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Journal articles on the topic 'Azerbaijani theatre'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Aliyeva, Zamina. "AZERBAIJAN THEATRE:ITS ROLE, HISTORY OF DEVELOPMENT, REASONS FOR SUCCESS, CHALLENGES AND PROBLEMS." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 30 (2024): 77–80. https://doi.org/10.17721/1728-242x.2024.30.11.

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Background. The history of Azerbaijani theatre is a rich tapestry woven from various cultural influences and artistic expressions. This article explores Azerbaijan's earliest theatrical forms, tracing their roots and examining their impact on the development of a unique theatrical identity. This comprehensive review chronicles the trajectory of Azerbaijani theatre, highlighting its origins, key transformations, and enduring socio-cultural significance. Azerbaijan's position within this global context was unique due to its strategic location at the crossroads of Eastern Europe and Western Asia.

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2

Mamedova, U. "The role of translated works in the repertory policy of the Azerbaijan State Theatre of Young Spectators (1930-1970s)." Klironomy 2, no. 8 (2023): 31–39. https://doi.org/10.47451/art2023-05-01.

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The relevance of the study of this topic lies in the fact that foreign dramaturgy has always been in the center of attention of the Azerbaijani theater. This interest also applied to the Theater of Young Spectators. The directors of this theater often turned to the works of foreign playwrights to show the Azerbaijani audience the culture, lifestyle, national drama of other countries. From the 1930s to the 70s, the works of many famous world playwrights were staged: Y. Shakespeare, A. Pushkin, N. Gogol, N. Ostrovsky, I. Stock, Yu. Chaplygin, etc. It is true that the creative path of the Theatre

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3

Şüküroğlu, Gıyas. "Theatrical Guests of the Occupied Capital: Istanbul Tour of Azerbaijan Turkish Drama-Operetta Troupe." Bilig, no. 112 (January 31, 2025): 133–57. https://doi.org/10.12995/bilig.7628.

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The research subject of this article is the Istanbul tour of Azerbaijan Turkish Drama-Operetta Troupe during the 1919 play season. As a result of the investigation of the cast, it was understood that the touring troupe consisted of artists from the Turkish Theatre of Tbilisi. Istanbul’s cultural and artistic circles who regarded the touring troupe as the theatre of the sister country, did not question the troupe’s affiliation at all. The troupe’s repertoire, which was performed on various Istanbul stages during the tour, mainly consisted of plays written by Azerbaijani dramatists. Turkish thea

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4

Adishirinov, Kamil F. "Nukha’s Theatrical Life in the 30s–40s of the 20th Century (Challenges, Progress, Problems)." Vestnik of Saint Petersburg University. Arts 12, no. 3 (2022): 449–63. http://dx.doi.org/10.21638/spbu15.2022.303.

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The theatre in Nukha was founded by the amateur theatre troupe who staged the comedy “Haji Kara” by Mirza Fatali Akhundzade, a prominent playwright of the Azerbaijani literature in the 19th century. The path opened by the theatre amateurs was later expanded, and it led to getting a state status of the Nukha Theatre in 1936. The path of the Nukha Theatre had not been smooth enough, and as it is mentioned in the article, the Nukha Theatre had to be closed in 1949 due to a lack of financial support by the government and a lack of actors. In the 70s of the 20th century, the theatre life in Nukha w

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5

Adishirinov, Kamil. "The influence of the Sheki theatre in the formation of the literary-cultural environment in Sheki in the 50-90s of the XX century." Scientific Bulletin 1, no. 1 (2021): 99–109. http://dx.doi.org/10.54414/vfxf4500.

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The article discusses the role of the Sheki Theater in the development of literary and cultural ties among the Azerbaijani, Russian, Tatar, Hungarian and Turkish peoples who have ancient and rich traditions. The researcher has taken the tours of the Sheki Theatre, which is one of the administrative parts of the Azerbaijan Theater in the 50s and 90s of the XX century, to Moscow, Tashkent and Istanbul as a main object and analyzed the achievements and failures in this area. The author's analysis also focuses on strengthening the state's care for the development of the Sheki Theater, the theater'

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6

Ahmadova, Gulkhara, and Aysu Mammadova. "HISTORICAL FIGURES OF WORLD DRAMA ON THE AZERBAIJAN STAGE." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 104 (May 20, 2025): 10–12. https://doi.org/10.5281/zenodo.15476759.

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This study explores the representation of historical figures from global dramatic literature as performed on the Azerbaijani stage. It examines the cultural exchange and adaptation processes involved in staging these characters, highlighting the impact on both Azerbaijani theater traditions and audience perceptions. The analysis draws from archival research, performance reviews, and interviews with theater professionals. The findings indicate a strong tradition of embracing world drama in Azerbaijan, fostering a dynamic interplay between global theatrical heritage and local artistic expression

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7

Ахмедов, А. "Russian Drama on the Azerbaijani Stage in the Period of Independence: Analysis of Creative Trends." Nasledie Vekov, no. 4(32) (December 31, 2022): 72–80. http://dx.doi.org/10.36343/sb.2022.32.4.006.

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Автором выявляются основные тенденции, определявшие обращение театральных деятелей Азербайджана к произведениям русской классики и современной российской литературы в годы независимости (1991–2021). Научный обзор выполнен с опорой на сообщения электронных СМИ о театральных премьерах, критические статьи, а также исследования историков культуры и театроведов. Проанализированы наиболее яркие работы, созданные труппами азербайджанских театров по произведениям Ф. М. Достоевского, Н. В. Гоголя, А. П. Чехова, А. Н. Толстого, Ю. М. Полякова и др. Охарактеризованы особенности работы режиссеров над пост

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8

Rahmanzade, Fazil. "Azerbaijani Stars of the Bolshoi Theatre." Visions of Azerbaijan, September/December (2012): 80–85.

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9

Ahmedova, Gulkhare. "The first Azerbaijani theater founded in Irevan – past and present of Irevan State Azerbaijan Dramatic Theatre." Philology and Art Studies, no. 01 (2023): 320. http://dx.doi.org/10.59849/2663-4368.2023.1.320.

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10

Ahmedova, Gulxare. "Theatrical Structures and Performance Traditions in Azerbaijani Folklore." EuroGlobal Journal of Linguistics and Language Education 2, no. 3 (2025): 74–82. https://doi.org/10.69760/egjlle.2500199.

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This article examines the theatrical structures and performance traditions embedded within Azerbaijani folklore, proposing that oral narratives, ritual practices, and musical storytelling constitute a form of proto-theatre. Drawing on theoretical insights from performance studies and folklore research—particularly the works of Richard Bauman and Victor Turner—the study frames Azerbaijani folklore not only as a repository of cultural heritage but also as a dynamic performative system. Through the analysis of epic tales (dastans), lyrical folk songs, the Ashiq bardic tradition, and seasonal ritu

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11

Mammadova, Fidan. "Franghiz Alizadeh’s Composition ‘Wahe’ (‘Oasis’) for String Quartet and Tape Recorder." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 188–200. http://dx.doi.org/10.31866/2616-7581.4.2.2021.245793.

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The article examines the chamber-instrumental work of Franghiz Alizadeh, a prominent representative of the modern Azerbaijani school of composition, People’s Artist, awarded the honorary title of ‘Artist of Peace’ by UNESCO. The article also highlights the characteristics of the musical and harmonic language, original timbre combinations, unusual dynamics, methods of using modern musical techniques of chamber-instrumental works of Franghiz Alizadeh, which is an area of her creative work that combines East-West music synthesis. The article analyzes Franghiz Alizadeh’s composition ‘Oasis for tap

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12

Agayeva, Malakhat Rafael. "Central Asian playwrights' works on the Azerbaijani stage." Klironomy 1, no. 7 (2023): 16–25. https://doi.org/10.47451/art2023-03-02.

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It is a historical tradition of the Azerbaijani theater to refer to translated works, to show examples of world drama, works of neighboring nations. Central Asian playwrights’ woks (Fitrat’s (Abduarif Rashidov) “Indian Inventors”) have been staged on the stage of the Azerbaijani theater since the mid-1920s. Central Asian playwrights’ works contributed to bring our peoples closer and develop cultural relationships besides enriching the repertoire of Azerbaijani theaters. The subjects of these works introduced people to the culture, art and moral norms of other nati

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13

Mammadova, Fidan. "Franghiz Alizadeh's Composition 'Wahe' ('Oasis') for String Quartet and Tape Recorder." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 188–200. https://doi.org/10.31866/2616-7581.4.2.2021.245793.

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The article examines the chamber-instrumental work of Franghiz Alizadeh, a prominent representative of the modern Azerbaijani school of composition, People’s Artist, awarded the honorary title of ‘Artist of Peace’ by UNESCO. The article also highlights the characteristics of the musical and harmonic language, original timbre combinations, unusual dynamics, methods of using modern musical techniques of chamber-instrumental works of Franghiz Alizadeh, which is an area of her creative work that combines East-West music synthesis. The article analyzes Franghiz Alizadeh’s co

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14

Sadikhbeyova, Sevda, and Vugar Abdullayev. "The First Azerbaijan Theater Designers." Addiction Research and Behavioural Therapies 2, no. 2 (2023): 1–5. http://dx.doi.org/10.59657/2837-8032.brs.23.007.

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In the article, the authors talk about the first designers of theatrical art in Azerbaijan, analyze their life and work and compares them with each other. They explore the reasons why each artist is unique and inimitable. The authors also analyze the influence of the artists-designers of the last century of Azerbaijan on other Transcaucasian countries. The article talks about the success and creativity of the first designers of Azerbaijan, not only thanks to sketches, but also about the quality of their work, the support of famous people of that time, but also about the creative environment in

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15

Sharipova, Alsu Samigullovna. "The Azerbaijani-Tatar Literary and Cultural Relations at the Beginning of the XX Century (by the Example of Scenic Literature and Theatre Art)." Filologičeskie nauki. Voprosy teorii i praktiki, no. 9 (September 2020): 81–84. http://dx.doi.org/10.30853/filnauki.2020.9.14.

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16

Tukumbaeva, A. "TRANSLATION OF REALITIES RELATED TO THE THEATRE BASED ON TRANSLATIONS OF M. BULGAKOV’S NOVEL “THE MASTER AND MARGARITA” INTO AZERBAIJANI, KAZAKH AND ENGLISH LANGUAGES." International Humanitarian University Herald. Philology 2, no. 51 (2021): 72–75. http://dx.doi.org/10.32841/2409-1154.2021.51-2.18.

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17

Huseynov, Ilyas. "Greeks in Azerbaijan: epochal look at history and modernity." Grani 23, no. 5 (2020): 53–63. http://dx.doi.org/10.15421/172053.

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In modern political science and social sciences, interest in cross-cultural research in the framework of various scientific methodologies is growing. The article is devoted to the study of one of the most pressing problems of our time, which is of great interest to Azerbaijan and Greece. This article describes in detail the historical situation in which the Greeks were forced to settle in the Caucasus. The article discusses the main reasons for the creation of the first Greek settlements in Azerbaijan. The author in a broad context considers the activities of the Greeks in Azerbaijan. The arti

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18

Jafarova, Eteri. "The Role of Educational Processes in the Formation of New Trends in Azerbaijan's Folk Stage Dance in the Beginning of the Twenty-First Century." Bulletin of KNUKiM. Series in Arts, no. 45 (December 17, 2021): 211–17. https://doi.org/10.31866/2410-1176.45.2021.247397.

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The purpose of the article is to study new vector forms in training choreography using the example of the Baku Choreography Academy. The research methodology is based on the method of historicism, for the Azerbaijani folk stage dance is studied in the context of a specific historical period in the development of Azerbaijani culture. Moreover, the consideration of the activities of the Baku Choreography Academy throughout the study correlates with the processes that are taking place in modern Azerbaijan. The method of historicism makes it possible to identify trends, significant from the point

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19

Ahmadova, Gulkhara. "WORLDLY SIGNIFICANCE OF THEATERS: IREVAN STATE AZERBAIJAN DRAMA THEATER." Scientific Journal of Polonia University 58, no. 3 (2023): 10–14. http://dx.doi.org/10.23856/5801.

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Historically and even now, the literary and cultural environment of Azerbaijan is known both in the East and in the West. As a result of the severe tragedies, deportations, and genocides inflicted on the people of Azerbaijan, scientific and educational institutions, state institutions, museums, natural monuments, and cultural centers created in our country have suffered as much as our people. Theaters were also forced to live the fate of refugees. Today Shusha Musical Drama Theater, Aghdam State Drama Theater, Fuzili State Drama Theater continue their activities in the field of refugees. All t

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20

ALIYEV, Elshad. "THE APPLICATION PROBLEM OF INTERNET AND MULTIMEDIA TECHNOLOGIES IN MODERN THEATRE IN AZERBAIJAN." Volume 4, Issue 2 4, no. 2 (2021): 59–65. http://dx.doi.org/10.31566/arts.4.2.01.

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Almost all fields of art intersect in the theatre. From this point of view, the theatre is a unique place. It’s been decades that creative people working in the field of theatre try to use new technologies whenever possible. Various types of spectacles, show and performances are created using constantly evolving Internet technologies and multi-media.V arious types of digital equipment, devices, computer programs, gadgets and internet technologies are used in scenography, music and lighting. The application problems of information and communication technologies in the theatre make modern theatr

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21

Murseloglu, Rustem. "The development of Azerbaijani theater: key stages." Problems of Arts and Culture, no. 03 (2024): 72. https://doi.org/10.59849/2310-5399.2024.3.72.

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22

ZALIYEVA, Leyla. "THE DRAMATURGİCAL ROLE OF CHORAL SCENES İN VASİF ADİGOZALOV’S OPERA “DEAD”." IEDSR Association 6, no. 12 (2021): 57–67. http://dx.doi.org/10.46872/pj.268.

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Vasif Adigozalov was one of the artists who attracted attention during the brilliant development of the Azerbaijani composition school in the 70 s of the XX century. Born in Karabakh, a fascinating sorner of Azerbaijan, in the family of the famous and talented singer Zulfu Adigozalov’s works reflected the priceless pages of the national music culture. The story-based opera “The Dead”, which entered the history of literature as a comedy, is also regarded as the first comedy opera in our music history. However, every Azerbaijani who knows the work realizes what a great tragedy is actually happen

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23

Rasulov, Tarlan. "“LEADER’S THEATRE”: HEYDAR ALIYEV AND STAGE ART." Scientific and analytical journal Burganov House. The space of culture 19, no. 5 (2023): 53–58. http://dx.doi.org/10.36340/20716818-2023-19-5-53-58.

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The article is devoted to the influence of theatre art and acting techniques on the formation and development of leadership qualities on the example of the career of Heydar Aliyev, the national leader of Azerbaijan. The article is based on the analysis of Heydar Aliyev’s life and political career, as well as his active role in the development of theatrical art in Azerbaijan. The results of the study show that participation in theatre projects and an active interest in art and culture helped Heydar Aliyev develop leadership skills such as communication, empathy, persuasion and the ability to in

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24

Aghayeva, Narmina. "Theater relationships between Azerbaijan and Turkey." Problems of Arts and Culture, no. 04 (2023): 37. http://dx.doi.org/10.59849/2310-5399.2023.4.37.

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25

Aghayeva, Narmina. "THEATER RELATIONSHIPS BETWEEN AZERBAIJAN AND TURKEY." Problems of Arts and Culture / İncəsənət və mədəniyyət problemləri 17, no. 4 (2023): 37–45. https://doi.org/10.5281/zenodo.10464301.

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The article deals with the history of Turkish-Azerbaijani theater relationships, which began at the beginning of the 20th century. When the 100th anniversary of the establishment of the Republic of Turkey is celebrated in 2023, the historical and contemporary period of cultural relationships is brought to attention at the junction of two centuries. It is known that the comedies by M.F. Akhundzadeh, who is known as the first playwright of the whole East, had a significant influence on the creation of theater art in Turkey as well as in many countries. And Writer Namik Kemal created the European

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Qafarova, Gunay N. "Azerbaijan National Museum of Art: On the history of foundation." Issues of Museology 13, no. 2 (2022): 214–30. http://dx.doi.org/10.21638/spbu27.2022.205.

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The article briefly gives the history of the creation of the Azerbaijan National Museum of Art, one of the largest museums in the country. The museum has a rich collection of Russian, Western European, Eastern and Azerbaijani art. The collection has been formed throughout the existence of the museum, but its foundation was laid back in the Azgosmusey. A certain part of the collection is made up of exhibits transferred to the museum during the USSR period, a cultural policy that relied on the education of the masses, regardless of nationality and region. A descriptive description of the exhibit

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27

GARAŞOVA, Esmer. "WOMEN’S NAMES OF TURKIC ORIGIN REGISTERED IN THE PLAYS BY JAFAR JABBARLI." ZEITSCHRIFT FÜR DIE WELT DER TÜRKEN / JOURNAL OF WORLD OF TURKS / TÜRKLERİN DÜNYASI DERGİSİ 15, no. 1 (2023): 27–35. http://dx.doi.org/10.46291/zfwt/150103.

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Jafar Jabbarli was one of the most prominent playwrights in the beginning of the the 20th century. His role in the development of Azerbaijani theater is undisputable. The writer came to the literature with poems and short stories, and later wrote more than 10 plays which have not gone from Azerbaijani scene of theater even now. The writer valued women character in his plays and even named some of his plays with the names of women: “Vefalı Seriye”, “Ulduz”, “Od gelini”, “Sevil”, “Almaz”. It makes women names in his plays more important. Personal names of various origins have been used in Jafar

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28

TÜRKMENOĞLU, Ömer, and Zümra AZİZOĞLU. "THE FIRST OPERA OF THE TURKISH WORLD "LEYLI AND MAJNUN’’." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (2021): 305–20. http://dx.doi.org/10.46291/zfwt/130216.

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The Turkish world's opera history gave its first example in 1908 with the opera "Leyli and Majnun" by Azerbaijani composer Üzeyir Hacıbeyli. According to many sources, "Leyli and Majnun" is described as the first opera of the Turkish world and the Islamic world, and the east. The most important feature of this opera is the masterful synthesis of classical western music and folk music. The opera, which was composed for the first time in this way, influenced the east with its staging and ensured that the art of opera was adopted by the public. The great composer Uzeyir Hajibeyli was born in the

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MARJANISHVILI, Mariam. "The World of Games and Georgian Theatre in Baku." Journal in Humanities 9, no. 2 (2021): 76–80. http://dx.doi.org/10.31578/hum.v9i2.422.

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The concept of Azerbaijan appeared in the Georgians’ mind with the folk song “Urmuli”, as in the first line of the song “I’ll go to Aghzevan for salt”, the word “Aghzevan” means Azerbaijan.The friendship and cultural relations between Georgian and Azerbaijan peoples have a long history. The best children of these two nations have always tried to develop and strengthen this friendship.It is important to study and research every form and field of these relations, including traditional theatric-cultural one between the two peoples.At the end of the 1870s, Baku, which was weakened by Turkey and Ir

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Rana, Sarabskaya (Mammadova). "ABOUT THE THEATRICAL LIFE OF BAKU IN THE BEGINNING OF THE XX CENTURY." Problems of Arts and Culture 17, no. 1 (2023): 47–55. https://doi.org/10.5281/zenodo.7856863.

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 Theatrical life of Baku in 1907-1908 is characterized in presented article. Materials of Russian-speaking press functioning in Azerbaijan from the end of XIX century underlie on the basis. The activity and status of Russian-speaking press of the city. It promotes character of Russian-speaking press concluding in itself and social aspects, professional and artistic aspects of reflection of theatrical life of the town.  Systematic character and frequency of publications of Russian-speaking press witness about the interest and cultural life of Baku and reflects the intensity of connect

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31

BAIRAMOVA, Ulker Veli. "Traditions of national theater costume in Azerbaijan and modernity." Humanities science current issues, no. 50 (2022): 71–76. http://dx.doi.org/10.24919/2308-4863/50-10.

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BAIRAMOVA, Ulker Veli. "Traditions of national theater costume in Azerbaijan and modernity." Humanities science current issues, no. 50 (2022): 71–76. http://dx.doi.org/10.24919/2308-4863/50-10.

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33

Narmina, Aghayeva. "THE KHOJALY TRAGEDY ON THE THEATER SCENE." Problems of Arts and Culture / İncəsənət və mədəniyyət problemləri 17, no. 3 (2023): 106–11. https://doi.org/10.5281/zenodo.8416447.

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The subject of the article was the embodiment of the theme of the Khojaly tragedy on the theater stages. The play “Unknown Woman” staged in the Istanbul theater is analyzed, the author and director of which is our compatriot Aygun Hasanoglu, who lives in Turkey, as well as the performances “When the Almond Tree Blooms”, “Red Angel in Khojaly”, “Arzu and Murad”, which were staged at the Azerbaijan Theater for Young Spectators. In addition, the author notes the play “Children Who Don’t Grow Up”, staged at the Kiev Theater “B

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Artegin, Salamzade, and Abdullayeva Rana. "INTERCOMMUNICATIONS OF THE ART OF POLAND AND AZERBAIJAN." Problems of Arts and Culture 17, no. 1 (2023): 39–46. https://doi.org/10.5281/zenodo.7856853.

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Cultural and commercial-economic communications of two countries go away with their roots in the XV century when from Azerbaijan to Poland were brought carpets, silk and cotton. Intercommunications in the sphere of literature and art reach the flourishing in the XIX century. In this time the whole row of literary monuments of Azerbaijan are translated into Polish language and on the contrary. On the boundary of the XIX-XX centuries in Baku there were working magnificent plead of Polish architects – Ioisef Goslavsky, Kazimir Scurevich, Iosif Ploshko, Yevgeniy Skibinsky the works of which

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35

Mir-Bagirzade, Farida. "ORIENTAL SYMBOLISM OF THE BALLET “SEVEN BEAUTIES” BASED ON THE POEM BY NIZAMI GANJAVI." Historical Search 1, no. 4 (2020): 197–201. http://dx.doi.org/10.47026/2712-9454-2020-1-4-197-201.

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The author explores creative interpretations of the work “Seven Beauties” written by a humanist poet Nizami Ganjavi (7th century) from the “Hamse” cycle. The poet was a genuine erudite, connoisseur of not only Koranic texts, history, ancient and Muslim philosophy, but astronomy as well. This article is an attempt to trace the oriental symbolism in the images of Ganjavi in one of the creative interpretations of the poem “Seven Beauties” through the prism of choreographic and scenographic art. The method of research is a semiological analysis, the object of study is the ballet “Seven Beauties”,

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Ulkar, Mammadova. "THE TIME FACTOR IN THE CREATIVITY OF THEATER DIRECTORS OF YOUNG AUDIENCES." Problems of Arts and Culture International scientific journal 17, no. 2 (2023): 98–105. https://doi.org/10.5281/zenodo.8105942.

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In this article, the influence of the time factor in the creativity of the directors of the Azerbaijan State Young Spectators Theater, its approach and solutions are involved in the research.In the idea-aesthetic presentation of the children’s performances created in the Theater established in 1929, which bears the influence of time, the author explores the issues of how ideological-political, social-moral issues are portrayed in the interpretation of images, in the scale and movement structure, in general, in the artistic-plastic solution of the play.  The subject is studied in the

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37

Susidko, Irina P., and Veronica S. Kalistratova. "International Conference Ballet in Musical Theatre: History and Present Time. An Interview with the Conference Curator Irina P. Susidko." Contemporary Musicology, no. 4 (2022): 4–16. http://dx.doi.org/10.56620/2587-9731-2022-4-004-016.

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November 21-25, 2022, the Gnesin Russian Academy of Music hosted a large-scale conference focusing on ballet. The conference took place as part of the strategic academic leadership program Priority 2030 and was effective in meeting its aims and objectives. One of them concerns the consolidation of academic efforts in the most sought-after research avenues. The conference was organized by the Center for Musical Theater Studies established in the Academy earlier this year. For the first time in history the conference was hosted by a consortium of conservatories and research institutes. Among the

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Rza qızı İsmayılova, Nəzakət. "The ideas of child play in the creative activities of writers from Nakhchivan." SCIENTIFIC WORK 15, no. 2 (2021): 19–23. http://dx.doi.org/10.36719/2663-4619/63/19-23.

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This scientific article focuses on plays written only in regard to child literature by writers from Nakhchivan. Works written by some writers such as J.Mammadguluzada, A.Abbasov, A.Yadigar, Tofig Mutallibov, K.Agayeva, B.Iskandarli, Z.Vedili, T.Seyidov, S.Djanbakhshiyev etc are involved in research. Plays for children are the most important field in terms of influencing child's inner world and forming child's mindset. Considering these fact we can say that plays written by writers from Nakhchivan have great impact on the literal- aesthetical education of young generation. The dramaturgy of chi

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Ismayilov, J. "CREATIVE ATTITUDE TO MINIATURE AESTHETICS." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 45 (December 5, 2022): 24–27. https://doi.org/10.5281/zenodo.7398769.

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The sixties-eighties stage of Azerbaijani painting, which has an ancient history and rich artistic traditions, was also characterized by appeals to national traditions by artists of different ages. One of such creators was Yuran Mammadov (1934-1984), who lived and created in Nakhchivan. The young artist who studied in Baku and St. Petersburg and is deeply familiar with the traditions of realism, unlike many others, preferred to create paintings with modern themes and different genres with a creative attitude to the miniature style, which has ancient traditions. Yuran Mammadov, who tried himsel

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Tojiboyev, Umidjon U. "Theater movement in Turkestan in late 19th – early 20th centuries." Historical Ethnology 10, no. 1 (2025): 46–55. https://doi.org/10.22378/he.2025-10-1.46-55.

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The article analyzes the national forms of theatrical art that existed in Turkestan in the pre-imperial and early period of the Russian Empire. The author shows the essence of the folk humorous art and clownery that existed in the region and points out how theatrical traditions changed under the influence of external factors. Rich, centuries-old traditions of folk theater in Turkestan have been presented. It is proved that after the conquest of the region by the Russian Empire, many changes took place in all its regions and were aimed at promoting the interests of the new government. This poli

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Ahmadova, Gulxare. "Irevan State Azerbaijan Drama Theater in the context of Eastern and Western Civilizations." Philology and Art Studies, no. 01 (2025): 220. https://doi.org/10.59849/2663-4368.2025.1.220.

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Jajanidze, Besik. "Regional Security Trends In The South Caucasus: Azerbaijan-georgia-turkey Trilateral Strategic Cooperation." თავდაცვა და მეცნიერება 1 (April 25, 2022): 32–36. http://dx.doi.org/10.61446/ds.1.2022.6456.

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The following article aims to determine the importance of trilateral Azerbaijan-Georgia-Turkey strategic partnership, which includes not only Black Sea and Caspian Sea countries, but also bears a great significance in broader security context. The subject of this survey is to theoretically and practically explain historical necessity of commencing trilateral cooperation, caused by geostrategic challenges in the region and in the whole world, that particularly became more intense after Cold War and it has been going on for thirty years. In this survey it is presented how the trilateral cooperat

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Rice, Kelsey. "Muslim Women and Educational Reform in the Early-Twentieth-Century Southern Caucasus: Urbanization and Heterosocialization at the Dawn of Revolution." Journal of Women's History 36, no. 2 (2024): 117–38. http://dx.doi.org/10.1353/jowh.2024.a929071.

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Abstract: In 1901 the Empress Alexandra Russian Muslim Boarding School for Girls, better known as Taghiyev's Girls' School for the industrialist who founded it, opened in Baku to celebration in the press and to protests in the street. Its opening initiated a period of expanded educational opportunities for Muslim girls in the southern Caucasus and increased the visibility and social and political influence of Muslim women teachers. This article investigates how girls' schools marked a transformation in Muslim women's sociality in the southern Caucasus. Heterosocialization characterized this tr

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Rəfail qızı Ağayeva, Məlahət. "The theme of patriotism and heroism in Namig Kamal’s works." SCIENTIFIC WORK 75, no. 2 (2022): 50–55. http://dx.doi.org/10.36719/2663-4619/75/50-55.

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Məqalədə, “Yeni Osmanlı Cəmiyyəti”nin yaradıcılarından olan Namiq Kamalın “Vətən, yaxud Silistrə” (1873), “Akif bəy” (1874), “Cəlaləddin, Xarəzim şahı” (1885), “Qara bəla” (1885) əsərlərinə müraciət edilir. Türkdilli ölkələrin ədəbiyyatına vətən, azadlıq, mübarizə, inqilab mövzusunun gətirilməsi ilk dəfə N.Kamalın adı ilə bağlı olmuşdu. Bu mövzuda yazdığı əsərlərlə bağlı olaraq dəfələrlə sürgünə məruz qalan müəllif, öz ideyasından dönməmiş, sürgündə olarkəndə belə yeni-yeni əsərlər yazıb. Özünün rejissorluğu ilə hazırlanan 1 aprel 1873-cü ildə Gedikpaşa teatrında tamaşaçılara göstərilən “Vətən

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AYGUN, AHMADOVA. "UŞAQ ƏDƏBİYYATININ İNKİŞAFI TARİXİNDƏ MİR MEHDİ SEYİDZADƏNİN YARADICILIQ YOLU." ASES INTERNATIONAL JOURNAL OF CULTURE, ART AND LITERATURE 2, no. 1 (2023): 44–49. https://doi.org/10.5281/zenodo.10492400.

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The history of the development of Azerbaijani literature, especially children's literature, Mir Mehdi Seyidzade, who has high talent, enthusiastic inspiration and poetic sense, was not only satisfied with children's creativity, but at the same time, he was loved as a poet who wrote a number of valuable works for the elderly and adults. He is a poet who is known mainly as a children's writer in modern Azerbaijani literature. Starting from the 1930s, he illuminated the history of children's literature with his name and his creativity. The poet who always emphasized how difficult, responsible and

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PAZYCHEVA, INNA. "UZEYIR HAJIBEYLI’S “KOROGLU” OPERA IN THE CONTEXT OF THE PRINCIPLES OF NATIONAL MUSICAL THINKING." Культурный код, no. 2022-4 (2022): 51–66. http://dx.doi.org/10.36945/2658-3852-2022-4-51-66.

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The article reveals the features of U. Hajibeyli's musical thinking in the opera “Koroglu”, which determined the principles of h work’s thematic organization. The national beginning was clearly manifested in the opera through an appeal to the history and worldview of the people, the entire set of musical and expressive means, which characterize the genres of Azerbaijani music of oral tradition. The emergence of the opera was prepared by the composer's research activities in studying the foundations of folk music, as well as his innovative research in the field of musical theater related to the

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Elbuzdukaeva, Tamara Umarovna. "THE DEVELOPMENT OF THEATER IN THE CHECHENO-INGUSH ASSR IN THE 40―60S’ OF THE XX CENTURY." History, Archeology and Ethnography of the Caucasus 15, no. 1 (2019): 37–46. http://dx.doi.org/10.32653/ch15137-46.

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The selection of the topic for publication is brought into focus by the decree of the President of the Russian Federation on the announcement of 2019 as the Year of Theater, as well as preparation for the celebration of the 75th anniversary of the Victory over Nazi Germany. The relevance of the choice of theatrical culture of the Chechen Republic in the object of study is also related to its lack of information on this topic. The study analyzes the activities of republican theaters in military conditions; reconstruction of the basic principles and methods of functioning of the Chechen-Ingush t

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Shumilin, Alexander. "The difficult path of the southern lend-lease route for the USSR: the insidious «neutrality» of Iran and Turkey." Scientific and Analytical Herald of IE RAS 44, no. 2 (2025): 19–27. https://doi.org/10.15211/vestnikieran220251927.

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In the last decades, the main aspects of the interaction of the allies of the anti-Hitler coalition on the basis of Lend-Lease in the northern seas (in particular, the functioning of the northern route for the delivery of weapons, materials and products to the ports of Murmansk and Arkhangelsk) have been studied quite comprehensively and deeply in Soviet historiography. This can be largely explained by the fact that the passage of American-British convoys by this route was often accompanied by active combat clashes with the ships of the surface and submarine fleets of Germany, which turned thi

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Stoitsova, Tolya. "Editor’s Words." Rhetoric and Communications, no. 57 (October 29, 2023): 3–7. http://dx.doi.org/10.55206/gptc5674.

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Issue 57 of the Rhetoric and Communications journal follows the traditions of publishing analyses of studies in thematic areas, in particular in rhetoric, semiotics and in new failures of communication in the 21st Century. Again, following good traditions, the journal provides a platform for both prominent and young scientists. The authors are 11, nine of them – authors of scholarly articles. A book presentation is also included. Three of the articles are in English. The nine articles are written by 10 authors, two of whom are representatives of academic institutions of Azerbaijan and one is f

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KOÇ, Elif. "AN ANALYSIS ON AZERBAIJANI THEATER IN THE SOVIET PERIOD." Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi, June 14, 2022, 333–51. http://dx.doi.org/10.21563/sutad.1130583.

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In this study, development process of Azerbaijani theatre in Soviet period is discussed. The modern theatre, foundations of which were laid by Mirza Fetali Ahundzade, one of the pioneers of Azerbaijani theatre, started developing on literary concept of socialist realism in Soviet period, in addition to literary movements of educational realism, critical realism, romantism. In this context, literary structure that gradually altered with literary movement of socialist realism becoming more effective on literature and art progressed as stipulated by ruling power. Soviet government punished writer

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