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Academic literature on the topic 'Bakhtin'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Bakhtin"

1

Donik, K. V. "Nikolai Bakhtin in the Naval ministry: on the history of the formation of the bureaucratic entourage of prince Alexander Menshikov in the navy in the late 1820s – early 1830s." Transaction Kola Science Centre 12, no. 4-2021 (December 10, 2021): 162–70. http://dx.doi.org/10.37614/2307-5252.2021.4.21.012.

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The article describes some aspects of the service of the famous statesman Nikolai Bakhtin (1796–1869), when he was a special assignment official under Prince Alexander Menshikov. In 1827–1834 Bakhtin was in the service of the Naval ministry, the management system of which was undergoing changes during this period. The study based on new archival sources reconstructs the circumstances of Bakhtin to serve in the Naval directorate from the War ministry and his activities as an official on special assignments under Menshikov. In addition to the facts of Bakhtin's biography, these circumstances can be interpreted as a reflection of the process of the formation of the maritime administrative apparatus during this period. The events of Bakhtin’s life and service are considered in the context of the processes of bureaucratization of naval management and relations with the key figure of these processes –– Prince Menshikov.

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Yurchenko, Tatiana. ""BAKHTINSKY VESTNIK": A NEW ACADEMIC E-JOURNAL FOR BAKHTIN STUDIES." RZ-Literaturovedenie, no. 2 (2021): 9–24. http://dx.doi.org/10.31249/lit/2021.02.01.

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The review deals with the first four issues of a new academic e-journal «Bakhtinsky vestnik». The articles on Bakhtin's theory are discussed; special attention is given to the replies to the Bakhtin questionnaire devoted to the 125th anniversary of Bakhtin - about the significance of Bakhtin's ideas today, his contribution to the humanities, the current state and future development of Bakhtin studies.

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Tiupa, Valerij I. "Narratological Bakhtin." Dostoevsky Journal 16, no. 1 (April 25, 2015): 29–37. http://dx.doi.org/10.1163/23752122-01601005.

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Although Bakhtin did not use special narratological terms, he was interested in narratological issues. The significance of Bakhtin’s thought is especially felt in three fields of narratology: the correlation between the author and narrator figure (according to Bakhtin between the “primary” and “secondary” authors); the problem of eventfulness; and, finally, the metalinguistic view on the nature of narrative expression. This paper explores the correspondences between the three domains of narratology and Bakhtin’s phenomenology of speech genres and authorship.

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Osovskiy, O. E., and S. A. Dubrovskaya. "“And weeps with Dostoevsky until morning…”: specifics of the writers’ reception of M. Bakhtin’s personality and ideas." Philology and Culture, no. 3 (October 5, 2023): 145–50. http://dx.doi.org/10.26907/2782-4756-2023-73-3-145-150.

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The problem of the reception of M. Bakhtin’s personality and ideas seems to be one of the most important in today’s Bakhtin Studies. We focus on the writers’ reception among the various forms of Bakhtin reception. By Bakhtin literary reception they mean the presentation of Bakhtin’s image as a literary character, the participation of Bakhtin himself in the literary and cultural life of Nevel, Vitebsk, Leningrad, Saransk and Moscow, the facts of the thinker’s specific relations with representatives of the Russian literary community in different periods of his life. Special attention is paid to the presentation of M. Bakhtin’s image in the literary works of K. Vaginov (“Satyr Chorus”), A. Losev (“The Woman-Thinker”) and in the letters of B. Pasternak. The letters of K. Fedin (the 1960s and early 1970s), containing assessments of M. Bakhtin’s work and personality, have been introduced into the scientific literature for the first time. We also analyze A. Beck’s attitude to Bakhtin’s works. The article concludes that the study of the writers’ reception of M. Bakhtin’s personality allows us to abandon a number of biographical myths and determine the real place of Bakhtin in the literary and intellectual life of the country in the 1920s and 1970s.

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Makovtsev, Vladimir S. "Fyodor Dostoevsky in the late works of Mikhail Bakhtin." Vestnik Tomskogo gosudarstvennogo universiteta, no. 478 (2022): 44–49. http://dx.doi.org/10.17223/15617793/478/5.

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The author aims to outline the conceptualization of Mikhail Bakhtin's late works. Their essential moment is Bakhtin's specific attitude to works by Fyodor Dostoevsky and to literature as a special part of culture. In this connection, the author understands Bakhtin's philosophy as a philosophy of literature bordering on philosophical anthropology. In the article, using Bakhtin's writings, as well as a number of studies on his works, as material, the author intends to reconstruct the ontological basis of fiction, in the center of which lies the concept of grotesque Bakhtin developed in his book dedicated to Francois Rabelais. Despite the huge amount of literature on Bakhtin's oeuvre, there are no studies on his later works as a separate research space. This applies both to the corpus of texts, since part of the Bakhtin archive has not yet been published and lies in the manuscripts department of the Russian State Library, and to attempts to show the philosophical significance of Bakhtin's late writings by conceptualizing them and bringing them together into a separate intellectual phenomenon. The article attempts to analyze Bakhtin's later works through the prism of his attitude to Dostoevsky's works. The name of Bakhtin is not just associated with the name of Dostoevsky. The Russian philosopher revealed the ontology of Dostoevsky's works, and, since for Bakhtin Dostoevsky's works are the pinnacle of the development of literature, through Dostoevsky's works Bakhtin unfolds literature in its highest manifestation for us. The author substantiates the thesis that the understanding of Bakhtin's late works is based on the ontologization of grotesque, which Bakhtin himself indicates indirectly, not explicitly. The author also shows that Bakhtin sees literature, the subject matter of his research, as a purpose, as a special part of culture that reflects the ultimate embodiment of the human principle, and not an example in his theoretical constructions. Bakhtin's attitude to Dostoevsky is primarily reflected in his book about Dostoevsky in two editions. However, it would be wrong to reduce this attitude only to this book. In a broad sense, all of Bakhtin's philosophical works can be reduced to a certain hermeneutics of Dostoevsky due to the presence of a close and organic connection between concepts and ideas in Bakhtin's works, as well as the fact that Dostoevsky for Bakhtin is a key figure in his philosophical legacy. However, in the present article, based on a late interview, the author of the article reconstructs Bakhtin's thoughts about Dostoevsky that outline, among other things, an important topic in the field of Bakhtin's hermeneutics - the role of Dostoevsky's reader.

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Osovsky, O. E. "Bakhtin in Shanghai. ‘Chinese lessons’ for Bakhtin studies." Voprosy literatury, no. 2 (May 27, 2019): 207–33. http://dx.doi.org/10.31425/0042-8795-2019-2-207-233.

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The philosopher M. Bakhtin occupies a unique place in the process of shaping of a new humanistic paradigm. Amid the 1960s crisis in the West, Bakhtin’s key concepts, from ‘carnival’ and ‘polyphony’ to ‘dialogism’, provided a foundation for a common communication code for the humanities, which helped participants of the dialogue to find their mutual points of interest. The 16th International Bakhtin Conference ‘Bakhtin in the Post-Revolutionary Era’, which took place in Shanghai in September 2017, prompted the author to ponder the modern state of international Bakhtin studies and identify certain trends, especially noticeable in the Chinese context of the studies. The multistage reception of his ideas in Russia and abroad reveals a changing treatment of his legacy, much in demand these days, which are typified by a crisis of the humanities. Bakhtin’s stance during and after the revolution, as well as his internal approval of evolutionary, rather than revolutionary, changes in social and cultural history, which are particularly relevant today, suggest that his ideas can be used in the context of polyphonic thinking and new, e. g. digital, technologies.

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Osovskiy, Oleg E., and Vera P. Kirzhaeva. "“The Ability to Cognize and to Express Oneself”: Reflections on a Book on Dialogic Methods in Modern Humanities." Voprosy Filosofii, no. 11 (2022): 24–33. http://dx.doi.org/10.21146/0042-8744-2022-11-24-33.

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The aim of the article is to think over the Bakhtin’s role and the place of his ideas in the modern world. The reason for the authors’ reflection was the publication of the essays collection “Inspired by Bakhtin: Dialogical Methods” (2018). Its participants tried to demonstrate how Bakhtin’s dialogism was implemented in various fields of humanities. The material of the history and theory of literature, Russian postmodern prose, Plato’s dialogues, sociology, psychoanalysis, European cinema and architectural design shows the effectiveness of dialogic methods. The article underlines the sufficient freedom of the researchers in their dealing with Bakhtin’s ideas. Sometimes it leads to the noticeable distance from his initial attitudes. This situation reflects one of the trends not only in Bakhtin studies, but in the humanities in the West. The dialogue with Bakhtin in the book is presented in the article in the context of the analysis of Bakhtin methodological discourse, given in his fragments, sketches and notes. The authors’ conclusion that the book complies with the general trend of contemporary Bakhtin studies is confirmed by recently published books devoted to the study of Bakhtin’s heritage in literature, arts, psychology, philosophy of education and dialogical pedagogy.

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Osovsky, Oleg, Vera Kirzhaeva, Svetlana Dubrovskaya, and Ekaterina Chernetsova. "From Dialogic Imagination to Polyphonic Thinking: Bakhtin in Saransk 2021." ENTHYMEMA, no. 31 (February 1, 2023): 338–52. http://dx.doi.org/10.54103/2037-2426/19793.

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The article presents the results of the XVII International Bakhtin Conference held in Saransk (Russia) on July 5-10, 2021. The forum brought together over 100 participants from 22 countries and was held online. The 18 plenary lectures and more than 100 panels and online-discussions focused on the most important questions of the reception of Bakhtin’s heritage, and the influence of the thinker’s ideas on contemporary humanities. Presentations included works in the following areas: biography of Bakhtin, determining the place of his ideas in modern philology, philosophy and other social sciences, the theory and practice of education, and interdisciplinary research. This article analyses and contextualises the work of the conference against the background of the Bakhtin Forums of the 1980s and 2010s, which became an important part of the global Bakhtin Studies, as well as of the recent development of Bakhtin’s heritage in Russia and worldwide. The authors highlight the most important results of the last conference as supplementing and reconstructing Bakhtin’s biography, clarifying the details of the process of dialogical interaction of Bakhtin’s work with his contemporary ideas and the preceding traditions, defining the boundaries of Bakhtin’s influence on the humanities and the natural science, as well as the possibilities of integration of these disciplines under the “sign of Bakhtin”.

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Peshkov, Igor. "BAKHTIN QUESTION: THE INTERIM ANSWER." Literaturovedcheskii Zhurnal, no. 1 (2022): 182–210. http://dx.doi.org/10.31249/litzhur/2022.55.10.

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The article summarizes the interim results of the problem “Bakhtin under a mask”, the main of which is the final solution of Bakhtin question in the sense that the presumption of authorship for disputed texts now unambiguously passes to M.M. Bakhtin. As arguments for proving Bakhtin's attribution of the books “Freudianism”, “The Formal Method in Literary Criticism” and “Marxism and the Philosophy of Language” both numerous testimonies of Bakhtin himself and his contemporaries, and the results of text analysis of controversial books are cited. The logically grouped evidence clarifies Bakhtin's ethical and scientific position on this issue. An immanent study of disputed texts from the point of view of their content and style, on the one hand, and comparing them with authentic Bakhtin works, on the other hand, leads to the recognition of their semantic and stylistic unity, which presupposes the unity of authorship.

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Emerson, Caryl. "THE FAD FOR BRINGING BAKHTIN DOWN (AND WHERE IT GOES WRONG)." Literaturovedcheskii Zhurnal, no. 4 (2021): 194–211. http://dx.doi.org/10.31249/litzhur/2021.54.12.

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Any boom calls forth a backlash and a trashing - and Bakhtin has been trashed often, for many reasons. In this article I consider the recent biography of Bakhtin written by Aleksei Korovashko in the history of anti-Bakhtinistics, and attempt to evaluate the “Korovashko tactic”: where, in my view, it goes wrong, and what lessons we might learn from it in light of Bakhtin’s teaching (especially his theory of love). I then discuss two more productive approaches to criticizing Bakhtin: one devoted to Bakhtin and the body (Dick McCaw), the other to Bakhtin and the spirit (Mikhail Epstein).

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Dissertations / Theses on the topic "Bakhtin"

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Tan, Sunny Siew Bek. "Bakhtin and discourse stylistics." Thesis, University of Nottingham, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339610.

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Volek, Michael Edward. "Speaking of Bakhtin : a study of the sociolinguistic discourse on Bakhtin and language." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/48413.

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Thirty years after Mikhail Bakhtin came to the attention of the English-speaking world with Emerson & Holquist’s translation of The Dialogic Imagination, he continues to hold a prominent place in the scholarly fancy – particularly among those concerned with the sociality of language. But what have we learned from Bakhtin during this time? How has the “Bakhtinian perspective” contributed to the way researchers study and interpret linguistic phenomena? And more importantly, what can we learn about the sociality of language from the way Bakhtin has been taken up in the scholarly discourse? These questions are addressed in the present study by comparing Bakhtin’s discourse (as it has been received) with the uptake of his theory in a selection of five peer-reviewed journals published between the years 2000 and 2011. Seven of the most commonly cited topics are examined in detail: (1) genre, (2) hybridization, (3) style & stylization, (4) double-voicing, (5) heteroglossia, (6) linguistic stratification & centralization, and (7) authority. The surprising conclusion is that Bakhtin has had relatively little influence on the way these ideas are understood, even when he is cited as their source or inspiration, and that he is frequently invoked in support of views that he argues vigorously against. This disagreement is explained not as a breakdown of communication (in the structural sense), but – in line with Bakhtin’s own observations about the nature of discourse – as a product of the sociality of language, in which the histories and concerns of his interpreters actively shape the meanings they take him to be offering. The scholarly discourse on Bakhtin becomes a case study for the very phenomena Bakhtin describes. It reveals that even avowedly “social” language research continues to reflect what Bakhtin calls “the centralizing tendencies in the life of language”. In particular, it reveals the enduring influence of Saussure and semiotic theory at the expense of the genuinely social model that Bakhtin consistently articulates. It consequently provides the occasion for a critique of the uptake and reproduction of theory in the “softer” social sciences, calling into question the adequacy of scholarly conventions in the face of socio-linguistic reality.
Arts, Faculty of
English, Department of
Graduate

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3

Taylor, Ben. "Bakhtin, carnival and comic theory." Thesis, University of Nottingham, 1995. http://eprints.nottingham.ac.uk/11052/.

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In Rabelais and His World, Mikhail Bakhtin presents us both with a theory of carnival, and with an account of the historical decline of the carnivalesque since the Renaissance. This thesis uses Bakhtin's work as a point of departure for an analysis of particular moments in the history of post-Renaissance comic theory. It is argued both Bakhtin's account of carnivalesque decline provides us with a potent framework within which to perform such an analysis, and that this in turn facilitates a thorough interrogation of, and engagement with, Bakhtin's theory of carnival. Chapter One outlines Bakhtin's theory, identifying its historical and utopian dimensions, and exploring some of the problems which it generates. Chapter Two addresses some of the methodological issues relating to a historical analysis of comic theory, and situates Bakhtin's theory of carnival in relation to recent work in the area of comic theory. The remaining chapters focus on particular comic theory texts in the light of Bakhtin's thesis. Chapter Three contrasts Kant's analysis of humour with Schopenhauer's theory, relating the former to its Enlightenment context and the latter to its Romantic context. Chapter Four explores Bergson's discussion of laughter, situating it in relation to modernism, while Chapter Five reviews Freud's theory of jokes, examining the proximity between the structures of carnival and the structures of the Freudian joke. Chapter Six focuses on a Brechtian theory of comedy, assessing its relationship with the carnivalesque tradition, while Chapter Seven attempts to update Bakhtin's thesis in relation to contemporary configurations by exploring recent arguments concerning the comic credentials of postmodern culture. It is argued in conclusion that, if post-Renaissance culture has witnessed a decline in the significance of the carnivalesque, then the trajectory of that decline has undergone' a complex series of historical shifts and reversals.

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Flanagan, Martin James. "Mikhail Bakhtin and Hollywood film." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366117.

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Lesic-Thomas, Andrea. "Barthes, Bakhtin, structuralism : a reassessment." Thesis, Queen Mary, University of London, 2001. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1491.

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The thesis is a comparative analysis of the shared ideas and concerns in the works of Mikhail Bakhtin and Roland Barthes from the point of view of differences between French and Slavic literary structuralisms. Its background argument is that the structuralism developed in the later works of the Russian Formalists and by Prague Structuralists and Soviet Semioticians is more historically and socially oriented than its French version, defining the structure of a literary work as a system of all of its elements and effects (even those that take us outside of the text, like literary tradition and historical and political circumstances). In this sense, Bakhtin can be seen as a part of the Slavic structuralist tradition (and not opposed to it as is often claimed), and Barthes (seen throughout his career) is on the whole perhaps closer to the Slavic structuralism than he is to the French. The particular problems discussed are those of the relationship between literature and ideology, the notions of intertextuality, heteroglossia, dialogism and polyphony and the differences between them, and the role of the author. Barthes and Bakhtin shared a lifelong interest in the role of ideology in literature and the influence of authoritarian language or myth on culture in general and the literary text in particular. They looked for ways in which the deadening effect of the mythological (epic, monological) thought and word can be counteracted through literature, and different versions of what Kristeva termed 'intertextuality' played an important part in their treatment of the subject. They also both discussed the role of the author and their voice in the literary text, and the question of their power over the text, its characters (Bakhtin) and the reader (Barthes). The main thread of Barthes and Bakhtin's thought focuses on the problem of counteracting authoritarian language through literature, and the solutions they proposed can fruitfully be seen in the light of Slavic structuralism's notions of literary structure.

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Dop, Erik. "Bakhtin and the Hegelian tradition." Thesis, University of Sheffield, 2002. http://etheses.whiterose.ac.uk/12879/.

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'Bakhtin and the Hegelian Tradition' explores the influence of Georg Hegel and Hegelianism in the philosophy of Mikhail Bakhtin. The thesis demonstrates that, either directly or indirectly (through neo-Kantianism, Lebensphilosophie, and phenomenology), Hegelian philosophy made a fundamental contribution to Bakthin's thought throughout his career. To this end, the thesis maintains a close connection between the historical analysis of philosophy and contemporary philosophical thought. Historically, the thesis discusses Bakhtin's work with reference to, among other, Kant's Critique of Pure Reason, Hegel's Phenomenology of Spirit, and the important works of Bakhtin's contemporaries-especially the Lebensphilosophen Wilhelm Dilthey and Georg Simmel, the neo-Kantians Hermann Cohen and Ernst Cassirer, and the phenomenologists Edmund Husserl and Max Scheler. Philosophically, the thesis critically analyses Bakhtin's key concepts and theories in order to disclose their philosophical character. In particular the thesis evaluates the origin and evolution of Bakhtin's concepts of the subject, the object, the ought, culture and knowledge, and looks at his theories of being-as-event, intersubjectivity, language, genre, and world-view. By applying both analytic philosophy and Michael Kosok's formalised dialectical logic, the thesis demonstrates that many of Bakhtin's key concepts and theories have an indubitable Hegelian nature, or indeed origin. One of the most fundamental issues this thesis reveals is Bakhtin's desire to redefine and develop the nature of the Hegelian methodology, and in particular the nature of dialectics. As such, this investigation into Bakhtin's Hegelianism is valuable for the fact that it presents a new perspective on Bakhtin's philosophical concepts and theories, as well as a new viewpoint on Hegelian philosophy.

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Camargo, Junior Ivo di. "Mikhail Bakhtin na linguagem cinematográfica." Universidade Federal de São Carlos, 2018. https://repositorio.ufscar.br/handle/ufscar/10852.

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This thesis aims to bring together some of the various concepts of Mikhail Bakhtin's broad range of studies and to correlate them with film language. On the studies carried out in a broad and unorganized manner completely by Robert Stam, a North American researcher dedicated to both Bakhtin and cinema, both as aesthetics and as language, we developed the junction of theories in a dialogical work. In this thesis we bring together the most diverse forms of expression of Bakhtinian thought and try to exemplify them, to demonstrate them, to give them a more understandable form of understanding, using the cinematographic language as another in this intellectual theoretical dialogue. Knowing that cinema and its language were never the intellectual goal of Bakhtin, we approach his theory in a dialogical way, in the pursuit of cinema as alterity. It was observed the polyphony present in the cinematographic works and of Mikhail Bakhtin, among other possible dialogues. A study was developed which sought to further enrich Bakhtinian studies in our country and which is presented as a thesis that addresses the dialogue, understanding and convergence between the forms of study, with a common objective, to demonstrate the feasibility and of Bakhtinian concepts in a living, multidisciplinary and dialogic art that is cinema.
Esta tese tem como objetivo oferecer suporte para relações dialógicas entre a ampla rede de conceitos desenvolvidos por Mikhail Bakhtin e a linguagem cinematográfica, ao discutir, operacionalizar e reunir, ética e esteticamente, a obra bakhtiniana a um grupo variado de filmes. Para isto, partimos da experiência comprovada do pesquisador estadunidense Robert Stam e seus estudos sobre cinema e Bakhtin, com o qual se buscou estabelecer diálogo para o desenvolvimento de um trabalho dialógico tanto como linguagem quanto esteticamente na busca de desenvolver em maior grau ideias que o pesquisador ofereceu como proposta, porém não como análise profunda. Dessa forma, buscou-se também expor nesta tese as mais variadas formas de expressão do pensamento bakhtiniano de modo a exemplificá-los, comprová-los e dar-lhes uma forma de entendimento sempre buscando a compreensibilidade dentro da linguagem cinematográfica, assumindo relação de alteridade para com esta dentro do diálogo intelectual. Ao considerar que o cinema e sua linguagem não foram objeto de análise ou pesquisa de Bakhtin, tendo sido somente objeto de entretenimento para o mesmo, esta tese se propõe dialogicamente relacionar sua teoria junto à linguagem cinematográfica em relação clara de alteridade, observando a polifonia presente nas obras fílmicas e outros conceitos como carnavalização, dentre outros possíveis. Por fim, desenvolveu-se um trabalho que buscou enriquecer o legado intelectual de Mikhail Bakhtin e seu círculo em nosso país, propondo uma tese sobre o diálogo, o entendimento e as convergências entre as formas de estudo realizadas, com o objetivo de comprovar a viabilidade e atualidade dos conceitos do filósofo russo em uma arte viva, multidisciplinar e dialógica que é a sétima arte ou o cinema.

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Zbinden, Karine Gilberte Verena. "The cross-cultural transmission of works by Mikhail Bakhtin and the Bakhtin circle : missing sociality." Thesis, University of Sheffield, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369837.

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9

Hibberd, Kristian Philip Gordon. "Shostakovich and Bakhtin : a critical investigation." Thesis, Goldsmiths College (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416963.

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Leone, Matthew J. (Matthew Joseph). "The shape of openness : Bakhtin, Lawrence, laughter." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39750.

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How is Bakhtin's conception of novelistic openness distinct from modernist-dialectical irresolution or open-endedness? Is Women in Love a Bakhtinian "open totality"? How is dialogic openness (as opposed to modernist indeterminacy) a "form-shaping ideology" of comic interrogation?
This study tests whether dialogism illuminates the shape of openness in Lawrence. As philosophers of potentiality, both Bakhtin and Lawrence explore the dialogic "between" as a state of being and a condition of meaningful fiction. Dialogism informs Women in Love. It achieves a polyphonic openness which Lawrence in his later fictions cannot sustain. Subsequently, univocal, simplifying organizations supervene. Dialogic process collapses into a stenographic report upon a completed dialogue, over which the travel writer, the poet or the messianic martyr preside.
Nevertheless, the old openness can be discerned in the ambivalent laughter of The Captain's Doll, St. Mawr or "The Man Who Loved Islands." In these retrospective variations on earlier themes, laughing openness of vision takes new, "unfinalizable" shapes.

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Books on the topic "Bakhtin"

1

Gardiner, Michael. Mikhail Bakhtin. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications Ltd, 2003. http://dx.doi.org/10.4135/9781446262535.

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Brandist, Craig, and Galin Tihanov, eds. Materializing Bakhtin. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230501461.

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Michael, Holquist, ed. Mikhail Bakhtin. Cambridge Mass: Harvard U.P., 1986.

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1961-, Gardiner Michael, ed. Mikhail Bakhtin. London: SAGE, 2003.

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1963-, Brandist Craig, and Tikhanov Galin, eds. Materializing Bakhtin: The Bakhtin circle and social theory. Houndmills, Basingstoke, Hampshire: Palgrave in association with St. Antony's College, Oxford, 2000.

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1963-, Brandist Craig, and Tihanov Galin, eds. Materializing Bakhtin: The Bakhtin circle and social theory. New York: St. Martin's Press in association with St. Antony's College, 1999.

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Bakhtinskie, chtenii͡a (4th 1997 Saransk Russia). Bakhtin i vremi͡a. Saransk: Krasnyĭ Okti͡abrʹ, 1998.

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Alberto, Faraco Carlos, Tezza Cristovão, Castro Gilberto de, and Brait Beth, eds. Diálogos com Bakhtin. 3rd ed. Curitiba: Ed. da UFPR, 2001.

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F, Barsky Robert, and Holquist Michael 1935-, eds. Bakhtin and otherness. Montréal: McGill University, Comparative Literature Program, 1991.

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ėnt︠s︡iklopedii︠a︡", Assot︠s︡iat︠s︡ii︠a︡ "Rossiĭskai︠a︡ politicheskai︠a︡, ed. Mikhail Mikhaĭlovich Bakhtin. Moskva: ROSSPĖN, 2010.

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Book chapters on the topic "Bakhtin"

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White, E. Jayne. "Mikhail Bakhtin." In Theories of Early Childhood Education, 159–79. 2nd ed. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003288077-16.

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Björklund, Martina. "Mikhail Bakhtin." In Handbook of Pragmatics, 1–18. Amsterdam: John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/hop.6.bak1.

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Björklund, Martina. "Mikhail Bakhtin." In Philosophical Perspectives for Pragmatics, 38–52. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/hoph.10.04bjo.

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Turner, Elizabeth. "Mikhail Bakhtin." In The Discourse of Protest, Resistance and Social Commentary in Reggae Music, 36–54. London: Routledge, 2021. http://dx.doi.org/10.4324/9780367823559-3.

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White, E. Jayne. "Mikhail Bakhtin." In Theories of Early Childhood Education, 131–48. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315641560-11.

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Brandist, Craig, and Galin Tihanov. "Introduction: Appropriation in History." In Materializing Bakhtin, 1–2. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230501461_1.

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Alpatov, Vladimir M. "What is Marxism in Linguistics?" In Materializing Bakhtin, 173–93. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230501461_10.

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Hitchcock, Peter. "The World According to Globalization and Bakhtin." In Materializing Bakhtin, 3–19. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230501461_2.

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Côté, Jean-François. "Bakhtin’s Dialogism Reconsidered through Hegel’s ‘Monologism’: the Dialectical Foundation of Aesthetics and Ideology in Contemporary Human Sciences." In Materializing Bakhtin, 20–42. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230501461_3.

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Tihanov, Galin. "Culture, Form, Life: The Early Lukács and the Early Bakhtin." In Materializing Bakhtin, 43–69. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230501461_4.

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Conference papers on the topic "Bakhtin"

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Dubrovskaya, S., E. Maslova, and O. Osovsky. "M.M. BAKHTIN IN THE SPACE OF SOVIET LITERARY STUDIES OF 1950S." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3728.rus_lit_20-21/206-210.

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The article examines episodes of M.M. Bakhtin's personality and ideas in the 1950s. Based on the analysis of materials found in the scholar's personal archive, the testimonies of contemporaries, and surviving correspondence, it is concluded that M.M. Bakhtin's name and works during this period were known to a much larger circle of scholars than previously thought, and that the dialogue with Bakhtin about Dostoevsky was becoming an important part of Soviet Dostoevsky studies in the second half of the 1950s.

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Martins de Oliveira, Paulo. "CÍRCULO DE BAKHTIN: LINGUAGEM, DIALOGISMO E ENSINO." In VI Congresso internacional das lincenciaturas. Instituto internacional despertando vocações, 2017. http://dx.doi.org/10.31692/2358-9728.ivcointerpdvl.2017.00087.

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Veinberg, Sandra. "MIKHAIL BAKHTIN�S DIALOGISM IN MEDIA COMMUNICATION." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/2.1/s10.030.

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Petrilli, Susan, and Augusto Ponzio. "DEED, OTHERNESS AND LOVE IN BAKHTIN AND PEIRCE." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-019.

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De Jesus Da Fonseca Loureiro, Simone, ROSALINA ALBUQUERQUE HENRIQUE, RITA DE CÁSSIA BASTOS SILVA, and Vania Maria Batista Sarmanho. "ALTERIDADE EM BAKHTIN: UM OLHAR SOBRE O ALUNO COM DEFICIÊNCIA INTELECTUAL." In XIV Fórum de Pesquisa e Extensão da Escola de Aplicação da UFPA. Belém, Pará: Even3, 2023. http://dx.doi.org/10.29327/xiv-forum-de-pesquisa-e-extensao-da-escola-de-aplicacao-da-ufpa-295677.610479.

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BASÍLIO CARDOSO DE LIMA, BRUNO. "PORQUE ME TORNEI PROFESSOR DE CIÊNCIAS? UM OLHAR A PARTIR DE BAKHTIN." In XIV Colóquio Internacional "Educação e Contemporaneidade". Grupo de Estudos e Pesquisas "Educação e Contemporaneidade", 2020. http://dx.doi.org/10.29380/2020.14.07.04.

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Gregory, Christian. "Citation Metrics and Meta-Analysis: The Rise of Bakhtin in English Education." In 2019 AERA Annual Meeting. Washington DC: AERA, 2019. http://dx.doi.org/10.3102/1442177.

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Lotas, Sasha. "Designing Adult Literacy GED Academic Writing Pedagogy: Using Bakhtin to Learn From Tension." In 2019 AERA Annual Meeting. Washington DC: AERA, 2019. http://dx.doi.org/10.3102/1442324.

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Piva Jr., Dilermando, and Ricardo L. Freitas. "Linguagem Dialógica Instrucional: A (Re)Construção da Linguagem para Cursos Online." In Workshop de Informática na Escola. Sociedade Brasileira de Computação - SBC, 2010. http://dx.doi.org/10.5753/wie.2010.25394.

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Este artigo apresenta a base teórica da conceituação da "linguagem dialógica instrucional" para ser utilizada em EaD, sedimentada em duas correntes de pensamento: de um lado a "educação dialógica" de Paulo Freire e de outro a "dialogicidade da língua" de Mikhail Bakhtin. Em seguida, são descritos os princípios fundamentais da (re)construção dos objetos de aprendizagem destinados a cursos online, o qual denominamos de "linguagem dialógica instrucional" - LDI.

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Baranauskienė, Ingrida. "THE IDEAS OF BAKHTIN FOR ARCHITECTONICS OF QUALITATIVE RESEARCH IN THE CONTEXT OF DISCOURSE ANALYSIS." In 12th International Conference on Education and New Learning Technologies. IATED, 2020. http://dx.doi.org/10.21125/edulearn.2020.0251.

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