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Journal articles on the topic 'Azerbaijani poetry – History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Ализаде, Лала Икрам кызы. "ИССЛЕДОВАНИЯ АЗЕРБАЙДЖАНО-УЗБЕКСКИХ ЛИТЕРАТУРНЫХ СВЯЗЕЙ В ТРУДАХ ДЖАННАТ ХАНУМ НАГИЕВОЙ (НЕКОТОРЫЕ ИЗЫСКАНИЯ НА ОСНОВЕ ПАРАЛЛЕЛЕЙ ТВОРЧЕСТВА АЛИШЕР НАВОИ И МУХАММЕДА ФИЗУЛИ)". Oriental Renaissance: Innovative, educational, natural and social sciences 2, № 26 (2022): 341–46. https://doi.org/10.5281/zenodo.7335784.

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<em>В статье, представленной на конференцию, рассматривается многолетняя история азербайджано-узбекских литературных связей. Рассказывается об образцах средневековой классической поэзии, которые широко анализированы и интерпретированы с точки зрения перевода, литературоведения и историографии. В частности, предметом обсуждения стали вопросы обращения великого узбекского поэта Алишера Навои к произведениям азербайджанских поэтов, а также воздействие его сочинений на творчество классиков азербайджанской поэзии, а также поэтические проблемы. Тем самым, подчеркивается важность взаимовлияния и инте

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2

Kazimov, Mehdi. "Semantics of Hajv in Persian-Language Literature of Azerbaijan in the 15th Century." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 3 (2024): 152. https://doi.org/10.31696/s086919080031198-4.

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Badr Shirvani entered the history of medieval Azerbaijani literature as a poet-panegyrist. However, panegyric, being the leading trend in Badr’s work, does not mean that the poet was focused exclusively on writing praise poems and did not pay attention to other topics. Even in the purely panegyric genre, which was the qasida, he raised many issues affecting both the interests of the court, representatives of the nobility, and urban strata, expressing his own hopes and expectations. In the poet’s Divan there are also poems that represent the opposite of panegyric and are distinguished by their

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Allahverdiyeva, Zehra. "Hacû-yi Kirmâni'nin "Kemâlnâme" mesnevisinde Nizâmî Gencevî'nin etkisi." | International Journal of Art Design and Education 3, no. 3 (2022): 34–40. https://doi.org/10.5281/zenodo.7470327.

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The study of the interactions and connections between the cultures and literatures of the peoples of the Near and Middle East is an important problem that is always in the focus of world and Azerbaijani literary criticism. In the twentieth century, the theoretical aspects of the problem have been identified, and considerable research has been conducted in various areas on the basis of the historical-comparative method.   In the past,YE Bertels,  V. M.Jirmunski, F. Koprulu,  A.Sirri Lavand, H.Arasli, M.Mubariz,   G.Aliyev, R.Aliyev, R.Azade, H. Yusifli, N

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4

ALIYEVA, Gultekin. "PROBLEMS OF THE DEVELOPMENT OF AZERBAIJANI BLANK VERSE IN THE 1980S." RIMAK International Journal of Humanities and Social Sciences 05, no. 04 (2023): 410–16. http://dx.doi.org/10.47832/2717-8293.24.24.

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The article talks about the development path and features of the stage of the 80s of free poetry of Azerbaijan. It is noted that in the 80s, new signatures came to free poetry, and along with the poets who started their work in the 60s, young poets who started their career in the 70s and 80s created new examples of free poetry. R. Rovshan, S. Rustamkhanli, V. Jabrayilzade (Vagif Bayatli Oder, Taleh Hamid, Sayavush Sarkhanli, Vagif Bahmanli, e tc.) associativeness increases somewhat in free poems. The free poetry of these years differed from the poems of previous years due to many of its charac

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Ulvi Bi̇nnatova, Almaz. "FROM THE HISTORY OF SCIENTIFIC-THEORETICAL RESEARCH OF ALISHER NAVOI’S HERITAGE(ON THE PAGES OF AZERBAIJANI LITERATURE AND LITERARY CRITICISM." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 146–52. http://dx.doi.org/10.26739/2181-1490-2021-1-15.

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The research work named “From the history of scientific-theoretical research of Alisher Navoi’s heritage (on the pages of Azerbaijani literature and literary criticism)” was grouped in several directions. In the systematic research within the sections named - 1. “The influence of Alisher Navoiy’s creativity on Azerbaijani literature”, 2. “The influence of Azerbaijani literature on the creativity of Alisher Navoiy”, 3. “Studying of Alisher Navoiy’s legacy in Azerbaijani literary studies

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6

Zeynalova, Gulshan. "Genre of tezkire in history of Azerbaijani criticism." Poetika.izm, no. 02 (2023): 106. http://dx.doi.org/10.59849/2663-2926.2023.2.106.

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7

Reynolds, R. Clay, and R. S. Gwynn. "New Expansive Poetry: Theory, Criticism, History." South Central Review 17, no. 3 (2000): 141. http://dx.doi.org/10.2307/3190100.

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8

Ağacan qızı Əliyeva, Rəna. "Peculiarities of Kadi Burhan al-din in medieval Azerbaijani poetry." SCIENTIFIC WORK 67, no. 06 (2021): 63–67. http://dx.doi.org/10.36719/2663-4619/67/63-67.

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Kadi Burhan al-Din was one of the outstanding representatives of medieval Azerbaijani literature. He was the first poet in literature to write in the genre of tuyugh-classical genre of Turkic poetry. His diwan comprises 1,500 ghazals, 119 tuyughs. Not only individual poems of the poet, but all poetry of Kadi Burhan al-Din is very valuable for the history of Azerbaijan literature. Key words: native language, diwan, tuyugh, poetry, poet, literature, medieval

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9

KULİYEVA, MAHİRE. "NESİMİ’NİN LİRİKASI: İRFANÎ MÜNDERİCE VE POETİK ZİNETLER." Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 106 (June 20, 2023): 413–20. http://dx.doi.org/10.34189/hbv.106.020.

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The article presents a monograph by Saadet Shikhiyeva. Her monograph "Nesimi's Lyrics: Wisdoom Content and Poetic Decorations" discusses the themes of Nasimi's creativity that have not been studied so far and the place of the poet in the history of Azerbaijani philosophical poetry. In this work, research on Nesimi was carried out on two divans of the poet, which he wrote in Azerbaijani Turkish and Persian. Keywords: Nesimi, Shikhiyeva, Hurufism.

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10

Isaxanli1, Hamlet. "History and Policy of Translating Poetry: Azerbaijan and Its Neighbors." Meta 59, no. 2 (2014): 310–29. http://dx.doi.org/10.7202/1027478ar.

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Throughout the history of civilization the art of translation has existed as a bridge that connects different cultures. The article focuses on the history of poetic (and other) translations in the Middle East and territories abutting Azerbaijan from the Middle Ages to the 20th century. It also explores the practice of translating holy books and its influence on the region, as well as the tradition of nezire, or writing a new book under the inspiration of an original one rather than simply translating the original. The second part of the article discusses the history of poetic translation into

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11

Emil, Ağayev. "TRIPTYCH "DEDICATION TO AGDAM" IN THE WORKS OF ARIF HUSEYNOV (IN THE CONTEXT OF ICONOGRAPHIC ANALYSIS)." Problems of Arts and Culture 17, no. 1 (2023): 32–38. https://doi.org/10.5281/zenodo.7856837.

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Azerbaijani art reflects the processes occurring at all stages of history. On September 27, 2020, the Azerbaijani army fought to protect its territorial integrity as a result of Armenia’s violation of the ceasefire again. The Azerbaijani army, who showed heroism for 44 days, won victory by raising our tricolor flag in our cultural capital Shusha on November 8. Agdam, which was occupied by the Armenian army on July 23, 1993, was returned without a war according to the agreement signed between Azerbaijan, Russia and Armenia on November 20, 2020. The theme of Victory is a leitmotif in the w

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12

Zeynalova, R. H. "CLASSICS OF CONTEMPORARY AZERBAIJANI POETRY IN LITERARY CRITICISM (BASED ON THE WORKS OF SHAMIL SALMANOV)." Scientifik news. Series for Social and Humanitarian Studies 17, no. 4 (2021): 39–42. http://dx.doi.org/10.54758/16801245_2021_17_4_39.

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13

Talibova, Aygun Nofer. "THE PERSONALITY OF THE ARTIST AND CRITIC IN THE LITERARY PROCESS AND LITERARY CRITICISM OF AZERBAIJAN IN THE PERIOD OF INDEPENDENCE." Scientific Journal of Polonia University 54, no. 5 (2022): 101–6. http://dx.doi.org/10.23856/5414.

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The purpose of the article is to determine the role of Azerbaijani criticism in the literary process of the period of independence, the personality of the writer, critic and creative process, the value of the work in the current literary process, by taking into account the reader`s taste, the possibility of evaluating the artistic and philosophical essence of the work in the context of the period and time, Methodology and methods used: This topic was investigated by methods based on the philosophy of Azerbaijanism, the ideology of independence. In the course of the analysis and research, theor

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14

سميسم, علي كاظم. "Political criticism in Al-Jawahiri's poetry." Kufa Journal of Arts 1, no. 30 (2017): 175–216. http://dx.doi.org/10.36317/kaj/2016/v1.i30.6070.

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The Poetry of Al-Jwahiri is a document and a history. Since literature is the essence of history, we can find within it events, culture, thought, struggle of modern Iraq and the Arab region and the attempts of the living peoples in its march towards justice and freedom taking the most sophisticated steps overcoming the romantic tendency during his era. The document of Al-Jwahiri was mixed with an elevated art and a perfect well-formed language. He combined objectivity and aesthetics he also mixed his blood and pains, excitement with his carelessness as well as his hopes and wishes. He recorded

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15

Çobanova, Aygül. "Zelimhan Yakub şiirinde gelenek ve yeniliğin vahdeti." Edeb Erkan, no. 6 (November 30, 2024): 189–97. https://doi.org/10.59402/ee006202411.

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Azerbaijani poetry, which has a thousand-year history, has been constantly updated, accumulating rich poetic experience, enriching itself in form, content, size, form, figurative structure and literary art. Tradition and innovation have always followed each other in poetry, and the development of each period and stage reflected a new poetic thought. One of the poets who was influenced by minstrel (aşıq) poetry is Zelimkhan Yakub. Zelimkhan Yakub is a modern Azerbaijani poet and bard who grew up in the minstrel environment of Borchali and held the post of president of the Azerbaijan Minstrels A

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Əflatun qızı Pirəliyeva, Elnurə. "History of the development of epistolary style: from the past to the present." SCIENTIFIC WORK 15, no. 2 (2021): 107–9. http://dx.doi.org/10.36719/2663-4619/63/107-109.

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The first example of epistolary style in world literature is Horace`s Letter to the Pisons. It has been used in the history of Azerbaijani literature in three genres of epistolary style: verse letter, literary letter and open letter. The first example of a poetic letter is in the works of G. Tabrizi in the 11th century by M.F.Akhundov. We meet withopen letters in Akhundov`s works. Open letter is a genre of literary criticsm, verse letter and literary letter are genres of literary criticism. Key words: criticism, epistolary style, verse letter, literary letter, open letter

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17

İsmayılova, Xurşud, and Könül İbrahimova. "THE PEARL OF EASTERN POETRY – MUHAMMAD FIZULI." Scientific Works 91, no. 4 (2024): 69–73. http://dx.doi.org/10.69682/arti.2024.91(4).69-73.

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Muhammad Fuzuli was and remains a truly great poet and scientist, whose work left an indelible mark on the history of Azerbaijani literature. His excellent education and deep knowledge in various fields of science and philosophy emphasize the versatility of his personality. His works, including ghazals and qasidas, continue to delight readers with their emotionality and philosophical depth, reflecting diverse aspects of human experience. Such a heritage deservedly occupies an honorable place in world literary culture.

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18

Ali Hashimov, Nadir Ismayilov. "Research Issues of Azerbaijani Romanticism in Mammad Jafar’s Creativity." Journal of Information Systems Engineering and Management 10, no. 20s (2025): 105–9. https://doi.org/10.52783/jisem.v10i20s.3019.

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The article elaborates a prominent representative of the history of literary and theoretical thought of Azerbaijan, the services of academician Mammadjafar Jafarov in front of Azerbaijani literary criticism, and the appreciation of Mammadjafar's heritage by Azerbaijani literary studies. It is noted that Mammadjafar Jafarov is such a giant figure of our scientific thought that the representatives of the literary school he created have rendered exceptional services in the formation, enrichment, and secularization of our literary studies. At the same time, the attitude of the masters of our scien

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Dadaş qızı Hüseynova, Əsmər. "The main stages of Masud Aliyoglu's critical activity." SCIENTIFIC WORK 65, no. 04 (2021): 101–5. http://dx.doi.org/10.36719/2663-4619/65/101-105.

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The stages of development of Azerbaijani literary criticism in the twentieth century coincided with the period of political and ideological principles. It is substantial influence on aesthetic approaches is confirmed by existing research. In this sense, the study of the individual facts of criticism and the scientific and theoretical heritage of individual critics in stages creates a favorable basis for concrete conclusions. A step-by-step study of Masud Alieglu's 25-year career as a critic reveals interesting scientific and theoretical truths. The main priority goal of the article is to study

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Odnoral, Valeria. "The New Lyric Studies of the 21th Century: The Aesthetic and the Social in Poetry Criticism." Ideas and Ideals 13, no. 1-2 (2021): 401–13. http://dx.doi.org/10.17212/2075-0862-2021-13.1.2-401-413.

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The article considers the problem of correlation of aesthetic form and social content in contemporary poetry through the prism of contemporary poetry criticism, in particular, the New Lyric Studies of 2008 (M. Perloff, Y. Prins, R. Terada, V. Jackson, etc.). A representation of the lyrics as a genre of poetry, in which historically structured subjectivism and identity of author are interrelated with poetic writing, is at the center of the New Lyric Studies. In this context the lyrics is relative and volatile but also is the closest genre to the poetic nature, that allows to merge an autonomous

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Firuz Sadigova, Nigar. "Katran Tabrizi and the Turkish spirit." SCIENTIFIC WORK 60, no. 11 (2020): 38–41. http://dx.doi.org/10.36719/2663-4619/60/38-41.

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Katran Tabrizi is an Azerbaijani poet of the 11th century. In his work, he reflected the political history of Azerbaijan. These are known as "history verses". Tabrizi wrote poetry on various topics. If you look closely at his work, you can see that he retained the Turkish spirit, way of thinking, Turkish culture in his works, retained the patriotic spirit that we see in Nizami, Fizuli, Khagani. The poetic ideas expressed in "Dada-Gorgud", "Divani-lugati-Turk", "Gutadgu-bilik" are very similar. Turkish culture here is very close to Katran Tabrizi; purity, courage, loyalty. Like many medieval po

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Houston, John Porter. "French Romantic Poetry, Literary History, and the Newer Criticism." Romance Quarterly 34, no. 4 (1987): 389–95. http://dx.doi.org/10.1080/08831157.1987.11000479.

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23

Honcharuk, Maryna. "Azerbaijan mission of Ukrainian: Mykola Myroshnychenko as a poet, translator, literature explorer." SUMY HISTORICAL AND ARCHIVAL JOURNAL, no. 41 (2023): 33–41. http://dx.doi.org/10.21272/shaj.2023.i41.p.33.

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The article examines the role of the prominent Ukrainian translator and researcher of Azerbaijani literature, Mykola Miroshnychenko, in the development of bilateral dialogue between our peoples in various spheres. The author considers the role of the individual as a key and unique resource for the development of relations between countries that have only restored their state independence after decades of Soviet occupation, the destruction of the mechanisms of creating a unique state, cultural, and diplomatic space peculiar to the Ukrainian and Azerbaijani peoples; who learn to build bilateral

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24

HƏSƏNOV, Ə. B. "LİRİK POEZİYADA NOVATORLUQ YARADICILIQ MƏQSƏDİ VƏ ESTETİK KATEQORİYA KİMİ." Actual Problems of study of humanities 2, no. 2024 (2024): 167–73. http://dx.doi.org/10.62021/0026-0028.2024.3.167.

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Innovation as a Creative Goal and Aesthetic Category in Lyric Poetry Summary Azerbaijani poetry, while preserving its national-spiritual values and ancient traditions, has always been inclined to innovation and has become has been turned the source of new trends, form and artistic searches in literature. The Latin word "innovator" means innovative people who put forward new, progressive ideas, principles, and methods in any field of activity. Innovation is the innovative activity of the innovator. Of course, these terms cannot fully express the phenomenon of innovation in literature, specially

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Zohar Weiman-Kelman. "Touching Time: Poetry, History, and the Erotics of Yiddish." Criticism 59, no. 1 (2017): 99. http://dx.doi.org/10.13110/criticism.59.1.0099.

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SULEYMANOV, Salman. "OUR FIRST POET AND THE ARABIC LEXICAL UNITS." EUROASIA JOURNAL OF SOCIAL SCIENCES & HUMANITIES 9, no. 2 (2022): 45–53. http://dx.doi.org/10.38064/eurssh.337.

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In the article, the Arabic word units in the works of our poet Gazi Burhaneddin (1344-1398), who created the first Divan in the history of Turkish dialects literature are investigated. It is stated that these dictionary units are widely reflected in the works of Gazi Burhaneddin for the first time in the literature of Turkish dialects. Thus, Gazi Burhanaddin tried to ensure the eruza compatibility of his own language by using these dictionary units. Generally, the interrelationships between eruz and the Azerbaijani language are explored in the article. Gazi Burhaneddin is the first poet to wri

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Zahrah Hadi, Ghaidaa Abdul. "Criticism of Translation Problems in Ahmad Matar's Poetry." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 13, no. 02 (2023): 162–75. http://dx.doi.org/10.37648/ijrssh.v13i02.013.

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It is no secret to everyone that translation is very important in the exchange of cultures and sciences between different nations and civilizations. Today, it has become a bridge to pass the various sciences of poetry, history and culture from one language to another. Among the poets whose poetry was important in his translation was Ahmed Matar, whose poems were translated from Arabic into many languages, including Persian. Therefore, criticism of the translation of Ahmed Matar's poems was one of the important topics that must be taken into account in research and studies to show the importanc

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Muir, James. "Poetry and Philosophy: Plato’s Spirit and Literary Criticism." European Legacy 19, no. 3 (2014): 403–6. http://dx.doi.org/10.1080/10848770.2014.898954.

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29

Fidan, Alizade. "XVIII CENTURY AZERBAIJAN HISTORICAL REALITY AND LITERATURE." Scientific Journal of Polonia University 62, no. 1 (2024): 20–27. http://dx.doi.org/10.23856/6202.

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Throughout the entire history of mankind, literature has been a fact of the time of its creation. When we look at the issue both in a universal context and in a local one, we see approximately the same picture. Just as Homer is a fact of ancient Greece, the work of the genius Azerbaijani poet Nizami Ganjavi of the 12th century is considered to be the fact of the mighty Seljuk Empire, the state of the Atabays of Azerbaijan. Khagani Shirvani's literary heritage, dominated by rebellious and grievous motives, was a literary phenomenon caused by the state of the Shirvanshahs, the Akhsitan dynasty.

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Berthoud, Luiza Esper. "Art History and Other Stories." ARS (São Paulo) 18, no. 38 (2020): 197–217. http://dx.doi.org/10.11606/issn.2178-0447.ars.2020.162471.

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Through the analysis of one erroneous piece of art criticism, an essay by Goethe that re-imagines a lost ancient sculpture, I demonstrate the difficulty that the discipline of art history has with conceptualizing the experience of art making and how one ought to respond to it. I re-examine the relationship between art making and art appreciation informed by ideas such as the Aristotelian view of Poiesis, Iris Murdoch’s praise of art in an unreligious age, and Giorgio Agamben’s call for the unity between poetry and philosophy. I also argue that much of modern art criticism has forgotten Arts’ e

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Markov, Alexander. "Contemporary Russian Poetry in the Period of Intense Events." Philosophy. Journal of the Higher School of Economics VI, no. 3 (2022): 256–88. http://dx.doi.org/10.17323/2587-8719-2022-3-256-288.

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This article examines the impact of being inside the intense development of events on contemporary Russian poetry as a set of institutions of production and consumption of texts. We prove that under this influence of events, not only individual ways of texts' existence are changing, but also the very meaning of media and social contexts of poetry development. Poetry turns out to be an area not so much of comprehending current reality as differentiating the very modes of utterance that represent the actual state of affairs. Therefore, in the period of events, poetry partly returns to the repres

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Suleymanli, Atilla. "Achievements of Fuzuli Hikmet School: Fuzuli in the creativity of Erkin Vahidov The effect." Golden scripts 3, no. 3 (2024): 51–61. https://doi.org/10.52773/tsuull.gold.2024.3/glts7266.

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As I delved into the depths of Erkin Vahidov's creativity, I felt a spirit close to my soul, a poetic echo close to our classical melody. These were lines, couplets, stanzas, a whole treasury of poetry rooted in the air and essence of the poetry spring of the genius Muhammad Fuzuli (1494–1556). In the presented research, the influence of Muhammad Fuzuli in the work of Erkin Vahidov is grouped over several problems - the issue of Fuzuli's influence in the work of Erkin Vahidov - Erkin Vahidov as a student of the Muhammad Fuzuli school; ideological content features of Erkin Vahidov's poem "In fr

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ABU-HAIDAR, J. A. "WHITHER THE CRITICISM OF CLASSICAL ARABIC POETRY?" Journal of Semitic Studies XL, no. 2 (1995): 259–81. http://dx.doi.org/10.1093/jss/xl.2.259.

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34

Fest, Bradley J., and Rachel Blau DuPlessis. "Something Worth Leaving in Shards: An Interview with Rachel Blau DuPlessis." boundary 2 50, no. 2 (2023): 1–30. http://dx.doi.org/10.1215/01903659-10300579.

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Abstract This interview with poet, essayist, literary critic, and collagist Rachel Blau DuPlessis was conducted via email correspondence between June 11 and August 29, 2020. Author of over a dozen volumes of poetry and half a dozen books in modernist studies, poetics, and feminist criticism, DuPlessis reflects broadly on her career in this interview. She discusses the ongoing role of feminism in her writing and thought, the forms of the fold and the fragment, the relationship between her poetry and criticism, her work in and on the long poem, and her post-Drafts poetry, including her (at the t

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Abbasova, Sevinj Zakir. "“ALI AND NINO”: BETWEEN POETRY AND REALITY." Scientific Journal of Polonia University 62, no. 1 (2024): 9–19. http://dx.doi.org/10.23856/6201.

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One of the most interesting and enigmatic works of art of the history of Azerbaijan culture in terms of a lot of problems is a novel of “Ali and Nino”. This work whose author is still unknown can be considered as the masterpiece of world literature both in artistic and aesthetic terms and also from the point of view of intellectual level. The point is that there are some examples of creativity in the world that they are covered with the secrets between the destiny and love of reader and author and become target of different opinions for a long time. Personality and tragedies of Shakespeare, co

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Todorova, Bogdana. "The Music Sent by God." Balkan Journal of Philosophy 14, no. 1 (2022): 35–40. http://dx.doi.org/10.5840/bjp20221415.

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Mugham is deeply rooted in Azerbaijan’s history as it is undoubtedly depicted as the pearl of Azerbaijani musical art. Mughаm (Azerb. Muğam) (God sent music) is one of the main genres in traditional Azerbaijani music, part of the musical-poetic art of Azerbaijan’s nation. The Mughаm embodies philosophical poetry including the philosophy of music as a complement to the harmony of being. In 2008, UNESCO proclaimed the Azerbaijani Mugham as one of the masterpieces of verbal and intangible cultural heritage. This music must be understood in its two dimensions – as an example of an art and as a way

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Huseynova, M. N. "DIALECTISMS IN NASIMI’S WORKS AND THEIR INTEGRATION INTO TURKIC LANGUAGES." Linguistic and Conceptual Views of the World, no. 68 (1) (2021): 40–54. http://dx.doi.org/10.17721/2520-6397.2021.1.04.

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In this paper, dialectic lexemes, which is the part of the vocabulary of an outstanding poet Imadaddin Nisami’s, are analyzed. He played the great role in the development of the Azerbaijani language of the XIV–XV centuries. Based on the folk texts and the works of his famous predecessors Khagan, Nizami, leading representatives of the Middle East poetry, Nasimi himself, knowing and skillfully using all the meanings and forms of classical poetry, gave a new freshness to the literature of his epoch, created poetic texts which have being highly appreciated till our days. The outstanding poet reali

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Gahramanova, Ulduz. "Creation of Turkish Poet Rejaizade Mahmud Akram and Mirza Alakbar Sabir." Teaching of Azerbaijani Language and Literature 71, no. 1 (2025): 79–89. https://doi.org/10.48445/x9970-5184-9519-o.

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The great Azerbaijani poet Mirza Alakbar Sabir was not satisfied with only studying the classical poetry of Azerbaijan and using them according to his satirical purpose, he also did not forget the classics of the Middle Eastern world. His poems, similes, translations and interpretations of Turkish and Persian classics have a special position in the history of literature. The comparisons in the article show that Sabir responded to Rajaizade's lyrical romanticism with satirical realism. While using the samples taken from Rajaizade, the poet preserved the important featur

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Stanco, Michele. "Art and beauty. Linguistic versus psychological aesthetic theories." Recherches anglaises et nord-américaines 36, no. 1 (2003): 47–68. http://dx.doi.org/10.3406/ranam.2003.1668.

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In his dialogues Plato distinguished poetry as ‘inspiration from poetry as ‘technique’. Taking a hint from this archetypal distinction (as well as, inevitably, from the overstaying opposition between ‘idea’ and ‘matter’), the paper explores some of the most momentous phases in the history of criticism, from the earliest documents on poetry to the contemporary aesthetic debate. In so doing, it points to the irremediable and continuing dualism of a critical tradition, which has alternatively emphasised the ideal elements of beauty or the material constituents of art.

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Shnaweh, Lect Dr Masar Ghazi. "Significant cultural patterns and their references in the poetry of Safi al-Din al-Hilli." Thi Qar Arts Journal 2, no. 40 (2022): 222–33. http://dx.doi.org/10.32792/tqartj.v2i40.377.

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The emergence of cultural criticism at the end of the last century brought about a qualitative leap in the field of critical practice as a whole, as we see a distinct shift from criticism of literature to criticism of culture, which has become a focused discourse in this field. Cultural criticism often embraces culture and never separates from it. Just as it takes from every science a party that combines contextual and systematic approaches, even theories of reading and reception, criticism of reader response and deconstruction, as it was based on psychology, sociology and history and relied o

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Bula, Andrew. "Literary Musings and Critical Mediations: Interview with Rev. Fr Professor Amechi N. Akwanya." Journal of Practical Studies in Education 2, no. 5 (2021): 26–31. http://dx.doi.org/10.46809/jpse.v2i5.30.

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Reverend Father Professor Amechi Nicholas Akwanya is one of the towering scholars of literature in Nigeria and elsewhere in the world. For decades, and still counting, Fr. Prof. Akwanya has worked arduously, professing literature by way of teaching, researching, and writing in the Department of English and Literary Studies of the University of Nigeria, Nsukka. To his credit, therefore, this genius of a literature scholar has singularly authored over 70 articles, six critically engaging books, a novel, and three volumes of poetry. His PhD thesis, Structuring and Meaning in the Nigerian Novel, w

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KALEZIĆ-ĐURIČKOVIĆ, Sofija. "REBEL TESTIMONIES (Borislav Jovanović’s Novels)." Lingua Montenegrina 17, no. 1 (2016): 147. https://doi.org/10.46584/lm.v17i1.494.

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In this paper, the author introduces the public to critical and analytical aspects of approaches to novels of Montenegrin writer Borislav Jovanović, a very versatile and prolific author whose rich creative oeuvre includes novels and collections of poetry, literary criticism and journalism, as well as books for children. Jovanović also dealt with themes from Montenegrin cultural history and as a poet he was awarded Ratković’s award, the most important Montenegrin recognition in the field of poetry.

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Nicolau, Felix. "El espejismo del Norte: los Geats y la pasión escandinava en la obra de Alejandro Busuioceanu." Swedish Journal of Romanian Studies 6, no. 1 (2023): 349–60. http://dx.doi.org/10.35824/sjrs.v6i1.24972.

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One of the less discussed figures of the Romanian exile caused by the fraudulent establishment of communism in Romania is the polygraph Alexandru Busuioceanu, who wrote poetry in three languages, but also art criticism, literary criticism, and history. The present research is interested in the ideational intertwining of Busuioceanu's intellectual life. As regards his poetry, the volume “Poemas patéticos” of 1948 is analyzed in particular. The writer formulated bold hypotheses which he justified with erudite arguments. Busuioceanu's research, like his art, was carried out in several countries,

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Wolwacz, Andrea Ferras. "TOM PAULIN'S POETRY OF TROUBLES." Organon 34, no. 67 (2019): 1–23. http://dx.doi.org/10.22456/2238-8915.96943.

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This paper is part of my PhD thesis. It examines contemporary Northern Irish Literature written in English with the help of the theoretical approach of Irish Studies. It aims to introduce and make a critique of poetry written by Tom Paulin, a contemporary British poet who is regarded one of the major Protestant Irish writers to emerge from Ulster province. The thread pursued in this analysis relates to an investigation of how ideological discourses and the issues of identity are represented in the poet’s work. The author’s critical evaluation of existing ideologies and identities and his attem

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Elfenbein, Andrew. "Cognitive Science and the History of Reading." PMLA/Publications of the Modern Language Association of America 121, no. 2 (2006): 484–502. http://dx.doi.org/10.1632/003081206x129675.

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Cognitive psychologists studying the reading process have developed a detailed conceptual vocabulary for describing the microprocesses of reading. Modified for the purposes of literary criticism, this vocabulary provides a framework that has been missing from most literary-critical investigations of the history of literate practice. Such concepts as the production of a coherent memory representation, the limitations of working memory span, the relation between online and offline reading processes, the landscape model of comprehension, and the presence of standards of coherence allow for close

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Tourmuzi, Lalu Muhamad Rusdi F., and Tatik Mariyatun Tasnimah. "KRITIK SASTRA ARAB ERA SHADR ISLAM." SHAWTUL ‘ARAB 1, no. 2 (2022): 78–86. http://dx.doi.org/10.51192/sa.v1i2.322.

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This article aims to examine the development of literary criticism in the early era of Islam. The research method used by the researcher is the library method. Researchers look for data related to the content of the study, take notes, and collect data relating to the history of the development of literary criticism in the early era of Islam. As for the results of this study, the reader can find out what is relevant regarding the definition of criticism, the development of literary criticism, the purpose of poetry, and know the influence of Islam on Arabic literature Islam. This makes the write

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Armstrong, Isobel. "The First Post: Victorian Poetry and Post-War Criticism." Journal of Victorian Culture 8, no. 2 (2003): 292–304. http://dx.doi.org/10.3366/jvc.2003.8.2.292.

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Vasilyeva, L. A. "“Mir Taqi Mir”. A fragment from the History of Urdu Poetry “Water of Life” of Muhammad Husayn Azad." Orientalistica 3, no. 5 (2020): 1437–49. http://dx.doi.org/10.31696/2618-7043-2020-3-5-1437-1449.

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The article is a translation into Russian of the chapter from the “Water of Life” by Muhammad Husain Azad (1830–1910). This is the chapter about the greatest Urdu poet Mir Taki Mir (1713/1723(?)–1810 AD). The critical work by Azad, the “Water of Life” is considered as the first history of Urdu poetry written in Urdu. Azad was the first to see in this phenomenon a continuous process. The periods in the development of literature are interlinked. Azad identifies five major periods of Urdu poetry and briefly describes each of them. His work comprises biographical facts, characteristics, vivid word

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DAVIES MITCHELL, M. "Review. Apollinaire, Visual Poetry, and Art Criticism. Bohn, Willard." French Studies 48, no. 3 (1994): 353. http://dx.doi.org/10.1093/fs/48.3.353.

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Parina, Elena. "Textual Criticism and Text Reconstruction: Approaches to Early Russian and Welsh Poetry." Studia Celto-Slavica 5 (2010): 149–58. http://dx.doi.org/10.54586/iumu8654.

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The Tale of Igor’s Campaign and The Gododdin, two poetic texts crucially important for the history of Early Russian and Welsh literature respectively, have a very dark history. Both are preserved in only one reliable source and are supposed to be composed about 600 years before this edition or manuscript was created. Anna Dybo and John Koch however propose an attempt of reconstruction for the Ur-Text of these poetic masterpieces. In this article we compare the framework within which these reconstructions were created. Whereas Anna Dybo relies mainly on contemporary texts, John Koch in the abse

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