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Journal articles on the topic 'Baillis'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Hontcharenko, Vanessa. "Flavigny-sur-Ozerain (Côte-d’Or). Maison des Baillis – Maison Lacordaire." Archéologie médiévale, no. 40 (December 1, 2010): 188–89. http://dx.doi.org/10.4000/archeomed.14345.

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2

Hontcharenko, Vanessa. "Flavigny-sur-Ozerain. Façades de la Maison des Baillis, XIIIe siècle." Bulletin Monumental 168, no. 2 (2010): 163–67. http://dx.doi.org/10.3406/bulmo.2010.7522.

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3

Hontcharenko, Vanessa. "La maison des baillis d’Auxois de Flavigny-sur-Ozerain (Côte-d’Or)." Bulletin du Centre d’études médiévales d’Auxerre, no. 14 (May 18, 2010): 35–37. http://dx.doi.org/10.4000/cem.11514.

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4

Small, Carola M. "Profits of justice in early fourteenth- century Artois: The “exploits” of the baillis." Journal of Medieval History 16, no. 2 (1990): 151–64. http://dx.doi.org/10.1016/0304-4181(90)90023-t.

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5

Takayama, Hiroshi. "The local administrative system of France under Philip IV (1285–1314) - baillis and seneschals." Journal of Medieval History 21, no. 2 (1995): 167–93. http://dx.doi.org/10.1016/0304-4181(94)00815-j.

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6

Brewster, Quinn. "Volume Scattering of Radiation in Packed Beds of Large, Opaque Spheres." Journal of Heat Transfer 126, no. 6 (2004): 1048–50. http://dx.doi.org/10.1115/1.1795247.

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A simple model is proposed for radiative properties of close-packed large, opaque spheres that accounts for nonvanishing volume of the particles, i.e., volume scattering as opposed to point scattering. It is based on the mean-beam-length concept applied to an assembly of particles, as illustrated by Mills. The resulting particle-scattering properties differ from those of classical pseudocontinuum theory based on point scattering by the simple factor of void fraction, and reduce to the point-scattering expressions in the limit of small particle volume fraction. The volume-scattering model matches detailed Monte Carlo results for extinction obtained by Kaviany and Singh and by Coquard and Baillis, which explicitly accounted for particle volume. The present model also confirms the Monte Carlo finding that the effects of nonvanishing particle volume are felt primarily in the extinction coefficient; albedo and phase function are relatively unaffected. These findings pertain only to the geometric optics regime where dependent scattering (wave coherence effects) are negligible.

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7

Henderson, Andrea. "Passion and Fashion in Joanna Baillie's “Introductory Discourse”." PMLA/Publications of the Modern Language Association of America 112, no. 2 (1997): 198–213. http://dx.doi.org/10.2307/463090.

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In the preface to her first volume of plays, the Romantic playwright Joanna Baillie claims that one is naturally driven to classify persons into character types, and she argues that this classification should be based on the passions individuals express rather than the fashions they wear. Despite this anticonsumerist stance, however, Baillie's project is shaped by the logic of late-eighteenth-century consumerism: Baillie conceives of passions as items susceptible to inventory, display, and sale. Her interest in establishing a human taxonomy grounded in ostensibly natural and subtle discriminations of character allies her works with other popular consumer goods of the period, from clothing fashions to studies of physiognomy. Moreover, like the aesthetic of the picturesque, Baillie's aesthetic encodes a peculiarly consumerist form of desire, a desire that can never be satisfied because it aims at acquisition rather than possession. In Baillie, the feelings and desires on which modern subjectivity is founded do not spring from deep within but are formed by, and find their meaning in, the public world of the marketplace.

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8

McEnhill, Peter. "‘Good Pleasure, Grace and the Person of God Incarnate’: Interpreting the Christology of D. M. Baillie for Today." Scottish Journal of Theology 50, no. 1 (1997): 61–82. http://dx.doi.org/10.1017/s0036930600036139.

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The motivation for taking a fresh look at Donald Baillie's christology as outlined in God Was In Christ, apart from the continuing intrinsic value of his work as compared to many contemporary incarnational theories, is found in the fact that Baillie's christology continues to surface in many contemporary works on christology. Moreover these discussions of Baillie's work offer a sufficiently diverse range of interpretations as to the value and nature of Baillie's christological theory so as to suggest that a deeper examination of Baillie's work might prove worthwhile. The sheer number of scholars who take the trouble to treat Baillie's work is sufficient to demonstrate his continuing relevance. Even if the intention is often simply to ‘knock him down’ it would seem that Baillie is still at least worthy of refutation.

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9

Campbell, Alexander D. "Episcopacy in the Mind of Robert Baillie, 1637–1662." Scottish Historical Review 93, no. 1 (2014): 29–55. http://dx.doi.org/10.3366/shr.2014.0198.

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The covenanters are often considered to have been unrelenting opponents of episcopacy. In the Glasgow Assembly of 1638, when nearly all covenanters voted to ‘remove and abjure’ episcopacy in the kirk, the Glaswegian minister Robert Baillie was the sole named dissenter. Baillie's subsequent conformity to the covenanting regime after 1638 and his ultimate acceptance of the restored episcopate after 1661 have led historians to claim that he was pliantly obeying those in power. In order to offer an alternative explanation, this article explores the contours of Baillie's writings on episcopacy in the periods 1637–9 and 1658–62. His views were informed by hatred of the Laudian episcopate and his belief that scripture described a lawful form of episcopacy similar to the superintendents of the post-reformation kirk. Whilst Baillie protested against the restored episcopate in 1661, the reasons for his subsequent submission suggest one explanation as to why many presbyterian ministers acquiesced in Charles II's Erastian kirk settlement.

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10

Meli, Domenico Bertoloni. "The Texture of Rare and Common Lesions in Soemmerring and Baillie." Journal of the History of Medicine and Allied Sciences 74, no. 4 (2019): 391–415. http://dx.doi.org/10.1093/jhmas/jrz040.

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Abstract The publications on morbid anatomy by Matthew Baillie and Samuel Thomas Soemmerring put pathological preparations and images center stage. A comparison between their works highlights major shifts from exceptional to more representative cases and significant differences in the art of representation. Initially Baillie provided careful descriptions of internal postmortem lesions (1793). Then Soemmerring’s prompt German translation added a wealth of references to the literature and specifically to pathological images available in print (1794). Soon after a second unillustrated edition incorporating some of Soemmerring’s comments (1797), Baillie issued ten installments with dozens of pathological plates (1799-1803). His plates differed from those referred to by Soemmerring for their broader scope, representing common and rare conditions alike, and specific attention to the fine changes of texture of the affected parts. Their works document the crucial status of pathological preparations and images at the time and highlight the achievement of Baillie’s work at an artistic as well as at an intellectual level.

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11

Stone, Alison. "Joanna Baillie's Theory of Tragedy." Journal of Aesthetic Education 58, no. 1 (2024): 25–45. http://dx.doi.org/10.5406/15437809.58.1.02.

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Abstract Joanna Baillie (1762–1851) came to fame in 1798 with the first volume of her Plays on the Passions, which included her theoretical account of drama, including tragedy. This article reconstructs Baillie's theory of tragedy and shows how the theory informs the design of the Plays on the Passions. For Baillie, all human beings have powerful and dangerous passions that we need to learn to regulate. Tragedy can help with this and can serve an educative purpose by presenting us with narratives in which the protagonists repeatedly fail to check the growth of a particular passion, such as jealousy or hatred. We witness this passion gain more and more hold over the character's mind until they are destroyed. This offers a warning and motivates us to watch out for the growth of our own passions and keep them in check. Baillie's theory of tragedy is original and combines a moral orientation, a voluntarist belief in free will, and optimism about the human condition. For her, the sufferings undergone by tragic characters could have been avoided had the characters made better choices. Thus the message of tragedy is not that suffering is inescapable but that suffering can be minimized if we cultivate self-knowledge and emotional self-control.

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12

Gordon, James M. "“Prayer, after All, Is but Thinking towards God” Philosophical Theology and Private Prayer in the Spirituality of John Baillie." Religions 13, no. 6 (2022): 506. http://dx.doi.org/10.3390/rel13060506.

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John Baillie was a leading Scottish theologian during the middle third of the 20th Century. A son of the manse and a staunch Presbyterian, his intellectual journey engaged the disciplines of philosophical and systematic theology. Following 15 years in North America he returned to Edinburgh as Professor of Divinity in 1934. In the decade 1929–1939 Baillie published several substantial books of theology and a volume of prayers. While his theology during this period was speculative and liberal, the prayers reveal a piety which is biblically rooted, Christ centered, and theologically robust. By comparing the prayers with his theological publications of the same period, this essay explores the spirituality of John Baillie by examining the conversation between his philosophical theology and personal piety, with a particular focus on The Place of Jesus Christ in Modern Christianity (1929), A Diary of Private Prayer (1936), and Our Knowledge of God (1939). Each book is placed in context, and Baillie’s spirituality in the prayers is shown to be significantly indebted to his particular intellectual and conceptual understanding of knowledge of God, human experience of God as mediated immediacy, and the central place of Jesus Christ in his Christian piety.

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13

Caballero, M. Soledad, and Aimee Knupsky. "“Some Powerful Rankling Passion”." Poetics Today 40, no. 3 (2019): 475–98. http://dx.doi.org/10.1215/03335372-7558094.

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The article considers how Joanna Baillie’s concept of “sympathetick curiosity” informs contemporary discussions about emotion regulation. By focusing on Baillie’s De Monfort (1798) and Orra (1812), the article argues that regulatory flexibility is a learned skill that can be improved by actively engaging sympathetic curiosity. Baillie insisted that her plays had pedagogical value and that having audiences watch them would help them learn how to avoid the destructive nature of the passions. Working with Bonanno and Burton’s (2013) model of regulatory flexibility, the article demonstrates the importance not just of inherent differences in emotion regulation but also of learning opportunities individuals engage to develop it. In particular, the article presents a model of how people learn through narrative simulation, drawing on the work of Romantic writers and current critics as well as cognitive psychologists and neuropsychologists. Consideration is then given to how watching protagonists’ manifestations of and responses to an unfolding passion helps audiences learn to develop their regulatory flexibility.

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14

Baillie, Joan Parkhill, and Stephen Johnson. "Look at the Record: An Album of Toronto’s Lyric Theatres compiled and annotated." Canadian Theatre Review 51 (June 1987): 87–88. http://dx.doi.org/10.3138/ctr.51.015.

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Joan Parkhill Baillie lists herself not as writer of a book, but as compiler of an album. This is appropriate, for Look at the Record is primarily composed of pictorial reproductions of 50 physical spaces in Toronto in which “lyric” performance took place, accompanied by reproductions of newspaper clippings, advertisements, playbills, and an occasional correspondence meant to give some sense of what such performance was like in each space. It is a scrapbook, in which no apparent attempt has been made at critical analysis or historical narrative. In general, documents are arranged chronologically by first performance of lyric theatre in a particular physical space, and are accompanied by a brief statement concerning the construction of each building, a sample of productions or companies and the years in which they appeared. If Parkhill Baillie’s purpose was to convince the general reader of lyric theatre’s importance to Toronto’s history, I believe even the most unregenerate music-hater would surrender under the sheer weight of the documentation.

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15

Ishmukhametov, Sh T., B. G. Mubarakov, R. G. Rubtsova, and E. V. Oleynikova. "On the Baillie PSW-conjecture." Izvestiya Vysshikh Uchebnykh Zavedenii. Matematika, no. 4 (April 24, 2024): 80–88. http://dx.doi.org/10.26907/0021-3446-2024-4-80-88.

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The Baillie PSW hypothesis was formulated in 1980 and was named after the authors R. Baillie, C. Pomerance, J. Selfridge and S. Wagstaff. The hypothesis is related to the problem of the existence of odd numbers n \equiv \pm 2 (mod 5), which are both Fermat and Lucas-pseudoprimes (in short, FL-pseudoprimes). A Fermat pseudoprime to base a is a composite number n satisfying the condition an - 1 \equiv 1 (mod n). Base a is chosen to be equal to 2. A Lucas pseudoprime is a composite n satisfying Fn - e(n) \equiv 0 (mod n), where n(e) is the Legendre symbol e(n) = \bigl( n 5 \bigr) , Fm the mth term of the Fibonacci series. According to Baillie’s PSW conjecture, there are no FL-pseudoprimes. If the hypothesis is true, the combined primality test checking Fermat and Lucas conditions for odd numbers not divisible by 5 gives the correct answer for all numbers of the form n \equiv \pm 2 (mod 5), which generates a new deterministic polynomial primality test detecting the primality of 60 percent of all odd numbers in just two checks. In this work, we continue the study of FL-pseudoprimes, started in our article "On a combined primality test" published in the journal "Izvestia VUZov.Matematika" No. 12 in 2022. We have established new restrictions on probable FL-pseudoprimes and described new algorithms for checking FL-primality, and with the help of them we proved the absence of such numbers up to the boundary B = 1021, which is more than 30 times larger than the previously known boundary 264 found by J. Gilchrist in 2013. An inaccuracy in the formulation of theorem 4 in the mentioned article has also been corrected.

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16

Ban Garcia, Hidalgo. "Pluralisme Agama dan Paradoks Kasih Karunia : Studi Mengenai Pemakaian Kristologi Donald Baillie oleh John Hick ." Veritas : Jurnal Teologi dan Pelayanan 7, no. 2 (2006): 149–64. http://dx.doi.org/10.36421/veritas.v7i2.175.

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Karena kesadaran akan adanya pemikiran religius-pluralis zaman sekarang dan buruknya pemutlakan agama-agama termasuk kekristenan, dan juga karena hasil-hasil studi kritis Perjanjian Baru, John Hick beberapa tahun yang lalu menawarkan sebuah pendekatan atau peninjauan baru terhadap kristologi. ... Dalam mengembangkan pendekatan kristologi yang baru ini, ia memakai pemahaman Donald Baillie mengenai paradoks kasih karunia (paradox of grace) sebagai sebuah pemahaman yang bisa menjelaskan signifikansi Yesus dari segi metafora inkarnasi ilahi. ... Tujuan artikel ini adalah untuk memeriksa pemikiran Baillie yang dipakai oleh Hick sehubungan dengan pemikiran kembali kristologi yang diajukan Hick. Lalu kita ingin melihat apakah memang benar kristologi Baillie tentang paradoks kasih karunia secara logika telah menerabas parameter-parameter Chalcedon, dan akhirnya, mengarah ke posisi religius-pluralis. Untuk mencapai tujuan ini, penulis akan menganalisis pemahaman Hick tentang kristologi Baillie dan bagaimana ia sampai pada pandangannya bahwa Baillie gagal dalam menjelaskan inkarnasi sesuai dengan terminologi Chalcedon dan oleh karena itu membuka kemungkinan-kemungkinan bagi kristologi yang pluralis. Saya juga akan menganalisis kristologi Baillie dalam God was in Christ, kemudian membandingkan dan mengontraskan pemahamannya dengan pemahaman Hick. Kesimpulan penulis adalah bahwa Hick telah keliru memahami pandangan Baillie dan sesungguhnya pandangan Baillie masih berdiri dalam parameter-parameter rumusan Chalcedon dan oleh karena itu tidak bisa dipakai menjadi dasar kristologi yang pluralis. Di sepanjang bahasan, penulis mencoba untuk tetap mengacu pada sudut pandang isu religius pluralis, yang tidak diperhatikan secara langsung dalam studi yang berhubungan dengan kristologi Baillie.

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17

Baillie, Bruce. "Bruce Baillie; Filmmaker." Film Quarterly 52, no. 1 (1998): 55. http://dx.doi.org/10.2307/1213367.

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18

Baillie, Bruce. "Bruce Baillie; Filmmaker." Film Quarterly 52, no. 1 (1998): 55. http://dx.doi.org/10.1525/fq.1998.52.1.04a00160.

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19

Schlatter, Fredric W. "Hopkins and Baillie." Studies in Philology 103, no. 4 (2006): 522–44. http://dx.doi.org/10.1353/sip.2006.0022.

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20

Fergusson, David. "Christ, Church, and Society: Essays on John Baillie and Donald Baillie." Pro Ecclesia: A Journal of Catholic and Evangelical Theology 4, no. 3 (1995): 382–83. http://dx.doi.org/10.1177/106385129500400316.

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21

Newlands, George. "John and Donald Baillie." Modern Believing 39, no. 1 (1998): 22–28. http://dx.doi.org/10.3828/mb.39.1.22.

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22

Macquarrie, John. "Baillie, Oman and Macmurray." Theology 107, no. 836 (2004): 136–37. http://dx.doi.org/10.1177/0040571x0410700215.

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23

Hayes, Derren. "A legacy for children's rights." Children and Young People Now 2017, no. 7 (2017): 16. http://dx.doi.org/10.12968/cypn.2017.7.16.

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24

Bugajski, Ken A. "Joanna Baillie: An Annotated Bibliography." Romanticism on the Net, no. 12 (1998): 0. http://dx.doi.org/10.7202/005817ar.

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25

Williams, Robert. "Baillie Scott: The Artistic House." Studies in the History of Gardens & Designed Landscapes 18, no. 4 (1998): 370–72. http://dx.doi.org/10.1080/14601176.1998.10435561.

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26

Baillie, Mike. "Once a physicist: Mike Baillie." Physics World 18, no. 4 (2005): 51. http://dx.doi.org/10.1088/2058-7058/18/4/47.

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27

Isaac, Susan. "A series of engravings by Matthew Baillie (1761–1823)." Bulletin of the Royal College of Surgeons of England 105, no. 3 (2023): 144. http://dx.doi.org/10.1308/rcsbull.2023.50.

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28

Crill, Peter. "L'office du bailli de Jersey." Cahier des Annales de Normandie 26, no. 1 (1995): 481–82. http://dx.doi.org/10.3406/annor.1995.6637.

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29

Hanratty, John, Michael Mullen, Tom McCaughren, Una Woods, and Victor Power. "Baile's Strands." Books Ireland, no. 91 (1985): 37. http://dx.doi.org/10.2307/20625523.

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30

Chinn, Sarah E. "“No Heart for Human Pity”: The U.S.–Mexican War, Depersonalization, and Power in E. D. E. N. Southworth and María Amparo Ruiz de Burton." Prospects 30 (October 2005): 339–62. http://dx.doi.org/10.1017/s0361233300002076.

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Despite its Current Obscurity today, overshadowed by higher-voltage conflicts such as the Civil War and World War II, the U.S.–Mexican War was an almost unqualified triumph for the United States. In terms of military and geopolitical goals, the United States far exceeded even its own expectations. As well as scoring some pretty impressive victories, up to and including storming Mexico City, the United States succeeded in the treaty of Guadalupe Hidalgo, which concluded the war, to annex huge tracts of land from Mexico for what was even then a bargain-basement price: more than half of Mexico's territory (including Texas, California, New Mexico, Arizona, and significant chunks of Colorado, Nevada, and Utah) for only fifteen million dollars. The advantage of this deal to the newly expanded United States became clearer as only a year after the treaty was signed gold was discovered in California and, within two decades, there was also a thriving silver-mining industry in Nevada.At the time, of course, the war was huge news. The U.S.–Mexican War generated innumerable items of propaganda and related material. As Ronnie C. Tyler has shown, a huge market in chromolithographs of the war emerged, representing “bravery, nobility, and patriotism” (2). The leading lithographers of the day, such as Nathaniel Currier, Carl Nebel, and James Baillie, sold thousands of oversized lithographs of battle scenes, war heroes, and sentimental themes (Baillie's Soldier's Adieu and Currier's The Sailor's Return were particular favorites). Even more numerous were written and performed reports of the war, from the hundreds of newspaper reports from the front to dime novels, songs, poems, broadsheets, plays, and minstrel shows, as well as the typical 19th-century round of essays, sermons, and oratory.

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31

Baillie, Robert, Andrew Fiori, and Samuel S. Wagstaff. "Strengthening the Baillie-PSW primality test." Mathematics of Computation 90, no. 330 (2021): 1931–55. http://dx.doi.org/10.1090/mcom/3616.

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32

Myers, Victoria. "Joanna Baillie: Speculations on Legal Cruelty." Wordsworth Circle 35, no. 3 (2004): 123–27. http://dx.doi.org/10.1086/twc24044981.

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33

Slagle, Judith Bailey. "Joanna Baillie and Sir John Herschel." Wordsworth Circle 49, no. 2 (2018): 85–92. http://dx.doi.org/10.1086/twc49020085.

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34

Brown, David. "Book Review: John and Donald Baillie." Theology 106, no. 834 (2003): 439–40. http://dx.doi.org/10.1177/0040571x0310600616.

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35

Ellis, Harold. "Matthew Baillie: pioneer of systematic pathology." British Journal of Hospital Medicine 72, no. 10 (2011): 594. http://dx.doi.org/10.12968/hmed.2011.72.10.594.

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36

Gamer, Michael. "National Supernaturalism: Joanna Baillie, Germany, and the Gothic Drama." Theatre Survey 38, no. 2 (1997): 49–88. http://dx.doi.org/10.1017/s0040557400002076.

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As the most critically lauded dramatist of her time, Joanna Baillie recently has received considerable attention from critics interested in arguing that our neglect of Romantic drama has arisen from “conventional and mistaken assumptions about its strategies and principles.” In a recent issue of Wordsworth Circle devoted exclusively to Romantic drama, Baillie figures in three of its seven articles as a central dramatist of the period, while Jeffrey Cox devotes an entire section of his introduction in Seven Gothic Dramas 1789—1825 (1992) to her work. Even more recently, she has been the subject of special sessions of recent Modern Language Association meetings, and an edition of her Selected Works is scheduled to be published by Pickering and Chatto Press in 1998.

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37

Brejon de Lavergnée, Arnauld. "Les Solimène du Bailli de Breteuil." Revue de l'Art 115, no. 1 (1997): 52–58. http://dx.doi.org/10.3406/rvart.1997.348312.

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38

Neuberger, James. "Bailli??res Clinical Gastroenterology: Viral Hepatitis." European Journal of Gastroenterology & Hepatology 8, no. 12 (1996): 1241. http://dx.doi.org/10.1097/00042737-199612000-00021.

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39

Garrus, Anne-France. "Pierre Durand, Bailli célèbre, écrivain oublié." Bulletin de l'Association Guillaume Budé 1, no. 1 (2004): 251–63. http://dx.doi.org/10.3406/bude.2004.2148.

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40

Brejon de Lavergnée, Arnault. "Les Solimène du Bailli de Breteuil." Revue de l'art N° 115, no. 1 (1997): 52–58. http://dx.doi.org/10.3917/rda.115.0052.

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41

Mellor, Anne K. "Joanna Baillie and the Counter-Public Sphere." Studies in Romanticism 33, no. 4 (1994): 559. http://dx.doi.org/10.2307/25601086.

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42

Williams, Robert. "Mackay Hugh Baillie Scott: An Architectural History." Studies in the History of Gardens & Designed Landscapes 18, no. 4 (1998): 370–72. http://dx.doi.org/10.1080/14601176.1998.10435562.

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43

Ryan, Phil. "Meckler and Baillie on Truth and Objectivity." Journal of Management Inquiry 14, no. 2 (2005): 120–26. http://dx.doi.org/10.1177/1056492605275240.

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44

Bailey, Tiffany. "La mif réal par Fred Baillif (review)." French Review 97, no. 1 (2023): 185–86. http://dx.doi.org/10.1353/tfr.2023.a911350.

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45

Audin, Charlyne. "Baillon (André), Roseau." Textyles, no. 21 (August 15, 2002): 126–27. http://dx.doi.org/10.4000/textyles.1032.

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46

Genet, Jacqueline. "On Baile's Strand." Études irlandaises 18, no. 1 (1993): 49–66. http://dx.doi.org/10.3406/irlan.1993.1122.

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47

Savarese, John. "Baillie’s Diagnostic Sublime." European Romantic Review 29, no. 3 (2018): 409–19. http://dx.doi.org/10.1080/10509585.2018.1465710.

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48

Hannah, Harold W. "Veterinarians as bailees." Journal of the American Veterinary Medical Association 216, no. 7 (2000): 1068. http://dx.doi.org/10.2460/javma.2000.216.1068.

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49

Varfolomeev, Yu V. "Case M. Baylis in the Materials Extraordinary Inquiry Commission of Provisional Governmen." Izvestiya of Saratov University. Economics. Management. Law 12, no. 1 (2012): 101–5. http://dx.doi.org/10.18500/1994-2540-2012-12-1-101-105.

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The article reviews the work of one of the investigative unit of the Extraordinary Inquiry Commission of Provisional Government t to investigate «illegal actions of senior officials in the criminal case of Mendel Bailis».

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Gnocchi, Maria Chiara. "André Baillon, romancier populiste belge ?" Études littéraires 44, no. 2 (2014): 71–83. http://dx.doi.org/10.7202/1023761ar.

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Malgré le peu d’enthousiasme qu’André Baillon réserve au mouvement lancé par Léon Lemonnier, le romancier sera, surtoutpost mortem, à plusieurs reprises étiqueté comme populiste, et ce, jusqu’aujourd’hui. Ce qui peut surprendre, c’est que les mêmes traits qui poussent certains critiques à définir Baillon populiste en amèneront d’autres à le considérer comme régionaliste ou représentant de la littérature prolétarienne. Ces classements contradictoires nous apprennent sans doute peu de choses sur Baillon ; en revanche, ils nous en disent long sur les ambiguïtés des mouvements en question. Et si l’oeuvre du romancier belge tombe dans l’oubli après la Deuxième Guerre mondiale, c’est aussi à cause d’une (ou plusieurs) étiquette(s) mal placée(s).

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