Relevant bibliographies by topics / Baize

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Baize'

Author: Grafiati
Published: 28 May 2022
Last updated: 29 May 2022

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Journal articles on the topic "Baize"

1

Ziolkowski, Margaret, Vladimir Makanin, and Arch Tait. "Baize-Covered Table with Decanter." World Literature Today 70, no. 3 (1996): 723. http://dx.doi.org/10.2307/40042249.

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2

Hutchinson, Brian. "Reply to Baize on “The Skeptic’s Predicament”." Southwest Philosophy Review 27, no. 2 (2011): 67–70. http://dx.doi.org/10.5840/swphilreview201127240.

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3

Elphick, Robert. "Moscow's blue pencils and the green baize door." Historical Journal of Film, Radio and Television 24, no. 3 (2004): 491–95. http://dx.doi.org/10.1080/0143968042000277674.

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Berding, Frank. "Référentiel Pédologique 2008 - by Baize, D. & Girard, M.-C." European Journal of Soil Science 61, no. 1 (2010): 153–54. http://dx.doi.org/10.1111/j.1365-2389.2009.01196.x.

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Sabreena Nawaz, Rabia Khan, and Kashaf Ad Dooja. "An Expert System Technique for Sentiment Analysis of Opinions." Lahore Garrison University Research Journal of Computer Science and Information Technology 3, no. 3 (2019): 43–50. http://dx.doi.org/10.54692/lgurjcsit.2019.030383.

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To help the users and the product owners it is quite necessary to extract aspects from the online reviews, their sentiment polarities, and associations between them. There is a great deal of work done in the field of sentiment analysis. Lexical and learning-based systems can be combined to separate the assessments from online opinions and reviews. In learning-based techniques, the Gaussian mixture model can be used for getting probabilistic results for polarities against aspects and naïve baize classifiers for the problem of spam comments which produced better and competitive results against previous techniques.
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Zhang, Xiaolong, Kun Li, Wenyu Shi, et al. "Baize-like CeO2and NiO/CeO2nanorod catalysts prepared by dealloying for CO oxidation." Nanotechnology 28, no. 4 (2016): 045602. http://dx.doi.org/10.1088/1361-6528/28/4/045602.

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Gourlay, A. "The Red Baize Door in The Strange Case of Dr. Jekyll and Mr. Hyde." Notes and Queries 60, no. 2 (2013): 273–74. http://dx.doi.org/10.1093/notesj/gjt046.

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8

Shacklock, Vincent, and David Mason. "Villa Le Baize, Fiesole, Florence: A broad assessment of ‘A modern garden in the Italian style’." Journal of Garden History 15, no. 3 (1995): 179–87. http://dx.doi.org/10.1080/01445170.1995.10412520.

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9

Rannap, Mareli. "Saaremaa sariküllid: kihelkondlikud eripärad ja ajaloolised kandmisviisid / The Saaremaa sariküll: their regional characteristics and the ways they were worn historically." Studia Vernacula 9 (November 6, 2018): 68–95. http://dx.doi.org/10.12697/sv.2018.9.68-95.

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Saaremaa folk costumes are rich in different types of headgear. Women wore scarves, bonnets, woollen caps of various shapes, and, in later periods, hoof-shaped caps (kabimüts). Üll was the term used in Saaremaa for all sheepskin winter caps. These could come in different shapes; the most distinctive of these, however, was the horned women’s üll – sariküll. This black lambskin cap, with its long characteristic horns that give the cap its name, and its red or blue baize crown, has been a significant part of Saaremaa folk costumes.
 The earliest printed records of sarikülls worn in Saaremaa can be found in August Wilhelm Hupel’s Topographische Nachrichten von Lief- und Ehstland printed in Riga in 1782. Descriptions of sarikülls accompanied by drawings and photos were subsequently presented by Friedrich Carl Hermann Kruse in his Necrolivonica, as well as by Axel Olai Heikel in Die Volkstrachten in den Ostseeprovinzen und in Setukesien and by Ilmari Manninen in his history of Estonian folk costumes.
 The sariküll was a winter cap worn by both maidens and married women with two horns, which could be long or short, straight or bent. In the 19th century, sarikülls were worn in all of the parishes of Saaremaa as Sunday headgear. The caps were worn to church, but also used in weddings as a bridal headdress. Mourning ülls were also common. Records from Karja, Valjala, and Kihelkonna show that maidens were given a sariküll for confirmation. Sarikülls were not worn by children. All Saaremaa sarikülls preserved in museums today were worn with the horns at the front and back. There are some written records that suggest that horns were worn at the side in some parishes, but these records are not confirmed by the museum items. A scarf was worn on top of the üll.
 Similar caps were not worn in other regions of Estonia, but they can be found in the Slavic tradition. We can only speculate about how these striking horned caps found their way into the headgear of the Saaremaa women. Submission to Imperial Russian rule and the appearance of distant traders at fairs in Kuressaare may have brought the fashion of horned headgear to Saaremaa.
 To provide a typology of the sarikülls, I classified the caps by the shape, size, and the location of the horns, as well as the materials used for crafting the sariküll and the ways they were worn. I employed a qualitative approach, measuring and inspecting the sarikülls while studying the crafting techniques. To check how the pattern matched the original, I sewed one üll of each type. Sarikülls found at the Saaremaa Museum were used as models. In the course of gathering materials for my research, I studied sarikülls preserved at different museums: 6 caps from the Saaremaa Museum and 31 from the Estonian National Museum. Using materials found on their websites, I also studied two Saaremaa sarikülls now held by the Hungarian Ethnographic Museum and the National Museum of Finland.
 All the sarikülls I studied were hand-sewn following a pattern, but the materials used for different types of caps vary. The crown of the sariküll is sewn from either red or blue baize, using blue, black or red piping between the stitches. In some cases, the crown is also decorated with woollen threads and strings of glass beads. The linings of all sarikülls are made from white sheepskin. Variations in design are at their greatest in the horns giving the sariküll its name, and in the straight trimming, puhk, which connects the horns. A variety of materials were used for the horns and the puhk. Mustjala sarikülls are made from black and Eastern Saaremaa caps from grey lambskin. Kihelkonna ülls were made from black baize and Sõrve caps from black woollen fabric.
 The article contains drawings of all üll patterns; a table providing data on all the studied caps is found at the end of the article.
 Keywords: folk costumes, folk art, caps, Saare County, handicraft, sewing, leather
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10

Rannap, Mareli. "Saaremaa sariküllid: kihelkondlikud eripärad ja ajaloolised kandmisviisid / The Saaremaa sariküll: their regional characteristics and the ways they were worn historically." Studia Vernacula 9 (November 6, 2018): 68–95. http://dx.doi.org/10.12697/sv.2018.9.68-95.

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Abstract:
Saaremaa folk costumes are rich in different types of headgear. Women wore scarves, bonnets, woollen caps of various shapes, and, in later periods, hoof-shaped caps (kabimüts). Üll was the term used in Saaremaa for all sheepskin winter caps. These could come in different shapes; the most distinctive of these, however, was the horned women’s üll – sariküll. This black lambskin cap, with its long characteristic horns that give the cap its name, and its red or blue baize crown, has been a significant part of Saaremaa folk costumes.
 The earliest printed records of sarikülls worn in Saaremaa can be found in August Wilhelm Hupel’s Topographische Nachrichten von Lief- und Ehstland printed in Riga in 1782. Descriptions of sarikülls accompanied by drawings and photos were subsequently presented by Friedrich Carl Hermann Kruse in his Necrolivonica, as well as by Axel Olai Heikel in Die Volkstrachten in den Ostseeprovinzen und in Setukesien and by Ilmari Manninen in his history of Estonian folk costumes.
 The sariküll was a winter cap worn by both maidens and married women with two horns, which could be long or short, straight or bent. In the 19th century, sarikülls were worn in all of the parishes of Saaremaa as Sunday headgear. The caps were worn to church, but also used in weddings as a bridal headdress. Mourning ülls were also common. Records from Karja, Valjala, and Kihelkonna show that maidens were given a sariküll for confirmation. Sarikülls were not worn by children. All Saaremaa sarikülls preserved in museums today were worn with the horns at the front and back. There are some written records that suggest that horns were worn at the side in some parishes, but these records are not confirmed by the museum items. A scarf was worn on top of the üll.
 Similar caps were not worn in other regions of Estonia, but they can be found in the Slavic tradition. We can only speculate about how these striking horned caps found their way into the headgear of the Saaremaa women. Submission to Imperial Russian rule and the appearance of distant traders at fairs in Kuressaare may have brought the fashion of horned headgear to Saaremaa.
 To provide a typology of the sarikülls, I classified the caps by the shape, size, and the location of the horns, as well as the materials used for crafting the sariküll and the ways they were worn. I employed a qualitative approach, measuring and inspecting the sarikülls while studying the crafting techniques. To check how the pattern matched the original, I sewed one üll of each type. Sarikülls found at the Saaremaa Museum were used as models. In the course of gathering materials for my research, I studied sarikülls preserved at different museums: 6 caps from the Saaremaa Museum and 31 from the Estonian National Museum. Using materials found on their websites, I also studied two Saaremaa sarikülls now held by the Hungarian Ethnographic Museum and the National Museum of Finland.
 All the sarikülls I studied were hand-sewn following a pattern, but the materials used for different types of caps vary. The crown of the sariküll is sewn from either red or blue baize, using blue, black or red piping between the stitches. In some cases, the crown is also decorated with woollen threads and strings of glass beads. The linings of all sarikülls are made from white sheepskin. Variations in design are at their greatest in the horns giving the sariküll its name, and in the straight trimming, puhk, which connects the horns. A variety of materials were used for the horns and the puhk. Mustjala sarikülls are made from black and Eastern Saaremaa caps from grey lambskin. Kihelkonna ülls were made from black baize and Sõrve caps from black woollen fabric.
 The article contains drawings of all üll patterns; a table providing data on all the studied caps is found at the end of the article.
 Keywords: folk costumes, folk art, caps, Saare County, handicraft, sewing, leather
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Dissertations / Theses on the topic "Baize"

1

Німенко, Наталія Анатоліївна, Наталия Анатольевна Нименко, Nataliia Anatoliivna Nimenko та В. М. Горенко. "До історії села Бобрик". Thesis, Видавництво СумДУ, 2010. http://essuir.sumdu.edu.ua/handle/123456789/7372.

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2

Bergman, Ivar. "Baire category theorem." Thesis, Karlstad University, Karlstad University, Karlstad University, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4306.

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<p>In this thesis we give an exposition of the notion of <em>category </em>and the <em>Baire category theorem </em>as a set theoretical method for proving existence. The category method was introduced by René Baire to describe the functions that can be represented by a limit of a sequence of continuous real functions. Baire used the term <em>functions of the first class </em>to denote these functions.</p><p>The usage of the Baire category theorem and the category method will be illustrated by some of its numerous applications in real and functional analysis. Since the usefulness, and generality, of the category method becomes fully apparent in Banach spaces, the applications provided have been restricted to these spaces.</p><p>To some extent, basic concepts of metric topology will be revised, as the Baire category theorem is formulated and proved by these concepts. In addition to the Baire category theorem, we will give proof of equivalence between different versions of the theorem.</p><p>Explicit examples, of first class functions will be presented, and we shall state a theorem, due to Baire, providing a necessary condition on the set of points of continuity for any function of the first class.</p><p> </p>
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3

Añaguari, Ccalluco Lucero Fernanda, Valencia Paula Alessandra Bellido, Ubillús Sebastián Fernando García, Gushiken Eddy Hiroshi Ley, and Flores Bruno Renato Ríos. "ExpresArte: Escuela virtual de baile." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656910.

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El presente trabajo de investigación tiene el propósito de elaborar un plan de negocios para el servicio streaming llamado ExpresArte. Este consiste en clases de baile dictadas por profesionales a través de una plataforma web. El público al cual se dirige es tanto a instructores de baile y personas que desean aprender diferentes competencias artísticas. A continuación, se procederá a detallar el proceso de cómo se llevó a cabo la elaboración de plan de negocios. La necesidad de poder contar con un servicio que te permite poder realizar ejercicios en casa se potenció durante la pandemia tanto para aquellos que trabajaban en el sector de servicios como aquellos que consumían dicho servicio. Uno de estos casos sería el de los profesionales y estudiante de danza. De esta forma, se identificó la oportunidad en un ambiente en el que el factor externo era clave para el surgimiento de una nueva forma de practicar arte, pero teniendo en cuenta las frustraciones y alegrías de ambos públicos. En el desarrollo del plan de negocios se realizó el Business Model Canvas (BMC). Estenos permitió visualizar a nuestros segmentos y cómo podemos satisfacerlos. Así pues, el equipo de investigación creó el modelo de negocio en base a ambas necesidades, es decir, al instructor y al alumno. El plan de negocios consiste en detallar la necesidad identificada, testear el servicio a través de prototipos, validar los cuadrantes del BMC, aplicar la metodología Concierge para asegurar la viabilidad del proyecto a través de planificación real y ejecutada<br>The present research has the purpose of elaborating a business plan for the streaming service called ExpresArte. This consists of dance classes taught by professionals through a web platform. The target audience is both dance instructors and people who want to learn different artistic skills. The need to have a service that allows you to exercise at home was enhanced during the lockdown for those who worked in the service sector and those with a regular exercise regimen. One of these cases would be applied for dancing instructors and dance students. The demand for this service was shown in an environment in which restrictions were key to its necessity. The emergence of a new way of practicing art but also the frustrations and joys of both audiences was considered. In developing the business plan, the Business Model Canvas (BMC) was carried out. This allowed us to visualize our segments and how we can satisfy them. Thus, the research team created the business model based on both needs. The business plan consists of detailing the identified need, testing the service through prototypes, validating the BMC quadrants, applying the Concierge methodology to ensure the viability of the project through real and executed planning.<br>Trabajo de investigación
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Carroy, Raphaël. "Functions of the first Baire class." Paris 7, 2013. http://www.theses.fr/2013PA077071.

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Le but de cette thèse est de trouver de nouveaux outils permettant mieux comprendre les fonctions boréliennes. L'analyse qui nous sert de modèle est celle de Wadge des ensembles boréliens, et l'horizon lointain de ce projet est d'obtenir une hiérarchie des fonctions aussi fine que celle de Wadge l'est pour les ensembles. Nous nous sommes concentrés sur l'analyse de la première classe de Baire, et particulièrement sur les fonctions continues. Au vu de l'importance des jeux dans l'analyse de Wadge, ce sont d'abord les outils que nous avons cherché à développer. Nous nous sommes donc restreints aux espaces 0-dimensionnels, dans lesquels lies jeux sont possibles. Les fonctions considérées ici sont donc de et [dans un fermé de l'espace de Baire. Le premier but est de trouver des méthodes de théorie des jeux et les utiliser pour prouver des résultats concernant les fonctions de première classe, nous donnons ainsi de nouvelles preuves du Grand héorème de Baire, ainsi que du Théorème de Jayne-Rogers. Ensuite, nous définissons un quasi-ordre pour les fonctions qui préserve la simplicité de celles-ci, par exemple leur classe de Baire. On utilise la simplicité du quasi-ordre, i. E. Le fait d'être bon ou non, comme critère principal pour choisir entre différentes notions préservant la simplicité des fonctions. Prouver qu'un quasi-ordre assez fin, comme celui que nous voulons définir, est bon, est loin d'être une tâche aisée, donc nous indiquons celui qui a le plus de chances de jl'etre, et commençons à l'étudier sur les fonctions continues<br>IThe aim of this thesis is to provide new tools for handling and getting |a better understanding of Borel functions. We take the Wadge analysis |on sets as a role model for our analysis of functions, and the far horizon of the project is to get a description of functions that is as precise as the Wadge hierarchy on sets is. We focus on the first Baire (class and specifically on the continuous functions. The use of games in the analysis of the Wadge hierarchy being central, games are the first tools that we try to develop. The framework that (allows to mix games and functions is given by the Polish and 0-(dimensional spaces. So from this point onwards, we only consider (functions from and into a closed subspace of the Baire space. The first idea for this thesis is to find purely game-theoretical methods (and use them to provide new proofs of the Baire Lemma on pointwise (convergence or of the Jayne-Rogers Theorem. Then, as a second approach, we look for a reduction notion for functions that preserves the simplicity of these, so for instance the Baire class. We use the simplicity of the quasi-order, i. E. It being a well-quasi-order, as a major criterion to choose between several notions that preserve the regularity of functions. It is far from being [an easy task to prove that a fine quasi-order is a wqo, so we describe the one candidate that is most likely on a very wide class of functions. Then we begin to study it on the restricted class of continuous functions
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Oliveira, Ana Maria Fernandes de. "Baile dos Horrores: A presença do grotesco e do horror num baile de carnaval do Rio de Janeiro." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5981.

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O trabalho aborda o baile dos Horrores, que acontecia no período pré-carnavalesco do Clube Magnatas de Futebol de Salão localizado na Rua General Belford no bairro do Rocha, subúrbio do Rio de Janeiro, de 1960 a 1988. Sua característica marcante foi o horror levado às últimas conseqüências, chamando a atenção da imprensa e provocavam mal estar em pessoas mais sensíveis. A dissertação busca discutir os motivos da presença desses elementos numa festa onde a alegria predomina. Procuramos, desse modo, associar o baile a um período do século XX em que as tensões ocasionadas por uma série de fatores (como a Segunda Guerra Mundial, a Guerra Fria e a Guerra do Vietnã, por exemplo) causavam os mais diversos temores com elementos nunca antes visto, como a bomba atômica, iniciando assim novo período onde as metamorfoses seguiam o caminho do terror. A ciência, por sua vez, aceleraria processos que teriam influencia em todos os campos da produção humana, inclusive, ou principalmente, nas artes<br>The paper addresses the Ball of Horrors (Baile dos Horrores), which happened during the pre-carnival time in the Clube Magnatas de Futebol de Salão in Rio de Janeiro, 1960-1988.Its salient characteristic was theme of horror taken to its ultimate consequences, drawing media attention and causing discomfort in sensitive individuals. The paper seeks to discuss the reasons for the presence of these elements at in kind of festivity where joy prevails. We seek thus associate the ball whith the twentieth century period when tension caused by a number of factores (such as the Second World War, Cold War and the Vietnam War, for example) brought a fear never seen before, like the one associate with the atomic bomb, thus initiating new period where the metamorphosis followed the path of terror. Science, in turn, accelerants the processes that have influence in every of human production, even, if not especially, in the arts
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Ramírez, Mac-Lean Bárbara Daniela. "Plan de Negocio Escuela de Baile Vidanza." Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/102085.

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El objetivo principal de este estudio es desarrollar un plan de negocio para una academia de baile que busca satisfacer las necesidades de todas aquellas personas que disfrutan del baile, de compartir con otras personas y pasar un momento agradable. Lo destacable de esta academia es que tiene una gran infraestructura para bailar cómodamente, con amplios espacios, pisos especializados, espejos, buen equipo de sonido, camarines impecables para el cuidado de la higiene y cómodos estacionamientos. La academia de baile Vidanza ofrece variados bailes para los distintos grupos y edades, además de entregar servicios a domicilio a empresas y asilos, para así mejorar, a través de los beneficios psicológicos y sociales que entrega la danza, los índices de obesidad, sedentarismo y depresión que sufre Chile. Esta academia se preocupa que sus clientes pasen un buen rato, ya sea en horarios de clases como fuera de ellos a través de encuentros sociales. Al mismo tiempo se preocupa del futuro de sus profesionales bailarines, ofreciéndoles contratos, lo que entrega una verdadera ventaja ante las otras academias de baile. En un principio, Vidanza se ubicará en la comuna de Las Condes en Santiago, planeando a futuro expandirse hacia regiones. La academia se enfoca básicamente en 3 segmentos: aficionados, empresas y asilos, de los cuales quiere obtener un porcentaje de participación en un plazo de 5 años de, 0,8%; 2% y 11%, respectivamente, dentro de su mercado objetivo. Estos porcentajes serán obtenidos a través de captación de clientes por variados medios y estrategias como llamados telefónicos, publicidad masiva, alianzas estratégicas con grandes marcas deportivas, página web, etc. Vidanza tiene tres grandes competencias dentro de su mercado objetivo, siendo éstas la academia de Valero, TI 5 y centro cultural Luna Calé. Se diferencia de éstas gracias a su espectacular infraestructura, contratos con los profesores y publicidad masiva. Se determinó que con una inversión en capital de trabajo inicial del orden de $20.000.000 y una inversión máxima de $137.000.000, recuperable en el cuarto año de operación, el negocio tiene un VPN a 5 años de prácticamente $388.000.000, con una tasa de descuento del 15% y una TIR del 56%, lo que indica que es un proyecto rentable, atractivo y viable. La sensibilidad entre las distintas variables muestra que los ingresos son los de mayor riesgo, disminuyendo la rentabilidad de la empresa en un 78%, al momento de disminuir las ventas un 30%, pero de igual forma sigue manteniendo un VPN de sobre $86.000.000. En el caso de los costos fijos que son la segunda variable más sensible, necesitaría un aumento superior al 60% para comprometer la rentabilidad de la empresa. De todas formas se proponen medidas específicas para mitigar las posibles variaciones.
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Nyagahakwa, Venuste. "Families of Sets Without the Baire Property." Doctoral thesis, Linköpings universitet, Matematik och tillämpad matematik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-137074.

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The family of sets with the Baire property of a topological space X, i.e., sets which differ from open sets by meager sets, has different nice properties, like being closed under countable unions and differences. On the other hand, the family of sets without the Baire property of X is, in general, not closed under finite unions and intersections. This thesis focuses on the algebraic set-theoretic aspect of the families of sets without the Baire property which are not empty. It is composed of an introduction and five papers. In the first paper, we prove that the family of all subsets of ℝ of the form (C \ M) ∪ N, where C is a finite union of Vitali sets and M, N are meager, is closed under finite unions. It consists of sets without the Baire property and it is invariant under translations of ℝ. The results are extended to the space ℝn for n ≥ 2 and to products of ℝn with finite powers of the Sorgenfrey line. In the second paper, we suggest a way to build a countable decomposition <img src="http://www.diva-portal.org/cgi-bin/mimetex.cgi?%5Ctiny%5Clbrace%5Ctext%20X_i%5Crbrace%20_%7Bi=1%7D%5E%5Cinfty" /> of a topological space X which has an open subset homeomorphic to (ℝn, τ), n ≥ 1, where τ is some admissible extension of the Euclidean topology, such that the union of each non-empty proper subfamily of <img src="http://www.diva-portal.org/cgi-bin/mimetex.cgi?%5Ctiny%5Clbrace%5Ctext%20X_i%5Crbrace%20_%7Bi=1%7D%5E%5Cinfty" /> does not have the Baire property in X. In the case when X is a separable metrizable manifold of finite dimension, each element of <img src="http://www.diva-portal.org/cgi-bin/mimetex.cgi?%5Ctiny%5Clbrace%5Ctext%20X_i%5Crbrace%20_%7Bi=1%7D%5E%5Cinfty" /> can be chosen dense and zero-dimensional. In the third paper, we develop a theory of semigroups of sets with respect to the union of sets. The theory is applied to Vitali selectors of ℝ to construct diverse abelian semigroups of sets without the Baire property. It is shown that in the family of such semigroups there is no element which contains all others. This leads to a supersemigroup of sets without the Baire property which contains all these semigroups and which is invariant under translations of ℝ. All the considered semigroups are enlarged by the use of meager sets, and the construction is extended to Euclidean spaces ℝn for n ≥ 2. In the fourth paper, we consider the family V1(Q) of all finite unions of Vitali selectors of a topological group G having a countable dense subgroup Q. It is shown that the collection <img src="http://www.diva-portal.org/cgi-bin/mimetex.cgi?%5Ctiny%5Clbrace%5Ctext%20G%20%5Csetminus%20%5Ctext%20U%20:%20%5Ctext%20U%20%5Cin%20%5C%20%5Cmathcal%7BV%7D_1(%5Ctext%7BQ%7D)%5Crbrace" /> is a base for a topology τ(Q) on G. The space (G, τ (Q)) is T1, not Hausdorff and hyperconnected. It is proved that if Q1 and Q2 are countable dense subgroups of G such that Q1 ⊆ Q2 and the factor group Q2/Q1 is infinite (resp. finite) then τ(Q1) <img src="http://www.diva-portal.org/cgi-bin/mimetex.cgi?%5Ctiny%5Cnot%5Csubseteq" /> τ(Q2) (resp. τ (Q1) ⊆ τ (Q2)). Nevertheless, we prove that all spaces constructed in this manner are homeomorphic. In the fifth paper, we investigate the relationship (inclusion or equality) between the families of sets with the Baire property for different topologies on the same underlying set. We also present some applications of the local function defined by the Euclidean topology on R and the ideal of meager sets there.
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Ashraf, Pouya. "Pathological functions and the Baire category theorem." Thesis, Uppsala universitet, Analys och sannolikhetsteori, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-322944.

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Moraes, Marcio Augusto de. "O diabo pé de valsa: a hora e a vez do corpo de baile - Ensaios do baile e da preguiça." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-02032010-172726/.

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A dança é um elemento cultural. Nas pesquisas que se ocupam do universo literário de João Guimarães Rosa, a dança é ainda um elemento insuficientemente pesquisado, embora o baile vinque fortemente os textos, permeando a narrativa lírica com o fenômeno dança. Entre os escritores brasileiros, dois interessam particularmente aos estudos do baile que compõem esta tese: João Guimarães Rosa e Mário de Andrade. O primeiro evidenciou claramente a intenção de apropriar-se do discurso da dança nominando um de seus livros de Corpo de Baile. O segundo, além de produzir uma série diversa de poemas dedicados ao baile, escolheu como fulcro de um dos títulos mais importantes do modernismo Macunaíma os fenômenos culturais da dança. Tanto Mário de Andrade quanto Guimarães Rosa são pródigos na construção de textos labirínticos em que se valem do próprio e do alheio, estabelecendo um diálogo de apropriação que articula a subjetividade lírica a partir de elementos extraídos da cultura popular e do cânone literário. A literatura rosiana constrói um diálogo que, por um lado, embaralha internamente a obra e, por outro, mistura nas cartas embaralhadas entretrechos de obras alheias. A leitura do entretrecho levou o presente estudo de Guimarães Rosa a Mário de Andrade. No universo desses dois escritores labirínticos, a dança e seus fenômenos são o fio de Ariadne estendido do início ao fim desta tese, que objetiva examinar, no diálogo entre linguagens diferentes a da literatura e a da dança a contribuição que a compreensão dos fenômenos da dança pode proporcionar aos estudos literários, já que a dança participa vivamente da construção da palavra literária nas obras examinadas. Esta tese se compõe de três partes. Na primeira, explora a presença da dança nos Primeiros Guimarães, buscando no labirinto dos textos o caminho do baile rosiano, que se inicia em Sagarana, atravessa o Grande Sertão: Veredas e se declara em Corpo de Baile. Na segunda parte, examina a origem e o lugar social do baile. Na terceira, rastreia a dança no cânone literário, pesquisando a função da dança nas obras de João Guimarães Rosa e, em função do diálogo estabelecido nos entretrechos, examinando particularmente a obra de Mário de Andrade e as relações entre o Mutum de Campo Geral, Corpo de Baile, e o Mutum de Macunaíma.<br>Dance is a cultural element. In the studies devoted to the literary universe of João Guimarães Rosa, o baile (dance) has still been insufficiently researched although it intensively marks the permeated texts, permeating the lyric narration with the dance phenomenon. Among the Brazilian writers, two, in special, raise most interest regarding dance studies and were selected to compose this present thesis: João Guimarães Rosa and Mário de Andrade. The former clearly evidenced his intention to appropriate the dance discourse, one of his books was named Corpo de Baile (Corps de Ballet). The latter, besides a series of poems dedicated to baile, produced one of the most important titles of Modernism, Macunaíma Both Mário de Andrade and Guimarães Rosa are profuse in creating labyrinthine texts which operate the literary labor by utilizing his own and the others, and establishing a dialogue of appropriation which articulate lyrical subjectivity from elements extracted from popular culture, common to both, with the literary canon. The literature of Rosa constructs a dialogue which, on the one hand, internally shuffles the work, on the other hand, the shuffled cards mix excerpts from others works. The reading of these inserted excerpts led to the present study of Guimarães Rosa and Mário de Andrade. In the universe of these two labyrinthine writers, the dance and its related aspects constitute the Ariadnes Thread, outstretched from the beginning to the end of this study whose aim is to understand via the dialogue between two different languages literature and dance what contribution the comprehension of the dance phenomena brings to the literary study, since, dance, undeniably, participates in the construction of the literary word. This thesis is composed of three sections. In the first, it investigates the presence of dance in Primeiros Guimarães, searching in the labyrinth of texts the route to the Rosas baile initiated in Sagarana, followed by Grande Sertão: Veredas and, finally, declared in Corpo de Baile. In the second section, the origin and the social place are focused. The third part tracks the dance in the literary canon, studying its role in the literary discourse of João Guimarães Rosa and, due to the dialogue among the excerpts, it particularly underlines Mário de Andrade and the relationships among Mutum of Campo Geral, Corpo de Baile, and Mutum of Macunaíma.
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Kmita, Tomasz. "Właściwości gradientowych warstw węglowych na bazie tlenku glinu." Doctoral thesis, Katowice : Uniwersytet Śląski, 2007. http://hdl.handle.net/20.500.12128/5140.

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Zastosowanie aluminium i jego stopów w węzłach kinematycznych maszyn roboczych wymaga modyfikacji warstwy wierzchniej Al. Rozwiązaniem problemu małej twardości aluminium i podatności do tworzenia sczepień adhezyjnych we współpracy tribologicznej - jest anodowa powłoka tlenkowa otrzymywana metodą anodowania twardego. Kolumnowo-włóknista struktura, uzyskiwanego elektrolitycznie tlenku glinu, umożliwia uzyskanie na jego bazie (osnowie) kompozytów, w których zaimplementowany składnik dyspersyjny pozwala modyfikować właściwości anodowej powłoki tlenkowej. Autor pracy, w wyniku analizy literatury sformułował tezę o możliwości uzyskania na bazie tlenku glinu materiału kompozytowego o gradientowej zmianie zawartości węgla lub jego związków, zapewniającej płynną zmianę właściwości mechanicznych od powierzchni do podłoża oraz korzystną zmianę właściwości tribologicznych w niesmarowanych węzłach tarcia maszyn roboczych, wykorzystując proces uszczelniania warstw tlenkowych w kwasach organicznych. Przedstawiona dysertacja składa się z dwóch części: literaturowej oraz badawczej. W części literaturowej, obejmującej ponad 230 pozycji bibliograficznych (w większości zagranicznych wydanych po 1995 r.), autor zawarł aktualny stan wiedzy dotyczącej metod otrzymywania i właściwości powłok tlenkowych na aluminium. Przegląd bibliograficzny obejmował swą tematyką również metody wytwarzania kompozytów na bazie tlenku glinu oraz opis procesu i metod uszczelniania powłok tlenkowych. W części badawczej autor przedstawił wieloetapową procedurę: opracowania technologii wytwarzania gradientowej warstwy węglowej, doboru przeciwtriboelementu w postaci tworzywa PEEK/BG, metod badawczych, umożliwiających potwierdzenie gradientowości właściwości mechanicznych i składu chemicznego, a także realizacji celu utylitarnego, jakim jest możliwość aplikacji uzyskanej warstwy w skojarzeniach ślizgowych. Optymalizacja technologii pozwoliła na wyłonienie najbardziej korzystnych parametrów dwuetapowego procesu uzyskania gradientowej warstwy węglowej. Warstwy powierzchniowe o zwiększonej zawartości węgla (do 28% węgla wydzielonego w procesie obróbki cieplno-chemicznej) można uzyskać na bazie anodowej powłoki tlenkowej wytwarzanej metodą anodowania twardego stopu aluminium EN AW-AlMg2 w wodnym roztworze kwasu siarkowego, szczawiowego i ftalowego w temperaturze 308 K, uszczelnianej następnie w wodnym roztworze kwasu bursztynowego w czasie 20 minut w temperaturze 368 K (co umożliwia częściowe uszczelnienie). Tak uzyskany nowy materiał, oprócz zwiększonej zawartości węgla, charakteryzuje się gradientową zmianą struktury, własności mechanicznych i składu chemicznego w poprzek grubości, z tego względu można go określić mianem gradientowej warstwy węglowej. Ponadto uzyskana modyfikacja warstwy wierzchniej aluminium zapewnia niski współczynnik tarcia (0,05) we współpracy tribologicznej bezsmarowej ślizgowej z nowoczesnym niskotarciowym kompozytem PEEK/BG, w warunkach odpowiadających współpracy pierścieni uszczelniających z cylindrem w sprężarkach bezsmarowych. Zaletami gradientowej warstwy węglowej są również: wysoka mikrotwardość (wzrost mikrotwardosci w stosunku do APT nie poddanej obróbce cieplnochemicznej) oraz korzystna struktura geometryczna powierzchni, z punktu widzenia zastosowania w ślizgowych węzłach tribologicznych. Właściwości gradientowej warstwy węglowej zapewniają również dużą odporność na zużycie tribologiczne węzła ślizgowego tworzywo PEEK/BG - warstwa gradientowa. Uzyskana gradientowa warstwa węglowa na bazie tlenku glinu jest nowym materiałem, mogącym znaleźć zastosowanie praktyczne w niesmarowanych węzłach ślizgowych.
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Books on the topic "Baize"

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Connor, Alexandra. Green Baize Road. Magna Large Print Books, 2008.

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Green baize road. HarperCollinsPublishers, 1999.

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Makanin, Vladimir. Baize-covered table with decanter. Readers International, 1995.

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Banze. Puṣhto Adabī Ṭolạnah, 1987.

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Baiae. Harvard University Press, 2006.

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Pontano, Giovanni Gioviano. Baiae. Harvard University Press, 2006.

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Tagore, Rabindranath. Ghare baire. Bishwabharati, 1987.

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Despentes, Virginie. Baise-moi. Éditions J'ai lu, 1999.

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Estorino, Abelardo. El baile. Ediciones Alarcos, 2000.

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Jabbar, Abdul. Gandir baire. Sahitya, 1991.

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Book chapters on the topic "Baize"

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Sinyard, Neil. "The Green Baize Door." In Graham Greene. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230535800_9.

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Couteau, Paul. "Baize, Paul-Achille-Ariel." In Biographical Encyclopedia of Astronomers. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_101.

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Florence, Ronald, Steven N. Shore, Steven N. Shore, et al. "Baize, Paul‐Achille‐Ariel." In The Biographical Encyclopedia of Astronomers. Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_101.

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Margolis, Oren. "The Book Half Open." In Openness in Medieval Europe. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-23_15.

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A small, blind-tooled volume sits on a table covered in green baize: one clasp is open, the other is closed; and a slip of paper emerges from it reading Veritas odium parit (truth breeds hatred). This detail occurs in the foreground of a portrait by Hans Holbein of a young man identified as the Cologne patrician Hermann von Wedigh III (Metropolitan Museum of Art, New York). A study of the physical features of the book and of the history of the brief text — actually an ancient and then Erasmian adage — leads to a new interpretation of the painting in the context of humanist friendship. The book is seen to be a multivalent simile for the work of art authored by the artist as well as for the sitter himself, raising questions about the implications for these of a medium that can be opened and closed. The half-open condition of the book is understood to reflect the complementary pressures of openness and closedness, accessibility and intimacy, that characterized the Renaissance republic of letters.
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Despentes, Virginie, and Coralie Trinh Thi. "Baise-moi." In 100 Cult Films. British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-84457-571-8_6.

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Kechris, Alexander S. "Baire Category." In Graduate Texts in Mathematics. Springer New York, 1995. http://dx.doi.org/10.1007/978-1-4612-4190-4_8.

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Moschovakis, Yiannis N. "Baire Space." In Notes on Set Theory. Springer New York, 1994. http://dx.doi.org/10.1007/978-1-4757-4153-7_10.

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Kąkol, Jerzy, Wiesław Kubiś, and Manuel López-Pellicer. "Elementary Facts about Baire and Baire-Type Spaces." In Descriptive Topology in Selected Topics of Functional Analysis. Springer US, 2011. http://dx.doi.org/10.1007/978-1-4614-0529-0_2.

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Goffman, Casper, Togo Nishiura, and Daniel Waterman. "Baire class 1." In Homeomorphisms in Analysis. American Mathematical Society, 2001. http://dx.doi.org/10.1090/surv/054/02.

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Jeffares, A. Norman. "Baile and Aillinn." In Yeats’s Poems. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20284-3_6.

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Conference papers on the topic "Baize"

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Silva da Rosa, Edilene do Socorro. "BAILE DE AFETOS." In ANAIS VIII COLóQUIO INTERNACIONAL DE ETNOCENOLOGIA, II ENCONTRO NACIONAL DE ETNOCENOLOGIA, IV ENCONTRO PARAENSE DE ETNOCENOLOGIA. Galoa, 2018. http://dx.doi.org/10.17648/etnocenologia-2018-125031.

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Ambos-Spies, Klaus, and Jan Reimann. "Effective Baire Category Concepts." In Proceedings of the Sixth Asian Logic Conference. WORLD SCIENTIFIC / S'PORE UNIV PRESS (PTE) LTD, 1998. http://dx.doi.org/10.1142/9789812812940_0002.

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Ding, Mei. "Appreciation of Giuseppe Castiglione ‘s Baizi painting." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.522.

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MURTAGH, F., and P. CONTRERAS. "FAST REDSHIFT CLUSTERING WITH THE BAIRE (ULTRA) METRIC." In Proceedings of the 7th International Workshop on Data Analysis in Astronomy “Livio Scarsi and Vito DiGesù”. WORLD SCIENTIFIC, 2011. http://dx.doi.org/10.1142/9789814383295_0005.

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Tantrawan, Made, and Ch Rini Indrati. "Bounded Baire functions and the Henstock-Stieltjes integral." In PROCEEDINGS OF THE 7TH SEAMS UGM INTERNATIONAL CONFERENCE ON MATHEMATICS AND ITS APPLICATIONS 2015: Enhancing the Role of Mathematics in Interdisciplinary Research. AIP Publishing LLC, 2016. http://dx.doi.org/10.1063/1.4940831.

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Wang, Lei, Lingyu Xu, Jie Yu, et al. "The Construction and Analysis of Baidu Baike Entry Network." In 2016 IEEE 14th Intl Conf on Dependable, Autonomic and Secure Computing, 14th Intl Conf on Pervasive Intelligence and Computing, 2nd Intl Conf on Big Data Intelligence and Computing and Cyber Science and Technology Congress(DASC/PiCom/DataCom/CyberSciTech)2016. IEEE, 2016. http://dx.doi.org/10.1109/dasc-picom-datacom-cyberscitec.2016.38.

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Liao, Han-Teng. "How do Baidu Baike and Chinese Wikipedia filter contribution?" In WikiSym '13: The 9th International Symposium on Wikis and Open Collaboration. ACM, 2013. http://dx.doi.org/10.1145/2491055.2491082.

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Park, Jong Seo, Young Chel Kwun, and Jin Han Park. "Some Properties and Baire Space on Intuitionistic Fuzzy Metric Space." In 2009 Sixth International Conference on Fuzzy Systems and Knowledge Discovery. IEEE, 2009. http://dx.doi.org/10.1109/fskd.2009.662.

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DUSSAUZE, Morgan, Martin SANCHEZ, Laurent BARILLÉ, Benoist HITIER, Hélène OGER-JEANNERET, and Marc ROBIN. "Modélisation de la turbidité en Baie de Bourgneuf (France)." In Conférence Méditerranéenne Côtière et Maritime - Coastal and Maritime Mediterranean Conference. Editions Paralia, 2009. http://dx.doi.org/10.5150/cmcm.2009.024-2.

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DUSSAUZE, Morgan, Martin SANCHEZ, Laurent BARILLÉ, and Benoist HITIER. "Modélisation 2D de la turbidité en baie de Bourgneuf." In Journées Nationales Génie Côtier - Génie Civil. Editions Paralia, 2010. http://dx.doi.org/10.5150/jngcgc.2010.028-d.

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Reports on the topic "Baize"

1

Shaw, J. Surficial sediments of Baie Verte, Newfoundland. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1992. http://dx.doi.org/10.4095/133229.

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Syvitski, J. P. M., D. D. Beattie, D. B. Praeg, and C. T. Schafer. Marine geology of Baie des Chaleurs. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1987. http://dx.doi.org/10.4095/130520.

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Coyle, M., and D. Oneschuk. Residual total magnetic field, Baie Verte aeromagnetic survey, Baie Verte, 12 H/16, Newfoundland and Labrador. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2008. http://dx.doi.org/10.4095/224695.

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Shaw, J. Cartographie de la Baie Placentia (Terre-Neuve). Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2007. http://dx.doi.org/10.4095/225425.

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Pinet, N., C. Campbell, V. Brake, M. Duchesne, R. Côté, and L. Poliquin. Shaded seafloor relief, Baie-des-Sables, Quebec. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2011. http://dx.doi.org/10.4095/289292.

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Pinet, N., C. Campbell, V. Brake, M. Duchesne, R. Côté, and L. Poliquin. Shaded seafloor relief, Baie-Sainte-Catherine, Quebec. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2011. http://dx.doi.org/10.4095/289297.

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Coyle, M., and D. Oneschuk. First vertical derivative of the magnetic field, Baie Verte aeromagnetic survey, Baie Verte, 12 H/16, Newfoundland and Labrador. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2008. http://dx.doi.org/10.4095/224689.

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Hibbard, J. Introduction To the Geology of the Baie Verte Peninsula. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1991. http://dx.doi.org/10.4095/132405.

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Spicer, B., N. Rogers, B. Morris, H. Ugalde, L. Pilgraim, and T. Skulski. Physical properties database: Rambler area, Baie Verte Peninsula, Newfoundland. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2010. http://dx.doi.org/10.4095/285615.

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Bélanger, M., B. Dubé, and M. Malo. The Dorset showings: mesothermal vein-type gold occurrences associated with post-Ordovician deformation along the Baie Verte-Brompton Line, Baie Verte Peninsula, Newfoundland. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/207895.

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