Relevant bibliographies by topics / Bakhtin's chronotope

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Academic literature on the topic 'Bakhtin's chronotope'

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Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Bakhtin's chronotope"

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Stone, Jonathan. "Polyphony and the Atomic Age: Bakhtin's Assimilation of an Einsteinian Universe." PMLA/Publications of the Modern Language Association of America 123, no. 2 (March 2008): 405–21. http://dx.doi.org/10.1632/pmla.2008.123.2.405.

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Mikhail Bakhtin described a novelistic world bound to the reader's point of view and perception of reality. Albert Einstein's theory of relativity justified Bakhtin's elevation of the reader to a central position in his theory of the novel. This essay examines Bakhtin's engagement with Einsteinian relativity in the context of two of his most influential contributions to critical discourse—polyphony and the chronotope. Originating in the 1920s, Bakhtin's notion of polyphony was initially an expression of his Kantian mind-set. When Bakhtin reworked his formulation of polyphony in 1963 (having already broached the topic of literary spaciotemporality with the chronotope), Einstein had replaced Kant as Bakhtin's guiding intellectual paradigm. In advocating a relativistic model to explicate the literary world, Bakhtin aligned centuries of novelistic tradition with a distinctly modern worldview. His use of the epistemological possibilities inaugurated by twentieth-century physics allowed him to interpret centuries-old texts with an insightfulness available only to a post-Einsteinian reader.
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Karimzad, Farzad, and Lydia Catedral. "‘No, we don't mix languages’: Ideological power and the chronotopic organization of ethnolinguistic identities." Language in Society 47, no. 1 (December 5, 2017): 89–113. http://dx.doi.org/10.1017/s0047404517000781.

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AbstractIn this study we address ethnolinguistic identity using Bakhtin's (1981) notion of chronotope. Taking an ethnographic approach to linguistic data from Azerbaijani and Uzbek communities, we trace the impact of various chronotopes on our participants’ acts of ethnolinguistic identification. Building on Blommaert & De Fina (2017), we illustrate how ethnolinguistic identification is an outcome of the interaction between multiple levels of large- and small-scale chronotopes. Furthermore, we argue that chronotopes differ in terms of their power, depending on the ideological force behind them. We demonstrate how power differentials between chronotopes can account for certain interactional and linguistic patterns in conversation. The power inherent in chronotopes that link nationhood with specific languages makes the notions ofdiscrete languagesandstatic identities‘real’ for our participants. Therefore, discussions of language and identity as flexible and socially constructed, we argue, must not obscure the power of these notions in shaping the perceptions of sociolinguistic subjects. (Chronotope, ethnolinguistic identity, power, Uzbek, Azeri/Azerbaijani, nationalism, language mixing, language ideology)*
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Waithe, Marcus. "News from Nowhere , Utopia and Bakhtin's idyllic chronotope." Textual Practice 16, no. 3 (January 2002): 459–72. http://dx.doi.org/10.1080/09502360210163426.

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Ayers, Carolyn Jursa. "AN INTERPRETIVE DIALOGUE: Beckett's "First Love" and Bakhtin's Categories of Meaning." Samuel Beckett Today / Aujourd'hui 7, no. 1 (December 8, 1998): 391–406. http://dx.doi.org/10.1163/18757405-90000109.

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From the very first sentence of "First Love", Beckett's narrator-protagonist engages the reader in an aggressive, one-sided dialogue. We might respond by bringing the voice of the narrator, and Beckett's narrative in general, into contact with the major theorizer of dialogue, Mikhail Bakhtin. Bakhtin's categories of genre suggest that Beckett's story may share strategic affinities with the menippea, while his concept of chronotope helps to clarify some of the contradictory details in the text. It is the idea of dialogue, however, with its implied surrender of power to the other that dominates the text and obsesses the narrator. In illuminating the narrator's resistance to, and regretful acknowledgement of his dialogic position in the worId, Bakhtin's words respond to and renew Beckett's.
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Perrino, Sabina. "Chronotopes of story and storytelling event in interviews." Language in Society 40, no. 1 (February 2011): 91–103. http://dx.doi.org/10.1017/s0047404510000916.

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AbstractNarratives in interviews involve the alignment of two chronotopes (Bakhtin's term, literally ‘time-space’) or what has traditionally been termed the narrated and narrating events. While narrators are expected to separate the there-and-then narrated-event chronotope from the here-and-now narrating-event chronotope, tropic forms of coeval alignment exist that erase or blur the line between the two events, as if they were occurring in the same time and place. In this article I argue for the need to map these shifting alignments in interviews. This article begins with, but then moves beyond, the familiar case of the “historical present,” where narrators shift into using nonpast temporal deixis for past events. Drawing first on an oral narrative from Italy, I show how resources besides the historical present can produce similar alignment effects. In order to demonstrate more extreme forms of coeval alignment, I then compare these data with those from a Senegalese narrator in Dakar who transposes participants “into” his stories. Through this comparison I illustrate how cross-chronotope alignment reveals the way narrators manage the relationship between story and event in interviews. Mapping these shifting alignments can help illuminate the emergent relations between interviewer and interviewee and hence show how stories reflect and shape the interview context in which they occur. (Narrative, interview, chronotope, historical present, Italian, Senegal)*
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Blommaert, Jan. "Commentary: Mobility, contexts, and the chronotope." Language in Society 46, no. 1 (February 2017): 95–99. http://dx.doi.org/10.1017/s0047404516000841.

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Mobility raises specific issues with regard to what we understand by ‘context’, and in this commentary I suggest that Bakhtin's concept of chronotope could be a useful instrument enabling a precise and detailed, mobile, unit of ‘context’. This unit connects specific time-space arrangements with ideological and moral orders, projecting possible and preferred identities. The articles in this issue offer rich material in this direction.
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Segal, E. "Bakhtin's Theory of the Literary Chronotope: Reflections, Applications, Perspectives." Poetics Today 33, no. 2 (June 1, 2012): 241–44. http://dx.doi.org/10.1215/03335372-1586599.

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Voronina, N. I. "DAYS OF M.M. BAKHTIN IN SARANSK (TO THE 125TH ANNIVERSARY OF THE THINKER'S BIRTH)." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23 (2021): 5–9. http://dx.doi.org/10.37313/2413-9645-2021-23-76-5-9.

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Subject of the article: review of the Bakhtin days in Saransk (to the 125th anniversary of the thinker's birth)". The object of the article: twenty-first century, "dialogue with a thinker" on the day of birth. Project goal: to update information about the development of Bakhtin studies in the modern world for the scientific and educational world. Methodology of work: the phenomenon of Bakhtin is unique, unique and significant. This context of studying his scientific work became possible using comparative historical, cultural-philosophical approaches, as well as the biographical method of analysis. Results of the work: consideration of Bakhtin's works, his ideas, thoughts, approaches and research methods, the meanings of his biographical chronicle, and transcripts on publications from the scientist's personal library makes it possible to build a chronotope of memory, fix the dominant literary and cultural-philosophical meanings, and identify the specifics of Bakhtin's thinking and the ideas that dominate his work. Scope of the results: the dialogue that reflects the new multi-level way of research of Bakhtin's works becomes the basis for the formation of a new scientific paradigm, in his own words, "The last word about the world is not said. Still ahead", which stimulates interest in understanding the innovative phenomena associated with the life and work of the thinker, opens up the possibility of comparative methodology in the study of the "Circle of Bakhtin" and his personality. Understanding the scientific dialogue "I and the Other", the phenomenon of polyphonism, the chronotope of culture and art in the regional and urban space, etc. it allowed us to clarify / detail the General patterns of development of Bakhtin studies. Conclusion: the scientific novelty of the project consists in a comprehensive analysis of the Round table materials related to the increasing dynamics of research on Bakhtin, the activities Of the M. M. Bakhtin Center at the N. P. Ogarev Mordovian state University, and the publication of the scientific electronic journal "Bakhtin Bulletin". In the context of Russian culture, holding such an International forum, which held a dialogue about the present and the future perspective in the study of the semantic context of M. M. Bakhtin works, is important and significant. The inclusion of these materials in scientific circulation contributes to the enrichment of scientific thought about the literary critic and philosopher M. M. Bakhtin. The conclusions presented in the scientific review are reasoned and logical.
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Osovsky, Oleg, Svetlana Dubrovskaya, and Ekaterina Chernetsova. "Social education through the lens of Bakhtinian theory." Dialogic Pedagogy: An International Online Journal 9 (September 7, 2021): R7—R16. http://dx.doi.org/10.5195/dpj.2021.440.

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A review of Bakhtin in the Fullness of Time: Bakhtinian Theory and the Process of Social Education, Edited by Craig Brandist, Michael E. Gardiner, E. Jayne White and Carl Mika. L.: Routledge. 2020. 160 p. The review of the collection of articles Bakhtin in the Fullness of Time: Bakhtinian Theory and the Process of Social Education represents an analysis of the perspectives, main trends, and interpretations of key points, ideas, and concepts of M. M. Bakhtin in the contemporary theory and practice of Social Education. The book’s nine chapters are grouped within three problem areas, researched by the book’s contributors. This is, in the first place, a re-establishment of those philosophical and sociological sources that trace back to the roots of Bakhtin’s early views that had defined the nature of his responses to the challenges of his time in his early philosophical texts, books about Dostoevsky and books about bildungsroman. Another field of examination is Bakhtin's late dialogue with his contemporaries. Sometimes this dialogue is active and obvious, as it happens in the situation with the latest aesthetic and literary trends in Russia at the beginning of the 1920s. Sometimes this dialogue turns out to be ambiguous, therefore researchers can only guess how to reconstruct it, basing their views on the complementarity of Bakhtin’s ideas and Lev Vygotsky or Paulo Freire’s ones. An equally important aspect of this collection is a number of articles devoted to how Bakhtin's theory is transformed into "classroom practice", whether it concerns the use of dialogue and its capabilities in interaction with foreigners, providing educational opportunities to the most economically vulnerable segments of South African society, or communication with preschoolers in kindergarten. The authors of the book managed to create a convincing picture of how Bakhtinian theory is becoming one of the most important elements of contemporary theory and practice of education. At the same time, not only Bakhtinian ideas, primarily the concepts of dialogue, polyphony, carnival, and chronotope, are important, but also that free polyphony, which puts into effect any creative practice.
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Porter, Laurin. "Bakhtin's Chronotope: Time and Space inA Touch of the PoetandMore Stately Mansions." Modern Drama 34, no. 3 (March 1991): 369–82. http://dx.doi.org/10.3138/md.34.3.369.

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Dissertations / Theses on the topic "Bakhtin's chronotope"

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Montgomery, Michael Vincent. "Bakhtin's chronotope and the rhetoric of Hollywood film." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185758.

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This dissertation considers Hollywood film locales rhetorically, as the site of many different kinds of community activities and perspectives. In particular, my focus will be on locales and mise-en-scene elements that replicate certain "chronotopic" patterns of time and space organized by our culture in its literature. These special patterns, along with their signifying functions, were first outlined by Mikhail Bakhtin during the period 1937-1938. As a first step, I begin with a broad survey, outlining the salient features of Bakhtin's individual chronotopes ancient and modern, and considering fundamental connections between these chronotopes and classical Hollywood genres of the 1940s. I devote my second chapter to the exploration of other important theoretical bases of Bakhtin's work; in particular, to the belief in the rejuvenating power of folk language and the carnivalesque. My argument is that the "idyllic chronotope" is given the same position of centrality in Bakhtin's discussions of space and time as carnivalesque speech genres are in his discussions of language. The appearance of an "idyllic interlude" in a work of literature or in a film can suddenly throw the rest of the represented world into moralizing "perspective" just as a carnivalesque insult or quip can "degrade" a high-sounding speech. My third theoretical problem will be the reception and processing of the film text. How does the audience of a film apply their socially-formed schema and knowledge of the characters' "situations" to a film text in order to construct meaning? Here I demonstrate how the "high-lighting" of a film text with recognizable chronotopes can help an audience to form judgments about characters and to construct analogies between character situations and situations arising in their own communities. In my fourth and final chapter, I branch out from Bakhtin's models to consider new chronotopes as they may develop during a particular historical decade. Specifically, I examine the representation of the "shopping mall" as it appears throughout a dozen or so 1980s films in order to show how the spatiotemporal worlds suggested by these films can be "opened out" into a study of teen culture and social mores across the decade as a whole.
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Hohnarth, Alaina. "Mikhail Bakhtin's Appropriation in the West and a Needed Return to Primary Texts: A Review of Authoritative Criticism and a Return to the Idyllic Chronotope in Jude the Obscure." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/13.

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Elmgren, Charlotta. "The Chronotope of Immigration in Jeffrey Eugenides' Middlesex." Thesis, Stockholms universitet, Engelska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-61587.

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Jeffrey Eugenides‟ Middlesex can be ascribed to many genres, one of which is the novel of immigration. Mikhail Bakhtin has suggested that each genre, indeed any literary motif, can be defined by its own chronotope, literally “time space,” “the intrinsic connectedness of temporal and spatial relationships that are artistically expressed in literature.” The essay discusses the chronotope of immigration in Middlesex, and looks at how four specific intersections of time and space, embodied by the four houses inhabited by the Stephanides family, contribute to the unfolding of this particular immigration saga. The four houses can thus be seen to represent the key elements of this novel‟s instance of a chronotope of immigration, which brings up concepts such as assimilation, hybridity and “third space.” The essay also examines the relations of central characters to time, space and each other; the upstairs/downstairs and inside/outside dichotomies within each house providing interesting keys to inter-gender and inter-generational alienation within this chronotope of immigration.
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Collington, Tara Leah. "La corrélation essentielle des rapports spatio-temporels, la validité heuristique du chronotope de Bakhtine." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ63825.pdf.

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Tzimopoulou, Eleni. "Refraction, Heteroglossia and Chronotope in Virginia Woolf’s Mrs Dalloway : Following Bakhtin’s View of the Novel as Centrifugal Force." Thesis, Högskolan Dalarna, Engelska, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27363.

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Beck, Christoph. "Chronotopos Ostdeutschland aus der Sicht westdeutscher Autoren : vergleichende Roman-Analyse zu einem Motiv bei Jan Böttcher und Andreas Maier." Master's thesis, Universität Potsdam, 2010. http://opus.kobv.de/ubp/volltexte/2011/5241/.

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Bislang konzentrierten sich die Untersuchungen des westdeutschen Blicks auf Ostdeutschland auf den Zeitraum vor der Wende oder auf Rundfunk- und Fernseh-Medien. Die Gegenwartsliteratur stellt einen weißen Fleck in dieser Frage dar. Anhand des Chronotopos-Konzepts von Michail Bachtin werden in dieser Arbeit daher zeitliche und räumliche Tiefenstrukturen in der Darstellung Ostdeutschlands in den Werken Jan Böttchers und Andreas Maiers herausgearbeitet und mit ihrer Darstellung Westdeutschlands verglichen. Neben grundsätzlichen Unterschieden fallen dabei signifikante Übereinstimmungen auf.
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Newell, Marilee. "The wyvern's tale : a thought experiment in Bakhtinian dual chronotope occupation." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/2154.

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The non-fiction introduction to The Wyvern’s Tale: A Thought Experiment in Bakhtinian Dual Chronotope Occupation documents the evolution of the novel, The Wyvern’s Tale, from the ideas that inspired it to its current incarnation as a full-length novel intended for an adult audience. It comprises an explanation of the novel’s main concept, Bakhtinian dual chronotope occupation, as well as an idea-focused account of the creative-writing process. Detailed in the introduction’s theoretical premise is the relationship between Mikhail Bakhtin’s theories of chronotope and the carnivalesque and the ideal of the divided union in Chalcedonian Christology. This relationship revolves around the state of existing in two time-spaces at once. The novel, The Wyvern’s Tale, explores this dual existence imaginatively using the setting of parallel worlds – the every-day world and a fictional world called Wyvern – as well as a protagonist, who functions in the fictional world as a Christ-figure. Particular thematic emphasis is placed on differing perceptions of truth and reality, and on the transformative power of costumes. The novel’s outcome, dependent on the reader’s decision as to whether dual chronotope occupation is possible or impossible, is respectively either hopeful or tragic. It attempts to reflect the outcome of the life and death of Christ depending on whether his co-existence as God and man was real or imagined.
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Tourchon, Patrick. "Joseph Conrad et Borneo, 1895-1920 : chronotopes bornéens dans l'oeuvre de J. Conrad." Lyon 2, 2004. http://theses.univ-lyon2.fr/documents/lyon2/2004/tourchon_p.

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Les critiques conradiens font souvent peu de cas de la topographie. De Robert Lee à John Stape, nombre d'érudits nient la pertinence des références géographiques au nom d'un allégorisme, d'un symbolisme ou d'un psychologisme plus ou moins explicite. Le point de départ de cette thèse est de remettre en question ces présupposés et d'accepter la possiblilité pour l'espace et le temps, en tant que ce sont aussi des catégories littéraires, d'être essentiels dans les romans et les nouvelles de Conrad. Dès que Conrad se réinsère ainsi dans l'espace-temps, le concept bakhtinien de chronotope devient applicable. Ce qui veut dire qu'un appareil théorique complexe et riche devient disponible. Car non seulement le chronotope réunit le temps et l'espace, mais il implique de plus une interrogation sur l'émergence du sujet, tout comme il amène à examiner les différentes voix qu'un texte donne à entendre pour une polyphonie potentielle. Le concept bakhtinien, pourvu qu'il se soutienne d'une sémiotique peircéenne et s'enrichisse de développements plus récents opérés par Lacan, couvre donc aussi bien la narratologie que la pragmatique, l'analyse que la rhétorique. Or, Joseph Conrad est un auteur si "chronotopique" qu'une typologie de ses oeuvres peut se foncer sur la localisation précise de ses décors narratifs. Parmi ces décors, Bornéo se distingue comme le lieu que Conrad n'a jamais vraiment quitté : de son premier roman (Almayer's Folly, 1895) à son avant-dernier (du moins publié) (The Rescue, 1920), il ne cesse de revisiter l'île. Une approche bakhtinienne ne pouvait donc qu'éclairer un tel signifiant insistant, et ainsi éclairer aussi les procédés créatifs de Conrad
Conradian critics often take no account of topography. From Robert Lee to John Stape, many scholars hold geographical references as irrelevant, shifting the emphasis on alleged allegorical, symbolic or psychological aspects. The starting point of this thesis is to question such assumptions and to accept the possiblility for space and time, inasmuch as they are literary categories as well, to be essential in Conrad's novels and short stories. Once Conrad is re-inserted into space-time, the Bakhtinian concept of chronotope becomes applicable. Which means that a rich, complex theoretical appartus becomes available. For chronotopes not only merge space and time, they also imply questions about the subject's emergence, as they lead to study the various voices that can be heard in a text to form a potential polyphony. The Bakhtinina concept, provided it is backed up by a Peircean semiotics and enriched by Lacan's more recent developments, thus encompasses narratology as well as pragmatics, psychoanalysis as well as rhetoric. Now, Joseph Conrad proves so "chronotopic" a writer that a typology of his work can be based on a thorough location of his stories setting. Among these settings, Borneo stands out as the place Conrad never really left : from his first novel (Almayer's Folly, 1895) to the penultimate (published) one (The Rescue, 1920), he pays persistent visits to the island. A Bakhtinian approach could but shed light on such a recurring signifier, and therefore on Conrad's creativity
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McAllister, Brian J. "“To Know Where I Have Got To”: The Postmodern Chronotope in Beckett’s Malone Dies and Coetzee’s Foe." Scholar Commons, 2008. https://scholarcommons.usf.edu/etd/388.

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This study addresses two works of fiction--Samuel Beckett's Malone Dies and J. M. Coetzee's Foe--and is separated into two chapters. The first chapter analyzes the indeterminate nature of postmodern space within the two novels as related to M. M. Bakhtin's idea of the chronotope found in his work The Dialogic Imagination. The second chapter addresses the self-reflexive creation of this postmodern space within each novel's hypodiegetic narratives and discussions of narrative creation within each respective diegetic narratives. In each novel, characters as authors create or discuss "inner" narratives that reflect upon the way chronotopes are created in fiction and reveal problematic aspects of those chronotopes. This narrative creation produces what I call a "postmodern creative chronotope" that self-reflexively embraces indeterminacy at the same time that it critiques the elements that produce this indefinite relationship between time and space, a strategy that is especially postmodern. I contextualize the discussion by introducing theories of postmodernism, specifically those of Jean-François Lyotard and Linda Hutcheon. Lyotard's claim that postmodernism resists totalizing structures and Hutcheon's contention that it engages in a simultaneous complicity and critique inform the relationships between time and space in both Beckett's and Coetzee's text. Additionally, theories of postmodern space contribute to the more specific discussion of the postmodern chronotopes in both novels. Spatial theorists like Edward Soja and Henri Lefebvre, among others, have attempted to reassert issues of space in what has been an ontological and epistemological framework that has prioritized time. Their reassertion of spatiality reconnects the two halves of the spatio-temporal framework of the chronotope in narrative. Beckett and Coetzee employ similar indeterminate and self-reflexive chronotopal strategies in their novels. Coetzee, however, inserts a number of global/political issues into his self-reflexive discussion of chronotopal creation and definition.
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Brasebin, Jenny. "Road novel, road movie : approche intermédiale du récit de la route." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030088.

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Apparu au lendemain de la Seconde Guerre mondiale avec la publication en 1957 d’On the Road de Jack Kerouac et la sortie, 12 ans plus tard, d’Easy Rider de Dennis Hopper, le road novel et le road movie constituent à nos yeux les deux versants de ce que nous avons choisi de nommer le récit de la route. Devant l’absence de réelle étude conjointe entre les deux formes et la persistance d’amalgames, nous souhaitons mettre en évidence ce qui permettrait de distinguer le road novel et le road movie d’autres récits d’errance. Un tel travail nécessite la mise au jour d’un outil d’analyse intermédial permettant d’embrasser de concert des oeuvres relevant d’expressions médiatiques différentes. Nous proposons donc de recourir au concept de chronotope développé par Bakhtine en littérature, et dont il a été démontré il y a peu qu’il est aussi susceptible de s’appliquer à un objet cinématographique. Nous posons que road novel et road movie reposent sur la combinaison d’un ensemble de chronotopes fondamentaux : celui de la route, dans le contexte de la motorisation et des non-lieux de la postmodernité, et celui du seuil, compris comme l’expression du tournant d’une vie. La présence d’une dimension parodique nous amène en outre à mobiliser un autre concept bakhtinien : celui de carnavalesque, qui s’articulerait justement autour des chronotopes de la route et du seuil définis précédemment. Afin de procéder à cette analyse chronotopique, nous nous appuyons sur un corpus d’oeuvres empruntées au répertoire américain, québécois et allemand, en raison notamment des multiples passerelles susceptibles d’être érigées entre ces différentes cultures
Appearing in the wake of World War II, with the publication in 1957 of On the Road by Jack Kerouac,followed 12 years later with the screening of Denis Hopper’s Easy Rider, the road novel and road movie constitute, we argue, two sides of what we call the road narrative. Faced with a lack of comprehensive studies embracing both sides concurrently, and with recurrent amalgams, we reflect on the components differentiating the road novel and road movie from other types of wandering stories. Such a project calls for the construction of an intermedial apparatus, enabling us to jointly encompass artworks belonging to different media formats. Consequently, we build on the concept of the chronotope, as developed by Bakhtin as a tool for literarycriticism, and recently extended by scholars to cinematographic objects. We show how road novels and roadmovies emerge from the combination of two fundamental chronotopes: that of the road, exemplified by a postmodern universe dominated by motor vehicles and non-places, and that of the threshold, understood as the expression of a critical turn in one’s life. The noted presence of a parodic dimension in road narrativescalls for the introduction of an additional bakhtinian concept: the carnivalesque, which, as we show, can be articulated in relation to the previously defined road and threshold chronotopes. For this chronotopical analysis, we selected artworks from the American, Quebecois and German repertoires, a choice justified by the numerous potential connections to be established between those three different cultures
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Books on the topic "Bakhtin's chronotope"

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Montgomery, Michael V. Carnivals and commonplaces: Bakhtin's chronotope, cultural studies, and film. New York: P. Lang, 1993.

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Nele, Bemong, Borghart Pieter, De Dobbeleer Michel, and Demoen Kristoffel, eds. Bakhtin's theory of the literary chronotope: Reflections, applications, perspectives. Gent: Ginko, Academia Press, 2010.

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Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Gent: Academia Press, 2010.

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Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Gent: Academia Press, 2010.

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Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Gent: Academia Press, 2010.

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Carnivals and Commonplaces: Bakhtin's Chronotope, Cultural Studies, and Film (American University Studies Series IV, English Language and Literature). Peter Lang Publishing, 1994.

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Bakhtin And His Others Intersubjectivity Chronotope Dialogism. Anthem Press, 2013.

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Branham, R. Bracht. Inventing the Novel. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198841265.001.0001.

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Bakhtin as a philosopher and a student of the novel is intent upon the novel’s role in the history of consciousness. His project fails if he is wrong about the dialogic nature of consciousness or the cultural centrality of the novel as the only discourse that can model human consciousness and its intersubjective character. Inventing the Novel is an argument in four stages: the Introduction surveys Bakhtin’s life and his theoretical work in the 1920s, which grounded his work on the novel, as investigated in following chapters. Chapter 1 sketches Bakhtin’s view of literary history as an agonistic dialogue of genres, concluding with his claim that the novel originates as a new way of evaluating time. Chapter 2 explores Bakhtin’s theory of chronotopes: how do forms of time and space in ancient fiction delimit the possible representation of the human? Chapter 3 assesses Bakhtin’s poetics of genre in his account of Menippean satire as crucial in the history of the novel. Chapter 4 uses Petronius to address the prosaics of the novel, exploring Bakhtin’s account of how novelists of “the second stylistic line” orchestrate the babble of voices expressive of an era into “a microcosm of heteroglossia,” focusing it through the consciousness of characters “on the boundary” between I and thou. Insofar as this analysis succeeds, it evinces the truth of Bakhtin’s claim that the role of Petronius’s Satyrica in the history of the novel is “immense.”
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Barrett, Rusty. “The Faggot God is Here!”. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780195390179.003.0003.

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This chapter analyzes the language of religious music among radical faeries, a gay subculture founded in Neopagan religion. The analysis focuses on Ye Faerie Hymnal, a collection of songs used during faerie gatherings (in which faeries meet together in a rural or outdoor setting, usually for several days). Particular attention is given to Bakhtin’s concept of chronotopes, or the spatial and temporal associations indexed by a particular use of language. The songs in the hymnal index chronotopes associated with anti-Christian stances. The songs include multiple appropriations from religious traditions that have historically been oppressed by Christian groups. The songs also index chronotopes specific to radical faerie history, including prior faerie gatherings. Particular attention is given to the ways in which the songs reproduce radical faerie ideologies of gay male androgyny.
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Collington, Tara Leah. "La corrélation essentielle des rapports spatio-temporels": La validité heuristique du chronotope de Bakhtine. 2000.

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Book chapters on the topic "Bakhtin's chronotope"

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Harrison, Keith. "Chronotopes and Categories of Shakespeare-Inflected Films." In Shakespeare, Bakhtin, and Film, 27–55. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59743-0_2.

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Brottman, Mikita. "Carnival and Chronotope: Bakhtin and Style Magazines." In High Theory/Low Culture, 1–20. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403978226_1.

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Flanagan, Martin. "Chronotope I: Time, Space, Narrative — ‘Get Ready for Rush Hour’." In Bakhtin and the Movies, 53–82. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230252042_3.

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Flanagan, Martin. "Chronotope II: Time, Space and Genre in the Western Film." In Bakhtin and the Movies, 83–126. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230252042_4.

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Harrison, Keith. "Chronotopic Images and Cinematic Dialogism with Shakespeare." In Shakespeare, Bakhtin, and Film, 57–91. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59743-0_3.

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Turgut, Hasan. "Chronotopes as a Component of Ideological Narrative in Political Advertisements." In Advances in Marketing, Customer Relationship Management, and E-Services, 77–94. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-9790-2.ch008.

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The JDP (Justice and Development Party-AK Party) enters the local elections to be held on March 31, 2019, with the slogan of “Gönül Belediyeciliği”. In this process, the political campaign process is carried out in accordance with the conservative ideological stance of the party around various slogans such as “Memleket İşi Gönül İşi,” “Gönülden Yaparsan Gönüller Kazanırsın,” and “Gönlü Güzel İnsanların Ülkesidir Burası.” M. Bakhtin describes how the narrative is structured in time and space in the novel with the concept of chronotope. In a narrative, chronotope is the place where the plot is touched and solved as a combination of time and space. This study aims to explore the role of chronotopes in the formation of ideological narrative structures. Within this framework, chronotopic elements in “Gönül Belediyeciliği” commercials will be analyzed.
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"Chronotope." In Mikhail Bakhtin, 112–28. Routledge, 2014. http://dx.doi.org/10.4324/9780203625507-8.

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Branham, R. Bracht. "The Poetics of Genre." In Inventing the Novel, 81–104. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198841265.003.0004.

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This chapter explores why Bakhtin asserted the Satyrica was proof that “Menippean satire can expand into a … realistic reflection of the socially varied and heteroglot world of contemporary life”—an arguably false assertion containing much truth. For Bakhtin, ancient fiction emerged chiefly under three rubrics: novelistic discourse, space-time (chronotopes) in fiction, and minor novelistic history envisioning Menippea as catalyst. The first two isolate forms specific to ancient fiction, distinguishing dominant types; the final rubric investigates how prose fiction relates to the genres it arises from. Although Bakhtin’s conception of Menippea is not so ahistorical as it sometimes seems when removed from his three-dimensional approach, it is sweeping, idiosyncratic. This chapter begins with Bakhtin’s characterization of Menippea amid accounts specifying what makes it crucial for novelistic discourse; it then asks how Bakhtin sheds light on literary history as a dialogue of genres.
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"Borrowing Bakhtin." In Chronotopes of Law, 1–29. Routledge, 2015. http://dx.doi.org/10.4324/9781315881614-1.

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Ferme, Mariane C. "Chronotope 1." In Out of War, 69–73. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520294370.003.0003.

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Borrowing an expression from Bakhtin about the crystallization of space-time in language, this reflection focuses on the anticipatory and revelatory quality of collective anxieties about the present, which are frozen in rumors (for instance, about suspected collusions between soldiers and rebels) and become fully realized as actual alliances at a later time. The chapter traces the emergence and eclipse of rumors at specific historical moments in war.
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