Relevant bibliographies by topics / Azerbaijani poetry – History and criticism

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Academic literature on the topic 'Azerbaijani poetry – History and criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Azerbaijani poetry – History and criticism"

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Əflatun qızı Pirəliyeva, Elnurə. "History of the development of epistolary style: from the past to the present." SCIENTIFIC WORK 15, no. 2 (2021): 107–9. http://dx.doi.org/10.36719/2663-4619/63/107-109.

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The first example of epistolary style in world literature is Horace`s Letter to the Pisons. It has been used in the history of Azerbaijani literature in three genres of epistolary style: verse letter, literary letter and open letter. The first example of a poetic letter is in the works of G. Tabrizi in the 11th century by M.F.Akhundov. We meet withopen letters in Akhundov`s works. Open letter is a genre of literary criticsm, verse letter and literary letter are genres of literary criticism. Key words: criticism, epistolary style, verse letter, literary letter, open letter
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Ulvi Bi̇nnatova, Almaz. "FROM THE HISTORY OF SCIENTIFIC-THEORETICAL RESEARCH OF ALISHER NAVOI’S HERITAGE(ON THE PAGES OF AZERBAIJANI LITERATURE AND LITERARY CRITICISM." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 146–52. http://dx.doi.org/10.26739/2181-1490-2021-1-15.

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The research work named “From the history of scientific-theoretical research of Alisher Navoi’s heritage (on the pages of Azerbaijani literature and literary criticism)” was grouped in several directions. In the systematic research within the sections named - 1. “The influence of Alisher Navoiy’s creativity on Azerbaijani literature”, 2. “The influence of Azerbaijani literature on the creativity of Alisher Navoiy”, 3. “Studying of Alisher Navoiy’s legacy in Azerbaijani literary studies
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Reynolds, R. Clay, and R. S. Gwynn. "New Expansive Poetry: Theory, Criticism, History." South Central Review 17, no. 3 (2000): 141. http://dx.doi.org/10.2307/3190100.

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Isaxanli1, Hamlet. "History and Policy of Translating Poetry: Azerbaijan and Its Neighbors." Meta 59, no. 2 (2014): 310–29. http://dx.doi.org/10.7202/1027478ar.

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Throughout the history of civilization the art of translation has existed as a bridge that connects different cultures. The article focuses on the history of poetic (and other) translations in the Middle East and territories abutting Azerbaijan from the Middle Ages to the 20th century. It also explores the practice of translating holy books and its influence on the region, as well as the tradition of nezire, or writing a new book under the inspiration of an original one rather than simply translating the original. The second part of the article discusses the history of poetic translation into and from the Azerbaijani language, especially translation work from Abbas Sehhet and Samad Vurghun, two renowned translators in Azerbaijani history. Finally, important aspects of the art of translating poetry are reviewed and analyzed, such as poetic forms and metaphors, rhythm and rhyme schemes, and the style of the text. The article concludes by making the point that poetry should indeed be translated; however, translators must take many factors into account in their work so that the target text reflects as much as possible the beauty of the original.
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Ağacan qızı Əliyeva, Rəna. "Peculiarities of Kadi Burhan al-din in medieval Azerbaijani poetry." SCIENTIFIC WORK 67, no. 06 (2021): 63–67. http://dx.doi.org/10.36719/2663-4619/67/63-67.

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Kadi Burhan al-Din was one of the outstanding representatives of medieval Azerbaijani literature. He was the first poet in literature to write in the genre of tuyugh-classical genre of Turkic poetry. His diwan comprises 1,500 ghazals, 119 tuyughs. Not only individual poems of the poet, but all poetry of Kadi Burhan al-Din is very valuable for the history of Azerbaijan literature. Key words: native language, diwan, tuyugh, poetry, poet, literature, medieval
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Dadaş qızı Hüseynova, Əsmər. "The main stages of Masud Aliyoglu's critical activity." SCIENTIFIC WORK 65, no. 04 (2021): 101–5. http://dx.doi.org/10.36719/2663-4619/65/101-105.

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The stages of development of Azerbaijani literary criticism in the twentieth century coincided with the period of political and ideological principles. It is substantial influence on aesthetic approaches is confirmed by existing research. In this sense, the study of the individual facts of criticism and the scientific and theoretical heritage of individual critics in stages creates a favorable basis for concrete conclusions. A step-by-step study of Masud Alieglu's 25-year career as a critic reveals interesting scientific and theoretical truths. The main priority goal of the article is to study the general activities of the critic and the directions of research in a unified way. Based on articles and opinions written in a short period of time from the late 1940s to the 1950s, he chose Masud Aliyoglu as a leading field for his literary criticism. In the later stages of development, the literary-aesthetic factors that led to the continuation and development of research on the creative problems of poetry, prose, drama and literary criticism in the 50s and 60 s and 70s were focused on the analysis of facts. Key words: critical individuality, literary process, scientific-theoretical generalization, criterion of modernity, aesthetic evaluation, critical thinking, new trends
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Houston, John Porter. "French Romantic Poetry, Literary History, and the Newer Criticism." Romance Quarterly 34, no. 4 (1987): 389–95. http://dx.doi.org/10.1080/08831157.1987.11000479.

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Zohar Weiman-Kelman. "Touching Time: Poetry, History, and the Erotics of Yiddish." Criticism 59, no. 1 (2017): 99. http://dx.doi.org/10.13110/criticism.59.1.0099.

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Muir, James. "Poetry and Philosophy: Plato’s Spirit and Literary Criticism." European Legacy 19, no. 3 (2014): 403–6. http://dx.doi.org/10.1080/10848770.2014.898954.

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ABU-HAIDAR, J. A. "WHITHER THE CRITICISM OF CLASSICAL ARABIC POETRY?" Journal of Semitic Studies XL, no. 2 (1995): 259–81. http://dx.doi.org/10.1093/jss/xl.2.259.

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Dissertations / Theses on the topic "Azerbaijani poetry – History and criticism"

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HSIAO, CHING-SONG GENE. "SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.

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To interpret a poem is to comprehend a complete act of written communication. And to comprehend such an act, the reader must break the codes in which the communication is framed. Thus, poetic interpretation becomes the study of codes--or semiotics. Poetic codes exist at pragmatic, semantic, syntactic, and phonic levels. The decoding requires the reader's linguistic skills, literary competence, and personal experience. It involves an initial reading and a retroactive reading. At the first step, the reader attempts to supply elements missing in the text. Yet trying to interpret the text literally, he encounters problems in pragmatics, semantics, syntactics, or phonics, and is unable to grasp a coherent sense of the poem. Those problems give rise to a retroactive reading. At this step, the reader looks for a higher level of understanding where a unity of meaning can be identified. And by explaining the clues in the text according to his linguistic and literary competence, and revising his understanding on the basis of his new findings, he finally discovers a kernel concept, on which the whole text can be seen as a single unit, and every element, which first appeared to be puzzling, has a significative purpose. This semiotic model of interpretation has proven to be very fruitful in the explication of Tu Mu's poetry. It also enables the reader to appreciate the poetic discourse more thoroughly. Some of the ideas advocated by the model may also serve as principles for the translation of poetry. For example, in reading a poem, the model requires a search for unified pragmatic, semantic, syntactic, and phonic patterns, which convey the kernel concept. Thus, in translating a poem, the translator should also try to re-produce in the target language such unified patterns so that the reader may grasp the same kernel concept as contained in the original discourse. The model stresses implicities of poetry. Hence the rendition of a poem should preserve the implicities of the original text in order to invoke from the reader a response similar to what would be induced by the original poem.
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周業珍 and Yip-chun Rita Chau. "A study of Zhu Ziqing's (1898-1948) poetry and prose." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212153.

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Kokotailo, Philip 1955. "Appreciating the present : Smith, Sutherland, Frye, and Pacey as historians of English-Canadian poetry." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39772.

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This thesis argues that as historians of English-Canadian poetry, A. J. M. Smith, John Sutherland, Northrop Frye, and Desmond Pacey explicitly promote the value of past conflict reconciled into present harmony. They do so by claiming that such reconciliation marks the maturity of English-Canadian culture. This thesis also argues, however, that the interactive progression of their histories implicitly undermines this value. It does so because each critic appreciates a different group of poets for realizing their shared cultural ideal, thereby establishing contradictory representations of what they all claim to be the culmination of English-Canadian literary history. The thesis concludes that while their lingering sense of present cultural maturity should now be fully renounced, the value these critics place on reconciliation is well worth preserving and transforming.
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Meir, Amira. "Medieval Jewish interpretation of pentateuchal poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.

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This dissertation studies parts of six medieval Jewish Torah commentaries in order to examine how they related to what we call Pentateuchal poetry. It examines their general approaches to Bible interpretation and their treatments of all Pentateuchal poems. It focusses on qualities we associate with poetry--parallelism, structure, metaphor, and syntax--and explores the extent to which they treated poems differently from prose.<br>The effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by Rabbi Saadia Gaon of Baghdad (882-942), Abraham Ibn Ezra of Spain (1089-1164), Samuel Ben Meir (1080-1160) and Joseph Bekhor Shor (12th century) of Northern France, David Kimhi of Provence (1160-1235), and Obadiah Sforno of Italy (1470-1550).<br>While all of these commentators wrote on the poetic passages, none differentiated systematically between Pentateuchal prose and poetry or treated them in substantially different ways. Samuel Ben Meir, Ibn Ezra, Bekhor Shor, and Kimhi did discuss some poetic features of these texts. The other two men were far less inclined to do so, but occasionally recognized some differences between prose and poetry and some phenomena unique to the latter.
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Mona, Godfrey Vulindlela. "Ideology, hegemony, and Xhosa written poetry, 1948-1990." Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1002172.

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This interdisciplinary study locates Xhosa written poetry (1948-1990) within the framework of the socio-politico-economic scenario in South Africa. It sets out to examine the impact of the above stated factors on literature, by supporting the hypothesis that Xhosa written poetry of the Apartheid epoch is a terrain of the struggle for hegemony between the dominant ideology and the alternative ideologies.
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Ming, Yau-yau, and 明柔佑. "Qing poetry on Ming." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44204723.

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Ellis, Toshiko 1956. "The modernist dilemma in Japanese poetry." Monash University, School of Asian Languages and Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8720.

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Kaze, Douglas Eric. "The environmental imagination in Arthur Nortje’s poetry." Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/58024.

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This thesis seeks to contribute to the conversations in the humanities about the treatment of the physical environment in the context of a global ecological fragility and increased scholarly interest in the poetry of Arthur Nortje, a South African poet who wrote in the 1960s. While previous studies on Nortje concentrate on the political, psychic and technical aspects of his poetry, this study particularly explores the representations of the environment in Nortj e’s poetic imagination. Writing in the dark period of apartheid in South Africa’s history, Nortje’s poetry articulates a strong interest in the physical environment against the backdrop of official racialization of space and his personal nomadic life and exile. The poetry abounds with constant intersections of nature and culture (industrialism, urbanity and the quotidian), a sense of place and a deep sense of dislocation. The poems, therefore, present a platform from which to reevaluate conventional ecocritical ideas about nature, place-attachment and environmental consciousness. Drawing mainly on Felix Guattari’s ideas of three ecologies and transversality along with other theories, I conduct the study through what I call a transversal postcolonial environmental criticism, which considers the ecological value of the kind of assemblages that Nortje’s works represent. The first chapter focuses on conceptualizing a postcolonial approach to the environment based on Guattari’s concept of transversality to lay the theoretical foundation for the whole work. The second chapter analyses Nortje’s poetic imagination of place and displacement through his treatment of the private-public tension and the motif of exile. While the third chapter examines Nortje’s depiction of nature as both an everyday and urban phenomenon, the fourth chapter turns to his direct treatment of environmental crises handled through his imagination of the Canadian urban spaces, exile memory of apartheid geography, war and ecocide and the human body as a subject of environmental degradation. The fifth chapter, which is the conclusion, takes a brief look at the implication of Nortje’s complex treatment of the environment on postcolonial environmentalism.
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Travis, Isabelle. "The poetry of pain : trauma, madness and suffering in post-World War II American poetry." Thesis, University of Reading, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553108.

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Wan, Yu-pui, and 溫羽貝. "Time and space in Zheng Chouyu's Poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B3963405X.

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Books on the topic "Azerbaijani poetry – History and criticism"

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Gasymly, Măḣărrăm. Ozan-aşıq sänäti. Uğur, 2003.

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Naqd-i shiʻr-i muʻāṣir-i Āz̲arbāyjān: Bā taḥlīl-i shiʻrhā-yi Sāhir, Sahand, Bārīshmāz va Saḥar. Nashr-i Akhtar, 2004.

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Naqd-i shiʻr-i muʻāṣir-i Āz̲arbāyjān: Bā taḥlīl-i shiʻrhā-yi Sāhir, Sahand, Bārīshmāz va Saḥar. Nashr-i Akhtar, 2004.

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Naqd-i shiʻr-i muʻāṣir-i Āz̲arbāyjān: Bā taḥlīl-i shiʻrhā-yi Sāhir, Sahand, Bārīshmāz va Saḥar. Nashr-i Akhtar, 2004.

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Ḣajyi̐eva, Maarifă. Folklor poetikası. Azarbaycan Dövlät Näşriyyatı, 2006.

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Çağdaş poeziya vä Füzuli irsi. Elm, 2008.

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Yä'qubi, Äsäd Rza. Häyatı düşünärkän. Oskar, 2009.

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Asadullaev, S. G. Azärbaycan poeziyasında sonet janrı: Tarixi vä näzäriyyäsi. Mütärcim, 2002.

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Sayr-i ghazal dar adabīyāt-i Āz̲arbāyjān: Tārīkh-i ghazal dar qurūn-i 6 va 10 Hijrī. Intishārāt-i Shaykh Ṣafī al-Dīn, 2004.

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Musayeva, Azadä. XV-XVI äsrlär Azärbaycan mühacirät ädäbiyyatı vä Xälili firqätnamä si: (al̈yazma qaynaqları äsasında araşdırma vä mätn) = 15-16th centuries migration literature of Azerbaijan and "Firqetname" by Khalili. Elm, 2007.

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Book chapters on the topic "Azerbaijani poetry – History and criticism"

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Zhao, Yiheng. "Pure Poetry, Impure Criticism, and the Power of Academia: Some Paradoxes Concerning the History of New-Wave Poetry." In The River Fans Out. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7724-6_12.

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"Modernism and criticism." In A Linguistic History of English Poetry. Routledge, 2005. http://dx.doi.org/10.4324/9780203978702-14.

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Kerkering, John D. "Theories of poetry." In The Cambridge History of Literary Criticism. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139018456.035.

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Keach, William. "Poetry, after 1740." In The Cambridge History of Literary Criticism. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521300094.005.

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Sambrook, James. "Poetry, 1660-1740." In The Cambridge History of Literary Criticism. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521300094.004.

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Ferrari, G. R. F. "Plato and poetry." In The Cambridge History of Literary Criticism. Cambridge University Press, 1990. http://dx.doi.org/10.1017/chol9780521300063.004.

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Wimsatt, William K., and Cleanth Brooks. "Aristotle’s Answer: Poetry as Structure." In Literary Criticism: A Short History. Routledge, 2021. http://dx.doi.org/10.4324/9781003140917-3.

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Moss, Ann. "Theories of poetry: Latin writers." In The Cambridge History of Literary Criticism. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.010.

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Trimpi, Wesley. "Sir Philip Sidney'sAn apology for poetry." In The Cambridge History of Literary Criticism. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.020.

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Murphy, J. J. "The arts of poetry and prose." In The Cambridge History of Literary Criticism. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521300070.004.

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