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Books on the topic 'Babbits'

Author: Grafiati

Published: 30 May 2022

Last updated: 31 May 2022

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1

Lewis, Sinclair. Babbitt. Thorndike, Me: G.K. Hall, 1998.

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2

Lewis, Sinclair. Babbitt. [Place of publication not identified]: Nabu Press, 2010.

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Lewis, Sinclair. Babbitt. New Brunswick, NJ: Transaction Publishers, 1997.

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4

Lewis, Sinclair. Babbitt. New York: Penguin Books, 1996.

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Lewis, Sinclair. Babbitt. New York: Oxford University Press, 2010.

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6

Lewis, Sinclair. Babbitt. Amherst, N.Y: Prometheus Books, 2002.

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7

Lewis, Sinclair. Babbitt. New York: Signet Classic, published by the Penguin Group, 1991.

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Lewis, Sinclair. Babbitt. New York: Signet Classic, 1998.

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Lewis, Sinclair. Babbitt. New York: Modern Library, 2002.

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Lewis, Sinclair. Babbitt. New York: Signet Classics, 2007.

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11

Lewis, Sinclair. Babbitt. New York: Random House Publishing Group, 2007.

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12

Lewis, Sinclair. Babbitt. San Diego: Harcourt Brace Jovanovich, 1989.

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13

Lewis, Sinclair. Babbitt. Harmondsworth: Penguin, 1985.

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14

Lewis, Sinclair. Babbitt. Mineola, N.Y: Dover Publications, 2003.

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15

Lewis, Sinclair. Babbitt. Madrid: Cátedra, 1985.

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16

Babbit. London: Egmont, 2011.

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17

Brennan, Stephen C. Irving Babbitt. Boston, MA: Twayne Publishers, 1987.

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18

Levy, Michael M. Natalie Babbitt. Boston: Twayne Publishers, 1991.

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19

Lewis, Sinclair. Main Street & Babbitt. New York: Library of America, 1992.

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20

Sinclair Lewis's Babbitt. Woodbury, N.Y: Barron's Educational Series, 1985.

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21

Dolan, Penny. Mr Babbit's rabbit. London: Franklin Watts, 2007.

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22

Lewis, Sinclair. Main Street & Babbitt. New York: Library of America, 1992.

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23

Silverstein, Shel. Runny Babbit returns. New York: HarperCollins Publishers, 2017.

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24

Carey, G. K. CliffsNotes on Lewis' Babbitt. New York: John Wiley & Sons, Ltd., 2002.

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25

Love, Glen A. Babbitt: An American life. New York: Twayne Publishers, 1993.

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26

Babbitt, Milton. Milton Babbitt: Words about music. Madison, Wis: University of Wisconsin Press, 1987.

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27

Silverstein, Shel. Runny Babbit: A billy sook. New York: HarperCollins, 2005.

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28

Silverstein, Shel. Runny Babbit: A billy sook. New York: HarperCollins, 2005.

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29

Dean, Smith. Brothers Five: The Babbitts of Arizona. Tempe, Ariz: Arizona Historical Foundation, 1989.

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30

Smith, Dean Ellis. Brothers Five: The Babbits of Arizona. James E Babbitt, 1989.

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31

Smith, Dean Ellis. Brothers Five: The Babbits of Arizona. James E Babbitt, 1989.

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32

Stevenson, Elizabeth. Babbits and Bohemians: From the Great War to the Great Depression. Transaction Publishers, 1997.

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33

Bernstein, Zachary. Thinking In and About Music. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190949235.001.0001.

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Milton Babbitt (1916–2011) was, at once, one of the century’s foremost composers and a founder of American music theory. These two aspects of his creative life—“thinking in” and “thinking about” music, as he would put it—nourished each other. Theory and analysis inspired fresh compositional ideas, and compositional concerns focused theoretical and analytical inquiry. Accordingly, this book undertakes an excavation of the sources of his theorizing as a guide to analysis of his music. Babbitt’s idiosyncratic synthesis of ideas from Heinrich Schenker, analytic philosophy, and cognitive science—at least as much as more obviously relevant, and more frequently cited, predecessors such as Arnold Schoenberg—provide insight into his aesthetics and compositional technique. Examination of Babbitt’s newly available sketch materials sheds additional light on his procedures. But a close look at his music reveals a host of concerns unaccounted for in his theories, some of which seem to directly contradict theoretical expectations. New analytical models are needed to complement those suggested by Babbitt’s theories. Departing from the serial logic of Babbitt’s writings, his compositional procedures, and most previous work on the subject—and in an attempt to discuss Babbitt’s music as it is actually heard rather than just deciphered—the book brings to bear theories of gesture and embodiment, rhetoric, text setting, and temporality. The result is a richly multifaceted look at one of the twentieth century’s most fascinating musical minds.

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34

Lewis, Sinclair. Babbitt. Dodo Press, 2006.

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35

Lewis, Sinclair. Babbitt. Buccaneer Books, 2007.

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36

Lewis, Sinclair. Babbitt. Signet Classics, 2007.

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37

Lewis, Sinclair. Babbitt. Independently Published, 2019.

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38

Lewis, Sinclair. Babbitt. CreateSpace Independent Publishing Platform, 2015.

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39

Lewis, Sinclair. Babbitt. CreateSpace Independent Publishing Platform, 2012.

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40

Lewis, Sinclair, and David Colacci. Babbitt. Tantor Audio, 2010.

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41

Lewis, Sinclair. Babbitt. Vintage Classics, 1994.

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42

Lewis, Sinclair. Babbitt. North Books, 2001.

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43

Lewis, Sinclair. Babbitt. Tandem Library, 1999.

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44

Lewis, Sinclair. Babbitt. L.A. Theatre Works, 2007.

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45

Babbitt. Nórdica , 2009.

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46

Babbitt. Waiheke Island: The Floating Press, 2010.

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47

Lewis, Sinclair. Babbitt. Thorndike Press, 2005.

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48

BABBITT. Sioux Falls: NuVision Publications, 2004.

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49

Lewis, Sinclair. Babbitt. IndyPublish.com, 2004.

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50

Nafisi, Azar, Sinclair Lewis, and Sally E. Parry. Babbitt. Penguin Publishing Group, 2017.

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