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1

Kāvah, ʻAlī Riz̤ā. Bahram Beyzaie va "Vaqtī hamah khvābīm": Bahram Beyzaie and When we are all asleep. Intishārāt-i Nīlā, 2019.

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2

Zāvin, Qūkāsiyān, ed. Dar bārah-i musāfirān: Sākhtah-yi Bahram Beyzaie. Intishārāt-i Rawshangarān, 1992.

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3

Gholipour, Farshid, ed. Divan-e dialogue-e Bahram Beyzaie. dayere-ye sefid, 2021.

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4

Tarniyān, Riz̤ā. Bahram Beyzaie ; zabān, huvīyat va qudrat. Intishārāt-i Rawzanah, 2019.

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5

Qūkāsiyān, Zāvin. Bahram Beyzaie va padīdah-ʼi Sagʹkushī. Intishārāt-i Khujastah, 2002.

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6

Shahlā, Shamīm. Mafhūm-i taʻziyah az nigāh-i Bahram Beyzaie: Muṭālaʻah-i taṭbīqī-i mafhūm-i taʻziyah az nigāh-i Bahrām Bayz̤āyī va safarnāmahʹhā-yi gharbī. Roshangaran & Women Studies Publishing, 2020.

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7

Afshārī, Maryam. Taḥlīlī bar bāztāb-i usṭūrah dar sīnamā-yi Bahram Beyzaie. Intishārāti Rawshangarān va Muṭālaʻāt-i Zanān, 2015.

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8

Ghookasian, Zaven, ред. Guftugū, naqd va naẓar va fīlmnāmah-ʼi Guftugū bā bād-i Bahram Beyzaie. Nashr-i Dīdār, 2000.

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9

Mihrābī, Āẕar. Qudrat-i nūstāluzhī: Darūnmāyahʹhā-yi nūstāluzhīk dar ās̲ār-i namāyishī-i Bahram Beyzaie. Intishārāt-i Shabāhang, 2020.

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10

Hūshang, Allāhʹvardī Amīr, ред. Khīrah bih fānūs-i khayāl: Justārī dar namādʹhā va usṭūrahʹhā-yi chahār fīlm-i Bahram Beyzaie (Ragbār, Gharībah va mih, Kulāgh, Marg-i Yazdagird). Naqsh-i Khvurshīd, 2001.

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11

Tavazoee, Jaber, ред. Sar zadan bih khānah-yi pidarī: Guzārish-i nikūdāsht-i Bahram Beyzaie dar Kāshān hamrāh bā shajarahʹnāmah-yi pidar-i ū. Roshangaran & Women Studies Publishing, 2004.

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12

Bayz̤āʼī, Bahrām. Jedāl bā jahl. 2nd ed. Nashr-i S̲ālis̲, 2009.

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13

Bahram Beyzaie. Nashr-i Qiṣṣah, 2000.

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14

Talajooy, Saeed, ed. The Plays and Films of Bahram Beyzaie. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780755652723.

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Bahram Beyzaie is one of Iran’s leading auteur filmmakers. This book examines several of Beyzaie’s films and plays and their preoccupation with the modalities of Iranian contemporary, historical and mythical identity, from different perspectives. The chapters analyse films such as Bashu, the Little Stranger, Killing Mad Dogs and Uncle Moustache from a range of critical perspectives including ecofeminist and socio-political readings. They also explore Beyzaie’s use of genre, different Iranian languages, and the representation of religious themes. Together, the chapters show how Beyzaie’s works
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15

Daneshname-ye asar-e Bahram Beyzaie. Roshangaran & Women Studies Publishing, 2023.

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16

Goft-o-Goo ba Bahram Beyzaie. Agah, 1993.

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17

Talajooy, Saeed. Iranian Culture in Bahram Beyzaie's Cinema and Theatre: Paradigms of Being and Belonging. Bloomsbury Publishing Plc, 2023.

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18

Mosaic-e esteare-ha: goft-o-goo ba Bahram Beyzaie va zanan-e film-ha-yash. Borj, 2023.

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19

Talajooy, Saeed. Plays and Films of Bahram Beyzaie: Origins, Forms and Functions. Bloomsbury Publishing Plc, 2024.

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20

Taqābul-i usṭūrah va tārīkh dar ās̲ār-i Bahram Beyzaie. Intishārāt-i Jahān-i Andīshah, 2005.

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21

Sāʻatī dar Tehran bā ʻAlī Ḥātamī, Bahram Beyzaie, Masʻūd Kīmiyāyī. Chāp va Nashr-i Naẓar, 2014.

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22

Dar shabīkhūn-i Nishābūr: Barʹrasī-i tārīkhī-i fīlmnāmahʹhā-yi Bahrām Bayz̤āʼī, ʻAyyār Tanhā, Qiṣṣahʹhā-yi Mīr Kafanʹpūsh. Intishārāt-i Āgāh, 1986.

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23

Namāyishnāmahʹnivīsān-i Īrān: Az Ākhūndʹzādah tā Beyzaie: az majmūʻah-i drāmʹnivīsān-i jahān. Akhtarān, 2003.

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24

Sīmā-yi zan dar āṣār-i Bahrām Bayz̤āʼī. Roshangaran & Women Studies Publishing, 2022.

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25

Gharībah-yi buzurg: Zindagī va ās̲ār-i Bahrām Bayz̤āʼī. Nashr-i S̲ālis̲, 2004.

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26

Langford, Michelle, Maryam Ghorbankarimi, and Zahra Khosroshahi, eds. I.B. Tauris Handbook of Iranian Cinema. Bloomsbury Publishing Plc, 2024. https://doi.org/10.5040/9780755648184.

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This volume brings together scholarship from both established scholars and early career academics to provide fresh insights and new research on the cinema of Iran. The book is organised around eight broad themes including cinema before and after the revolution, stylistic innovation, documentary, gender, and genre. Encompassing a diverse range of methodological approaches and disciplinary frameworks including film studies, cultural studies, and political economy, each chapter is a self-contained study on a specific topic engaging with the national and transnational history of Iranian cinema whi
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27

Talajooy, Saeed. Iranian Culture in Bahram Beyzaie's Cinema and Theatre: Paradigms of Being and Belonging. Bloomsbury Publishing Plc, 2024.

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