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1

Hansen, Miriam. Babel and Babylon: Spectatorship in American silent film. Cambridge, Mass: Harvard University Press, 1991.

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2

Israel and Babylon: The Babylonian influence on Israelite religion. Eugene, Or: Cascade Books, 2009.

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3

Der Streit um Babel in den Büchern Jesaja und Jeremia. Stuttgart: Kohlhammer, 2007.

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4

Chafograck, Jean-Jack. Babel-Babylone: Récit du passé, symboles d'aujourd'hui. Dammarie-les-Lys: Éditions Vie et Santé, 2011.

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5

La tour de Babylone: Que reste-t-il de la Mésopotamie? Paris: Seuil, 2003.

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6

editor, Ben-David Carolyn, and Muzeʼon artsot ha-Miḳra (Jerusalem), eds. By the rivers of Babylon: The story of the Babylonian exile = ʻAl naharot Bavel : sipurah shel galut Bavel. Jerusalem: Bible Lands Museum, 2015.

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7

HANSEN, Miriam. Babel and Babylon. Harvard University Press, 2009.

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8

Babel and Babylon: Spectatorship in American Silent Film. Harvard U. P., 1994.

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9

Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Harvard University Press, 2006.

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10

From Babel to Babylon: Essays on biblical history and literature in honour of Brian Peckham. New York, NY: T & T Clark, 2007.

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11

Thomas, Brett Lee. The Rise of Mystery Babylon - The Tower of Babel: Discovering Parallels Between Early Genesis and Today. Parallel World Books, 2018.

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12

From Babel to Babylon: Essays on Biblical History And Literature in Honor of Brian Peckham (Library of Hebrew Bible/ Old Testament Studies). T. & T. Clark Publishers, Ltd., 2006.

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13

Quint, David. Milton’s Book of Numbers: Book 1 and Its Catalog. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691161914.003.0002.

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This chapter shows how book 1 of Paradise Lost metaphorically depicts the role of the devil in raising the rebel angels out of their “bottomless perdition,” an act of poetic creation analogous to the divine creation of the universe described in the invocation—“how the heavens and earth/Rose out of chaos.” The chief devils described in the catalog that occupies the center of book 1 and organizes its poetic figures and symbolic geography—Carthage, Sodom, Egypt, Babel-Babylon, Rome—are precisely those who will come to inhabit the pagan shrines that human idolatry will build next to or even inside the Jerusalem temple, profaning God's house. This catalog—whose traditional epic function is to size up military force—instead suggests the force of spiritual falsehood, and it corresponds to the defeated devils' own reluctance to pursue another direct war against God; they would rather resort to satanic fraud.
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14

Mignan, Robert. Travels in Chaldæa, Including a Journey from Bussorah to Bagdad, Hillah, and Babylon, Performed on Foot in 1827: With Observations on the Sites and Remains of Babel, Seleucia, and Ctesiphon. Adamant Media Corporation, 2002.

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15

Busnar, with Gene, and Don Crutchfield. Confessions of a Hollywood P.I. [ Case File: Babes in Babylon ]. SOS Publishing, 2000.

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