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Journal articles on the topic 'Bakhtin'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Babushkina, Mariya A., and Anna D. Vladimirova. "Editions with Marginalia by M. M. Bakhtin (from the Thinker’s Archive)." Russian Journal of Bakhtin Studies 7, no. 1 (2025): 95–103. https://doi.org/10.15507/2658-5480.07.202501.095-103.

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Introduction. The problems of creating ascientific biography of M. M. Bakhtin in thelast decade have been the focus of attention of researchers of his legacy. Readers' notes of the philosopher on other publications, including works of fiction and textbooks, remain unstudied and are of interest for further study. The purpose of the study is to presentalist of publications with Bakhtin's marginalia from the personal archive of the thinker. Materials and Methods. The main material for the study were books and articles with readers' notes of M. M. Bakhtin from his personal archive, the collected w

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2

Yurchenko, Tatiana. ""BAKHTINSKY VESTNIK": A NEW ACADEMIC E-JOURNAL FOR BAKHTIN STUDIES." RZ-Literaturovedenie, no. 2 (2021): 9–24. http://dx.doi.org/10.31249/lit/2021.02.01.

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The review deals with the first four issues of a new academic e-journal «Bakhtinsky vestnik». The articles on Bakhtin's theory are discussed; special attention is given to the replies to the Bakhtin questionnaire devoted to the 125th anniversary of Bakhtin - about the significance of Bakhtin's ideas today, his contribution to the humanities, the current state and future development of Bakhtin studies.

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3

Donik, K. V. "Nikolai Bakhtin in the Naval ministry: on the history of the formation of the bureaucratic entourage of prince Alexander Menshikov in the navy in the late 1820s – early 1830s." Transaction Kola Science Centre 12, no. 4-2021 (2021): 162–70. http://dx.doi.org/10.37614/2307-5252.2021.4.21.012.

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The article describes some aspects of the service of the famous statesman Nikolai Bakhtin (1796–1869), when he was a special assignment official under Prince Alexander Menshikov. In 1827–1834 Bakhtin was in the service of the Naval ministry, the management system of which was undergoing changes during this period. The study based on new archival sources reconstructs the circumstances of Bakhtin to serve in the Naval directorate from the War ministry and his activities as an official on special assignments under Menshikov. In addition to the facts of Bakhtin's biography, these circumstances can

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4

Tiupa, Valerij I. "Narratological Bakhtin." Dostoevsky Journal 16, no. 1 (2015): 29–37. http://dx.doi.org/10.1163/23752122-01601005.

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Although Bakhtin did not use special narratological terms, he was interested in narratological issues. The significance of Bakhtin’s thought is especially felt in three fields of narratology: the correlation between the author and narrator figure (according to Bakhtin between the “primary” and “secondary” authors); the problem of eventfulness; and, finally, the metalinguistic view on the nature of narrative expression. This paper explores the correspondences between the three domains of narratology and Bakhtin’s phenomenology of speech genres and authorship.

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Osovsky, O. E. "Natalia Bonetskaya’s ‘Bakhtin triptych’." Voprosy literatury, no. 6 (December 8, 2024): 99–113. https://doi.org/10.31425/0042-8795-2024-6-99-113.

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The authors analyze N. Bonetskaya’s monograph and the two volumes of M. Bakhtin’s works she prepared for publication. In her book Bakhtin as a Philosopher [Bakhtin kak filosof ], Bonetskaya attempts a holistic reconstruction of Bakhtin’s philosophical-aesthetic and literary-critical legacy. The authors acknowledge Bonetskaya’s independent viewpoint and well-founded arguments, while also pointing to a few drawbacks in her study. The two volumes containing Bakhtin’s own works compiled and commented by Bonetskaya have distinct scholarly value. Her comments and footnotes piece together a coherent

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Osovskiy, O. E., and S. A. Dubrovskaya. "“And weeps with Dostoevsky until morning…”: specifics of the writers’ reception of M. Bakhtin’s personality and ideas." Philology and Culture, no. 3 (October 5, 2023): 145–50. http://dx.doi.org/10.26907/2782-4756-2023-73-3-145-150.

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The problem of the reception of M. Bakhtin’s personality and ideas seems to be one of the most important in today’s Bakhtin Studies. We focus on the writers’ reception among the various forms of Bakhtin reception. By Bakhtin literary reception they mean the presentation of Bakhtin’s image as a literary character, the participation of Bakhtin himself in the literary and cultural life of Nevel, Vitebsk, Leningrad, Saransk and Moscow, the facts of the thinker’s specific relations with representatives of the Russian literary community in different periods of his life. Special attention is paid to

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Osovskiy, Oleg E., and Vera P. Kirzhaeva. "“The Ability to Cognize and to Express Oneself”: Reflections on a Book on Dialogic Methods in Modern Humanities." Voprosy Filosofii, no. 11 (2022): 24–33. http://dx.doi.org/10.21146/0042-8744-2022-11-24-33.

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The aim of the article is to think over the Bakhtin’s role and the place of his ideas in the modern world. The reason for the authors’ reflection was the publication of the essays collection “Inspired by Bakhtin: Dialogical Methods” (2018). Its participants tried to demonstrate how Bakhtin’s dialogism was implemented in various fields of humanities. The material of the history and theory of literature, Russian postmodern prose, Plato’s dialogues, sociology, psychoanalysis, European cinema and architectural design shows the effectiveness of dialogic methods. The article underlines the suffic

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Makovtsev, Vladimir S. "Fyodor Dostoevsky in the late works of Mikhail Bakhtin." Vestnik Tomskogo gosudarstvennogo universiteta, no. 478 (2022): 44–49. http://dx.doi.org/10.17223/15617793/478/5.

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The author aims to outline the conceptualization of Mikhail Bakhtin's late works. Their essential moment is Bakhtin's specific attitude to works by Fyodor Dostoevsky and to literature as a special part of culture. In this connection, the author understands Bakhtin's philosophy as a philosophy of literature bordering on philosophical anthropology. In the article, using Bakhtin's writings, as well as a number of studies on his works, as material, the author intends to reconstruct the ontological basis of fiction, in the center of which lies the concept of grotesque Bakhtin developed in his book

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Osovsky, Oleg, Vera Kirzhaeva, Svetlana Dubrovskaya, and Ekaterina Chernetsova. "From Dialogic Imagination to Polyphonic Thinking: Bakhtin in Saransk 2021." ENTHYMEMA, no. 31 (February 1, 2023): 338–52. http://dx.doi.org/10.54103/2037-2426/19793.

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The article presents the results of the XVII International Bakhtin Conference held in Saransk (Russia) on July 5-10, 2021. The forum brought together over 100 participants from 22 countries and was held online. The 18 plenary lectures and more than 100 panels and online-discussions focused on the most important questions of the reception of Bakhtin’s heritage, and the influence of the thinker’s ideas on contemporary humanities. Presentations included works in the following areas: biography of Bakhtin, determining the place of his ideas in modern philology, philosophy and other social sciences,

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Osovsky, O. E. "Bakhtin in Shanghai. ‘Chinese lessons’ for Bakhtin studies." Voprosy literatury, no. 2 (May 27, 2019): 207–33. http://dx.doi.org/10.31425/0042-8795-2019-2-207-233.

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The philosopher M. Bakhtin occupies a unique place in the process of shaping of a new humanistic paradigm. Amid the 1960s crisis in the West, Bakhtin’s key concepts, from ‘carnival’ and ‘polyphony’ to ‘dialogism’, provided a foundation for a common communication code for the humanities, which helped participants of the dialogue to find their mutual points of interest. The 16th International Bakhtin Conference ‘Bakhtin in the Post-Revolutionary Era’, which took place in Shanghai in September 2017, prompted the author to ponder the modern state of international Bakhtin studies and identify certa

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Peshkov, Igor. "BAKHTIN QUESTION: THE INTERIM ANSWER." Literaturovedcheskii Zhurnal, no. 1 (2022): 182–210. http://dx.doi.org/10.31249/litzhur/2022.55.10.

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The article summarizes the interim results of the problem “Bakhtin under a mask”, the main of which is the final solution of Bakhtin question in the sense that the presumption of authorship for disputed texts now unambiguously passes to M.M. Bakhtin. As arguments for proving Bakhtin's attribution of the books “Freudianism”, “The Formal Method in Literary Criticism” and “Marxism and the Philosophy of Language” both numerous testimonies of Bakhtin himself and his contemporaries, and the results of text analysis of controversial books are cited. The logically grouped evidence clarifies Bakhtin's

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Emerson, Caryl. "THE FAD FOR BRINGING BAKHTIN DOWN (AND WHERE IT GOES WRONG)." Literaturovedcheskii Zhurnal, no. 4 (2021): 194–211. http://dx.doi.org/10.31249/litzhur/2021.54.12.

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Any boom calls forth a backlash and a trashing - and Bakhtin has been trashed often, for many reasons. In this article I consider the recent biography of Bakhtin written by Aleksei Korovashko in the history of anti-Bakhtinistics, and attempt to evaluate the “Korovashko tactic”: where, in my view, it goes wrong, and what lessons we might learn from it in light of Bakhtin’s teaching (especially his theory of love). I then discuss two more productive approaches to criticizing Bakhtin: one devoted to Bakhtin and the body (Dick McCaw), the other to Bakhtin and the spirit (Mikhail Epstein).

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Զաքարյան, Հռիփսիմե. "Երկխոսայնությունից մինչև միջտեքստայնություն (ժամանակակից եվրոպական մշակույթի ուղիները)". Bulletin of Yerevan University E: Philosophy, Psychology 15, № 2 (44) (2024): 19–31. https://doi.org/10.46991/bysu:e/2024.15.2.019.

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The theory of dialogism by M. M. Bakhtin, starting from the late 1960s, after the translation and publication of his works, had a significant influence on the main directions of Western literary criticism, their theory and methodological development. Despite modern theoretical justifications for the use of the term “intertextuality,” the phenomenon of intertextuality-the idea of the interconnection of different texts-is still a long-established and well-founded reality. However, the term “intertextuality” was first coined in 1967. The term was first introduced by the poststructuralist theorist

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Dubrovskaya, S. A. "M. M. Bakhtin in literary life of Mordovia in the 1940–1960s." Bulletin of Ugric studies 10, no. 4 (2020): 633–41. http://dx.doi.org/10.30624/2220-4156-2020-10-4-633-641.

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Introduction: the article concentrates on the understudied topic of M. Bakhtin’s role in the literary process of Mordovia, where the scholar spent almost 25 years (1936–1937, 1945–1969). By drawing on the published and archived materials, inscribed books from Bakhtin’s personal library and reports of the department that Bakhtin presided over, the author defines the scholar’s place in the literary life of Mordovia, analyses his pedagogical and scholarly activity as part of the literary process, demonstrates the role that Bakhtin played in the development of Mordovian literary studies. This appr

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Shaulov, Sergey. "The Terminological Thesaurus by M. M. Bakhtin in Modern Russian Dostoevsky Studies." Неизвестный Достоевский 10, no. 4 (2023): 176–94. http://dx.doi.org/10.15393/j10.art.2023.7001.

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The article examines the methodological aspects of the use of M. M. Bakhtin’s terminological thesaurus in modern Dostoevsky studies. The principal focus is on the instrumental application of the typical “Bakhtin formulas”: polyphony, the concept of genres, the confessional character of Dostoevsky’s word, chronotope, context of understanding, menippea, etc. It is noted that some of them are used discretely, that is, outside of their systemic connections with Bakhtin’s heritage as a whole. To one degree or another, they are taken into account in line with Russian ethnopoetics, in which the Bakht

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Hughes, Linda K. "Media by Bakhtin/Bakhtin Mediated." Victorian Periodicals Review 44, no. 3 (2011): 293–97. http://dx.doi.org/10.1353/vpr.2011.0030.

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Petrilli, Susan. "Dialogue, responsibility and literary writing: Mikhail Bakhtin and his Circle." Semiotica 2016, no. 213 (2016): 307–43. http://dx.doi.org/10.1515/sem-2015-0094.

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AbstractMikhail Bakhtin cannot be discussed without discussing his friends and collaborators forming the Bakhtin Circle. The name Bakhtin itself announces a polyphony of different voices and viewpoints, internally to Bakhtin’s own voice and externally, all evidencing the word’s capacity for dialogism and otherness, the possibility of cohabitation and interference among different voices in the same word, the propensity for participative listening, ultimately the inevitability of responsiveness/responsibility toward the other, that is, the other’s singularity. The name “Bakhtin” or, better, the

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18

Dolgorukova, Natalia M. "On Early Russian Reception of Mikhail Bakhtin’s Work." Dostoevsky Journal 16, no. 1 (2015): 79–91. http://dx.doi.org/10.1163/23752122-01601010.

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“The whole history of Russian thought during the Soviet period was a history with missing chapters”.1 One of such missing chapters is a history of the Soviet reception of the corpus of work created by Mikhail M. Bakhtin, Soviet thinker and literary critic (1895—1975). The history of the Soviet reception of Bakhtin’s ideas has not been written yet and there are no works on the subject. There is Zbinden’s book,2 which deals with research about some particular cases of Bakhtin studies in Canada and in French translations. Despite the fact that in the 1960–1980s the «theory of carnival» became, in

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Zhernokleyev, Denis. "BAKHTIN ON FLAUBERT: THE POETICS OF THE “ALL-NEGATING IMAGE”." Literaturovedcheskii Zhurnal, no. 4 (2021): 166–78. http://dx.doi.org/10.31249/litzhur/2021.54.10.

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The article analyzes a lesser-known text of Mikhail Bakhtin’s “On Flaubert”. While this inquiry pays particular attention to the significance of Bakhtin’s carnivalesque reading of Rabelais for his reading of Flaubert, it also treats the fragment in the broader context of Bakhtin’s philosophy. The article argues that Bakhtin’s approach to Flaubert is apophatic in nature. For Bakhtin, The Temptation of Saint Anthony is the most important text of Flaubert, and through its ascetic aesthetic, he interprets all other novels of Flaubert. The significance of animals in Flaubert emerges as an important

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Voronina, Natalia, Svetlana Dubrovskaya, Irina Klyueva, and Andrey Sychev. "Musical world of Mikhail Bakhtin as objectivation of the idea of cultural synthesis." SHS Web of Conferences 72 (2019): 03037. http://dx.doi.org/10.1051/shsconf/20197203037.

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Researchers repeatedly noted that M.M. Bakhtin’s works are characterized by integration of musical culture into theoretical discourse, which is expressed in his appeal to the conceptual sphere of musical art and use of musical terminology as an instrument of literary, aesthetic, and cultural analysis. However, when examining Bakhtin’s connection with music, researchers, as a rule, discuss “music in general”, without specifying which music Bakhtin used to listen. The paper discusses the phenomenon of “the musical world of Bakhtin”, including his music experience, personal and creative contacts

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Voronina, N. I. "DAYS OF M.M. BAKHTIN IN SARANSK (TO THE 125TH ANNIVERSARY OF THE THINKER'S BIRTH)." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23 (2021): 5–9. http://dx.doi.org/10.37313/2413-9645-2021-23-76-5-9.

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Subject of the article: review of the Bakhtin days in Saransk (to the 125th anniversary of the thinker's birth)". The object of the article: twenty-first century, "dialogue with a thinker" on the day of birth. Project goal: to update information about the development of Bakhtin studies in the modern world for the scientific and educational world. Methodology of work: the phenomenon of Bakhtin is unique, unique and significant. This context of studying his scientific work became possible using comparative historical, cultural-philosophical approaches, as well as the biographical method of analy

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Stone, Jonathan. "Polyphony and the Atomic Age: Bakhtin's Assimilation of an Einsteinian Universe." PMLA/Publications of the Modern Language Association of America 123, no. 2 (2008): 405–21. http://dx.doi.org/10.1632/pmla.2008.123.2.405.

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Mikhail Bakhtin described a novelistic world bound to the reader's point of view and perception of reality. Albert Einstein's theory of relativity justified Bakhtin's elevation of the reader to a central position in his theory of the novel. This essay examines Bakhtin's engagement with Einsteinian relativity in the context of two of his most influential contributions to critical discourse—polyphony and the chronotope. Originating in the 1920s, Bakhtin's notion of polyphony was initially an expression of his Kantian mind-set. When Bakhtin reworked his formulation of polyphony in 1963 (having al

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Osovsky, Oleg E., Svetlana A. Dubrovskaya, and Elizaveta G. Maslova. "“I gladly give my author’s consent…”: M.M. Bakhtin and the Structuralists in the Intellectual Space of the 1960s and Early 1970s." Voprosy Filosofii, no. 6 (2023): 138–51. http://dx.doi.org/10.21146/0042-8744-2023-6-138-151.

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The article reconstructs one of the episodes of M.M. Bakhtin’s scientific biography, connected with the reception of the thinker’s personality and ideas by domestic and Western structuralism. As the authors point out, traditionally Bakhtin’s position on structuralism in the 1960s and early 1970s is interpreted as a continuation of his anti-formalist attitudes of the second half of the 1920s and early 1930s. The result was the image of Bakhtin as a staunch opponent and critic of structuralism, seeing the latter as a continuation of “material aesthetics”. The archival documents presented in th

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Dubrovskaya, Svetlana. "THE BAKHTIN ENCYCLOPEDIA AS A FORMAT FOR STUDYING AND DESCRIBING M.M. BAKHTIN’S BIOGRAPHY AND SCHOLARLY HERITAGE." Literaturovedcheskii Zhurnal, no. 4 (2021): 28–44. http://dx.doi.org/10.31249/litzhur/2021.54.02.

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The article summarizes the first results of the work within the research project The Bakhtin Encyclopedia and presents the experience of understanding and interpreting the heritage of M.M. Bakhtin in an encyclopedic format. In the process of work, the research team outlined the approaches to the study of the thinker’s heritage as a multi-level system, a comprehensive description of the most important components of which should provide an in-depth perception and further interpretation of Bakhtin’s biography and his scholarly heritage as a whole. Describing what has been done, reflecting on the

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Osovsky, O. "THE KNOW-HOW OF THE BIOGRAPHICAL GENRE." Voprosy literatury, no. 3 (October 1, 2018): 62–83. http://dx.doi.org/10.31425/0042-8795-2018-3-62-83.

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The article offers a detailed examination of Mikhail Bakhtin’s biography by A. Korovashko, which came out in The Lives of Remarkable People series [Zhizn’ zamechatelnykh lyudey, ZhZL] in 2017.M. Bakhtin’s life and legacy have always sparked keen interest among Russian and foreign scholars alike, but his biography still holds its secrets and, despite the efforts of M. Holquist and K. Clark, of S. and L. Konkin, N. Nikolaev, N. Pankov, I. Popova, and others, a comprehensive scholarly version is missing to this day.With his ideas permeating the global intellectual environment and his theories inf

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Osovsky, Oleg, Svetlana Dubrovskaya, and Ekaterina Chernetsova. "Social education through the lens of Bakhtinian theory." Dialogic Pedagogy: An International Online Journal 9 (September 7, 2021): R7—R16. http://dx.doi.org/10.5195/dpj.2021.440.

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A review of Bakhtin in the Fullness of Time: Bakhtinian Theory and the Process of Social Education, Edited by Craig Brandist, Michael E. Gardiner, E. Jayne White and Carl Mika. L.: Routledge. 2020. 160 p. The review of the collection of articles Bakhtin in the Fullness of Time: Bakhtinian Theory and the Process of Social Education represents an analysis of the perspectives, main trends, and interpretations of key points, ideas, and concepts of M. M. Bakhtin in the contemporary theory and practice of Social Education. The book’s nine chapters are grouped within three problem areas,

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Hitchcock, Peter. "Introduction: Bakhtin/“Bakhtin”." South Atlantic Quarterly 97, no. 3-4 (1998): 511–36. http://dx.doi.org/10.1215/00382876-97-3/4-511.

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Osovsky, O. E., and S. A. Dubrovskaya. "Bakhtin, Russia and World: Reception of Scientist’s Ideas and Works in 1996—2020 Research." Nauchnyi dialog 1, no. 7 (2021): 227–65. http://dx.doi.org/10.24224/2227-1295-2021-7-227-265.

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The process of reception of M. M. Bakhtin’s scientific heritage over the past 25 years is analyzed in the review article. The focus of the authors is on identifying the stages and main directions, trends and achievements of modern Russian Bakhtin studies, determining the prospects for further research. The relevance of the review lies in the need for an objective reconstruction of the process of studying the ideas and heritage of M. M. Bakhtin in Russia and abroad, primarily over the past 25 years. It is noted that the works of M. M. Bakhtin are the most cited in scientific literary criticism

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Lemberger, Dorit. "Bakhtin and Wittgenstein on Dialogue as a Methodological Concept and Theme." Journal of Dialogue Studies 6 (2018): 37–54. http://dx.doi.org/10.55207/rvto2437.

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The concept of dialogue is a central element of Bakhtin’s writings, whereas Wittgenstein’s references to dialogue are generally in the negative vein. However, there does not seem to be another modern philosopher who has actually employed the dialogic method. But Wittgenstein’s dialogic texts also include monologic aspects, such as sensation and private transition. Bakhtin, by contrast, sometimes blurs the boundaries between dialogue in language and dialogue as a criterion for literary value. The article shows how Wittgenstein helps clarify the role of the monological in Bakhtin’s dialogic appr

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Барицкий, Дмитрий. "Kauts Ruth. Christianity in the Work of Bakhtin (Ch. 1) Translation from English: Coates Ruth. Christianity in Bakhtin. Cambridge: Cambridge University Press, 1998." Слово и образ. Вопросы изучения христианского литературного наследия, no. 1(1) (September 15, 2020): 133–43. http://dx.doi.org/10.31802/wi.2019.1.1.010.

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Личность и творчество выдающегося русского мыслителя М. М. Бахтина (1895–1975) в последнее время всё больше и больше становится предметом пристального внимания учёных. Несмотря на существование множества работ, которые посвящены философской, культурологической, эстетической проблематике его произведений, практически совершенно игнорируется вопрос о религиозной составляющей наследия М. М. Бахтина. Английская исследовательница Рут Коутс (Ruth Coates) ставит перед собой задачу восполнить эту лакуну. В своей монографии «Christianity in Bakhtin» («Христианство в творчестве Бахтина») она предлагает

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Brandist, Craig, and Alistair Renfrew. "Exploiting Bakhtin." Modern Language Review 94, no. 3 (1999): 903. http://dx.doi.org/10.2307/3737102.

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Perlina, Nina, Katerina Clark, and Michael Holquist. "Mikhail Bakhtin." Russian Review 45, no. 4 (1986): 435. http://dx.doi.org/10.2307/130480.

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Moreira, Elisabet. "Reconstruindo Bakhtin." Revista ComSertões 11, no. 1 (2022): 61–74. http://dx.doi.org/10.36943/comsertoes.v11i1.12192.

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Resumo: Ensaio em que se entrelaçam contribuições teóricas de Mikhail Bakhtin, como foram destacadas por Cristovão Tezza (2003) em sua tese de doutorado “Entre a prosa e a poesia: Bakhtin e o formalismo russo”, e um discurso rememorativo da trajetória pessoal da autora, dialogando com outras referências, destacando a inconclusibilidade da obra bakhtiniana e o caráter responsivo do papel dialógico da linguagem, seja prosa ou poesia.

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Galan, F. W., Katerina Clark, and Michael Holquist. "Mikhail Bakhtin." World Literature Today 60, no. 1 (1986): 136. http://dx.doi.org/10.2307/40141318.

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Gossman, Lionel, Katerina Clark, and Michael Holquist. "Mikhail Bakhtin." Comparative Literature 38, no. 4 (1986): 337. http://dx.doi.org/10.2307/1770394.

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Weinschenk, George. "Mikhail Bakhtin." International Studies in Philosophy 35, no. 2 (2003): 145–47. http://dx.doi.org/10.5840/intstudphil2003352195.

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Girenok, Fedor. "After Bakhtin." Russian Journal of Communication 1, no. 3 (2008): 348–52. http://dx.doi.org/10.1080/19409419.2008.10756722.

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Bialostosky, Don, Gary Saul Morson, and Caryl Emerson. "Bakhtin Monologized." NOVEL: A Forum on Fiction 26, no. 1 (1992): 109. http://dx.doi.org/10.2307/1345609.

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Freedman, John, Katerina Clark, and Michael Holquist. "Mikhail Bakhtin." Rocky Mountain Review of Language and Literature 39, no. 4 (1985): 281. http://dx.doi.org/10.2307/1347473.

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Monas, Sidney. "After Bakhtin." New Vico Studies 10 (1992): 134–36. http://dx.doi.org/10.5840/newvico19921019.

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Rodin, Kirill. "BAKHTIN AND RENE GIRARD ON DOSTOEVSKY: A COMPARATIVE ANALYSIS." Respublica literaria, RL. 2021. vol. 2. no. 3 (September 15, 2021): 42–51. http://dx.doi.org/10.47850/rl.2021.2.3.42-51.

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The article provides a critical comparison of two independent interpretations of F. M. Dostoevsky: from the side of M. Bakhtin and from the side of Rene Girard. Both authors have created coherent ways of understanding and reading the literary heritage of the writer in the perspective of their own understanding of the history of literature and the intellectual history of mankind as such. Dostoevsky is significant for Bakhtin not simply as an illustration of the applicability of some of his own ideas within the framework of literary criticism. Bakhtin sees Dostoevsky as an innovator in the devel

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Baraboshina, Natalia V. "Boundary phenomenon Bakhtin’s philosophy." Aspirantskiy Vestnik Povolzhiya 20, no. 3-4 (2020): 41–47. http://dx.doi.org/10.17816/2072-2354.2020.20.2.41-47.

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The article analyzes the phenomenon of boundary in the philosophy of M.M. Bakhtin. The thesis that the boundary in the concept of M.M. Bakhtin can be considered as a dialogue in which each remark of the participants presents a full-fledged questioning about being, requiring individual responsibility and correlation of meanings. The boundary in Bakhtins theory is considered from the perspective of participatory thinking, as the moment of transition in a responsible act in which a person affirms being-co-being. The perspective of considering the boundary as an event (event) the point of meaning

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Chumachenko, Borys. "The Emancipation from the Past: Bakhtin’s Carnival in the Mirror of Soviet Experience." NaUKMA Research Papers. History and Theory of Culture 4 (June 15, 2021): 90–98. http://dx.doi.org/10.18523/2617-8907.2021.4.90-98.

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In this article an attempt is made to place Bakhtin’s case in the context of the Soviet 1960s with their specific mental world. The study question is why this almost forgotten figure of the 1920s has become a proper man in a proper place in time of transition from Stalin’s Great Fear to Khrushchov’s liberalization with its continuation till 1968 and how this resurrection from the dead occured. The virtues and scientific significance of Bakhtin’s works are doubtless and undeniable. But there is something else that helps to explain Bakhtin’s phenomenon and its popularity. His readers mentality d

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Tihanov, Galin. "BAKHTIN’S DISCOVERY AND APPROPRIATIONS: IN RUSSIA AND IN THE WEST." Проблемы исторической поэтики 22, no. 1 (2024): 7–25. http://dx.doi.org/10.15393/j9.art.2024.13583.

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This article sets itself a twofold task. On the basis of recently published scholarship, it wishes to revisit the history of Bakhtin’s discovery in Russia and the West since the 1960s; but it also intends to offer a tentative answer to the question: ‘What did Bakhtin discover as a thinker’? The two dimensions, captured in the ambiguity of the genitive — ‘Bakhtin’s discovery’ — are closely interrelated. In a very significant sense, what we perceive to be Bakhtin’s discoveries as a thinker and a theorist is a dynamic target rather than a fixed apparatus. As I try to demonstrate through a plethor

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Tikhanov, Galin. "Micha et Kolia : penser le frère en tant qu’autre." Slavica Occitania 25, no. 1 (2007): 123–41. https://doi.org/10.3406/slaoc.2007.2279.

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«Misha and Kolia : Thinking the (Br)other » The last fifteen years of research on Mikhail Bakhtin have seen a remarkable growth of interest in the historical contexts of his work. Surprisingly, however, interest in Nikolai Bakhtin as Mikhail’s most immediate context and horizon of intellectual formation does not seem to be in strong evidence. Understanding who Mikhail Bakhtin was demands a closer look at his exchanges — or lack thereof — with Nikolai. In this article I demonstrate that Nikolai Bakhtin’s essays of the 1920s anticipate some of Mikhail’s later intellectual anxieties, whereas one

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Popova, I. L. "<i>Polyphony</i> for a novel’s stylistics: a logistical map of ‘transsemiotization’." Voprosy literatury, no. 5 (October 11, 2023): 105–27. http://dx.doi.org/10.31425/0042-8795-2023-5-105-127.

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The article discusses the intermedial transfer of the concept of polyphony in Mikhail Bakhtin’s and Leo Spitzer’s studies of Dostoevsky and Proust from the late 1920s. There are plenty of good reasons to compare the two scholars’ works. Firstly, Spitzer’s stylistics was of key importance to Bakhtin throughout his scientific career. Secondly, there is a correlation between the methods for studying Proust’s and Dostoevsky’s novels, which Bakhtin considered as the pinnacle of the European and Russian novel, respectively. The stylistic revolution of the novel anticipated not only the development o

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Makhlin, Vitaliy. "“NEXT TO GENIOUS”: G. FLAUBERT IN M.M. BAKHTIN’S THINKING." Literaturovedcheskii Zhurnal, no. 3 (2021): 131–42. http://dx.doi.org/10.31249/litzhur/2021.53.09.

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The article analyzes Bakhtin’s 1944 notes on Flaubert. Under discussion is, first, some general background of Bakhtin’s philosophical and scientific methodology as expressed in the notes, secondly, the notes themselves. Bakhtin’s views on Flaubert and the novel of the 19th century are re-presented in connection with the Russian thinker’s theories of the “grotesque realism” and “novelization”as opposed to the “ideological culture of the new times”. The article discusses some principal methodological difficulties of Bakhtinian approach to literary texts as expressed in his notes on Flaubert. In

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Klyueva, Irina V. "Elena Alexandrovna Bakhtina: an Attempt to Verify Biographical Information (On the Problem of Creating a Scientific Biography of M. M. Bakhtin)." Humanitarian: actual problems of the humanities and education 23, no. 4 (2023): 433–48. http://dx.doi.org/10.15507/2078-9823.064.023.202304.433-448.

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Introduction. The creation of a scientific biography of M. M. Bakhtin (1895–1975) is an urgent task of the modern humanities. There are many “blank spots” and inaccuracies in the biographies of the thinker. One of the most noticeable gaps is the extremely scarce and contradictory biographical information about his wife, E. A. Bakhtina (nee Okolovich). The article sets the task of verifying the biographical information about her given by other researchers by comparing already known sources and introducing new ones into scientific circulation. Materials and Methods. The study is of a historical-

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Kafle, Chiranjibi. "The Novel as Art: Perspectives From Bakhtin and Lawrence." Tribhuvan University Journal 27, no. 1-2 (2010): 43–48. http://dx.doi.org/10.3126/tuj.v27i1-2.26369.

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Literary world continued to face a clash of opinion for long as to whether the popular genre, the novel, should be regarded as representing artistic literary heritage. As literary scholarship often traced a line separating poetic discourse from the novelistic discourse, readers as well as scholars were in a state of dilemma whether to recognize the novel as artistic genre. However, with authors like DH Lawrence and critics like Mikhail Bakhtin, the confusion no longer needs to hound us. This article is an attempt to see why and how the novelistic discourse is fit enough tobe considered artisti

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Poole, Brian. "Bakhtin and Cassirer: The Philosophical Origins of Bakhtin’s Carnival Messianism." South Atlantic Quarterly 97, no. 3-4 (1998): 537–78. http://dx.doi.org/10.1215/00382876-97-3/4-537.

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