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Journal articles on the topic 'Badik'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Toishanuly, Akedil. "TYPOLOGY GENRE «BADIK»." ALTAISTICS, TURCOLOGY, MONGOLISTICS 1, no. 1 (2021): 165–78. http://dx.doi.org/10.53042/atam/vol1_issue1_a9.

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2

Kadriah, Ayyub, and Dadang Sumarna. "Badik in Logic and Legal Meaning." Intellectual Law Review (ILRE) 1, no. 2 (2023): 104–17. http://dx.doi.org/10.59108/ilre.v1i2.57.

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The badik, the traditional weapon of the Bugis and Makassarese, is not just a physical tool, but a symbol rich with social and cultural meaning. The function of the badik goes beyond its role as a defence tool; it is a 'text' in the Bugis and Makassarese cultural sign system that mediates social and legal relations. Social status, valour, or certain obligations in society can be signalled by the type of badik one possesses. The badik also carries important cultural values such as siri' the concept of shame or self-respect and ati macinnong meaning a clear heart, which govern its use in context

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3

Abdul Rahman. "FETISISME PADA BADIK OLEH MASYARAKAT DI DESA DUAMPANUAE KABUPATEN SINJAI." Jurnal Cakrawala Ilmiah 2, no. 7 (2023): 2957–68. http://dx.doi.org/10.53625/jcijurnalcakrawalailmiah.v2i7.5039.

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Badik merupakan salah satu senjata tradisional yang dimiliki oleh suku Bugis, termasuk yang tinggal di Desa Duampanuae. Hingga saat ini, sebagian masyarakat masih mempercayai adanya kesaktian yang tersimpan di badik tersebut. Penelitian ini bertujuan untuk mengkaji pandangan masyarakat Desa Duampanuae terhadap keberadaan badik, termasuk fungsi sosial dan nilai-nilai yang terkandung di dalamnya. Kajian ini menggunakan pendekatan kualitatif agar dapat mengelaborasi lebih dalam tentang kedudukan, fungsi, dan nilai-nilai badik bagi masyarakat Desa Duamapanuae. Pengumpulan data dilakukan melalui te

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4

Iswan Iswan and Suherman Suherman. "Badik Makassar: Kajian Visual dalam Perspektif Estetika Clive Bell." Jurnal Pendidikan dan Kebudayaan (JURDIKBUD) 5, no. 2 (2025): 56–66. https://doi.org/10.55606/jurdikbud.v5i2.5987.

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This study aims to examine the visual form of the Makassar Badik through the perspective of Clive Bell's aesthetic theory (significant form). Badik, as a cultural heritage of South Sulawesi, not only functions as a means of defense but also as a symbol of identity, honor, and social values of the Makassar community. This study uses a qualitative-descriptive method, with data collection techniques in the form of interviews, observations, and document studies. The data validation technique used is triangulation. The data is then analyzed qualitatively by grouping the findings into themes. The

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5

Maulet, A., and A. Toishanuly. "GENERAL FEATURES OF SOME FOLKLORE-MUSIC GENRES PRESERVED BY KAZAKHS ABROAD." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 3 (September 30, 2024): 164–76. http://dx.doi.org/10.55808/1999-4214.2024-3.15.

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This study compares such musical and folklore genres as badyk-kulyapsan, tongue twisters, widespread among nomadic peoples of the Kazakh steppes, with some genres of such peoples as Kyrgyz, Uzbeks, Kumyks and Mongols. For example, the most ancient magic song (with musical accompaniment), found in folklore, is regionally spread only among Kazakh, Karakalpak, Kyrgyz, Uzbek, and Tajik peoples living in Central Asia. This song is not found only among related Turkic peoples, so the authors consider badik a genre form that emerged after the disintegration of the Turkic unification. The badik genre o

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6

Rosalia, Sholeha, and Rina Ratih. "NILAI RELIGIUS DALAM MATA BADIK MATA PUISI KARYA D. ZAWAWI IMRON." Alayasastra 17, no. 2 (2021): 207–18. http://dx.doi.org/10.36567/aly.v17i2.848.

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Abstrak Buku Kumpulan Puisi Mata Badik Mata Puisi karya D. Zawawi Imron menarik diteliti karena diakui penyairnya sebagai pengalaman pribadi selama berada di Bugis-Makassar. Penelitian ini bertujuan mendeskripsikan nilai-nilai religius yang terdapat pada kumpulan puisi Mata Badik Mata Puisi karya D. Zawawi Imron. Pendekatan yang digunakan adalah pendekatan Pragmatik. Metode yang digunakan deskriptif kualitatif. Hasil penelitiannya menunjukkan bahwa ada 28 puisi yang mengandung nilai religius: hubungan manusia dengan Tuhan (19 puisi), hubungan manusia dengan manusia (7 puisi), dan hubungan manu

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7

Putra, Dimas Pratama, Lukmanul Hakim, and Okta Ainita. "PERTANGGUNGJAWABAN PIDANA PELAKU TINDAK PIDANA KEPEMILIKAN SENJATA PENIKAM ATAU PENUSUK BERUPA BADIK (Studi Putusan Nomor: 88/Pid.Sus/2021/PN Gdt)." JURNAL RETENTUM 5, no. 2 (2023): 326. http://dx.doi.org/10.46930/retentum.v5i1.3790.

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Siapapun orang yang membawa senjata tajam tanpa kekuatan menguasainya akan ancaman kriminal. Melalui itu, jika bukan untuk keperluan profesional atau kantor, sebaiknya tidak membawa senjata tajam saat bepergian, karena untuk perlindungan diri. hal ini tidak bisa diterima sebagai alasan jika terjadi sesuatu. Apabila kedapatan membawa senjata tajam, diharapkan masyarakat dapat bersikap bijak agar tidak terjerat tindak pidana ancaman membawa senjata tajam tanpa izin. Permasalahan dalam penelitian adalah bagaimana pertanggungjawaban pidana pelaku tindak pidana kepemilikan senjata penikam atau penu

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8

Mirfan, Mirfan. "IMPLEMENTASI AUGMENTED REALITY PADA APLIKASI PENGENALAN JENIS-JENIS BADIK DI SULAWESI SELATAN BERBASIS ANDROID." ILKOM Jurnal Ilmiah 10, no. 1 (2018): 59–64. http://dx.doi.org/10.33096/ilkom.v10i1.239.59-64.

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Xudaybergenov, Nursultan. "HOZIRGI ZAMON QORAQALPOQ SHE`RIYATINI G`OYAVIY-MAVZULI BADIIY-ESTETIK JIHATLARI." EURASIAN JOURNAL OF SOCIAL SCIENCES, PHILOSOPHY AND CULTURE 3, no. 1 (2023): 192–96. https://doi.org/10.5281/zenodo.7583185.

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Lirik va epik asarlarning barcha turlari qadimiy va boy tarixga ega qoraqalpoq folklorining asosini tashkil etadi. Lirik janrdagi asarlarga xalq, marosim qoʻshiqlari (yor-yor, xaujar, joʻqlov, ramazon, gulapsan, badik va b.), aytis (naql, qoʻshiq bellashuvi), matal va matal, matal, tez gaplar; epik janrdagi asarlarga ertaklar, ertaklar, xalq ertaklari, dostonlar kiradi.

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10

Yuriananta, Renda. "REPRESENTASI HUBUNGAN ALAM DAN MANUSIA DALAM KUMPULAN PUISI MATA BADIK MATA PUISI KARYA D. ZAWAWI IMRON (KAJIAN EKOKRITISISME)." Hasta Wiyata 1, no. 1 (2018): 1–14. http://dx.doi.org/10.21776/ub.hastawiyata.2018.001.01.01.

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11

Bawono, Yudho, Fandi Rosi Sarwo Edi, and Moh Ishaq Abd Salam. "Di Balik Keindahan Batik Gentongan Madura." Dinamika Kerajinan dan Batik: Majalah Ilmiah 40, no. 2 (2023): 203. http://dx.doi.org/10.22322/dkb.v40i2.8218.

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12

Anggriani, Dita. "ANALISIS NILAI PENDIDIKAN DALAM BUKU ANTOLOGI CERPEN GADIS PAKARENA." INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia 1, no. 2 (2021): 104. http://dx.doi.org/10.26858/indonesia.v1i2.13912.

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Analysis of Educational Values in Gadis Pakarena Short Story Anthology Book. This research is to study the educational values in the short story anthology book of Gadis Pakarena by Krisna Pabichara. This type of research is a qualitative descriptive study. The data source of this research is the anthology of Gadis Pakarena short story by Khrisna Pabichara consisting of seven short stories, entitled: Gadis Pakarena, Arajang, Rumah Panggung di Kaki Bukit, Haji Baso, Silariang, Ulu Badik Ulu Hati dan Pembunuhan. The results of the study that showed the educational value contained in the anthology

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Anggriani, Dita. "ANALISIS NILAI PENDIDIKAN DALAM BUKU ANTOLOGI CERPEN GADIS PAKARENA." INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia 1, no. 2 (2021): 104. https://doi.org/10.59562/indonesia.v1i2.13912.

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Analysis of Educational Values in Gadis Pakarena Short Story Anthology Book. This research is to study the educational values in the short story anthology book of Gadis Pakarena by Krisna Pabichara. This type of research is a qualitative descriptive study. The data source of this research is the anthology of Gadis Pakarena short story by Khrisna Pabichara consisting of seven short stories, entitled: Gadis Pakarena, Arajang, Rumah Panggung di Kaki Bukit, Haji Baso, Silariang, Ulu Badik Ulu Hati dan Pembunuhan. The results of the study that showed the educational value contained in the anthology

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14

Karmianti, Karmianti, Suharni Suddin, and Elmy Selfiana Malik. "DISTRIK RUMBIA PADA MASA PEMERINTAHAN MOKOLE I PIMPIE: 1950-1962." Journal Idea of History 4, no. 1 (2021): 91–101. http://dx.doi.org/10.33772/history.v4i1.1303.

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Penelitian ini bertujuan untuk mengetahui profil Mokole I Pimpie dan untuk mengetahui perkembangan Distrik Rumbia pada masa Pemerintahan Mokole I Pimpie 1950-1962. Metode yang digunakan dalam penelitian ini adalah metode sejarah dengan tahapan sebagai berikut: (1) pemilihan topik; (2) heuristik sumber; (3) verifikasi sumber; (4) interprestasi sumber, serta (5) historiografi. Hasil penelitian menunjukan bahwa Mokole I Pimpie merupakan putra dari Mokole Munara. Mokole I Pimpie menggantikan Mokole Munara menjadi Kepala Distrik dengan gelar Mokole Keuwia-Rumbia ke-V pada tahun 1950. Pada masa peme

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15

Anjarani, Clarina Meisya. "Inovasi Baik yang Dilakukan Batik Komar terhadap Branding Batik Komar." MODA 6, no. 1 (2024): 1–12. http://dx.doi.org/10.37715/moda.v6i1.4453.

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The importance of building a brand or brand as brand equity for a company has become the focus for achieving long-term competitive advantage. In a competitive global context, innovation is the key for companies to create new ideas, new products and improve business conditions. This research focuses on Batik Komar, a batik manufacturer that has made various innovations in its product design. The purpose of this research is to identify the branding strategies used by Batik Komar, explore the product innovations they have implemented, and analyze their impact on sales and company existence. Three

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16

Tresnasih, Ria Intani. "AKTOR DI BALIK SELEMBAR BATIK (Studi Kasus di Lembur Batik Cimahi)." Patanjala : Jurnal Penelitian Sejarah dan Budaya 9, no. 1 (2017): 15. http://dx.doi.org/10.30959/patanjala.v9i1.343.

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Batik adalah selembar kain yang dibuat secara ditulis, dicap, atau penggabungan antara keduanya. Dulu, ketika batik hanya diproduksi untuk lingkungan keraton, pembuatnya masih terbatas. Manakala batik keluar dari lingkungan keraton, pembuat batik meluas. Itu dulu, zaman di mana orang masih memiliki banyak waktu luang dan jenis pekerjaan belum beragam. Saat ini apabila di antara sejumlah orang masih ada yang mendedikasikan dirinya untuk menggeluti batik sebagai pengrajinnya, tentu ada alasan yang melatarinya. Penelitian ini bertujuan untuk mengetahui cara perekrutan pengrajin, pengetahuan memba

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17

Mujiningsih, Erlis Nur, and Erli Yetti. "DEMOKRASI DAN PEREMPUAN DALAM EMPAT CERPEN DAN SATU NOVEL DIGITAL." tuahtalino 15, no. 2 (2021): 299. http://dx.doi.org/10.26499/tt.v15i2.4011.

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Penelitian terhadap cerpen “Pamitan”, “Perempuan Balian”, “Siri di Ujung Badik”, dan “Wajah dalam Cermin”, serta novel digital Distance Between Us bertujuan menemukan bagaimana dan seperti apa tokoh-tokoh perempuan dalam kelima karya tersebut bersuara, mengeluarkan pendapat sebagai salah satu praktik berperilaku demokrasi. Untuk dapat mengungkapkan hal tersebut digunakan metode kualitatif dengan pendekatan wacana kritis. Sementara itu, teori yang digunakan adalah sosiologi sastra. Hasil pembahasan ditemukan bahwa tokoh-tokoh perempuan dalam kelima karya tersebut masih belum dapat dengan bebas

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18

Nurdiansyah, Chepi, Jamalulail Jamalulail, Ridzki Rinanto Sigit, and Jaka Atmaja. "Representasi Budaya Bugis Makassar Dalam Film Tarung Sarung (Analisis Semiotika Roland Barthes)." Jurnal Media Penyiaran 2, no. 2 (2023): 136–47. http://dx.doi.org/10.31294/jmp.v2i2.1707.

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Penelitian ini membahas tentang budaya adat bugis makasar yang di representasikan dalam film Tarung Sarung. Sigajang laleng Lipa merupakan sebuah tradisi dalam menyelesiakan suatu masalah. Dua perwakilan yang bertikai akan meyelesaikan masalah saling tikam dalam sebuah sarung. Cara ini adalah cara paling terakhir apabila musyawarah mufakat tidak menemui titik terang. Orang bugis meyakini apabila badik telah keluar dari sarungnya, pantang di selip dipinggang sebelum terhujam di tubuh lawan. Beraangkat dari permasalahn tersebut maka penelitian in bertujuan untuk mengidentifikasi simbol-simbol Si

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Syaiful, Muhammad. "Kekerasan Kolektif di Perkotaan: Konstruksi dan Representasi Maskulinitas dalam Budaya Masyarakat Makassar." ETNOSIA : Jurnal Etnografi Indonesia 2, no. 1 (2017): 95. http://dx.doi.org/10.31947/etnosia.v2i1.2957.

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The occurrence of violence in South Sulawesi whereever they are, they are usually identified as violence that happen in Makassar. This is due to the fact the frequent of violence happen in Makassar than in other cities in Indonesia. This article aims to explore collective violence in two adjoining locations in Makassar, yakni Pampang dan Sukaria and how this is related to masculinity. The pattern of collective violence between people in both areas based on classification and motivesof conflict between groups. The motive of collective violence, namely yakni seizure of land, this then develop ma

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20

Ansar, Sarmianti, Septiana Wahyuningsih, Merianti Ansar, and Rumi Wiharsi. "Masculinity in the Body of Pakkanna Dancers in the Ability to Immunity." International Journal of Multicultural and Multireligious Understanding 10, no. 6 (2023): 195. http://dx.doi.org/10.18415/ijmmu.v10i6.4855.

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Pakkanna dance is a new creation dance in Bone Regency that describes the devotion of female heroes during the Bone Kingdom led by Latenrisukki Petta Mulangge Pajung, the 5th King of Bone. This dance is covered with dangerous movements where dancers perform self-stabbing actions using Badik (sharp objects). This is what the author can convey to readers so that they can find out that there is a collection of dance creations in Bone Regency that have immunity like men even though the dancers are women. The findings in discussing the subject matter are that Pakkanna dance is one of the unique thi

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Azwar, Azwar, Andi Sumardin, and Ilyas Umar. "Eksistensi Perkawinan Silariang dan Penyelesaiannya dalam Hukum Adat ditinjau dari Perspektif Hukum Islam." Al-Tafaqquh: Journal of Islamic Law 2, no. 2 (2021): 108. http://dx.doi.org/10.33096/altafaqquh.v2i2.156.

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The case of silariang, or elopement, in South Sulawesi is mainly in Kel. South Empoang, Kec. Binamu, and Kab. Jeneponto. From then until now, it still happens often. Silariang performers don't seem to care about the sanctions or threats they will face, even though they know that what they are doing can face badik (stabbing). For those who do silat, as long as love is turbulent in their hearts, they will face death. The main problem in this research is to examine the problems or problems regarding crossbreeding that often occurs in Kel, South Empoang, Kec., Binamu Kab., and Jeneponto. The purpo

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22

Yuliadi, Imam, and Aka Kurnia SF. "Berang Sumbawa Nilai Filosofis dan Eksistensinya dalam Tinjauan Etnografi." JIIP - Jurnal Ilmiah Ilmu Pendidikan 5, no. 7 (2022): 2597–602. http://dx.doi.org/10.54371/jiip.v5i7.728.

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Berang (parang) merupakan perlengkapan yang identik dengan masyarakat Sumbawa. jika kita berkunjung ke kabupaten Sumbawa, anda akan melihat mayoritas pria di desa-desa di Sumbawa menyelipkan berang di pinggangnya. Pemandangan tersebut eksis hingga saat ini di Sumbawa. Melihat pria di Sumbawa menyelipkan berang di pinggangnya, seperti halnya keris bagi orang Jawa, celurit bagi orang Madura, dan badik bagi orang Makassar, berang bagi orang Sumbawa merupakan simbol maskulinitas. Jenis penelitian yang digunakan dalam penelitian ini adalah penelitian deskriptif kualitatif. Fokus dalam penelitian in

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23

Sofiani, Trianah, and Moh Ainun Najib. "Penyelesaian Wanprestasi Akibat Itikad Tidak Baik Pada Perjanjian Kerjasama (Ijarah) Antara Pengusaha Batik Dengan Pengrajin Batik Di Kota Pekalongan." el hisbah: Journal of Islamic Economic Law 3, no. 1 (2023): 75–88. http://dx.doi.org/10.28918/el_hisbah.v3i1.7361.

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mbabar ialah istilah yang dipakai masyarakat Kota Pekalongan untuk menjalin hubungan  kerjasama antara pengusaha batik dengan pengrajin batik dalam memproduksi batik.  Pada proses pembabaran tidak luput dengan adanya bs (kecacatan dalam membatik).  Dalam ilmu hukum bs tersebut dikenal dengan istilah wanprestasi. adanya bs tersebut  dapat merugikan pengusaha batik dalam memperoleh laba ketika mendistribusikan  produknya dipasaran. Sehingga, ketika terjadi bs, pengusaha batik meminta ganti rugi  sesuai kerugian yang dialaminya. Akan tetapi, terdapat beberapa p

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24

Badion, Justin Joseph G., and Julius Anthony L. Porqueriño. "“Unbinding” Children’s Roles in Philippine Catholic Religious Education." Yearbook of Contextual Biblical Interpretation 1, no. 1 (2024): 77–99. https://doi.org/10.5117/ycbi2024.006.badi.

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PRAVEENRAJ, JAYASIMHAN. "Badis limaakumi, a new species of badid fish from Nagaland, Northeast India (Teleostei: Percomorpha: Badidae)." Zootaxa 5351, no. 3 (2023): 371–79. http://dx.doi.org/10.11646/zootaxa.5351.3.5.

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Badis limaakumi, a new species of Badis from Nagaland, Northeast India is distinguished from all its congeners by the following combination of characters: a large (>60 mm SL) and slender body (23.2–28.0% of SL), presence of an opercular blotch at the base of the opercular spine, absence of blotches on the sides and fins, as well as on the cleithrum, and greater number of lateral-line scales.

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Praveenraj, Jayasimhan. "Badis limaakumi, a new species of badid fish from Nagaland, Northeast India (Teleostei: Percomorpha: Badidae)." Zootaxa 5351, no. 3 (2023): 371–79. https://doi.org/10.11646/zootaxa.5351.3.5.

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Praveenraj, Jayasimhan (2023): Badis limaakumi, a new species of badid fish from Nagaland, Northeast India (Teleostei: Percomorpha: Badidae). Zootaxa 5351 (3): 371-379, DOI: 10.11646/zootaxa.5351.3.5, URL: http://dx.doi.org/10.11646/zootaxa.5351.3.5

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Ramli, Asia. "Tata Artistik Pertunjukan Teater The Eyes of Marege." Nuansa Journal of Arts and Design 6, no. 1 (2022): 5. http://dx.doi.org/10.26858/njad.v6i1.32159.

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Penelitian ini bertujuan untuk untuk mendeskripsikan dan menganalisis fokus masalah tata artistic pertunjukan teater The Eyes of Marege hasil kolaborasi Teater Kita Makassar dengan Australian Performing Exchange yang pernah dipentaskan pada OzAsia Festival tanggal 27 – 29 September 2007 di Playhouse Adelaide, dan tanggal 5 – 7 Oktober 2007 di Studio Opera House, Sydney. Data dari jenis penelitian kualitatif ini diperoleh melalui observasi partisipatif, wawancara, dan dokumentasi. Hasil data dideskripsikan dan dianalisis mengacu pada analisis data Miles dan Huberman yang menggambarkan tiga alir

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Kasmiyati, Sri, Santosa Santosa, Irfan Dwidja Priyambada, Kumala Dewi, Sucahyo Sucahyo, and Rintawati Sandradewi. "Growth Response of Sorghum bicolor (L.) Moench. Cultivars to Trivalent Chromium Stress." Biosaintifika: Journal of Biology & Biology Education 8, no. 1 (2016): 71. http://dx.doi.org/10.15294/biosaintifika.v8i1.5178.

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<p>One of heavy metal pollutants in the soil that can be absorbed by the sorghum is chromium (Cr). The study was conducted to determine the growth response of Cr3+ stress of sorghum cultivars. Two chemical compounds Cr3+ and 3 level concentrations were exposed to sorghum cultivars. The research was conducted in two separate experiments i.e. during seed germination and early seedling development stages. The parameters measured were radicle/root length, seedling length, fresh weight, dry weight, and stress tolerance index (STI) value. The results showed that Cr3+ either in form of CrCl3 or

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Kasmiyati, Sri, Santosa S, Irfan Dwidja Priyambada, Kumala Dewi, and Rintawati Sandradewi. "Perkecambahan Biji Dan Pertumbuhan Kecambah Varietas Sorgum (Sorghum bicolor L.) Pada Cekaman Krom Heksavalen." Bioma : Berkala Ilmiah Biologi 17, no. 1 (2015): 41. http://dx.doi.org/10.14710/bioma.17.1.41-54.

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In contrast to other toxic trace metals, Cr has received little attention. Since valence level of chromium determines its toxicity, chromium is categorized as unique heavy metal. Chromium hexavalent (Cr6+) has the biggest toxicity among other valence levels. Seed germination and seedling growth are sensitive to heavy metal stresses. This research aimed to find out the responses of seed germination and seedling growth of 12 sorghum varieties toward Cr6+. Seed germination and seedling growth experiment was done on 12 sorghum varieties (Badik, UPCA-1, Keris, Keris M3, hegari Genjah, Gambela, Sela

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Hartono, Adella Friansyah, Ida Aryati Diyah, and Supawi Pawenang. "ETERMINAN KEPUTUSAN PEMBELIAN BATIK DI BATIK BENGAWAN KAMPUNG BATIK LAWEYAN SURAKARTA DETERMINANTS OF BATIK PURCHASE DECISIONS IN BATIK BENGAWAN KAMPUNG BATIK LAWEYAN SURAKARTA." JURNAL DIMENSI 13, no. 1 (2024): 178–84. https://doi.org/10.33373/dms.v13i1.6102.

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ABSTRAK Penelitian ini bertujuan menganalisis pengaruh kualitas produk, store atmosphere dan kualitas pelayanan terhadap keputusan pembelian pada Batik Bengawan di Kampung Batik Laweyan Surakarta. Menganalisis pengaruh kualitas produk terhadap keputusan pembelian pada Batik Bengawan di Kampung Batik Laweyan Surakarta. Menganalisis pengaruh store atmosphere terhadap keputusan pembelian pada Batik Bengawan di Kampung Batik Laweyan Surakarta. Menganalisis pengaruh kualitas pelayanan terhadap keputusan pembelian pada Batik Bengawan di Kampung Batik Laweyan Surakarta. Populasi adalah konsumen Batik

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Agabi, C. "Badis." Encyclopédie berbère, no. 9 (April 1, 1991): 1303. http://dx.doi.org/10.4000/encyclopedieberbere.1248.

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Golvin, L. "Badis." Encyclopédie berbère, no. 9 (April 1, 1991): 1303. http://dx.doi.org/10.4000/encyclopedieberbere.1249.

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Camps-fabrer, H. "Batik." Encyclopédie berbère, no. 9 (April 1, 1991): 1387–88. http://dx.doi.org/10.4000/encyclopedieberbere.1476.

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Wahyudi, Heru, Sri Adi Widodo, Dafid Slamet Setiana, and Muhammad Irfan. "Etnomathematics: Batik Activities In Tancep Batik." Journal of Medives : Journal of Mathematics Education IKIP Veteran Semarang 5, no. 2 (2021): 305. http://dx.doi.org/10.31331/medivesveteran.v5i2.1699.

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This study aims to examine the ethnomathematics of batik activity in the Batik Tancep Gunungkidul artwork as contextual mathematics learning. This research is a type of qualitative research with an ethnographic approach. The data was obtained in the form of qualitative data, research data sources obtained through observation, interviews, documentation. The instrument in this study was the researcher himself. Data collection is done by participant observation, in-depth interviews, and documentation. The validity of the data is done by triangulation of data collection techniques and then analyze

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Kartika, Candra Sari Djati, Zulfa Nur'aini 'Afifah, and Adriati Annisa Utami. "Atlas of Indonesian Batik: Javanese Batik." Proceedings of the ICA 2 (July 10, 2019): 1–4. http://dx.doi.org/10.5194/ica-proc-2-59-2019.

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<p><strong>Abstract.</strong> Thematic atlas could be developed using storytelling concept to convey information about a certain theme to the targeted users. This initial research aims to develop Atlas of Indonesian Batik that was made not only to collect maps that contain information about the distribution of Indonesian Batik, but also intended to provide information about history, the development of its motives and procedures for making it to educate students and society about Indonesian traditions and as a national identity. Indonesian Batik is a cultural heritage that rep

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Setyawan, F. A. Dartono, and F. Fitriani. "Batik Grajen: Eco-friendly batik utilizing wood waste for batik dye." IOP Conference Series: Earth and Environmental Science 905, no. 1 (2021): 012146. http://dx.doi.org/10.1088/1755-1315/905/1/012146.

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Abstract Grajen Batik is batik which coloring process uses natural dyes from grajen (sawdust) waste. Batik Grajen was developed by batik artisans in the Bulakan area, Sukoharjo, Central Java. The development of Batik Grajen is ecologically alluring since the Bulakan community processes sawdust from the sawmill industry into eco-friendly batik dyes. Sawdust (grajen) waste is used as batik dye because of the pigment contained. The dyes produced are safer and more eco-friendly than synthetic dyes. The effort made by the Bulakan community through Batik Grajen products is a creative solution to res

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Suhardi, Bambang, Pringgo Widyo Laksono, and Nabila Nur Fadhilah. "ANALISIS PENERAPAN PRODUKSI BERSIH PADA BATIK PRINTING IKM BATIK PUSPA KENCANA LAWEYAN SURAKARTA." Jurnal Teknologi Industri Pertanian 27, no. 2 (2017): 182–91. http://dx.doi.org/10.24961/j.tek.ind.pert.2017.27.2.182.

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Widiantoro, Danu, and Adinda Faikatul Himmah. "KAJIAN KOMPOSISI WARNA BATIK GENTONGAN MADURA STUDI KASUS BATIK PRODUKSI “ZULPAH BATIK”." AKSA: Jurnal Desain Komunikasi Visual 7, no. 2 (2024): 64–77. https://doi.org/10.37505/aksa.v7i2.107.

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Batik Gentongan is one of the coastal batiks with diverse ornamental varieties and color compositions. Evolving through the crossing of various cultures, Madura batik has a dynamic, practical, egalitarian character, as well as a desire to be different with striking patterns and colors. The variety of colors in Batik Gentongan looks very bold, besides that the various colors are also obtained through a unique coloring process so it is very interesting to learn. This objective can be achieved by conducting a color composition study on batik produced by Zulpah Batik in Tanjungbumi. The color stud

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Yulianita, Chelsea, and Gregorius Genep Sukendro. "Corak Batik dan Perilaku Komunikasi (Analisis Motif Batik Jogja dan Batik Solo)." Koneksi 3, no. 1 (2019): 244. http://dx.doi.org/10.24912/kn.v3i1.6216.

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Batik merupakan ciri khas budaya bangsa Indonesia di mana karya seni ini pada setiap corak dan motifnya terdapat makna, filosofi dari masing-masing daerahnya. Dalam hal ini, budaya dan komunikasi sangat berhubungan. Perilaku komunikasi menjadi hal utama dalam berkomunikasi. Penelitian ini bertujuan mengetahui perilaku komunikasi yang terdapat pada motif batik Jogja, dan batik Solo dan mengetahui ciri khas motif yang dimiliki batik Jogja dan batik Solo. Teori yang digunakan adalah teori motif dan teori perilaku komunikasi. Sedangkan metode yang dipakai yakni metode penelitian kualitatif yang be

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Hartanti, Monica, Christine Claudia Lukman, and Heddy Heryadi. "Comparison of Batang Batik Motifs with Mataram Keraton Batik and Pekalongan Batik." Gelar : Jurnal Seni Budaya 20, no. 2 (2022): 161–69. http://dx.doi.org/10.33153/glr.v20i2.4504.

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Batang Batik has unique motifs that originate from its historical background as part of the Islamic Mataram Kingdom, and its geographical area adjacent to the coastal batik center of Pekalongan. Batang Keratonan Batik is influenced by the Mataram Keraton Batik, while the Batang Pesisiran Batik is influenced by the Pekalongan Batik. The influence of the Mataram Keraton Batik can be seen from the use of sogan (brown) color, as well as geometric, and organic abstract motifs, while the influence of Pekalongan Batik in the use of bright colors and figurative organic motifs. Even though they have si

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Putri, Amalia Sandra, and Asep Miftahul Falah. "Kontribusi pengrajin batik dalam pelestarian budaya Batik Cimahi pada UKM Batik Anggraeni." Canting : Jurnal Batik Indonesia 2, no. 1 (2025): 28–33. https://doi.org/10.31941/canting.v2i1.375.

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Batik merupakan warisan budaya Indonesia yang memiliki nilai filosofis dan identitas daerah. Namun, di tengah arus modernisasi, eksistensi batik tradisional seperti Batik Cimahi menghadapi tantangan, terutama dalam menarik minat generasi muda. Penelitian ini bertujuan untuk mengetahui kontribusi UKM Batik Anggraeni dalam pelestarian budaya Batik Cimahi serta strategi pemasaran yang digunakan untuk bertahan dan bersaing di era modern. Metode yang digunakan adalah penelitian kualitatif dengan teknik triangulasi, melibatkan observasi lapangan, wawancara, dokumentasi, dan studi literatur. Hasil pe

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Masiswo, Masiswo, Joni Setiawan, Vivin Atika, and Guring Briegel Mandegani. "KARAKTERISTIK FISIK PRODUK BATIK DAN TIRUAN BATIK." Dinamika Kerajinan dan Batik: Majalah Ilmiah 34, no. 2 (2017): 103. http://dx.doi.org/10.22322/dkb.v34i2.3439.

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Muthi’ah, Waridah. "Study of Computerized-Batik Technique Using “Batik Kelowong” Machine in Batik Adelia, Bekasi." IOP Conference Series: Materials Science and Engineering 453 (November 29, 2018): 012022. http://dx.doi.org/10.1088/1757-899x/453/1/012022.

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Ahmad Syukron, Muhammad Akmal Al Abdilah, Ihsan Nurul Alam, Dwi Astuti, and Retno Purwani Setyaningrum. "Digitalisasi Batik Tulis untuk UMKM Syarisa Batik dalam Memperkenalkan Batik Bekasi di Indonesia." Dedikasi: Jurnal Pengabdian Lentera 1, no. 09 (2024): 298–304. https://doi.org/10.59422/djpl.v1i09.544.

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Batik tulis merupakan salah satu bentuk warisan budaya Indonesia yang kaya akan filosofi dan nilai seni, termasuk di antaranya Batik Bekasi yang memiliki motif khas seperti Pucuk Rebung, Ikan Gabus, dan Teratai. UMKM Syarisa Batik berkomitmen melestarikan dan mempromosikan Batik Bekasi sebagai bagian dari identitas budaya daerah. Namun, UMKM ini menghadapi keterbatasan dalam menjangkau pasar yang lebih luas akibat akses pemasaran yang terbatas. Penelitian ini bertujuan untuk mengatasi permasalahan tersebut melalui digitalisasi pemasaran, yang melibatkan pembuatan website dan toko online sebaga

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Abdirova, Sh G., and K. K. Sadirova. "CHARACTERISTICS OF KAZAKHSTAN IDEOLOGICAL DISCOURSE IN THE PANDEMIC." Tiltanym, no. 2 (July 20, 2023): 14–21. http://dx.doi.org/10.55491/2411-6076-2023-2-14-21.

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Ideological discourse refers to the new areas of linguistics that have been studied recently. This problem has been sufficiently investigated by foreign scientists, but as we see, it has not become an object of special study in the works of Kazakhstani scientists.The purpose of the scientific work is to analyze the nature of ideological discourse during the pandemic. To this end, the article examines the role of Kazakhstan's ideological discourse during the pandemic, its form, and distribution channels. During the scientific work, the authors applied the following research methods: the method

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Basworo, Basworo, and Sujadi Sujadi. "Peran Brand “Kampoeng Batik Laweyan” dalam Menguatkan Batik Laweyan Untuk Meningkatkan Daya Saing Industri Batik “Kampoeng Batik Laweyan” Solo." Benefit: Jurnal Manajemen dan Bisnis 3, no. 1 (2018): 21. http://dx.doi.org/10.23917/benefit.v3i1.5777.

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The existence of Laweyan Batik has been around since before 1500M (Mlayadipuro, 1984), with Laweyan Market and Bandar Kabanaran as a center of trade and sell of clothing material (lawe) of Pajang Kingdom which is busy and strategic at that time (Priyatmono, 2004). A visit to Laweyan proves that Laweyan is a batik area that has existed long ago, it can be seen from the form of buildings in the area (Aviarini Indrati, et al, 2011). The policy of Surakarta City Government has established Kampoeng Laweyan as a tourism area under the name of "Kampoeng Batik Laweyan", and the obligation of Civil Ser

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Amrullah, Hadi, Abdul Razak Naufal, and Devi Astri Nawangnugraeni. "IMPLEMENTASI SISTEM INFORMASI MANAJEMEN PRODUKSI PADA BATIK TV MENGGUNAKAN METODE WATERFALL." IC-Tech 19, no. 1 (2024): 25–33. http://dx.doi.org/10.47775/ictech.v19i1.293.

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Lembaga Penyiaran Publik Lokal (LPPL) Batik TV Pekalongan adalah sebuah televisi lokal yang beroperasi di bawah naungan Dinas Komunikasi dan Informatika Kota Pekalongan. Batik TV Pekalongan telah mengalami perkembangan dengan beralih dari siaran TV Analog ke siaran Digital. Meskipun demikian, di balik peralihannya dari siaran Analog ke siaran Digital, masih terdapat beberapa kegiatan didalamnya yang belum memanfaatkan teknologi secara maksimal atau masih menggunakan metode lama seperti halnya dalam hal penjadwalan produksi yang masih menggunakan pencatatan manual dan belum terdapat backup data

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Aripin, Indri Yani, Nunuy Nurjanah, and Ruswendi Permana. "TASIKMALAYA BATIK." IJoLaC: International Journal of Language and Culture 1, no. 1 (2023): 13–17. https://doi.org/10.63762/ijolac.v1i1.3.

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The existence of batik production in the Tasikmalaya region, especially in Cigeureung, makes the cultural attraction of the Tasikmalaya area because of its production and distribution for so long. This paper is motivated by the lack of knowledge of the Tasikmalaya people themselves about the names of batik motifs, the philosophy of batik patterns, and the development of Tasikmalaya Batik from time to time to examine in detail and the background of Tasikmalaya Batik. Based on these problems, this paper aims to describe Tasikmalaya Batik. The method used in this paper is the descriptive method.

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Nengsih, Titin Agustin, Ayu Minarsi, and Muhammad Ismail. "Unggul Bersaing Batik Jambi: Studi Batik Berkah Jambi." J-MAS (Jurnal Manajemen dan Sains) 6, no. 2 (2021): 506. http://dx.doi.org/10.33087/jmas.v6i2.290.

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The Jambi Batik Industry is currently experiencing a decline because a lot of the Jambi batik motifs circulating in the market are mostly supplied from the Java region. The effect of this condition is the original Jambi batik craftsmen get sluggishness in producing Batik. The purpose of this research is to determine the factors that influence Jambi batik to be competitive, especially Batik Berkah Jambi City. The predictors variables used are product innovation, product quality, and social media. The research method uses quantitative methods by obtaining primary data from a questionnaire by tak

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Yuliarma, Yuliarma, and Yunisa Ramadhani. "Kajian Batik Gambir sebagai Produk Inovatif Batik Minangkabau." Dinamika Kerajinan dan Batik: Majalah Ilmiah 41, no. 1 (2024): 89. http://dx.doi.org/10.22322/dkb.v41i1.8435.

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