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1

Guillard, Georges. J.-S. Bach et l'orgue. Paris: Presses universitaires de France, 1987.

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2

A, Leaver Robin, ed. J. S. Bach's "Leipzig" chorale preludes: Music, text, theology. Lanham, Md: Scarecrow Press, 2011.

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3

Tonal allegory in the vocal music of J. S. Bach. Berkeley: University of California Press, 1991.

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4

Chafe, Eric. Tonal allegory in the vocal music of J. S. Bach. Berkeley, Calif: University of California Press, 1991.

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5

1972-, Zepf Markus, ed. The organs of J. S. Bach: A handbook. Urbana: University of Illinois Press, 2012.

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6

A woman's voice in baroque music: Mariane von Ziegler and J. S. Bach. Aldershot, Hampshire, England: Ashgate, 2008.

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7

La musica come conoscenza: Lettura del 3o Concerto brandeburghese di J. S. Bach. Milano: EGEA, 1999.

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8

Spranzi, Aldo. La musica come conoscenza: Lettura del 3. Concerto brandeburghese di J. S. Bach. Milano: EGEA, 1999.

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9

Bahe liu shou jian pan zu qu: Yan jiu yu quan shi = J. S. Bach : sechs Partiten BWV 825-830 : analyse und Interpretation. [Taibei Shi]: Lin Qiuzi, 2001.

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10

J. S. Bach's Johannine theology: The St. John passion and the cantatas for spring 1725. New York: Oxford University Press, 2011.

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11

J. S. Bach: Passions, messes et motets. Paris: Fayard, 2011.

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12

Les cantates de J.-S. Bach: Textes, traductions, commentaires. [Paris]: Fayard, 2010.

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13

Stinson, Russell. J. S. Bach's great eighteen organ chorales. New York, NY: Oxford, 2001.

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14

J. S. Bach. Cambridge University Press, 2007.

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15

Schweitzer, Albert. J. S. Bach. Macmillan Publishing Company, 2000.

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16

Bach, Johann Sebastian. J. S. Bach: Concertos (Music Scores). Konemann, 2001.

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17

Bach, Johann Sebastian. J. S. Bach for Fingerstyle Ukulele. Leonard Corporation, Hal, 2014.

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18

Williams, Peter. The Organ Music of J. S. Bach. 2nd ed. Cambridge University Press, 2004.

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19

The Organ Music of J. S. Bach. 2nd ed. Cambridge University Press, 2004.

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20

Williams, Peter. J. S. Bach: A Life in Music. University of Cambridge ESOL Examinations, 2012.

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21

The Organ Music of J. S. Bach. Cambridge University Press, 2003.

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22

J. S. Bach as Organist. Indiana University Press, 2000.

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23

Music Study with the Masters: J. S. Bach. Simply Charlotte Mason, 2015.

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24

Guida alla musica di J. S. Bach. Edizioni Unicopli, 2006.

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25

Gregory, Butler, ed. J. S. Bach's concerted ensemble music, the concerto. Urbana, Ill: University of Illinois Press, 2008.

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26

Williams, Peter. The Organ Music of J. S. Bach (Cambridge Studies in Music). Cambridge University Press, 1985.

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27

Williams, Peter. The Organ Music of J. S. Bach (Cambridge Studies in Music). Cambridge University Press, 1985.

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28

The Organ Music of J. S. Bach (Cambridge Studies in Music). Cambridge University Press, 1989.

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29

Schulenberg, David. The Keyboard Music of J. S. Bach, 2nd Edition. Routledge, 2006.

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30

The Keyboard Music of J. S. Bach, 2nd Edition. Routledge, 2006.

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31

Sir Henry Wood - Champion of J. S. Bach. Boydell & Brewer, Limited, 2019.

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32

Perspectives, Bach. Bach Perspectives, Volume 4: The Music of J. S. Bach: Analysis and Interpretation (Bach Perspectives). University of Nebraska Press, 1999.

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33

Maul, Michael, and Alberto Nones. Forms of Performance: From J. S. Bach to M. Alunno. Vernon Art and Science Inc., 2020.

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34

Jenne, Natalie, and Meredith Little. Dance and the Music of J. S. Bach: Expanded Edition. Indiana University Press, 2002.

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35

Jenne, Natalie, and Meredith Little. Dance and the Music of J. S. Bach: Expanded Edition. Indiana University Press, 2001.

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36

Butt, John. The Sacred Choral Music of J. S. Bach: A Handbook. Paraclete Press, 1997.

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37

Perspectives, Bach. Bach Perspectives, Volume 2: J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade (Bach Perspectives). University of Nebraska Press, 1996.

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38

Peters, Mark A. Woman S Voice in Baroque Music: Mariane Von Ziegler and J. S. Bach. Taylor & Francis Group, 2016.

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39

Stauffer, George. J. S. Bach As Organist: His Instruments, Music, and Performance Practices. Indiana University Press, 1986.

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40

Butler, Gregory. Bach Perspectives, Volume 7: J. S. Bach's Concerted Ensemble Music: The Concerto (Bach Perspectives). University of Illinois Press, 2007.

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41

Butler, Gregory. Bach Perspectives, Volume 6: J. S. Bach's Concerted Ensemble Music, The Ouverture (Bach Perspectives). University of Illinois Press, 2007.

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42

Wolff, Christoph. Did J. S. Bach Write Organ Concertos? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040191.003.0004.

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This chapter explores the prehistory of the cantata movements with obbligato organ and asks whether Johann Sebastian Bach wrote organ concertos by focusing on the sinfonias of his Cantatas 146 and 169. Bach presented church cantatas with concertato organ sinfonias several times between 1725 and 1728. This can only mean that neither the clergy, the congregation, nor anyone else objected to this innovative type of church music. This chapter analyzes the two first entries in the autograph manuscript P 234 (ca. 1738), the D-minor and E-major harpsichord concertos (BWV 1052–1053) and their related movements in cantatas 49, 146, 169, and 188, and challenges the notion that they are concertos for violin, oboe, or any other solo instrument. Instead, it argues that they are keyboard concertos in the same two keys and were designed for performance on either harpsichord or organ. The chapter concludes that Bach composed such works primarily for his own use, sketching out a solo part and making appropriate adjustments and improvisatory elaborations as needed at either harpsichord or organ.
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43

J. S. Bach As Organist: His Instruments, Music, and Performance Practices. Indiana Univ Press, 1986.

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44

Butt, John. Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach (Cambridge Musical Texts and Monographs). Cambridge University Press, 2006.

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45

Kassler, Michael. English Bach Awakening: Knowledge of J. S. Bach and His Music in England, 1750 1830. Taylor & Francis Group, 2016.

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46

Compositional Choices and Meaning in the Vocal Music of J. S. Bach. Rowman & Littlefield Publishers, Incorporated, 2018.

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47

Peters, Mark A., Robin A. Leaver, Reginald L. Sanders, and Reginald L. Sanders. Compositional Choices and Meaning in the Vocal Music of J. S. Bach. Rowman & Littlefield Publishers, Incorporated, 2020.

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48

Stinson, Russell. J. S. Bach at His Royal Instrument: Essays on His Organ Works. Oxford University Press, Incorporated, 2012.

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49

Marissen, Michael. Social and Religious Designs of J. S. Bach's Brandenburg Concertos. Princeton University Press, 1999.

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50

Marissen, Michael. Social and Religious Designs of J. S. Bach's Brandenburg Concertos. Princeton University Press, 1999.

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