and foreign trade. The article also examines the factors contributing to the transformation of Egypt in the 13-14th centuries in the center of Muslim culture after the fall of the Abbasid Caliphate. Scientists from all over the Muslim world came to Egypt, educational institutions-madrassas were intensively built, and Muslim encyclopedias were created that absorbed the knowledge gained in various Sciences (geography, history, philology, astronomy, mathematics, etc.). Scholars from Khwarezm, the Golden Horde, Azerbaijan, and other Turkic-speaking regions along with Arab scholars taught hadith, logic, oratory, fiqh, and other Muslim Sciences in the famous madrassas of Egypt. In Mamluk Egypt, there was a great interest in the Turkic languages, especially the Oguz-Kipchak dialect. Arabic and Turkic philologists write special works on the vocabulary and grammar of the Turkic languages, and compile Arabic-Turkic dictionaries. In Egypt, a whole layer of artistic Turkic-language literature was created that has survived to the present day. The famous poet Saif Sarayi, who came from the lower reaches of the Syr Darya river in Mawaraunnahr was considered to be its founder. He wrote in Chigatai (old Uzbek) language and is recognized a poet who stands at the origins of Uzbek literature. In addition to his known the names of eight Turkish-speaking poets, most of whom have nisba “al-Khwarizmi”. Notable changes occurred in Arabic literature itself, especially after the decline of Palace Abbasid poetry. There is a convergence of literature with folk art, under the influence of which the poetic genres, such as “zazhal”, “mavval”, “muvashshah”, etc. emerge in the Egyptian poetry. In Mamluk Egypt, the genre of “adaba” is rapidly developing, aimed at bringing up and enlightening the good-natured Muslim in a popular scientific form. The works of “adaba” contained a large amount of poetic and folklore material from rivayats and hikayats, which makes it possible to have a more complete understanding of medieval Arabic literature in general. Unfortunately, the culture, including the fiction of the Mamluk period of Egypt, has been little studied, as well as the influence of the Turkic factor on the cultural and social life of the Egyptians. The Turkic influence is felt in the military and household vocabulary, the introduction of new rituals, court etiquette, changing the criteria for evaluating beauty, in food, clothing, etc. Natives of the Turkic regions, former slaves, historical figures such as the Sultan Shajarat ad-Durr, Mamluk sultans as Kutuz and Beybars became national heroes of the Egyptian people. Folk novels-Sirs were written about their deeds. And in modern times, their names are not forgotten. Prominent Egyptian writers have dedicated their historical novels to them, streets have been named after them, monuments have been erected to them, and series and TV shows dedicated to them are still shown on national television. This article for the first time examines some aspects of the influence of the Turkic factor on the cultural life of Mamluk Egypt and highlights some unknown pages of cultural relations between Egypt and Mawaraunnahr.
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Yegana Gasimova. "FIRIDUN BEY KOCHERLI-LITERATURE SCIENTIST, GREAT INTELLECT AND THE TEACHER." International Journal of Innovative Technologies in Social Science, no. 1(37) (March 24, 2023). http://dx.doi.org/10.31435/rsglobal_ijitss/30032023/7952.
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As for the main research method, this study is based on the qualitative approach. For this purpose, the method of in-depth interviews - with Georgian active internet users – has been conducted. The respondents are doctors, journalists as well as representatives of different academic fields, who possess media literacy skills. This year marks the 160th anniversary of the birth of the well-known literary scholar, publicist-writer, critic and translator Firidun Bey Ahmed Agha Oghlu Kocherli. He left his name in memory as a creator of the history of literary literature who had exceptional services in the history of public opinion of the Azerbaijani people, the author of "Gift to Children", a collector of folk literature, and a person who had an exceptional service in the formation of a great army of teachers. F. Kocherli was born on January 26, 1863 in the city of Shusha, the cultural capital of Azerbaijan and the home of poetry. The main period of his life, literary and pedagogical activity was connected with the Transcaucasian Teachers' Seminary, founded in 1876 in the city of Gori, Georgia, known as the Gori Teachers' Seminary.
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BABUTCU, Aida. "Akkoyunlu turcoman poet Afsahaddin Hidayet's poems in respect of classical traditions of turkic literatures." ULUSLARARASI TÜRK LEHÇE ARAŞTIRMALARI DERGİSİ (TÜRKLAD), April 14, 2022. http://dx.doi.org/10.30563/turklad.1021960.
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The Azerbaijani literature, enriched with new literary adresses and facts, gained new pages in respect of Comparative Literary relations of the poets of the XV century. Afsahaddin Hidayat, who lived in the Aghgoyunlu period and saw three reigns of this state Uzun Hasan, Sultan Khalil and Sultan Yagub, stands before us in medieval sources as a commander who was the participant in historical events and as well as a poet who represents our national literary heritage with his Turkish Diwan. Being a worthy representative of his state, Afsahaddin Hidayat well mastered the literary environment of his period and became deeply acquainted with poetry and art, differed from his contemporaries by his innate talent and folk style. Unfortunately, only the Turkish Divan has survived from Hidayet's works. Generally, there is limited information about the life and works of the poet in medieval sources. For the first time, Hidayat as a warrior- poet in the Azerbaijani Turkish literature was introduced by Prof.Dr. Azizaga Mammadov, but the first systematic scientific studies, manuscript text studies were carried out by us and his Divan was published. There are literary traces of masters such as Ahmad Yesavi, Yunus Emre, Mevlana Rumi, Nizami Ganjavi, Nasimi, Khatai, Navai in Hidayat's poems. In Fuzuli's art, there is a tidings of the most delicate, poetic verses of Hidayat. Our article examines the poet's skill of using Turkish literature before him and his literary effects on our literature after him from the point of view of khalafism and Salafism.
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QEDİMBEYLİ, Mehcebin. "Aesthetic beauty, patriotism and labor education in Ashug Veysal’s creativity." RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, July 21, 2022. http://dx.doi.org/10.29000/rumelide.1146793.
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The article deals with the interpretation of the aesthetic beauty, patriotism and labor education issues in the works of the prominent representative of Turkish literature Ashig Veysal. It gives a brief overview of the life and fate of Ashik Veysal, provides brief information about the parents of the great master, and analyzes examples of biographical poems. Such issues as the personal life of Ashig Veysal, loss of vision in childhood, longing for the day light, and the unsuccessful family fate have also been highlighted in the article. The main attention is paid to the scientific interpretation of the issues of aesthetic beauty, patriotism and labor education in the article, which occupies a special place in the works of Ashug Veysal. Commenting these issues, the author names Azerbaijani and Russian theorists of aesthetic education such as F.B.Sadigov, Z.I.Mammadov, T.S.Akbarov, A.N.Akbarov, Z.I.Valiyeva, V.T.Likhachev, N.A.Kushayeva, Y.F.Smolyaninov, A.B.Sherbo, D.N.Djola, N.G.Kalashnik, G.B.Nezdemkovskaya, who dealt with the education of aesthetic beauty in thehistory of pedagogical thought, and their views on the education of aesthetic beauty are cited. It is substantiated that the education of aesthetic beauty occupies a central place in the poems of Ashig Veysal as a representative of folk art. Examples from the poems of Ashig Veysal are represented in the interpretation of aesthetic beauty education, the poetic mastery of the aesthetic description and characterization of the great ashug-poet are given. The scientific analysis of Ashig Veysal's creativity about love for motherland and patriotic education is also studied in the article. The study cites the views of one of the Azerbaijani scientists Z.I. Valiyeva on fostering love for the Motherland, and it is noted that this feature is also characteristic for Ashug Veysal’s poetry. The views of Doctor of philological sciences, professor Asgar Gadimov about Ashuq Veysel's creativity have also been used and it has been concluded that love of motherland and patriotic education themes prevail in Ashuq Veysal's creative activity.
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Sharifova, S. Sh. "Scientific debate about the genre of the Orkhon-Yenisei inscriptions." Turkic Studies Journal, 2021, 98–111. http://dx.doi.org/10.32523/2664-5157-2021-4-98-111.
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This paper attempts to define the genre of the Orkhon-Yenisei Old Turkic inscriptions. The Orkhon -Yenisei inscriptions, found in the territory of modern Mongolia, attracted researchers’ attention in two directions. First, the interest was shown in scientific field, and then in the field of fiction. Along with the historiography, the Orkhon-Yenisei inscriptions have been studied from a cultural point of view, as well as from the point of view of literary criticism. Today Azerbaijani, Turkish and Russian scientists still dispute about the genre of the Orkhon-Yenisei written monuments. Different views have been expressed on the genre of the Orkhon-Yenisei written monuments. The researchers emphasize The Old Turkic written monuments emphasized the fact of the presence of researchers in the rhythm of folk poetry and “weighty verses”. Taking into consideration the feature of narrative written in verses and the connection with a folk poetry, a number of researchers define these inscriptions as poems in prose (F.E. Korsh, Amid Abid). Other authors note that the inscriptions are “a small literary work” (Vasfi Mahir Gochatürk). Furthermore, the inscriptions are considered “a small literary work”, “common Turkic historical heroic poems”, “epitaphs”, “graveyard poetry”, “a separate genre”, “prose texts”, “historical legend”, “prose in verses” etc. The Orkhon-Yenisei inscriptions manifest themselves as a mixture of prose and poetry, which is characteristic of the Turkic epic. We find the perfect example of this tradition in the epic Kitabi Dede Gorgud, a common Turkic monument. That is, a combination of prose and poetry. The Yenisei epitaphs, the Orkhon “Bangu stones” attract attention as the direction in which the Orkhon-Yenisei inscriptions will study the poetics of ancient Turkic literature. Although the Orkhon-Yenisei monuments were studied as texts of poems, epitaphs, epics, chronicles, stories, novels, stories, etc. Orkhon-Yenisei monuments should not be considered as an example of epitaphs. The Orkhon-Yenisei Inscriptions is a historical-documentary novel of poetry, combining genre features of different genres. The existence of such novels of poetry as the Orkhon-Yenisei inscriptions created the conditions for the creation of meaningful novels of poetry during the Eastern Renaissance. The creation of a novel of verses by Nizami Ganjavi in the XII century confirms this
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Aliyev, Ali. "EXAMPLES OF AZERBAIJAN VERBAL FOLK LITERATURE IN THE INSTITUTE OF MANUSCRIPTS OF NAS OF AZERBAIJAN REPUBLIC." TRANSACTIONS OF TELAVI STATE UNIVERSITY, April 29, 2023. http://dx.doi.org/10.52340/tuw.2022.01.35.14.
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ALBAYRAK, Hakan. "A STUDY OF OZANTÜRK'S EPIC OF "TURNALAR" IN TERMS OF NATIONALISM THEORIES." Karadeniz Uluslararası Bilimsel Dergi, December 15, 2022. http://dx.doi.org/10.17498/kdeniz.1190167.
Full textAbstract:
Various theories have emerged as a result of evaluations and studies on nationalism. Among these theories, "primordial theory", "modernist theory" and "ethno-symbolist theory" came to the fore. Primordial theory argues that nations come from the same lineage and share a common religion, language, culture and history. In this theory, there are “naturalistic”, “biological” and “cultural” perspectives. According to modernist theory, nationalism is a social necessity of that period. In this theory, nationalism is evaluated together with the modernization process, which affects social, political and economic developments and changes. In the ethno-symbolist theory, nationalism, ethnic origin and cultural characteristics of nations are emphasized. National symbols are frequently encountered in Turkish oral and written cultural products. Symbols reflecting Turkish nationalism are widely used, especially in Minstrel Literature, a product of Turkish Folk Literature. These symbols appeal to the subconscious of the Turks with their deep meanings. Each symbol has its own semantic national value. The "Turnalar" epic of Ozantürk emphasizes the shared cultural heritage of the Turkish people. In the epic of Turnalar, which consists of three separate works connected to each other, the Turkish communities that make up the Turkish World are described. In the first of these texts, the Turks of Azerbaijan, Kazakhstan, Kyrgyzstan, the Turkish Republic of Northern Cyprus, Uzbekistan, Turkey and of Turkmenistan are mentioned. In the second text, Turkish tribes living in a wide geography including countries such as Iraq, Iran, East Turkestan, Crimea, Tatarstan, Bashkortostan, Yakutia / Sakha, Chuvashia, Altai Republic, Tuva Republic, Khakas Republic are presented. In the third text, the Turks living in countries such as Greece / Western Thrace, Bulgaria, Romania, Moldova / Gagauzeli, Serbia, Montenegro, Bosnia-Herzegovina, Kosovo, Albania, Croatia, Macedonia, Hungary, and Turks who struggle for existence" along with the Turkish presence in Europe are spoken of. The epic of "Turnalar" is a work of Bayram Durbilmez, who also wrote poems in minstrel manner under the pseudonym Ozantürk. Durbilmez is a scholar known for his works in the fields of minstrel literature, tekke-sufi literature and folklore of the Turkish World. This scholar is also known as a Turkist, nationalist intellectual who has served as a member of the board of directors, chairman of the board of directors and a delegate to the headquarters in various non-governmental organizations, foundations and associations that defend Turkish nationalism. The fact that he usually uses the pseudonym Ozantürk in his poems shows that Durbilmez has a nationalist attitude also in the world of art. In this article numerous national symbols that occurs in Ozantürk / Bayram Durbilmez's epic "Turnalar" about the Turkish World and that are shared by Turkish states and communities that exist across many geographical areas will be analysed. The national symbols in question are evaluated within the framework of nationalist theories, some of which through the primordial theory which states there are natural nations, some of which through modernist theory that emerged with the effect of modernization, and some of which through the ethno-symbolist theory that adopts ethnic cultural values. There are also symbols that are evaluated within these three theories. While determining the nationalist attitude in the epic, the scientific foundations of nationalism will also be tried to be shown through the mentions of the poet's academic studies on the Turkish World.