Relevant bibliographies by topics / Azerbaijani poetry – History and criticism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Azerbaijani poetry – History and criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Azerbaijani poetry – History and criticism"

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Ализаде, Лала Икрам кызы. "ИССЛЕДОВАНИЯ АЗЕРБАЙДЖАНО-УЗБЕКСКИХ ЛИТЕРАТУРНЫХ СВЯЗЕЙ В ТРУДАХ ДЖАННАТ ХАНУМ НАГИЕВОЙ (НЕКОТОРЫЕ ИЗЫСКАНИЯ НА ОСНОВЕ ПАРАЛЛЕЛЕЙ ТВОРЧЕСТВА АЛИШЕР НАВОИ И МУХАММЕДА ФИЗУЛИ)". Oriental Renaissance: Innovative, educational, natural and social sciences 2, № 26 (2022): 341–46. https://doi.org/10.5281/zenodo.7335784.

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<em>В статье, представленной на конференцию, рассматривается многолетняя история азербайджано-узбекских литературных связей. Рассказывается об образцах средневековой классической поэзии, которые широко анализированы и интерпретированы с точки зрения перевода, литературоведения и историографии. В частности, предметом обсуждения стали вопросы обращения великого узбекского поэта Алишера Навои к произведениям азербайджанских поэтов, а также воздействие его сочинений на творчество классиков азербайджанской поэзии, а также поэтические проблемы. Тем самым, подчеркивается важность взаимовлияния и инте
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Kazimov, Mehdi. "Semantics of Hajv in Persian-Language Literature of Azerbaijan in the 15th Century." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 3 (2024): 152. https://doi.org/10.31696/s086919080031198-4.

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Badr Shirvani entered the history of medieval Azerbaijani literature as a poet-panegyrist. However, panegyric, being the leading trend in Badr’s work, does not mean that the poet was focused exclusively on writing praise poems and did not pay attention to other topics. Even in the purely panegyric genre, which was the qasida, he raised many issues affecting both the interests of the court, representatives of the nobility, and urban strata, expressing his own hopes and expectations. In the poet’s Divan there are also poems that represent the opposite of panegyric and are distinguished by their
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Allahverdiyeva, Zehra. "Hacû-yi Kirmâni'nin "Kemâlnâme" mesnevisinde Nizâmî Gencevî'nin etkisi." | International Journal of Art Design and Education 3, no. 3 (2022): 34–40. https://doi.org/10.5281/zenodo.7470327.

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The study of the interactions and connections between the cultures and literatures of the peoples of the Near and Middle East is an important problem that is always in the focus of world and Azerbaijani literary criticism. In the twentieth century, the theoretical aspects of the problem have been identified, and considerable research has been conducted in various areas on the basis of the historical-comparative method. &nbsp; In the past,YE Bertels,&nbsp;&nbsp;V. M.Jirmunski, F. Koprulu,&nbsp;&nbsp;A.Sirri Lavand, H.Arasli, M.Mubariz,&nbsp;&nbsp;&nbsp;G.Aliyev, R.Aliyev, R.Azade, H. Yusifli, N
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ALIYEVA, Gultekin. "PROBLEMS OF THE DEVELOPMENT OF AZERBAIJANI BLANK VERSE IN THE 1980S." RIMAK International Journal of Humanities and Social Sciences 05, no. 04 (2023): 410–16. http://dx.doi.org/10.47832/2717-8293.24.24.

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The article talks about the development path and features of the stage of the 80s of free poetry of Azerbaijan. It is noted that in the 80s, new signatures came to free poetry, and along with the poets who started their work in the 60s, young poets who started their career in the 70s and 80s created new examples of free poetry. R. Rovshan, S. Rustamkhanli, V. Jabrayilzade (Vagif Bayatli Oder, Taleh Hamid, Sayavush Sarkhanli, Vagif Bahmanli, e tc.) associativeness increases somewhat in free poems. The free poetry of these years differed from the poems of previous years due to many of its charac
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Ulvi Bi̇nnatova, Almaz. "FROM THE HISTORY OF SCIENTIFIC-THEORETICAL RESEARCH OF ALISHER NAVOI’S HERITAGE(ON THE PAGES OF AZERBAIJANI LITERATURE AND LITERARY CRITICISM." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 146–52. http://dx.doi.org/10.26739/2181-1490-2021-1-15.

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The research work named “From the history of scientific-theoretical research of Alisher Navoi’s heritage (on the pages of Azerbaijani literature and literary criticism)” was grouped in several directions. In the systematic research within the sections named - 1. “The influence of Alisher Navoiy’s creativity on Azerbaijani literature”, 2. “The influence of Azerbaijani literature on the creativity of Alisher Navoiy”, 3. “Studying of Alisher Navoiy’s legacy in Azerbaijani literary studies
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Zeynalova, Gulshan. "Genre of tezkire in history of Azerbaijani criticism." Poetika.izm, no. 02 (2023): 106. http://dx.doi.org/10.59849/2663-2926.2023.2.106.

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Reynolds, R. Clay, and R. S. Gwynn. "New Expansive Poetry: Theory, Criticism, History." South Central Review 17, no. 3 (2000): 141. http://dx.doi.org/10.2307/3190100.

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Ağacan qızı Əliyeva, Rəna. "Peculiarities of Kadi Burhan al-din in medieval Azerbaijani poetry." SCIENTIFIC WORK 67, no. 06 (2021): 63–67. http://dx.doi.org/10.36719/2663-4619/67/63-67.

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Kadi Burhan al-Din was one of the outstanding representatives of medieval Azerbaijani literature. He was the first poet in literature to write in the genre of tuyugh-classical genre of Turkic poetry. His diwan comprises 1,500 ghazals, 119 tuyughs. Not only individual poems of the poet, but all poetry of Kadi Burhan al-Din is very valuable for the history of Azerbaijan literature. Key words: native language, diwan, tuyugh, poetry, poet, literature, medieval
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KULİYEVA, MAHİRE. "NESİMİ’NİN LİRİKASI: İRFANÎ MÜNDERİCE VE POETİK ZİNETLER." Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 106 (June 20, 2023): 413–20. http://dx.doi.org/10.34189/hbv.106.020.

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The article presents a monograph by Saadet Shikhiyeva. Her monograph "Nesimi's Lyrics: Wisdoom Content and Poetic Decorations" discusses the themes of Nasimi's creativity that have not been studied so far and the place of the poet in the history of Azerbaijani philosophical poetry. In this work, research on Nesimi was carried out on two divans of the poet, which he wrote in Azerbaijani Turkish and Persian. Keywords: Nesimi, Shikhiyeva, Hurufism.
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Isaxanli1, Hamlet. "History and Policy of Translating Poetry: Azerbaijan and Its Neighbors." Meta 59, no. 2 (2014): 310–29. http://dx.doi.org/10.7202/1027478ar.

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Throughout the history of civilization the art of translation has existed as a bridge that connects different cultures. The article focuses on the history of poetic (and other) translations in the Middle East and territories abutting Azerbaijan from the Middle Ages to the 20th century. It also explores the practice of translating holy books and its influence on the region, as well as the tradition of nezire, or writing a new book under the inspiration of an original one rather than simply translating the original. The second part of the article discusses the history of poetic translation into
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Dissertations / Theses on the topic "Azerbaijani poetry – History and criticism"

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HSIAO, CHING-SONG GENE. "SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.

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To interpret a poem is to comprehend a complete act of written communication. And to comprehend such an act, the reader must break the codes in which the communication is framed. Thus, poetic interpretation becomes the study of codes--or semiotics. Poetic codes exist at pragmatic, semantic, syntactic, and phonic levels. The decoding requires the reader's linguistic skills, literary competence, and personal experience. It involves an initial reading and a retroactive reading. At the first step, the reader attempts to supply elements missing in the text. Yet trying to interpret the text literall
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周業珍 and Yip-chun Rita Chau. "A study of Zhu Ziqing's (1898-1948) poetry and prose." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212153.

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Kokotailo, Philip 1955. "Appreciating the present : Smith, Sutherland, Frye, and Pacey as historians of English-Canadian poetry." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39772.

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This thesis argues that as historians of English-Canadian poetry, A. J. M. Smith, John Sutherland, Northrop Frye, and Desmond Pacey explicitly promote the value of past conflict reconciled into present harmony. They do so by claiming that such reconciliation marks the maturity of English-Canadian culture. This thesis also argues, however, that the interactive progression of their histories implicitly undermines this value. It does so because each critic appreciates a different group of poets for realizing their shared cultural ideal, thereby establishing contradictory representations of what t
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Meir, Amira. "Medieval Jewish interpretation of pentateuchal poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.

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This dissertation studies parts of six medieval Jewish Torah commentaries in order to examine how they related to what we call Pentateuchal poetry. It examines their general approaches to Bible interpretation and their treatments of all Pentateuchal poems. It focusses on qualities we associate with poetry--parallelism, structure, metaphor, and syntax--and explores the extent to which they treated poems differently from prose.<br>The effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by
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Mona, Godfrey Vulindlela. "Ideology, hegemony, and Xhosa written poetry, 1948-1990." Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1002172.

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This interdisciplinary study locates Xhosa written poetry (1948-1990) within the framework of the socio-politico-economic scenario in South Africa. It sets out to examine the impact of the above stated factors on literature, by supporting the hypothesis that Xhosa written poetry of the Apartheid epoch is a terrain of the struggle for hegemony between the dominant ideology and the alternative ideologies.
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Ming, Yau-yau, and 明柔佑. "Qing poetry on Ming." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44204723.

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Kaze, Douglas Eric. "The environmental imagination in Arthur Nortje’s poetry." Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/58024.

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This thesis seeks to contribute to the conversations in the humanities about the treatment of the physical environment in the context of a global ecological fragility and increased scholarly interest in the poetry of Arthur Nortje, a South African poet who wrote in the 1960s. While previous studies on Nortje concentrate on the political, psychic and technical aspects of his poetry, this study particularly explores the representations of the environment in Nortj e’s poetic imagination. Writing in the dark period of apartheid in South Africa’s history, Nortje’s poetry articulates a strong intere
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Ellis, Toshiko 1956. "The modernist dilemma in Japanese poetry." Monash University, School of Asian Languages and Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8720.

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Travis, Isabelle. "The poetry of pain : trauma, madness and suffering in post-World War II American poetry." Thesis, University of Reading, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553108.

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Stenke, Katarina Maria. "Parts and wholes in long non-narrative poems of the eighteenth century." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610756.

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Books on the topic "Azerbaijani poetry – History and criticism"

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Gasymly, Măḣărrăm. Ozan-aşıq sänäti. Uğur, 2003.

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Ḣajyi̐eva, Maarifă. Folklor poetikası. Azarbaycan Dövlät Näşriyyatı, 2006.

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Äfşar, Sadiq bäy. Mäcmäül-Xävas. Elm, 2008.

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Ḣu̇sei̐nzadă, A. Ă. Romantik shair Ălipasha Săbur: Ḣăi̐at vă i̐aradyjylyghy. Boz Oghuz, 2000.

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Hüseynova, Mäfkurä. Eldar Ismayil yaradıcılığının bäzi aspektläri. Çänlibel, 2011.

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Musayeva, Azadä. XV-XVI äsrlär Azärbaycan mühacirät ädäbiyyatı vä Xälili firqätnamä si: (al̈yazma qaynaqları äsasında araşdırma vä mätn) = 15-16th centuries migration literature of Azerbaijan and "Firqetname" by Khalili. Elm, 2007.

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Qayṭarānʹpūr, Ṭayyib. Adabiyātʹdān bīr āz ū yānā... Intishārāt-i Nukhbagān, 2015.

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Yä'qubi, Äsäd Rza. Häyatı düşünärkän. Oskar, 2009.

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Asadullaev, S. G. Azärbaycan poeziyasında sonet janrı: Tarixi vä näzäriyyäsi. Mütärcim, 2002.

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Şamil, Äli. Axisqalı Xästä Hasan: Şeirläri vä şeirlärinin yaranması haqqında söhbätlär. Elm vä Tähsil, 2012.

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Book chapters on the topic "Azerbaijani poetry – History and criticism"

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Zhao, Yiheng. "Pure Poetry, Impure Criticism, and the Power of Academia: Some Paradoxes Concerning the History of New-Wave Poetry." In The River Fans Out. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7724-6_12.

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"Modernism and criticism." In A Linguistic History of English Poetry. Routledge, 2005. http://dx.doi.org/10.4324/9780203978702-14.

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Kerkering, John D. "Theories of poetry." In The Cambridge History of Literary Criticism. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139018456.035.

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Ferrari, G. R. F. "Plato and poetry." In The Cambridge History of Literary Criticism. Cambridge University Press, 1990. http://dx.doi.org/10.1017/chol9780521300063.004.

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Sambrook, James. "Poetry, 1660-1740." In The Cambridge History of Literary Criticism. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521300094.004.

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Keach, William. "Poetry, after 1740." In The Cambridge History of Literary Criticism. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521300094.005.

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Wimsatt, William K., and Cleanth Brooks. "Aristotle’s Answer: Poetry as Structure." In Literary Criticism: A Short History. Routledge, 2021. http://dx.doi.org/10.4324/9781003140917-3.

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Moss, Ann. "Theories of poetry: Latin writers." In The Cambridge History of Literary Criticism. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.010.

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Coolahan, Marie-Louise. "Archipelagic Poetry." In The Oxford History of Poetry in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198930259.003.0035.

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Abstract Archipelagic literary criticism directs attention to the literary interactions between the ‘four nations’: England, Ireland, Scotland, and Wales. This approach to literary study embraces a plurality of voices and languages across the islands of Britain and Ireland, exploring multi-polar perspectives that de-centre that of England. This chapter begins with a survey of archipelagic criticism, outlining key directions that have been taken and debates opened up. It then charts a course through archipelagic approaches to individual poets—some (such as Marvell and Milton) engulfed in histor
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Murphy, J. J. "The arts of poetry and prose." In The Cambridge History of Literary Criticism. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521300070.004.

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Conference papers on the topic "Azerbaijani poetry – History and criticism"

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Liu, Chongxi. "“POETRY CARVED IN STONE”: DOCUMENTARY, LITERARY AND CULTURAL CONNOTATION IN BAI JUYI’S POETRY INSCRIPTION." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.04.

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The poetry inscription, with Bai Juyi in the Middle Tang Era as its representative, began to express purely personal emotions in terms of content, which reflects the poet’s creative individuality. Bai takes stone as his friend, loves it, chants it, and inscribes poems on it, endowing it natural and personal qualities. Bai was the first poet to consciously combine “poetry” and “stone” with nearly 20 kinds of poetry inscriptions. Compared with book documents, Bai’s poetry inscriptions not only have the philological value of text criticism, but also have multiple functions, i. e., reproducing the
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Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.

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автор исследует творческие интерпретации произведения поэта-гуманиста Низами Гянджеви (XII в.) из цикла «Хамсе» «Семь красавиц». Поэт, был подлинным эрудитом, знатоком не только коранических текстов, истории, античной и мусульманской философии, но и астрономии. Данная статья – попытка проследить ориентальную символику образов Гянджеви в одной из творческих интерпретаций поэмы «Семь красавиц», через призму хореографического и сценографического искусства. Метод исследования – семиотический анализ, объект исследования – балет «Семь красавиц», объединивший достижения современной европейской хореог
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