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Books on the topic 'BACH motive'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

BACH: Verarbeitungen eines Motivs in der Orgelmusik des 19. Jahrhunderts. Sinzig: Studio, 2004.

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2

1933-, Davis Peter, ed. Come back, Africa. Johannesburg, South Africa: STE Publishers, 2004.

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3

Lazarou, George A. Memories of Hollywood, 1932: Fanie Hurst's Back street : a tribute. Athens, Greece: G.A. Lazarou, 2004.

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4

Carlos, Gallardo. Carlos Gallardo: Back up : marzo-abril 2004. Buenos Aires: Museo Nacional de Bellas Artes, 2004.

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5

Monicelli, Ottavia. Guai ai baci. [Milan, Italy]: Sperling & Kupfer, 2013.

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6

Danforth, Prince, ed. Hollywood Babylon: It's back! [New York]: Blood Moon Productions, 2008.

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7

Back, Silvio. Lance maior: Filme de Sylvio Back. Rio de Janeiro, RJ: Imago, 2008.

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8

Fhlainn, Sorcha Ní. The worlds of Back to the future: Critical essays on the films. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2010.

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9

Fontes, Ron. 3 Ninjas Kick Back. [S.l.]: Troll Associates, 1994.

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10

Bulluck, Vic. The art of The empire strikes back. London: Titan Books, 1995.

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11

Valerie, Hoffman, ed. The art of The empire strikes back. New York: Ballantine Books, 1994.

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12

Bulluck, Vic. The art of The empire strikes back. New York: Ballantine Books, 1997.

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13

Back lot: Growing up with the movies. Lanham, Md: Scarecrow Press, 1999.

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14

Stare back and smile: Memoirs. Harmondsworth: Penguin, 1990.

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15

Astin, Sean. There and back again: An actor's tale. New York: St. Martin's Press, 2004.

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16

Das Motiv der Rückenfigur und dessen Bedeutungswandlungen in der deutschen und skandinavischen Malerei zwischen 1800 und der Mitte der 1940er Jahre. Marburg: Tectum, 2005.

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17

Fleming, Robert Loren. Back to the future: The story. London: Corgi, 1985.

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18

Testa, Bart. Back and forth: Early cinema and the avant-garde. Toronto: Art Gallery of Ontario = Musée des beaux-arts de l'Ontario, 1992.

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19

Action movies: The cinema of striking back. London: Columbia University Press, 2012.

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20

Brackett, Leigh. Star wars: the empire strikes back: The illustrated screenplay. New York: Del Rey, 1998.

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21

Hankin, Kelly. The girls in the back room: Looking at the lesbian bar. Minneapolis: University of Minnesota Press, 2002.

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22

Horowitz, Jordan. D2, the mighty ducks are back! New York: Scholastic, Inc., 1994.

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23

Astin, Sean. There and back again: An actor's tale. New York: St. Martin's Press, 2004.

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24

Come back dead: A Scott Elliott mystery. New York, NY: Simon & Schuster, 1997.

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25

(Illustrator), Reuven Harris, ed. Back To One: The Complete Movie Extras Guidebook. Hollywood CA: Back To One Publications, 2006.

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26

Skelton, Kimberley, ed. Early Modern Spaces in Motion. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463725811.

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Stretching back to antiquity, motion had been a key means of designing and describing the physical environment. But during the sixteenth through eighteenth centuries, individuals across Europe increasingly designed, experienced, and described a new world of motion: one characterized by continuous, rather than segmented, movement. New spaces that included vistas along house interiors and uninterrupted library reading rooms offered open expanses for shaping sequences of social behaviour, scientists observed how the Earth rotated around the sun, and philosophers attributed emotions to neural vibrations in the human brain. Early Modern Spaces in Motion examines this increased emphasis on motion with eight essays encompassing a geographical span of Portugal to German-speaking lands and a disciplinary range from architectural history to English. It consequently merges longstanding strands of analysis considering people in motion and buildings in motion to explore the cultural historical attitudes underpinning the varied impacts of motion in early modern Europe.

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27

Harris, Mark. Five came back: A story of Hollywood and the Second World War. Edinburgh: Canongate, 2014.

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28

Stieber, Ralf. Die Kunst des Fugendichtens: 19 Bilder und Texte in ungewissem Zusammenhang : Experimente mit Kuno Gonschior, Ernst Jandl, H.C. Artmann, Marie Claire, Gottfried Benn, Poulenc, Bach und Dada. Karlsruhe: Edition Staubfänger, 1991.

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29

Africa shoots back: Alternative perspectives in Sub-Saharan Francophone African film. Bloomington: Indiana University Press, 2003.

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30

Luceno, James. Inside the worlds of Star Wars trilogy. New York: Lucas Books/DK Pub., 2004.

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31

Kimberly, Hart, Böhmer H, and Sadberk Hanım Müzesi, eds. Giving back the colours: Josephine Powell collection. İstanbul: Sadberk Hanım Müzesi̇, 2007.

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32

McCann, Jesse Leon. Looney tunes back in action joke book. New York: Scholastic, 2003.

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33

Tims, Grace. The dream: We've taken back our homes. [S.l.]: AuthorHouse, 2000.

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34

Looney tunes, back in action joke book. New York: Scholastic, 2003.

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35

Briggs, Joe Bob. Joe Bob goes back to the drive-in. New York, N.Y: Delacorte Press, 1990.

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36

Stassinopoulos, Huffington Arianna. Fanatics and fools: The game plan for winning back America. New York: Miramax Books, 2004.

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37

Baci rubati e amorose passioni nell'arte e nella letteratura fra Settecento e Ottocento. Cinisello Balsamo (Milano): Silvana, 2010.

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38

The making of Star Wars, the empire strikes back: The definitive story. New York: Del Rey Books, 2010.

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39

1965-, Wemaere Séverine, ed. La couleur retrouvée du voyage dans la lune de Georges Méliès: A trip to the moon, back in color. Paris]: Capricci, 2011.

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40

The complete Star wars trilogy scrapbook: An out-of-this-world guide to Star wars, The empire strikes back, and Return of the Jedi. New York: Scholastic, 2004.

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41

1971-, Scatoni Frank R., ed. Say anything: The movie quote game that takes you back to the '80s one line at a time. New York: Plume, 1999.

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42

Auerbach, Brent. Musical Motives. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197526026.001.0001.

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Motives, the small, recurring shape elements primarily identified by their pitch and rhythm profiles, are near-ubiquitous in music. Yet despite their long-standing prominence in composition and in past and present discourse on music, motives have resisted systematic treatment. The present work, Musical Motives, establishes a methodology for identifying and labeling motives and for assembling viable, meaningful analyses with them. The book opens with a general introduction to motives and a review of their history in Western music. The body of the work prescribes a two-tiered system for working with motives: basic motivic analysis (BMA) concerns monophonic motives composed of pitch and rhythm, while complex motivic analysis (CMA) concerns polyphonic motives that present as a richer network of elements drawn from many domains, including but not limited to pitch, rhythm, counterpoint, harmony, texture, and articulation. In support of these methods, the book offers a generous set of tools to advance this analytic subdiscipline. One tool is a universal system of motivic nomenclature proposed to facilitate dialogue among analysts. Another is a technique for melodic reduction, rooted in principles of salience, that allows analysts to posit motives that admit flexibility without sacrificing methodologic rigor. Most significant, the work details specific procedures for creating, interpreting, and presenting motivic analyses that range in length from just a few measures to entire pieces. Extensive demonstrations of all points and procedures are given in the form of analyses of selections and full works by composers as diverse as Beethoven, Handel, Chopin, Bach, Mozart, Brahms, Cécile Chaminade, Marvin Hamlisch, Aretha Franklin, John Philip Sousa, and Radiohead.

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43

Granada em la época de J.S. Bach. Conferencias pronunciadas con motivo de la conmemoración del 250 aniversario de la muerte de J.S. Bach. Granada: Asociación Amigos de la Orquesta Ciudad de Granada, 2001.

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44

(Editor), Bill Horrigan, ed. Staring Back. The MIT Press, 2007.

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45

Film, Gower. No Going Back. Taylor & Francis Group, 2008.

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46

Testa, Bart. Back and Forth. Wilfrid Laurier University Press, 1992.

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47

Scala, Marisa A. Going back to school: Participation motives and experiences of older adults in an undergraduate classroom. 1995.

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48

Schaefer, Lola M. Back and Forth (Pebble Books). Capstone Press, 1999.

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49

Back to One. Back to 1 Pubns, 1993.

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50

Back To The Future. British Film Institute, 2010.

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