Relevant bibliographies by topics / Bach, Johann Sebastian, 1685-1750. Works, organ

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Bach, Johann Sebastian, 1685-1750. Works, organ'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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Journal articles on the topic "Bach, Johann Sebastian, 1685-1750. Works, organ"

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HALL, MATTHEW J. "JOHANN SEBASTIAN BACH (1685–1750), ED. DAVID SCHULENBERG COMPLETE ORGAN WORKS, VOLUME 1 (PRELUDES AND FUGUES I)Wiesbaden: Breitkopf & Härtel, 2013 pp. 139, ismn979 0 004 18372 4 - JOHANN SEBASTIAN BACH (1685–1750), ED. DAVID SCHULENBERG COMPLETE ORGAN WORKS, VOLUME 2 (PRELUDES AND FUGUES II)Wiesbaden: Breitkopf & Härtel, 2014 pp. 148, ismn979 0 004 18373 1." Eighteenth Century Music 12, no. 2 (2015): 246–47. http://dx.doi.org/10.1017/s1478570615000093.

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BUTT, JOHN. "ALTBACHISCHES ARCHIV: WORKS BY JOHANN BACH (1604–1673), JOHANN CHRISTOPH BACH (1642–1703), GEORG CHRISTOPH BACH (1642–1697), JOHANN MICHAEL BACH (1648–1694), JOHANN SEBASTIAN BACH (1685–1750) Cantus Cölln / Concerto Paladino / Konrad Junghänel Harmonia Mundi HMC901783/84, 2003; two discs, 2'33"." Eighteenth Century Music 1, no. 1 (2004): 109–11. http://dx.doi.org/10.1017/s1478570604290078.

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Dissertations / Theses on the topic "Bach, Johann Sebastian, 1685-1750. Works, organ"

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Du, Plooy Jacobus Stephanus. "The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002301.

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This study examines the phrasing of J.S. Bach's preludes, toccatas and fantasias for organ. Consequent upon Bach's silence on the subject and the inadequacy of available sources, the cadence has been used as a means to determine the phrasing of these works. The goal of this thesis is to identify those characteristics of the cadence that can assist the performer in two ways: On the one hand, to select the appropriate type of break between phrases, and, the other hand, selecting the appropriate changes in tempo and articulation essential to the shaping of phrases. The term, 'cadence', therefore,
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Lee, Jung-Ok. "A study of two organ chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1895-1991)." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/2564.

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Wilhelm Kempff was one of the greatest pianists of the twentieth century, and his interpretation of Germanic piano literature has been honored in Europe, Africa, Asia, and America by many distinguished musicians and music-lovers. But perhaps because he was already sixty-nine years old at the time of his American debut in New York in 1964, his reputation as a pianist tends to be disregarded in English speaking nations. Even Alfred Brendel acknowledges in his book Me of All People: "I return again and again to Kempff, becaus
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Murphy, Liesel. "A critique of baroque performance practice with specific reference to the organ preludes and fugues by Johann Sebastian Bach." Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/1023.

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This study aims to provide a critique of Baroque performance practice, with specific reference to the organ Preludes and Fugues of Johann Sebastian Bach. Drawing from the extensive body of literature pertaining to Bach’s keyboard music, a number of relevant issues are explored in so far as these may provide understanding of the manner in which the organ Preludes and Fugues should be performed today. These include: • The notion of Bach’s ‘generic’ keyboard works. Were the generic keyboard works as a whole intended to be performed on more than one keyboard instrument? The instrumental designatio
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Lim, Aesook. "The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5219/.

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Johann Sebastian Bach's chorale preludes are varied and artistic not only in the treatment of chorale melodies, but also in the accompaniments of those chorale melodies. This study examines the accompaniments of Bach's long chorale preludes, focusing on identifying the various types and the characteristics that make them unique. This study investigates the two broad categories of accompaniments depending on whether the motives are chorale-derived or independent of the chorale. While the chorale prelude accompaniments in the first large group are closely related, the accompaniments of the cho
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Montaigu, Ginette. "La Vision du Christ, l'Un de la Trinité, et du Dieu trinitaire chez Jean-Sébastien Bach." Thesis, Université de Lorraine, 2013. http://www.theses.fr/2013LORR0324.

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Une première partie, après l’introduction, est consacrée aux deux passions de Jean-Sébastien Bach, la musique et la théologie-à l’héritage européen du compositeur, tant au point de vue musical que théologique. La seconde partie s’attache à l’analyse d’œuvres de Bach. La cantate Christ lag in Todesbanden a une place essentielle dans la liturgie protestante. Le compositeur reprend les versets du cantique du même nom écrit par Luther. L’attachement du Réformateur est viscéral pour le mystère de la Rédemption et son instrument, la Croix. Jean-Sébastien Bach éprouve la même adoration pour le Christ
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Van, Wyk Theodore Justin. "A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen." Diss., 2001. http://hdl.handle.net/2263/25010.

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Dykstra, Ruth Elaine 1945. "Possible orchestral tendencies in registering Johann Sebastian Bach's organ music : an historical perspective." 2004. http://hdl.handle.net/2152/12930.

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Dykstra, Ruth Elaine. "Possible orchestral tendencies in registering Johann Sebastian Bach's organ music : an historical perspective /." Thesis, 2004. http://wwwlib.umi.com/cr/utexas/fullcit?p3128859.

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Waters, Melville. "The Lutheran orthodoxy of J.S. Bach's Clavierübung III." 1988. http://web4.library.adelaide.edu.au/theses/09MUM/09mumw331.pdf.

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Books on the topic "Bach, Johann Sebastian, 1685-1750. Works, organ"

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J.S. Bach at his royal instrument: Essays on his organ works. Oxford University Press, 2012.

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The reception of Bach's organ works from Mendelssohn to Brahms. Oxford University Press, 2006.

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Dreyfus, Laurence. Bach's continuo group: Players and practices in his vocal works. Harvard University Press, 1987.

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Dreyfus, Laurence. Bach's continuo group: Players and practices in his vocal works. Harvard University Press, 1987.

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Dreyfus, Laurence. Bach's continuo group: Players and practice in his vocal works. Harvard University Press, 1987.

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Schmieder, Wolfgang. Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis (BWV) = Thematic-systematic catalog of the musical works of Johann Sebastian Bach. 2nd ed. Breitkopf & Härtel, 1990.

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G, Pauly Reinhard, ed. Johann Sebastian Bach's chamber music: Background, analyses, individual works. Amadeus Press, 1988.

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1972-, Zepf Markus, ed. The organs of J. S. Bach: A handbook. University of Illinois Press, 2012.

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1947-, Stauffer George B., and May Ernest 1942-, eds. J.S. Bach as organist: His instruments, music, and performance practices. Indiana University Press, 1986.

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Notes on Bach: 20 crucial works. W.B. Eerdmans Pub., 2005.

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Book chapters on the topic "Bach, Johann Sebastian, 1685-1750. Works, organ"

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Jones, Richard D. P. "Clavierübung II–III and other harpsichord, organ, and lute works." In The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199696284.003.0007.

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Jones, Richard D. P. "The Well-Tempered Clavier II, and other keyboard/organ works." In The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199696284.003.0012.

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"Life and Works 1685–1750 ROBI N A. LEAv ER." In The Routledge Research Companion to Johann Sebastian Bach. Routledge, 2016. http://dx.doi.org/10.4324/9781315452814-35.

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