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1
Gandoulou, Alain-Florent. "Im Kampf um Wahrheit und Gerechtigkeit : der Priester-Journalist Louis Badila als Zeuge der Soziallehre der Kirche im Kongo-Brazzaville (1962-1990) /." Bonn : Borengässer, 2008. http://d-nb.info/989072789/04.
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2
Gandoulou, Alain-Florent. "Im Kampf für Wahrheit und Gerechtigkeit : der Priester-Journalist Louis Badila als Zeuge der Soziallehre der Kirche im Kongo-Brazzaville (1962-1990) /." Bonn : Borengässer, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3128834&prov=M&dok_var=1&dok_ext=htm.
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3
Al-Oun, Salem Safah. "Livestock marketing in the Jordanian Badia." Thesis, Durham University, 1997. http://etheses.dur.ac.uk/5465/.
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The purpose of this study is to investigate and provide a better understanding of the processes of Bedu livestock marketing system in the Badia of Jordan, particularly farmers' market behaviour, linkages to markets and their decision-making process. A mixture of quantitative and qualitative research methodologies were utilised. A stratified random sample of 193 Bedu farmers, and interviews with traders were applied. The whole region of the Jordan Badia and Research Development Programme was covered. The questionnaires were distributed and every farmer was interviewed by the researcher in the period from July to November 1995.A broad conceptual framework was employed to investigate quantitatively the interactions and dependencies between household conditions, socio-economic characteristics and livestock sales. These factors, which are usually outside the livestock enterprise, are important in household marketing decision-making in relation to time and place of sale, and reasons for sale. The results of this study indicate: Regarding farmers' marketing behaviour, marketing decisions are related to a household's demand for cash, and environmental factors such as the high cost of production, disease, unstable government policy, household characteristics, and labour capacity. The most important of these factors is to generate cash to buy feed or to reduce costs and eliminate the risk of disease. Most households with fewer than 100 head of sheep were more restricted in their sales decisions than households with larger flocks.
4
Yenisoy, Sahin Eylem. "A Critical Reading Of Alain Badiou: Relativism In Badiou." Phd thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614528/index.pdf.
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The purpose of this thesis is to develop a critical reading of Badiou&rsquos theory of truth. Contemporary popular trends such as postmodernism and anti-philosophy champion the principles of pluralism and contingency. They use these against Hegel&rsquo
s conception of history and theory of &lsquo
relational totality&rsquo
. Badiou agrees with these trends. But he criticizes their relativist theory of truth. He wants to provide an &lsquo
objective&rsquo
foundation for &lsquo
truth&rsquo
. The question I wish to explore in this thesis is then to analyze critically Badiou&rsquo
s work to find out whether he succeeds? To do this I am presenting Badiou&rsquo
s philosophical sources in ancient and modern philosophy and his main concepts he relies on. I am analyzing in particular in depth Badiou&rsquo
s understanding of ontology and phenomenology. To explain his concept of truth, I am analyzing his concepts of &lsquo
void&rsquo
, &lsquo
plurality&rsquo
, &lsquo
infinity&rsquo
. However, to make sense of his theory of truth more fully, I am looking also at his conceptions of &lsquo
event&rsquo
and subject&rsquo
, which are the main components of his theory of truth. After having analyzed his theory of of truth, I am looking at his conception of emancipatory politics, to see how his conception of truth works in his practical philosophy.
5
LIVLJAHIC, KATARINA. "L'antiphonaire monte cassino, archivio della badia, ms 542." Paris, EPHE, 1998. http://www.theses.fr/1998EPHE4041.
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Le sujet central de la these est l'etude du seul antiphonaire note, conserve dans les archives de l'abbaye de monte cassino, en italie meridionale. Le manuscrit est une source destinee a l'usage, lors de l'office. Il est probablement compose dans le scriptorium cassinien (12e s. ) pour une des eglises paroissiales proches et dependantes de monte cassino. La these comporte son analyse codicologique, paleographique et liturgique, ainsi qu'une analyse modale de son fonds d'antiennes. Elle demontre son appartenance au fonds gregorien, tout en conservant des influences du style musical beneventainThe main topics of the thesis is a study of the only notated antiphonary conserved in the archive of the monte cassino abbey, in southern italy. The manuscript is an office source. It was probably made in cassinese scriptorium (12th c. ) and used in one of the dependant churches. The thesis contains its codicological, paleographic and liturgical analysis, and also a modal analysis of its antiphon repertory. If shows that the antiphonary belongs to the gregorian repertory, but conserves some influences of the beneventan musical style
6
Wilkins, Mary Alexandra. "Interannual variation in the diets of Piliocolobus badius badius from the Tai Forest of Cote d’Ivoire." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492615568317568.
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7
Singh, Adity. "Badiou and the problem of freedom." Thesis, University of Nottingham, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580142.
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This project aims to derive a concept of freedom from Alain Badiou's philosophy through a close reading of his oeuvre from Theory of the Subject to Logics of Worlds and beyond. In order to interrogate Badiou on the concept of freedom, he is confronted, along the way, with some of his influences and adversaries. Thus, in the course of this thesis, Kant, Lacan, Rousseau, Marx and Lenin become his interlocutors. The purpose of the intellectual space that is opened by placing these thinkers in dialogue with Badiou is to explore what is at stake, philosophically and politically, in Badiou's project on the question of freedom. This study will commence by exploring the possibility of subjectivity and freedom in Badiou's ontology through a close reading of his use of axiomatic set- theory. Following this, the question of the capability of the subject will be discussed in relation to an ethics (guided by Kant and Lacan - focussing on the question of decision, action, and the universal) and a politics (guided by Rousseau, Marx and Lenin - focussing on the question of the collective, the state and emancipation) respectively. Finally, through a close study of Badiou's theory of appearance, the fundamental question concerning the determination of the human individual in the world will be posed, and the consequent possibility of freedom offered in Badiou's philosophy will be considered. It will be argued that for Badiou, freedom can be defined as the assumption of a necessity. The aim is to illustrate how Badiou's work gives hope to the existence of a subject which is paradoxically free because it lives for an imperative - a necessity imposed by a truth whose construction it participates in.
8
Rosser, Nicholas John. "The geomorphology of coarse clastic surfaces in arid environments." Thesis, Durham University, 2002. http://etheses.dur.ac.uk/3745/.
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This study explores the linkages between slope form and slope process in arid environments. In doing so, questions of the development of slopes in arid environments are examined. The age of many arid environment surfaces, combined with the sporadic nature of formative events, means that long-term surface and slope development remains an elusive question in geomorphology. Deserts have inspired many of the most enduring theories of landscape evolution and continue to provide a test-bed for new and emerging ideas in geomorphology. The clast-mantled surface of the northeast Jordan Badia presents an ideal opportunity to study the links between surface character and slope processes in arid environments. The northeast Badia also provides an opportunity to explore theories of slope development and the behaviour of earth surface systems. The nature of the clast covered ground surface has been assessed using a new digital aerial photography and image analysis technique. A field study of surface processes has been used to explore links between surface form and slope process. Additionally, a computer based simulation of long-term modification of the spatial distribution of surface clast has been undertaken. Given the subtle variation in earth surface form between disparate locations, a new semi-quantitative method of locating sample sites has been developed. The characterization of surface form has identified statistically significant relationships between ground surface character and two-dimensional slope form. Systematic variations in ground surface configuration, both within and between basalt flows, are found to be indicative of the action of slope processes. The first study of ground surface hydrology in the north eastern Badia has been undertaken. The results from a series of rain-storm simulation experiments show subtle but significant links between the action of surface processes and variations in ground surface form. The controls on surface process are diverse and vary in significance with position in the landscape. A combination of ground surface characterization and process studies has identified several interesting geomorphological phenomena The surfaces exhibit systematic variations in structure and organization. Homeostatic links between form and process are clearly apparent, which suggests that surface form influences and is influenced by process action via a process of positive feedbacks. Given the sporadic and infrequent recurrence of formative events in arid environments, a modelling approach has been developed to understand the long-term, spatial dynamics of the ground surface. The model has been used to simulate structure in the surface clast arrangement and the sensitivity of surface organization to physically constrained variations in model parameters. The model also allows the surfaces to be considered as self-organizing earth surface systems. The model results provide new insights into the process-form linkages in operation on clast-mantled arid surfaces. The model results provide new ways of examining and understanding the dynamics of clast mantled arid surfaces and have implications for the application of self-organization in geomorphology.
9
Alsina, Costabella Laia. "Francesc Miquel i Badia (Barcelona 1840 - 1899): crític, tractadista i col·leccionista d'Art." Doctoral thesis, Universitat Autònoma de Barcelona, 2015. http://hdl.handle.net/10803/297705.
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La recerca que presentem a continuació manté una estructura que gira entorn tres vessants
relacionades amb l'Art que, tal i com assenyala el propi títol, va cultivar i van definir la
personalitat de Francesc Miquel i Badia: la de crític, la de tractadista i la de col·leccionista.
Aquestes facetes esdevenen al mateix temps tres dels cinc capítols principals del treball. En
primer lloc però, els precedeix un capítol on elaborem la seva biografia i en el que exposem tant
les dades més personals de la seva vida com del seu caràcter, passant pels anys de la seva
formació educacional escolar, universitària i artística. També parlem de les seves ocupacions
professionals que, tot i haver quedat eclipsades pel paper públic que va exercir com a crític, no
s'ha d'oblidar que la seva remuneració primordial provenia de l'ensenyament que va impartir a
l'Escola oficial de Belles Arts i per haver desenvolupat el càrrec de secretari de l'Acadèmia
provincial que l'emparava. El segon capítol i el primer gran bloc estructural de la recerca serà el
que s'ocupa del seu paper com a crític d'Art, tasca desenvolupada principalment al Diario de
Barcelona, publicació de gran rellevància a Catalunya on la seva opinió artística i literària es va
expressar d'una manera ininterrompuda al llarg del darrer terç del segle XIX. Aquestes
circumstàncies unides als estudis que ens precedeixen més generalistes sobre la història de la
crítica d'Art a Catalunya, o més específics sobre la seva crítica literària, han estat els factors que
han contribuït a que la dedicació de Francesc Miquel i Badia a la crítica periodística hagi estat
per la que majoritàriament se l'ha associat i recordat. Tampoc deixarem de banda la compilació
que hem elaborat sobre les col·laboracions que va dur a terme en altres publicacions
periòdiques. Centrem la nostra atenció en assenyalar els principals temes artístics que va tractar
i en veure si va existir evolució o preferència per algun d'ells, posant-ho en relació a la
cronologia. Simultàniament a la publicació dels seus articles va publicar una sèrie de tractats
sobre la història de les arts decoratives i de les Belles Arts, que analitzem en el capítol dedicat a
la seva vessant com a tractadista. En ell, també presentem una revisió cronològica de tots els
seus articles no periodístics com ara discursos d'ingrés en Acadèmies, conferències, pròlegs i
traduccions. Tot seguit presentem en capítol a part un anàlisi de la seva opinió estètica, tant de
l'art antic com del contemporani, versada primordialment en els seus articles i tractats. El
nostre interès s'articula entorn la identificació dels temes de caràcter artístic dels quals es va
ocupar amb preferència, en valorar si va existir originalitat, evolució o canvi de pensament i en
determinar l'origen dels fonaments teòrics en els quals va assentar els seus judicis artístics.
Finalment, el darrer gran apartat el destinem a parlar de Miquel i Badia com a col·leccionista
d'Art antic i a reconstruir, catalogar i localitzar la col·lecció d'objectes artístics que va reunir.
Dita col·lecció va destacar principalment per la qualitat de les arts decoratives relatives a les
seccions de mobiliari, ceràmica, vidrieria i teixit, sense precedents en la història del
col·leccionisme artístic a Catalunya i que li va comportar un important prestigi a l'època.The research presented below has a structure that revolves around three aspects related with Art that, as the title indicates, cultivates and defines the personality of Francesc Miquel i Badia: art critic, treatises writer and collector. These three facets become at the same time three of the five main chapters of the work. First, however, precedes a chapter elaborated on his biography and in which both expose the most personal details of his life as his character, through the years of his educational training school, university and artistic. We also talk about his professional occupations that, despite having been eclipsed by the public role that he played as a art critic, do not forget that his primary means of make a living came from Teachings who taught at the Official Fine Arts School and for holding the position of secretary at Provincial Academy of Fine Arts. The second chapter and the first major structural block of the research explain his role as art critic, work done primarily at Diario de Barcelona, a significant publication in Catalonia where his artistic and literary review was expressed uninterruptedly throughout the last third of the nineteenth century. These circumstances linked to more general studies that precede us about the history of art criticism in Catalonia or more specific about his literary criticism, have been the factors that have contributed to the dedication of Francesc Miquel i Badia to journalism criticism, to be mostly remembered and associated with. Not forgetting the compilation we made about collaborations in other publications. We focus our attention on emphasizing the main artistic issues treated and try to find out if there is an evolution or preference for any of them, putting it in relation to the timeline. Simultaneously with the publication of his articles, he published a series of treatises on the history of decorative arts and fine arts , that we analyze in the chapter on its side as a treatise writer. In it, we also present a chronological review of all its non- journalistic articles such schools admission speeches, conferences, prologues and translations. Below, we tell in a separate chapter, an analysis of his aesthetic view of both the ancient and contemporary art primarily dealt in his articles and treaties. Our interest center on identifying artistic issues of which, he dealt with priority in assessing whether there was originality, evolution or change of thought and determine the origin of the theoretical foundations on which settled his artistic judgments. Finally, the last major section we talk about Miquel i Badia as a collector of ancient art and we rebuild, locate and catalog the collection of art objects brought together. This collection stood out mainly for the quality of the decorative arts relating to furniture, ceramic, glasswork and textiles sections, unprecedented in the history of collecting art in Catalonia and that led to a major prestige at the time.
10
Spicer, Neil James. "Health care in sedentarising communities : a case study in the Jordan Badia." Thesis, University of Glasgow, 2000. http://theses.gla.ac.uk/4849/.
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The World Health Organisation's (WHO) 'Health for All by the Year 2000' (HFA2000) resolution is intended to promote improvements in the equality of health care provision, the basis of which is universal accessibility to basic health care. The Jordanian Government, in accordance with HFA2000, has attempted to improve accessibility in rural communities by providing an extensive network of basic rural health clinics which are intended to be acceptable and accessible to all communities. Within this context, the research considers two interrelated themes. The first theme considers changes in health and illness practices, and particularly the wide-scale and rapid acceptance of modern medical services at the same time as `traditional' Arabic medicines are becoming relatively unimportant in the north east Badia. This study highlights the connections between health and illness discourses in the past, Bedu social values, and the wider social economic milieu, and how these are reflected in the forms and use of Arabic medicines. The literature widely assumes that culture, `traditional' social structures and attitudes inhibit the acceptance and effective utilisation of modern medical services, and that education, for example, is a key way to address this problem. This research engages with this assumption by evaluating the significance of social values, education and health awareness programmes, knowledge of health issues, together with socio-economic changes in explaining the acceptance of modern medicine and the adoption of preventative medicine and practices, together with changing attitudes to children's health. The second key theme of this research is to examine the extent to which basic government health services have been made accessible to the nomadic, sedentarising and settled rural population of the north east Jordan Badia, and specifically their children, a particularly vulnerable group, and whether this explains patterns of health and illness behaviour. To this end, the importance of geographical, organisational (health service), economic and social factors is evaluated in explaining variations in accessibility mediating the effective utilisation of these services at family level.
11
Pfeifer, Geoffrey Dennis. "The New Materialism: Althusser, Badiou, and Zizek." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4202.
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This dissertation traces the post-Marxist and materialist positions of two leading contemporary European thinkers: Slavoj Zizek and Alain Badiou. These thinkers, I argue, collectively offer a way between the traditional Hegelian Marxist's overarching meta-narrative of a necessary evolution from worse to better, and the post-modern pessimism of a lack of possibility for such a social evolution. It is this middle path, offered by these two thinkers, that this dissertation seeks to explore and further explain. The focal point of this dissertation is the type of philosophical materialism that is collectively offered by Badiou and Zizek, what I call the "New Materialism." I first explain the origins of this materialist position as it emerges in the thought of Louis Althusser, then I discuss how Badiou and Zizek, each in their own way, seek to correct the remaining problems that exist for the Althusserian position, while refusing to reject its core materialist insights. Finally, I assess the ways in which both Badiou and Zizek attempt to overcome the Althusserian problems, arguing that ultimately Zizek's corrective succeeds in remaining within the materialist paradigm laid out by Althusser, whereas Badiou's method brings him dangerously close to a kind of philosophical idealism that he wishes to avoid.
12
Robaina, Carlos Roberto de Souza. "O comunismo na filosofia de Alain Badiou." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2017. http://tede2.pucrs.br/tede2/handle/tede/7569.
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The object of this thesis is Alain Badiou's claim of the communist idea as the principle of politics, his identification of communism as the modern name of the concept of justice in Plato. Characterizing the regime of Capital as the inconsistency of the present world, the communist hypothesis defended by Badiou states that the failures experienced in the attempts to construct a new world, a project of emancipation, should serve to assess the reasons of this failure, and never lead to relinquishment of further attempts. In the face of the failure in the attempt of making real a true idea, trying again is a feature of Badiou?s thinking and action. This thesis also analyzes the evolution of Badiou?s political thought and the nature of this evolution, still in course. It is also demonstrated that Badiou was affected by political processes and events of the class struggle in his militant period of life, the changes in the=o9?ituation and the effects of these changes in his formulations: the changes in his communist project. At the same time, it is evidenced the continuity in his thought, pointing out the most detachable indications of Badiou's fidelity to the communist idea, as well as to Marxism as a fundamental reference of his thought, of his general coordinates of political thinking and action. The central thesis is his loyalty to this idea. The thesis concludes with a case study, using the philosophical categories of the transformation theory formulated by Alain Badiou. This case study is the evaluation of the characteristics and meaning of the popular and youthful uprising experienced by Brazil in June 2013, analyzing whether this social and political process was what Badiou defined as the "event" or whether it was a normal fact, one more modification, trying to visualize its possible features and the subjects involved in its effects. It is also shown that June 2013 represented and continues to represent a political process which produces truths and, in this sense, has a close relationship with philosophy.
O tema desta tese ? a reivindica??o de Alain Badiou da ideia comunista como princ?pio da pol?tica, sua identifica??o do comunismo como o nome moderno do conceito de justi?a em Plat?o. Caracterizando o regime do Capital como a inconsist?ncia do mundo atual, a hip?tese comunista defendida por Badiou afirma que os fracassos experimentados nas tentativas de constru??o de um novo mundo, de um projeto de emancipa??o, devem servir para que se fa?am balan?os das raz?es deste fracasso, mas jamais devem levar a abandonar o empenho em novas tentativas. Diante do fracasso da implementa??o de uma ideia verdadeira, tentar de novo ? uma marca do seu pensamento e a??o. Nesta tese analisa-se a evolu??o do seu pensamento pol?tico e a natureza desta evolu??o ainda em curso; ainda, v?-se como, ao longo de sua trajet?ria, Badiou foi afetado por processos pol?ticos e acontecimentos da luta de classes em seu per?odo de vida militante, as mudan?as no estado da situa??o e os efeitos destas mudan?as nas suas formula??es: as mudan?as no interior da continuidade de seu projeto comunista. Ao marcar o fio de continuidade em sua elabora??o, apontamos as indica??es mais destac?veis da fidelidade de Badiou ? ideia comunista, bem como ao marxismo enquanto refer?ncia fundamental de seu pensamento, de suas coordenadas gerais de localiza??o pol?tica. A tese central ? sua fidelidade a esta ideia. A tese ser? conclu?da com um estudo de caso, utilizando as categorias filos?ficas da teoria da transforma??o formulada por Alain Badiou. Trata-se da avalia??o das caracter?sticas e do significado do levante juvenil e popular vivido pelo Brasil em junho de 2013, analisando se este processo social e pol?tico constituiu-se no que Badiou definiu com o conceito de ?acontecimento? ou se foi um fato normal, uma modifica??o a mais, tratando de visualizar suas eventuais marcas e os sujeitos envolvidos em seus efeitos. Mostra-se, ainda, que junho de 2013 representou e continua representando um processo pol?tico produtor de verdades e que, neste sentido, tem uma rela??o estreita com a filosofia.
13
Atzei, Patrizia. "Penser l'universalité : Badiou, Rancière et la politique." Paris 8, 2013. http://www.theses.fr/2013PA083978.
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Au cours des dernières décennies, nous avons été habitués, en philosophie comme en politique, à une méfiance généralisée vis-à-vis de la notion d’universalité et à l’évitement de toute référence à l’universel. Pourtant, penser le « tous » de la politique — si générique et inconstructible soit-il — semble demeurer une tâche incontournable pour toute pensée de l’émancipation. Ce travail a une double visée : d’une part, montrer la manière dont l’universalité se réinvente, selon des modalités différentes, dans la philosophie d’Alain Badiou et dans celle de Jacques Rancière ; d’autre part, clarifier ce que signifie penser l’universalité à partir de leurs conceptions de la politique. Sans omettre d’analyser les déplacements conceptuels et les redéfinitions que le renouvèlement de cette catégorie exige, nous donnons à voir la spécificité de ces conceptions résolument contemporaines qui, en se présentant sous le signe d’une réouverture affirmative de la question de l’égalité, permettent de penser une logique renouvelée de l’articulation entre universalité et politique. La thèse d’une universalité qui doit être appréhendée en tant que « singularisée » configure le cheminement de notre rechercheDuring the last decades, a widespread suspicion towards the notion of universality, in philosophy as well as in politics, and the avoidance of any reference to it, have become commonplace. Nevertheless, thinking the « everybody » of politics — as generic and unconstructible as this « everybody » might be — seems to remain an inescapable task for any reflection on emancipation. Our research has a double aim: on the one hand, to show how universality is reinvented, in specific ways, in Alain Badiou’s and Jacques Rancière’s philosophies; on the other hand, to clarify what thinking universality from the perspective of their conceptions of politics means. By analysing the conceptual shifts and re-definitions that a renewal of this category requires, we point out the specificity of these assuredly contemporary conceptions which, through an assertive re-opening of the question of equality, allow us to conceive a renewed logic for the articulation of universality and politics. A notion of universality which must be grasped as being « singularised » is the guiding idea of our research
14
Gironi, Fabio. "Naturalising Badiou : mathematical ontology and structural realism." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/56408/.
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This thesis offers a naturalist revision of Alain Badiou’s philosophy. This goal is pursued through an encounter of Badiou’s mathematical ontology and theory of truth with contemporary trends in philosophy of mathematics (mathematical structuralism) and philosophy of science (ontic structural realism). I take issue with Badiou’s inability to elucidate the link between the empirical and the ontological, and his residual reliance on a Heideggerian project of fundamental ontology, which undermines his own immanentist principles. I will argue for both a bottom-up naturalisation of Badiou’s philosophical approach to mathematics (insisting on an account mindful of the socio-biological roots of our mathematical abilities and concepts – brains to universe) and a top-down naturalisation (arguing that our best physical theories seem to indicate a collapse of the distinction between the mathematical and the non-mathematical – universe to brains). Articulating my particular understanding of what realism and naturalism should commit us to, I propose a creative fusion of Badiou’s attention to metamathematical results with a structural-informational metaphysics, proposing a ‘matherialism’ uniting the more daring speculative insights of the former with the naturalist and empiricist commitments motivating the latter.
15
Sáez, Lacave Pilar. "José Maria Sert y Badia (1874-1945), peintre catalan entre tradition et modernité." Clermont-Ferrand 2, 2007. http://www.theses.fr/2007CLF20027.
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José Maria Sert, peintre catalan, issu de la bourgeoisie industrielle de la Barcelone de fin de siècle. De formation artisanale, il considère les décorations murales comme la plus haute représentation artistique picturale, bien au-delà de la peinture de chevalet. Dans la tradition des grands maîtres italiens du passé, dont il s'inspire, il est le peintre décorateur le plus important de son temps. Installé à Paris depuis 1899, il décora les salons de la haute société de son époque. Mais sa production la plus importante demeure pourtant une commande publique, non seulement laïque, mais surtout religieuse, dont l'oeuvre majeure est la décoration murale de la cathédrale de Vich. Bien qu'il ne fut pas lié avec l'Avant-Garde de première file, ses relations appartiennent toujours aux milieux les plus distingués de la culture européenne : Proust, Gide, Colette, Valéry, Diaghilev, Cocteau, Stravinsky, Dali, ou même Picasso. De la main de sa première femme, Misia Sert, il s'introduit dans les salons les plus distingués de la Belle Epoque, et sa propriété d'été, le Mas Juny, fut l'un des lieux de rendez-vous obligé des années trente. Sert établit avec la plupart d'entre eux une correspondance plus ou moins constante et entama dans certains cas des collaborations artistiques de différente importance. Bon nombre de ces projets virent le jour -il fut d'ailleurs le premier artiste non russe à collaborer avec les Ballets russes, en trois occasions -et bien d'autres ne purent se matérialiser- Claudel, Gide,Valéry et même le musicien Manuel de Falla partagèrent des projets avec l'artiste catalan. Aussi bien les uns comme les autres, tout comme sa correspondance, illustrent parfaitement les relations qui lient tous ces intellectuels et leurs échanges culturels. Ils peuvent nous permettre de situer Sert dans un contexte qui l'a tant vénéré. Etude critique de son oeuvre, de sa carrière, ainsi que de sa réception critique
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Hebeisen, Christophe Karaǧī Muḥammad ibn al-Ḥasan Abū Bakr al Karaǧī Muḥammad ibn al-Ḥasan Abū Bakr al Karaǧī Muḥammad ibn al-Ḥasan Abū Bakr al. "L'algèbre al-Badī' d'al-Karağī /." [S.l.] : [s.n.], 2009. http://library.epfl.ch/theses/?nr=4297.
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ROSSI, A. M. "Ontologia e acontecimento no pensamento de Alain Badiou." Universidade Federal do Espírito Santo, 2015. http://repositorio.ufes.br/handle/10/3683.
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Previous issue date: 2015-08-31O nosso propósito nesta dissertação é fazer uma leitura da filosofia de Alain Badiou a partir de um viés fundador: o enunciado lacaniano il y a de lun. Esse enunciado, lido pelo psicanalista Jacques Lacan na filosofia de Platão, é o termo proferido no instante em que o ser humano se depara com o súbito, um acontecimento imprevisto. Nesse instante inaugural o ser humano passa para a condição de sujeito. Alain Badiou parte do princípio de que todo ser humano é, no início, um mortal comum condicionado a repetir o saber instituído. O sujeito surge quando esse mortal comum se depara com a ausência de saber para se relacionar com o imprevisto e enuncia um novo pensamento. Nesse sentido, o sujeito é raro. Esse modo de pensar permite compreender a própria ontologia como um acontecimento: o acontecimento do Ser. Esse será para nós o acontecimento ontológico. É o instante inaugural do surgimento do primeiro nome. Para Alain Badiou, o vazio é o nome próprio do Ser. O matemático Georg Cantor foi quem criou as condições para essa nomeação. Badiou considera o vazio como ontológico e iguala esse vazio ao conjunto vazio da teoria matemática dos conjuntos. Essa teoria enquanto teoria do múltiplo puro encontra-se no fundamento da multiplicidade que reina no mundo empírico. Partindo dessa concepção é possível retomar o conceito filosófico de sujeito instituído por Descartes: o sujeito cartesiano é aquele que operou uma recusa de todo saber vindo a deparar-se com o vazio que ronda a estrutura do saber, e inventa um fundamento primeiro, o Cogito. Jacques Lacan promove a operação cartesiana de deposição do saber para a condição de método de tratamento psicanalítico. A psicanálise lacaniana apropria-se do conceito de acontecimento imprevisto para pensar a teoria do ato analítico. O psicanalista se coloca na escuta do paciente na expectativa de que o excedente de sentido que inflaciona o seu discurso seja gradualmente reduzido até que se alcance um zero de sentido, momento propício para o ato analítico. O ato analítico, sendo um acontecimento imprevisto para o próprio psicanalista, é algo da ordem de um horror: o psicanalista lacaniano tem horror ao seu ato. Pensado desse modo, o acontecimento imprevisto em geral, e o ato analítico em particular, tem função ontológica: é quando o ser humano comum advém sujeito ao encontrar o seu fundamento, a sua fórmula: o seu nome próprio. Jacques Lacan propõe o conceito de matema como aquilo que se situa no fundamento de um novo sujeito. Badiou pensa esse matema como sendo o axioma do sujeito.
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PILOT, RAICHOOR PILOT CHRISTIANE. "Le badaga : langue dravidienne (inde). description et analyse." Paris 3, 1991. http://www.theses.fr/1991PA030057.
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Le badaga est une langue dravidienne non ecrite, parlee dans les monts nilgiris (tamil nadu - inde). Separee du kannada depuis plusieurs siecles, cette langue a evolue de facon autonome. La description synchronique, faite selon les methodes structurales classiques, porte sur la phnolo- gie, la morphologie, la syntagmatique et les enonces. De nombreux exemples tires de textes illustrent les divers points decrits. Trois textes, avec une traduction interli- neaire, sont donnes en complement de la description. Les principaux points de divergence avec le kannada sont signa- lesBadaga is a dravidian (non written) language spoken in nilgiris (tamil nadu - india). Isolated from kannada lan- guage for several centuries, the language has evoluated separately. The synchronic description, following the usual structuralist framework, concerns words'phonology, morpho- logy, phrase structures and sentence syntax, many examples illustrate each point. Three folk-tales, with interlinear translation, complete the description. The main differences with kannada are mentioned
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Martins, Marcos Antonio Favaro. "Mario Travassos e Carlos Badia Malagrida: dois modelos geopolíticos sobre a América do Sul." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/84/84131/tde-09102012-104042/.
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No período de entre - guerras (1918-1939), época em que o pensamento geopolítico se popularizava e ganhava status acadêmico, a América do Sul foi objeto de reflexão por parte de dois pensadores que se tornaram clássicos desta então nova disciplina. Estamos falando de Carlos Badia Malagrida (1890-1937) e Mário Travassos (1891-1973). Neste trabalho resgataremos e faremos a comparação dos dois autores e seus respectivos modelos geopolíticos argumentando desde o primeiro capítulo que ambos partem de uma mesma divisão regional do subcontinente sul-americano, o que evidencia a conexão intelectual entre os dois pensadores. Para cumprirmos nossos objetivos desenvolvemos um texto de quatro capítulos: o primeiro deles, de natureza descritiva apresentará ao leitor os pormenores de cada teoria - objetivando portanto uma comparação preliminar que ofereça um esboço inicial das regiões geopolíticas do subcontinente. Os três capítulos seguintes cada um tratará de um contraponto aonde vai se contrastar a percepção hispano-americanista de Malagrida com a visão luso- americana de Travassos. Estas questões são respectivamente as referentes á bacia do rio da Prata, ao grau de efetividade da integração do território brasileiro, sua capacidade de projeção de poder e, por último, o papel da Bolívia na organização político territorial dos Estados sul-americanos. Por último avaliaremos a atualidade das idéias discutidas como teorias das relações internacionais num esforço de avaliação da atual conjuntura sul-americana.In the period of wars (1918 to 1939), time when geopolitical thought has become popular and has reached academic status, South America was object of reflection between two thinkers who have become classics of this new discipline. We are talking about Carlos Badia Malagrida (1890 to 1937) and Mário Travassos (1891 to 1973). In this work well search and well make the comparison between two authors have already mentioned and their geopolitical models arguing from the first chapter that both of them depart from the same regional division about South American subcontinent that evidences the intellectual connection between two thinkers. Obviously, how to compare means not only outline the similarities but also discuss the points against. So, here well discuss the differences of the political projects quite noticeable in the analysis of both works. Therefore well develop a text with four chapters: the first of them, from descriptive nature will submit the reader the details of each theory thus aiming a preliminary comparison that offers an initial sketch of the geopolitical regions of the subcontinent. The three chapters following each one will deal with an against point which will be contrasted the Hispanic-americanist perception of Malagrida to the Luso-american view of Travassos. These issues are respectively the ones related to the Silver River Basin, about the degree of effectiveness of integration of the Brazilian territory, its ability to forecast the power and, finally, the role of Bolivia in its political territorial organization of local states of South America. At the end, well evaluate the relevance of the ideas discussed as an international relations theory in an effort of assessment the current South American situation.
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Shatnawi, Rania Suleiman. "Evaluation of surface water resources of Marab Hassan in the northeast Badia of Jordan." Thesis, Bangor University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395415.
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Badura, Marko [Verfasser]. "Untersuchungen zur Leistungswirksamkeit der Verwringung beim Diskuswerfen / Marko Badura." Berlin : Lehmanns, 2014. http://d-nb.info/106025266X/34.
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Göddertz, Tanja Sofia. ""Che farò senza Euridice ?" : Orpheus von Poliziano bis Badini /." Aachen : Shaker Verl, 2007. http://catalogue.bnf.fr/ark:/12148/cb41341614j.
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Abbott, J. Richard. "Phylogeny of the Polygalaceae and a revision of Badiera." [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0041138.
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Roe, Alan George. "Pastoral livelihoods : changes in the role and function of livestock in the northern Jordanian Badia." Thesis, Durham University, 2000. http://etheses.dur.ac.uk/4618/.
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This thesis considers the importance of livestock in the household economy of the Ahl al Jebel Bedouin in the arid Badia region of north east Jordan. The principal objective of the study is to provide development planners working within the Badia region with information on how livestock are used and valued within a pastoral society and indicate ways in which these values may be subject to change. The study demonstrates that Bedouin herdowners have responded purposefully to developing regional markets for livestock products and have identified the income and capital growth values of livestock investments. However, the study further suggests that in important ways production for market supply is closely bound with the management of household resources, notably production for domestic consumption and the two spheres of production constitute complimentary aspects of the pastoral livelihood strategy. It is further argued that pastoral production in the Badia is mediated by the prevailing Bedouin value system which ascribes non-material values to livestock, thus giving social meaning to the way in Which herd owners choose to manage their herds. The thesis argues that the relationship between herd owners and their livestock must necessarily be flexible and suggests that changes in the way in which livestock are valued may constitute an important element in how households respond to change. The study thus characterises the Ahl al Jebel herd management objectives as innovative and fluid, and indicates that approaches to pastoral development need to be more sensitive to household objectives and more supportive of indigenous innovation.
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Sacramati, Mario. "Il Palazzetto degli Estensi a Badia Polesine. Ipotesi di intervento con rifunzionalizzazione e miglioramento sismico." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amslaurea.unibo.it/271/.
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Ayala-Colqui, Ysmael Jesús. "Acontecimiento, verdad y subjetivación en Michel Foucault y Alain Badiou." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2019. http://cybertesis.unmsm.edu.pe/handle/cybertesis/11383.
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Busca estudiar la obra de Michel Foucault y Alain Badiou a propósito de la relación en los conceptos de acontecimiento, verdad y subjetivación. Si bien, la obra de estos dos autores ha sido mínimamente puesta en relación, aquí se propone revertir, en cierto sentido, los estudios sobre ambos. La hipótesis propuesta aquí es la siguiente: L’être et l’événement (1988) de Alain Badiou realiza una apropiación de la obra de Michel Foucault. De manera específica, L’être et l’événement (1988) se apropia de los conceptos de acontecimiento, verdad y subjetivación elaborados por Michel Foucault a lo largo de toda su obra. El primer capítulo de la tesis analiza los conceptos de acontecimiento, verdad y subjetivación en diversos textos de Michel Foucault. El segundo capítulo analiza los mismos conceptos en L’être et l’événement (1988) de Alain Badiou. Finalmente, el tercer capítulo, a partir de una definición explícita de aquello que se entiende como apropiación, argumenta a favor de la hipótesis, esto es, sobre la apropiación arriba señalada. Se concluye que L’être et l’événement (1988) al incorporar los tres conceptos foucaultianos señalados ha operado una transformación matemática y “ontológica” de los mismos donde el acontecimiento, la verdad y el sujeto se encuentran conceptualmente relacionados.Tesis
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Ayala, Colqui Ysmael Jesús. "Acontecimiento, verdad y subjetivación en Michel Foucault y Alain Badiou." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2019. https://hdl.handle.net/20.500.12672/11383.
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Busca estudiar la obra de Michel Foucault y Alain Badiou a propósito de la relación en los conceptos de acontecimiento, verdad y subjetivación. Si bien, la obra de estos dos autores ha sido mínimamente puesta en relación, aquí se propone revertir, en cierto sentido, los estudios sobre ambos. La hipótesis propuesta aquí es la siguiente: L’être et l’événement (1988) de Alain Badiou realiza una apropiación de la obra de Michel Foucault. De manera específica, L’être et l’événement (1988) se apropia de los conceptos de acontecimiento, verdad y subjetivación elaborados por Michel Foucault a lo largo de toda su obra. El primer capítulo de la tesis analiza los conceptos de acontecimiento, verdad y subjetivación en diversos textos de Michel Foucault. El segundo capítulo analiza los mismos conceptos en L’être et l’événement (1988) de Alain Badiou. Finalmente, el tercer capítulo, a partir de una definición explícita de aquello que se entiende como apropiación, argumenta a favor de la hipótesis, esto es, sobre la apropiación arriba señalada. Se concluye que L’être et l’événement (1988) al incorporar los tres conceptos foucaultianos señalados ha operado una transformación matemática y “ontológica” de los mismos donde el acontecimiento, la verdad y el sujeto se encuentran conceptualmente relacionados.Tesis
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Al-Meshan, Odeh Muslem. "Location criteria for domestic and hazardous waste disposal to landfill in the Jordanian Badia using GIS." Thesis, Coventry University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.418338.
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Scott, Dawn Millicent. "Aspects of the ecology of desert-living rodents in the north-east Badia region of Jordan." Thesis, Durham University, 2000. http://etheses.dur.ac.uk/1592/.
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Ige, Kehinde Davies. "Poverty attribution and reaction to income inequality in Nigeria: the case of Badia community in Lagos." Thesis, University of Fort Hare, 2011. http://hdl.handle.net/10353/329.
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This study was about the reaction of disadvantaged groups and persons to inequality and deprivation. Set in Badia, a low income community in Lagos, Nigeria, it investigates the main effects of community members’ attributions of causes of poverty in motivating or impeding their reaction to inequality. Relative Deprivation (RD) theory proposed that dissatisfaction with social outcomes depend on subjective feelings rather than objective criteria. However scholars found empirical difficulties in predicting collective action on the basis of RD. Resource Mobilization proponents argued on the contrary that feelings are not salient within the framework of action. The infusion of Social Identity Theory (SIT) into RD research however resolved the paradox of action with SIT’s argument that action was contingent upon the perception of permeability and legitimacy of inter-group structures. However, despite successes of SIT, scholars found that it was unable to predict the type of actions group members will take in response to injustice and the nature of possible actions. Propositions of RD and SIT were therefore suitable for integration into the proposition of Taylor & McKirnan’s (1984) Five Stage Model (FSM) of inter-group relations that reactions to RD feelings were predicated upon the dynamics of the social philosophy guiding stratification. Using an integrated RD, SIT and FSM framework, this study shows how disadvantaged group members’ responses to deprivation proceeded as predicted by the FSM from mutual acceptance to collective action mediated by their perception of causes of poverty. This complements the trend in the literature on reaction to inequality and it's almost ii exclusive focus on instrumental and affective concerns while neglecting the role of consensually shared beliefs in motivating or impeding action and willingness to act in response to injustice. The study hypothesized that the pattern of causal attributions of poverty of respondents will shape their ‘predisposition to act’ and the type of action they would engage in. The main hypothesis of the study therefore was that poverty attribution mediates the relationship between ‘feelings of injustice’ and ‘reaction to inequality’. For instance where respondents attribute poverty to individual or fatalistic factors they will adopt individual action whereas where attributions are structural, responses will be collective, where feelings of injustice were present. A survey was conducted using a five-level Likert scale to decipher respondents’ perceptions of feelings of injustice, their causal attribution of poverty, their levels of willingness to embark on collective action and actions taken in the preceding year. In the first stage of analysis, responses (n = 383) were reduced using Principal Components Analysis (PCA) to determine how questionnaire items contributed to variables under consideration. Subsequently, variables extracted were correlated and regressed. While bivariate correlation was used to test simple relationships between variables, a stepwise hierarchical regression analysis was used to decipher how sub-dimensions of poverty attribution mediate the relationship between respondents’ feelings of injustice and their willingness to embark on collective action entering variables in succession into the regression equation. Furthermore, a 1 x 3 x 5 Multivariate Analysis of Covariance (MANCOVA) was used to test the mediation effects of poverty attribution sub-dimensions on the relationship between injustice feelings and actions. The results showed iii that structural attribution was the preferred explanation for poverty among Badia residents, as this explanation was preferred by a majority of the respondents. It was also shown that while 96.9% of respondents used more than one causal attribution, a majority of structural attributors adopted fatalistic attribution as second choice of explanation for poverty. On the basis of the above, and in line with previous studies (Mann, 1970; Bobo, 1991), it was deduced that the possibility for radical action would be diminished as a result of this ‘dual/split consciousness’. The result further confirmed as hypothesized, that fatalistic attribution had a negative correlation with willingness to embark on collective action as respondents in the fatalistic condition were not willing to embark on collective action. However, respondents in the structural conditions were more willing to engage in collective action. While attributions predicted willingness to embark on collective action, MANCOVA showed that action proceeded in a continuum as predicted by the FSM. For example, while the introduction of fatalistic and individual attribution to the equation hypothesizing the relationship between injustice feelings and action showed that resultant actions were predominantly individual normative, post-hoc inclusion of the structural dimension to the equation showed an addition variance to the equation for collective action. This indicated that structural attributions enhance collective normative action. However, consistent with most studies in the literature, the results did not predict collective non-normative action1. Results indicated low adherence of subject to items eliciting collective action suggesting that past studies which reported high preference of collective action by disadvantaged groups may have been influenced by ‘social desirability effects’, given Topf’s (1995) assertion that what people say they will do is often not what they do but what they perceive as right in the particular situation. 1 The only notable exception is Boen & Vanbeselaere (1998) 2 A full discussion of lay explanations of poverty is reserved for chapter 4 of this thesis. iv The study however proposed on the basis of the salience of structural attributions that poverty attributions may become useful for Social Movement Organizations (SMOs) interested in fostering social change. However, while the study showed that attribution influences willingness to embark on action it does not show how attribution becomes salient in group membership. Thus there is a need for future studies to investigate how attribution affects group identification. Similarly, given the dearth of studies of the attribution of the ‘actual poor’ of poverty, it is necessary for future studies to test the validity of the result from the present study indicating stronger adherence to fatalistic than individualistic attributions of poverty among the disadvantaged. While many past studies of attribution and those of reaction to injustice have been on samples of middle-class adults in developed countries, or artificially created deprived groups, the present study being of the ‘real life’ poor in a Third World setting, provides evidence of ‘real world’ actions and attributions of people experiencing poverty.
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Palomero, Almela Josep Manuel. "Estudi biogràfic i literari d'Artur Perucho Badia. Comunicació i societat en la primera meitat del segle XX." Doctoral thesis, Universitat Jaume I, 2016. http://hdl.handle.net/10803/669012.
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La tesi estudia l'obra periodística i literària d'Artur Perucho, en cada una de les etapes biogràfiques en què va viure a Espanya, París i Marburg, així com durant l'exili a Mèxic. S'han analitzat més de cinc-cents articles de premsa i s'han exhumat i anotat 188 cartes.
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Guerra, Miranda Luis. "Alain Badiou, la condición del arte. Sustracción, novedad radical, fuerza-forma." Doctoral thesis, Universitat Autònoma de Barcelona, 2017. http://hdl.handle.net/10803/405637.
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La presente tesis presenta el pensamiento del filósofo francés Alain Badiou, con la intención de destacar el concepto de existencia dentro de esta construcción filosófica, gracias a una serie de herramientas conceptuales que permitirán construir una constelación teórica alrededor de la práctica de investigación artística. Este conjunto de elementos de nominación, que propone la tesis, permite no solo reflexionar sobre el fenómeno artístico -sobre todo en relación con nuestra contemporaneidad- desde nuevos puntos de partida; sino al mismo tiempo, permite la generación de un efectivo pensamiento artístico que se situaría en la línea casi invisible entre la filosofía y el arte de hoy. Esa es la razón por la cual, basándose en el análisis de las obras de Badiou, la tesis no solo se construyó a partir de la escritura, sino también a través de una serie de ejercicios visuales que intentaron probar su hipótesis.
La tesis se sitúa en un casi localizado que propone la siguiente hipótesis: la filosofía de Alain Badiou permite nombrar a lo que espera ser nombrado. Este pensamiento, afirmo, ofrece una posibilidad de pensar al arte, su práctica, más allá de las ruinas en donde, entiendo, hoy su cuerpo existente merodea. Un pensamiento que es de hecho una diagonal que abandona, huye, trazando un espacio excéntricamente. Un modo de nombrar que, en este caso, no determina a aquello que nombra, no lo cancela ni lo sobre determina, sino más bien, invita a la existencia de lo que inexiste para el imperio.
¿Por qué querer nombrar lo que existe sin nombre? Esta ha sido la pregunta que funda a la tesis. Sin embargo, esta pregunta esconde una funcionalidad a priori al nombrar. El nombrar al que alude la tesis no es el nombrar que archiva, aplana, estatiza, numera, finaliza. Este nombrar es una desautorización del nombre de la pertenencia y la exclusión. Ni nombra para el acceso, como una ciudadanía nacional, ni excluye como una dependencia, para invisibilizar lo que existe. El nombrar aquí es local, operativo, y en cierto modo, performativo. Su ocurrencia es desde ya una acción, y no se limita a la reflexión compuesta de lo que pudiese llegar a negar.
Por último, la tesis tuvo por objeto el linde casi imperceptible de separabilidad entre la filosofía y el arte. Dicha relación aquí no queda cancelada. Por el contrario, la tesis y su autor esperan que, a través de su cuerpo, se inauguren vías de práctica crítica. Esta tesis, en tanto que destino, no busca un fin, sino que la apertura de un agujero, o incluso menos, el acto de un corte, o incluso, el acto de ese corte como medición propia de su a venir.The present thesis presents the thought of the French philosopher Alain Badiou, with the intention of emphasizing the concept of existence within this philosophical construction, thanks to a series of conceptual tools that will allow to construct a theoretical constellation around the practice of artistic research. This set of elements of nomination, which proposes the thesis, allows not only to reflect on the artistic phenomenon - especially in relation to our contemporaneity - from new starting points; But at the same time, it allows the generation of an effective artistic thought that would be placed in the line almost invisible between the philosophy and the art of today. That is why, based on the analysis of Badiou's works, the thesis was not only constructed from writing, but also through a series of visual exercises that attempted to test its hypothesis. The thesis is situated in a localized almost, which proposes the following hypothesis: the philosophy of Alain Badiou allows to appoint to what it waits to be named. This thinking, I affirm, offers a possibility to think art, its practice, beyond the ruins where, I understand, today its existing body looms. A thinking that is in fact a diagonal that leaves, flees, tracing a space eccentrically. A way of naming that, in this case, does not determine what it names, does not cancel it or over determines, but rather, invites to existence of what inexists for the empire. Why want to name what exists without a name? This was the question that founded the thesis. However, this question hides an a priori functionality when naming. The naming that the thesis alludes is not a naming that archives, flattens, statizates, numbers, ends. This naming is a disavowal of the name of membership and exclusion. Neither names for access, as a national citizenship, nor exclude as a dependency, to make invisible what exists. The naming here is local, operative, and in a sense, performative. Its occurrence is already an action, and is not limited to the composite reflection of what could come to deny. Finally, the thesis had as its object the almost imperceptible point of separation between philosophy and art. This relationship is not canceled here. On the contrary, the thesis and its author hope that, through its body, critical practice paths will be inaugurated. This thesis, as fate, does not seek an end, but the opening of a hole, or even less, the act of a cut, or even the act of that cut as a measure of its own coming.
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Badura, Matthias [Verfasser], and Gottfried [Akademischer Betreuer] Korff. "Camping als Urlaubsform. Eine explorative Studie / Matthias Badura ; Betreuer: Gottfried Korff." Tübingen : Universitätsbibliothek Tübingen, 2013. http://d-nb.info/1162279664/34.
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Kim, Min Seong. "Processes of social change in the works of Badiou and Laclau." Thesis, University of Essex, 2018. http://repository.essex.ac.uk/23439/.
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No theory of social change can circumvent the task of specifying the process that transforms the existent order into a different order, and determining that which accounts for the difference between those two orders. This thesis examines whether the theories of social change found in the works of Alain Badiou and Ernesto Laclau succeed in fulfilling this task. Badiou contends that a political process transforms the situation in which it unfolds in so far as what it produces is a ‘truth’. Certain implications of the set-theoretical ontological discourse through which Badiou conceptualizes truths, however, prevents an unambiguous appraisal of their socially transformative character. Although Badiou stipulates that the transformative potential of a truth lies in its ‘generic’ universality, this universality becomes indistinguishable from particularity when its transformative effects are limited to a situation—but it is precisely the interplay between situations, in the plural, that is not adequately reflected in set-theoretical ontology. Whilst Laclau’s theory of hegemony can be interpreted as providing an account of this interplay between pluralities of situations, it has its own shortcoming: the transition between different social orders cannot be thought under hegemony theory as anything other than a transition wherein the to-come is conditioned by the present to an extent that is theoretically underdetermined, resulting in the blurring of the distinction between social transformation and social reproduction. The final part of this thesis explores the possibility of bringing together the Laclauian notion of the ‘simplification’ of the social space through hegemonic articulation and Badiou’s theorization of truth procedure, in an attempt to conceive the particular kind of situation in which a political process would potentially have far-reaching socially transformative consequences.
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García, Puchades Wenceslao. "EL LUGAR DEL CINE EN EL PENSAMIENTO FILOSÓFICO DE ALAIN BADIOU." Doctoral thesis, Universitat Politècnica de València, 2012. http://hdl.handle.net/10251/14862.
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La presente tesis pretende estudiar los textos fílmicos del filósofo francés Alain Badiou con el objetivo de sustraer el papel que juega el cine en su proyecto de (re)comienzo de la filosofía. De esta manera hemos dividido su exposición en dos partes: el estudio de su proyecto de (re)comienzo filosófico y el estudio del papel que juega el cine en dicho proyecto y de su teoría fílmica implícita. En la primera parte trataremos de justificar en qué medida su proyecto puede ser entendido como un intento de reivindicar la tarea filosófica como la eterna tarea de educar a pensar la contemporaneidad de manera universal e igualitaria. Así en primer lugar expondremos como este proyecto tiene sus fundamentos en la teoría de causalidad estructural althusseriana, en la teoría subjetiva de los afectos lacanianos y en la teoría dialéctica maoísta. A partir de cada una de estas teorías definiremos tres dimensiones fundamentales del proyecto filosófico de Badiou, a saber, la dimensión formal o intelectual, la dimensión afectiva o ética, y la dimensión didáctica o igualitaria. Por un lado, veremos cómo las dimensiones intelectual y ética subyacen en la búsqueda de un sistema formal y afectivo, respectivamente, con el que la filosofía puede orientarse en su tarea eterna de pensar en el presente. A este sistema de pensamiento formal-afectivo Badiou le denominará "teoría de del sujeto". Por otro lado veremos cómo, Badiou encuentra en el proyecto platónico de una educación según la universalidad de la Idea -proyecto que Platón desarrolló para hacer frente a la educación según la opinión relativa propia del sofismo dominante de su época-, el modelo al que debe acudir la filosofía para renovarse como pensamiento eterno de la contemporaneidad. Expondremos, por tanto, cómo la renovación de la filosofía contemporánea pasa por concebirla como la puesta en práctica de un proceso pedagógico por el que se transmite un sistema formal y afectivo para pensar el Sujeto o la Idea del presente.García Puchades, W. (2012). EL LUGAR DEL CINE EN EL PENSAMIENTO FILOSÓFICO DE ALAIN BADIOU [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/14862
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Patkauskas, Justas. "Critical ethics: transvaluation and critique of morality by Spinoza, Nietzsche and Badiou." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110606_114219-50951.
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This thesis argues the need for a critique of foundational values which are often taken to be unquestionable. Values and evaluations inform the decision-making of human individuals on a daily basis on all possible levels – the local, the national, the international, and the global. Yet for all the importance of values, their origin, functioning and effects are rarely brought to light.
This paper opposes critique as a creative and genealogical endeavour against shallow conformist analyses that serve the established status quo. With the aid of Nietzsche’s philosophy, in its first part this paper establishes an outline of how a proper critique would look.
The proposed method of critique – a transvaluation which seeks to determine the origin of values in order to interpret them in a novel and more affirmative fashion – is then applied via the philosophy of Spinoza in the second part of the thesis wherein the origin of values is questioned.
The third part employs the philosophy of Badiou both to bring back the critique to a more modern footing and to juxtapose Badiou to Spinozist and Nietzschean transvaluations. This part also paves the way for a concluding comparative section where the key features of the three philosophers are contrasted regarding the foundational values which where perpetually criticized throughout the thesis.
The overall purpose of the paper is to explore the possibility of an alternative method of critique to the seemingly dominant modern opposition... [to full text]Šis darbas teigia, jog reikia užsiimti kritika pamatinių vertybių, kurios dažnai yra laikomos nekvestionuojamomis. Vertybės ir vertinimai veikia žmonių sprendimus kiekvieną dieną visais įmanomais lygmenimis – vietiniu, nacionaliniu, tarptautiniu ir globaliu. Tačiau nepaisant vertybių svarbos, jų kilmė, veikimas ir poveikiai yra retai nuodugniai svarstomi. Šiame magistriniame darbe kritika kaip kūrybinė ir genealoginė veikla yra oponuojama paviršutiniškai ir konformistiškai analizei, kuri tarnauja dominuojančioms galioms. Su Nietzsche filosofijos pagalba, pirmoji šio darbo dalis apibrėžia kaip turėtų atrodyti tikra kritika. Siūlomas kritikos metodas – pervertinimas, kuris siekia nustatyti vertybių kilmę tam, kad interpretuotų jas nauju ir labiau teigiamu būdu – yra taikomas su Spinozos filosofija antrojoje dalyje, kurioje keliamas klausimas apie vertybių kilmę. Trečioji dalis naudojasi Badiou filosofija tam, kad grąžintų kritiką į šių dienų laikus ir supriešintų pastarąjį su Spinozos ir Nietzsche pervertinimais. Ši dalis taipogi paruošia dirvą apibendrinamai lyginamajai daliai, kurioje apžvelgiamos pagrindinės trijų filosofų nuostatos apie pamatines vertybes, kurios kritikuojamos viso darbo metu. Bendras šio darbo tikslas yra išbandyti alternatyvaus kritikos metodo galimybes: dabartinė situacija atrodo tokia, kur būtina rinktis tarp radikalaus nepasitenkinimo viskuo, arba tarp radikalaus konformizmo. Šių ekstremalumų alternatyva būtų pervertinanti kritika, užsiimanti... [toliau žr. visą tekstą]
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Göddertz, Tanja S. [Verfasser]. "'Che farò senza Euridice?' Orpheus von Poliziano bis Badini / Tanja S Göddertz." Aachen : Shaker, 2007. http://d-nb.info/1166510328/34.
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Wootten, Devon. "Faith and the incommensurable: from Pascal to Badiou via Kierkegaard and Kuhn." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/6016.
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This dissertation examines the way the Pythagorean conception of the incommensurable structures the assertions of subjective agency in Blaise Pascal’s Pensées (1670), Søren Kierkegaard’s Concluding Unscientific Postscript (1846), and Alain Badiou’s Being and Event (1988). The Pythagoreans coined the term “incommensurable,” alogos, to describe magnitudes that cannot emerge within a specific system of signification. Across three chapters, I extend the Pythagorean understanding of the incommensurable into the areas of philosophy, religious studies, and mathematics in order to posit the fundamental instability at the core of subjective agency. Moving from Thomas S. Kuhn’s failure to define the incommensurable logically in his Structures of Scientific Revolutions, I argue that such a conception of the incommensurable must be understood as fundamentally faith-based.
Given the fact that the incommensurable cannot emerge into signification, its existence must be posited on faith. Pascal, Kierkegaard, and Badiou each move from a faith-based assertion of the incommensurable to offer a conception of subjective agency within a specific system of signification. Thus, against the work of Bonaventura Cavalieri and Evangelista Torricelli, Pascal refigures the incommensurably infinite to establish a heterodox subjective agency within Augustinian faith-by-grace; Kierkegaard manages to navigate the incommensurability of direct communication and personal faith by effacing his pseudonym Johannes Climacus; and Alain Badiou relies on the incommensurable “event” to imagine the possibility the subject’s calling into being of the new. In each of these three texts, the incommensurable functions to guarantee the possibility of subject agency within a specific system of signification.
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Lai, Tsz Yuen. "Investigation on logic of the real: Lautman, Deleuze, Badiou and transcendental materialism." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/503.
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This dissertation aims to reconfigure 'materialism' against the contemporary context of philosophy. By carrying out a meta-philosophical investigation on the logical schemas, philosophical operations and deployments of the major philosophical projects of Albert Lautman (1908-1944), Gilles Deleuze (1925-1995), and Alain Badiou (1937- ), i.e., Lautman's philosophy of mathematics (especially the dialectic governing his theory of 'mathematical genesis'), Deleuze's philosophy of difference (especially the logic of event and metamorphosis underlying the 'Deleuzian genesis' extracted from Chapter IV and V of Difference and Repetition), and Badiou's mathematical ontology (especially the fundamental logical schema of his mature ontology presented in Being and Event), this dissertation attempts to show how the works of these three philosophers are contributive to the aforementioned task of the reconfiguration of materialist philosophy. In terms of the problematics of 'formalization of the real', the 'transcendental methodology', and the 'immanent principle' of reality shared by all these three philosophical projects, I propose that their works can be defined as a particular type of materialist philosophy that I call 'transcendental materialism'; and this 'transcendental materialism', in turn, ought to be comprehended according to a modern reading of Platonism, i.e., the non-orthodox re-articulation of Platonic philosophy comprised of Lautman's unorthodox-realist Platonism, Deleuze's materialism as overturned Platonism, and Badiou's materialism with the Platonic Idea. I conclude that Lautman, Deleuze, and Badiou are three philosophers of 'transcendental materialism' knotted by this modern Platonism. On the strength of the 'transcendental materialism' constituted in view of the investigation presented by this dissertation, I intend to show that Lautman's philosophy of mathematics offers the proper perspective or the 'condition' for a genuine comprehension of Deleuze's major philosophical project in the late 1960s; on the basis of this genuine comprehension, Deleuze's philosophical project, which concentrates in the study of the transcendental logic of the real instead of providing empirical knowledge of sensible objects and material entities, ought to be categorized as 'transcendental materialism', a category that is also competent to define Badiou's philosophical project, i.e., 'a materialism without object/matter'; and therefore, the philosophical demarcation within contemporary materialist philosophy ought not to be simply portrayed as 'Badiou vs. Deleuze', 'dialectical materialism vs. vitalist materialism'. The genuine philosophical demarcation within materialism today is 'Idea against Matter'. 'Transcendental materialism' is 'a materialism with the Idea' or 'a materialism of the Idea' which is against the 'naïve materialism' or the 'metaphysics of the Matter'. In case transcendental materialism might have been conceived as a new 'metaphysics', it is the metaphysics of the imperceptible, the inexistent, and the inconsistent. The 'material reality', after 'transcendental materialism', is 'non-All'. Concerning the far more complicated confrontations between different trends of contemporary materialist/realist philosophy, my proposal of constituting the 'transcendental materialism' can be considered as an attempt to reconfigure the current debates on materialist philosophy: to reorganize the dialogues, for instance, between Badiou and his opponents -- 'object-oriented-ontology', 'speculative realism', and 'non-philosophy'; to integrate Quentin Meillassoux's project into transcendental materialism in terms of their shared 'transcendental methodology'; and, most importantly, to 'radicalize' materialist/realist philosophy towards a theory of practice.
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Bartlett, Rebecca. "How failure works : understanding and analysing the characteristics of badfilm, 1950-1970." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/7058/.
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This thesis uses close textual analysis to examine formal stylistic characteristics located in films that have, since their initial release, gained a reputation for being bad. It provides a framework that allows badness to be examined without subjectivity, further developing the concept of "objective badness" as proposed by J. Hoberman. The films examined are categorised as "badfilm", a term used to describe films that are identified, distinguished, and potentially valued for their incompetence. These claims of badness implicitly assume the audience can recognise the filmmaker's unintentional failure to achieve conventional standards of goodness. Despite this, consideration of intentionality has only recently been briefly addressed. This thesis expands further on concepts of intentionality, recognising this as being crucial in establishing objective badness. There is a tension within badfilm appreciation between enjoyment and critical acknowledgement of the inherent badness. Attempts to reconcile such conflicting responses vary. Films may be described as "so bad they're good," a problematic term with implications that have only recently been adequately considered. Alternatively, audiences downplay badness, favouring instead an auteur approach or adopting avant-garde principles as a way of understanding the unconventional aesthetic apparent in badfilm. Particularly in fan-based writing, due in part to the established reputations of certain films, responses to badfilm largely take for granted the widespread acceptance of badness. Academic responses frequently focus on reception studies, considering badfilm in terms of cult, and its audience as subculture. Consequently, detailed analysis of the ways in which badness and failure function within the films is still needed. Using American productions (1950-1970) that are already established as part of the badfilm canon, this thesis analyses textual characteristics that have been repeatedly cited as evidence of badness. Post-production sound is considered, as is performance, the use of recycled footage, and editing. The failure of individual elements, their failure to support each other, and the resulting incoherence have a direct impact on the film and its reception. In extreme cases, the failure removes the viewer from the "illusion" of cinema, emphasising the technical and mechanical aspects of film production. Objective badness is revealed through dual recognition of both the attempts to be good and the failure to achieve goodness, resulting in a film that exposes its intentions and dismantles immersive potential through an inherent, often excessive, "consistently inconsistent" incoherence. By approaching badfilm in such a way, badness can be accepted as a valuable and lucrative line of academic enquiry, unrestricted by subjectivity and taste.
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Tera, Eloi de. "Arte y reforma monástica en la Florencia posmasacciana: El ciclo mural del Chiostro degli Aranci en la Badia Fiorentina." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/399646.
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Esta tesis doctoral examina el encaje del ciclo mural que decora la galería superior del claustro principal de la Badia Fiorentina de Florencia, llamado Chiostro degli Aranci, en la pintura florentina posmacciana. El ciclo está compuesto por 10 lunetos pintados entre 1436 y 1438 con la técnica del buon fresco y de una franja de decoración basamental que los acompaña. La obra se atribuye en esta tesis a Giovanni di Consalvo, supuesto pintor de origen portugués, cuyo nombre emana de un libro de cuentas del monasterio de la Badia Fiorentina, hoy conservado en el ASF, donde aparece citado repetidas veces como receptor de pagos por pigmentos y otros materiales para la realización de la obra.
Los frescos del Chiostro degli Aranci son fruto de una comisión del abad Gomes Eannes de Portugal, que gobernaba la Badia Fiorentina durante la época, y responden a su voluntad reformadora para devolver el monaquismo a sus orígenes, a la Regla y a los Padres del Desierto, siguiendo los postulados de Ambrogio Traversari, amigo de Gomes y general de la Orden Camaldulense, que pudo tener un papel importante en la consecución de la obra por su conocimiento de los textos patrísticos. La voluntad reformadora se encuentra plasmada en la combinación de la vida de san Benito -en los lunetos- con retratos y frases extraídas de los Verba Seniorum -en la decoración basamental-. El resultado, destinado a la educación de los monjes de la Badia, es un manifiesto de la Reforma monacal de Gomes y Traversari de gran valor artístico.
El análisis de los lunetos del ciclo nos indica la presencia de un mestizaje pictórico que combina la pintura florentina de raíz masacciana, con la luz y el color de Fra Angelico, junto a detalles y características propias de la pintura de los primitivos flamencos. El volumen, el uso de la luz y la sombra y las composiciones que concentran diversos episodios de la Storia en una sola
imagen, responden a la influencia del arte de Masaccio, filtrado a través del arte lumínico de Fra Angelico. Por otro lado, el reflejo de los elementos en las aguas y el brillo en los objetos metálicos indican un conocimiento de las innovaciones pictóricas que habían tenido lugar en Flandes en los años anteriores a 1346. El conocimiento de estas por parte Consalvo pudo tener lugar en contacto directo con los talleres en Flandes durante el viaje del Infante Dom Pedro de Portugal o a través de la llegada de obras flamencas, durante los años (1431-1445) que duró el Concilio de Basilea-Ferrara-Florencia, a Florencia -lugar de residencia del Papa Eugenio IV durante gran parte del tiempo del Concilio-.
Para entender el mestizaje presente en los frescos, en la investigación se realiza un análisis de la pintura florentina posmasacciana centrándose en la obra de Fra Angelico sobretodo, y en algunas de las obras perdidas del período posmasacciano, principalmente el ciclo mural de Sant’ Egidio. Estos análisis han permitido situar el ciclo mural de la Badia Fiorentina en su lugar correspondiente y revalorizar su papel en la evolución de la pintura florentina.
El análisis realizado permite considerar el ciclo mural de la Badia Fiorentina como el primer introductor del influjo flamenco en la pintura florentina, principalmente del recurso pictórico de reflejar los objetos en el agua. El papel del ciclo como introductor de este recurso permite analizar las obras de algunos de los pintores de la generación siguiente como Piero della Francesca o Alesso Baldovinetti y ver la influencia ejercida por el ciclo en sus obras de juventud. Y por otra parte, nos instruye hoy en día, sobre un período de la pintura florentina, dominado por grandes ciclos murales como el del ábside de Sant’Egidio o el de la capilla Gianfigliazzi de Santa Trinita y del que solo tenemos constancia prácticamente a través de su antecesor, el ciclo de la Badia.This PhD examines the mural cycle that decorates the upper gallery of the main cloister of the Badia Fiorentina in Florence, called Chiostro degli Aranci, in relation to the postmasaccian Florentine painting. The cycle consists of 10 lunettes painted between 1436 and 1438 with the buon fresco technique and a strip of basement decoration that accompanies them. This work is attributed in this PhD to Giovanni di Consalvo, painter of Portuguese origins, whose name comes from a ledger of the monastery of the Badia Fiorentina, now preserved in the ASF, that mentions repeatedly Consalvo as a recipient of payments for pigments and other materials to carry out the work of the frescoes. The frescoes in the Chiostro degli Aranci are the result of a commission Abbot Gomes of Portugal, who ruled the Badia Fiorentina during the period, and respond to his desire for reform monasticism and to return it to its origins, to the Rule and to the Desert Fathers. The analysis allows us to consider the mural cycle of Badia Fiorentina as the first introducer of Flemish influence on Florentine painting, mainly with the pictorial resource of the reflection of objects in the water. The role of the cycle as the introducer of this resource in Florentine painting was very important for the early work of some of the painters of the next generation as Piero della Francesca or Alesso Baldovinetti. On the other hand, teaches us today, over a period of the Florentine painting, dominated by large mural cycles as the apse of Sant'Egidio or the Gianfigliazzi chapel of Santa Trinita and that today we can only learn about them through its predecessor, the cycle of Badia.
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Badura, Adrian [Verfasser], Matthias [Gutachter] Rögner, and Wolfgang [Gutachter] Schuhmann. "Entwicklung semiartifizieller Systeme zur photobiologischen Wasserstoffproduktion / Adrian Badura ; Gutachter: Matthias Rögner, Wolfgang Schuhmann." Bochum : Ruhr-Universität Bochum, 2014. http://d-nb.info/1142001288/34.
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OLIVEIRA, ROBERTO ALVES DE. "ALAIN BADIOU: DIFFÉRENCE ET VÉRITÉ DANS LA RÉINVENTION DU DEUX DE L AMOUR." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34916@1.
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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIROCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
L amour et son rapport à la vérité et à la différence sont les premisses d analyse pour enquêter cette condition de la philosophie dans la pensée d Alain Badiou, en cherchant encore leurs connexions avec d autres penseurs contemporains (Michel Foucault, Claudine Haroche et Zygmunt Bauman parmi d autres) sur le sujet. Cet étude commence par une introduction à sa biographie, activisme et pensée, ainsi qu à son affirmation que l amour est une verité est aussi un instrument dans la construction et reinvention d un nouveau homme, ainsi que de nouvelles formulations sur à partir d une libre pensée sur le sujet.
O amor e sua relação com a diferença são as premissas de análise para a investigação desta condição da filosofia no pensamento de Alain Badiou, traçando ainda suas correspondências com outros pensadores da contemporaneidade (Michel Foucault, Claudine Haroche e Zygmunt Bauman, entre outros) sobre o tema. Este estudo inicia-se com uma breve introdução à sua biografia, militância e pensamento, analisando ainda o amor como verdade e instrumento na construção e reinvenção de um novo homem, bem como novas formulações a partir de um pensamento livre sobre o tema.
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Rodrigues, Bruno Cava. "Produzir os direitos, gerar o comunismo: teoria do sujeito em Badiou e Negri." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5995.
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Propõe-se examinar o processo de afirmação de novos direitos, tomando por ponto de partida o pensamento dos filósofos Alain Badiou e Antônio Negri, de quem se realiza uma leitura seletiva e intensiva das obras. Disserta-se sobre a articulação entre ontologia, evento e poder constituinte, como polos para uma teoria do sujeito. Trata-se da questão da afirmação de direitos além, ou antes, de o estado reconhecê-los. Um direito vivo liberto das mediações do estado e do mercado. O direito como potência e não sob a espécie da norma. Discutem-se ainda os conceitos de direito singular e direito comum. O sujeito em pauta é o sujeito comunista, interno ao movimento real de abolição do estado de coisas, na esteira de Karl Marx. Outros autores abordados com frequência são Spinoza e Hegel. Apresentam-se brevemente o método da copesquisa militante (do operaísmo autonomista), o materialismo dialético da cisão (Badiou) e a práxis constituinte (Negri). Mais além de uma discussão restrita ao campo de filosofia política, adota-se a perspectiva de que o pensamento é imediatamente político, que se pode exercer uma política na filosofia e produção do conhecimento. Conclui-se com o cotejamento entre as teorias do sujeito de Negri e Badiou, quanto aos pontos desdobrados neste trabalho, e como esse parcial encontro pode potenciar ferramentas práticas e teóricas. Especial destaque na conclusão, ao duplo processo pars construens pars destruens, para uma política subversiva e radical. A mútua implicação de um e outro é vital para a capacidade um movimento real transformar o estado das coisas.This dissertation addresses the issue of how to create new rights, breathing the air of the radical thought of Alain Badiou and Antonio Negri, from whom it has been made an intensive and selective review. It goes over the articulation of ontology, event and constituent power, as polarities for a theory of the subject. The question in discussion is about rights beyond, or before, the state recognizes them. A living law freed from states or markets mediations. Law as power [potentia], and not sub species of the norm. Singular right and common right are also discussed. The subject in question is communist subject, internal to the real movement for the abolition of the present situation, following Marx. Other authors frequently referred: Spinoza and Hegel. Some methodological aspects are presented briefly: con-ricerca (of operaismo autonomist), dialectical materialism of scission (Badiou) and constituent praxis (Negri). Beyond some debate limited to political philosophy field, this work adopts premise that thinking is immediately political, and that there can be exerted a political intervention in philosophy itself and knowledge production. The conclusion puts Negris and Badious theories of subject to interact, on points developed through the text, aiming hopefully to contribute for some practical or theoretical tools. A special remark must be made for the importance of the double procedure pars construens pars destruens, for a truly subversive and radical politics. The mutual incidence of one over the other is vital for any movements real capacity of transformation.
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Janicka, Iwona Maria. "Tribulations of universality : conceptualizing slow social transformation with Butler, Girard, Sloterdijk, and Badiou." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708204.
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Behmardi, Vahid F. "Badi al-Zaman al-Hamadhani." Thesis, University of Cambridge, 1990. https://www.repository.cam.ac.uk/handle/1810/273383.
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Yu, Yan [Verfasser], and Hilmar [Akademischer Betreuer] Bading. "Manipulation of Neuronal Activity with Light-activated Ion Channels / Yan Yu ; Betreuer: Hilmar Bading." Heidelberg : Universitätsbibliothek Heidelberg, 2013. http://d-nb.info/1177248530/34.
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Oberländer, Kristin [Verfasser], and Hilmar [Akademischer Betreuer] Bading. "Neuronal activity-dependent gene expression in learning and excitotoxicity / Kristin Oberländer ; Betreuer: Hilmar Bading." Heidelberg : Universitätsbibliothek Heidelberg, 2019. http://d-nb.info/117978216X/34.
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Cuff, Simon L. "Paul's 'new moment' : the reception of Paul in Alain Badiou, Terry Eagleton, Slavoj Zizek." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:aac1f812-2d61-4fa0-ac8d-e107b174e7f2.
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This thesis traces the ‘New Moment’ in Pauline reception in the writings of Alain Badiou, Terry Eagleton and Slavoj Žižek. It explores how the Pauline epistles are read and feature in their thought. An answer to the question, 'why Paul?' prompts reflection on what it is to read and understand the Apostle. An introduction sets out the writers of this ‘New Moment’ [Jacob Taubes, Giorgio Agamben, Stanislas Breton, as well as Badiou, Eagleton and Žižek] before isolating the figures of this study. The reception of this ‘moment’ by mainstream New Testament studies is considered, and with it the charge of ‘appropriation’. The concept of ‘appropriation’ is explored, and a definition arrived at, for the purpose of evaluating the readings we will go on to discover. As part of this notion of ‘appropriation’, the turn to Gadamer in recent New Testament study is surveyed. We suggest another potential hermeneutical approach that derives from Gadamer is possible. Thus, the object of this study is both an instance of, and means by which to critique the understanding of, New Testament Wirkungsgeschichte. Each of our thinkers is then considered in turn. The outline for each chapter is the same. A brief introduction to the figure with bibliographical background salient to his Pauline reading precedes some textual examples indicative of that reading. We then move to analyse the manner of that reading and certain conceptual problems which are revealed in the course of the engagement with Paul. The conclusion analyses the approaches, and reasons for turning, to Paul on the part of these thinkers. Salient differences between each thinker's reading are noted and the charge of appropriation is evaluated afresh. The implications of such readings for conventional biblical criticism are considered, and the success of an approach which explores a Gadamerean-inspired interest in reception in the manner adopted by this thesis is judged.
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Argenton, Silmara. "No badalar dos cincerros : léxico e representação da cultura tropeira na música regionalista gauchesca." reponame:Repositório Institucional da UCS, 2015. https://repositorio.ucs.br/handle/11338/1157.
Full textAbstract:
O tropeirismo é uma temática frequentemente exaltada por diferentes compositores e intérpretes da música regionalista gauchesca, dada sua importância no desenvolvimento econômico e cultural do Estado do Rio Grande do Sul. Esse fenômeno, que se estendeu do final do século XVII até meados do século XX, no sul do Brasil, além de ter sido responsável pelo surgimento de inúmeras vilas e cidades ao longo das rotas, proporcionou um imenso intercâmbio cultural. Essa mescla das diferentes culturas envolvidas no fazer tropeiro criou uma espécie de identidade comum. Vestígios culturais decorrentes do contato entre birivas – como eram conhecidos os tropeiros paulistas e os habitantes de Cima da Serra, no RS – e gaúchos manifestam-se na culinária, na dança, na descrição das lidas de campo e na linguagem, especialmente na seleção lexical. Neste trabalho, propomos uma análise léxico-semântica da letra de quatorze canções gauchescas de cunho regionalista, a fim de investigar de que maneira a música regionalista reconstitui a história do tropeirismo. Almejou-se verificar se ocorre a mitificação da figura do tropeiro à semelhança do que acontece com o gaúcho e, após as análises, observou-se que isso de fato ocorre. A partir do levantamento das lexias relacionadas à atividade tropeira presentes nas canções, apresentamos uma proposta de modelo de organização da memória sobre o tropeirismo em campos lexicais. De acordo com Abbade (2012), a organização de um determinado conjunto de lexias em campos lexicais vai além da mera contribuição para estudos linguísticos: também evidencia a história e os costumes do grupo linguístico que as utiliza.Submitted by Ana Guimarães Pereira (agpereir@ucs.br) on 2016-05-11T19:34:58Z No. of bitstreams: 1 Dissertacao Silmara Argenton.pdf: 1208883 bytes, checksum: 99b6426a9caaaebf71e832098cb660c9 (MD5)
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The tropeirismo, the occupation of the muleteers, is a theme which is frequently exalted by different composers and interpreters of gauchesca regional music, having in mind its importance in the economic and cultural development of the state of Rio Grande do Sul. This phenomenon, which extended from the end of the XVII century until the middle of the XX century, in the southern states of Brazil, besides being responsible for the emergence of countless villages and cities throughout the routes, provided a huge cultural exchange. The mingling of the different cultures involved in the regular activities of the muleteers, the tropeiro, created a kind of common identity. Cultural tracescaused by the contact between birivas – as were known the muleteers from São Paulo and the inhabitants of northern area of the state of Rio Grande do Sul, called Cima da Serra region – and gaúchos (the inhabitants of Rio Grande do Sul) are expressed in the culinary, dance, description of the work in the fields and in language, especially revealed in the choice of lexical items. In this research, we propose a lexical-semantic analysis of the lyrics of fourteen gauchesca regional songs, in order to investigate how the regional music reconstitutes the history of tropeirismo. The aim is to verify whether the mystification of the muleteer occurs, similarly to what happens to the gaúcho, which our analysis proved to be right. Based on the survey of the lexis related to the activities of the tropeiros present in the songs, we propose a model of organization of the memory of tropeirismo in lexical fields. According to Abbade (2012), the organization of the lexicon goes beyond the mere contribution to linguistic studies: it also evidences the history and the customs of the linguistic group that uses it.