Academic literature on the topic 'Balcon (Genet, Jean)'

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Journal articles on the topic "Balcon (Genet, Jean)"

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Fuchs, Jörn Florian. "KEINE GÖTTER, NIRGENDS." Opernwelt 65, no. 2 (2024): 52–55. http://dx.doi.org/10.5771/0030-3690-2024-2-052.

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Einen Namen hat er sich als Chefdirigent des von ihm mitbegründeten Ensembles «Le Balcon» und zumal als Interpret von Stockhausens Werken für das Musiktheater gemacht. Doch längst wandelt MAXIME PASCAL daneben auf anderen Wegen. Ein Gespräch über kollektive Prozesse, das vertiefte Hören, Jean Genet und die Faszination Musical VON JÖRN FLORIAN FUCHS
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Corrado, Jean-Christophe. "Chant et engagement littéraire dans Le Balcon de Jean Genet." Littérature N° 202, no. 2 (2021): 94–108. http://dx.doi.org/10.3917/litt.202.0094.

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SHIN, EunYoung. "Le jeu de rôle dans Le balcon de Jean Genet." Études de Langue et Littérature Françaises 112 (December 15, 2017): 99–128. http://dx.doi.org/10.18824/ellf.112.04.

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Iñarrea de las Heras, Ignacio. "Jean Genet o la dramaturgia destructora. Análisis del emboîtement en los primeros cuadros de "Le balcon"." Epos : Revista de filología, no. 11 (September 4, 1995): 289. http://dx.doi.org/10.5944/epos.11.1995.9929.

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Kasap, Özlem. "L’ambivalence de L’œuvre genetienne." RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, no. 39 (April 21, 2024): 1146–54. http://dx.doi.org/10.29000/rumelide.1472064.

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Jean Genet et son œuvre ont longtemps été sources de controverses. Son œuvre dramatique que des critiques rapprochent des idées d’Antonin Artaud se construit essentiellement autour du « rituel » qui propose une forme authentique de critique sociale surtout dans Les Bonnes (1947), Le Balcon (1956), Les Nègres (1958) et Les Paravents (1961). En détruisant ainsi l’illusion scénique, il rend impossible la distinction du vrai et du faux dans un univers où sont mis sur scène des criminels, des prostituées, des voleurs et des traîtres. Il crée sur la scène théâtrale un univers inverti de valeurs où o
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Jannarone, Kimberly. "The Balcony by Jean Genet." Theatre Journal 67, no. 4 (2015): 729–31. http://dx.doi.org/10.1353/tj.2015.0145.

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Melo, Sergio. "Genet, a afirmação de vida e O Balcão." Aletria: Revista de Estudos de Literatura 33, no. 4 (2024): 96–117. https://doi.org/10.35699/2317-2096.2023.44912.

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Abstract: This article aims to contribute to the reconceptualization of the post-World War II dramaturgy in destabilizing the notion of Theatre of the Absurd drawing upon Michael Y. Bennett’s perspective (2011). It discusses the decisive influence of Friedrich Nietzsche both on Jean Genet’s personal trajectory as well as his artistic practice and proposes a concise hermeneutic approach to the play The Balcony, first published in 1956. On the one hand, the article argues that the dramatic work in question portrays, with unequivocal pessimism, the modern subject adrift on nihilism and, on the ot
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Panda, Sudhansu Sekhar. "A COMPARATIVE STUDY OF EUGENE IONESCO AND JEAN GENET IN ABSURD THEATRE." International Journal of Research -GRANTHAALAYAH 10, no. 6 (2022): 70–77. http://dx.doi.org/10.29121/granthaalayah.v10.i6.2022.4650.

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The post-war world in the aftermath of Second World War has witnessed tumultuous changes in the society. All that had been considered sacrosanct till then, no longer enjoyed their dominance since it became natural to subject everything to question. Almost all spheres of life were severely influenced by the heart-wrenching effects of the catastrophic war. The degenerated human being suddenly looked for responses in an isolated world which he thought would heal him at that juncture. Under such bleak circumstances, playwrights around the world felt the heat to try out new ways to communicate thei
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Wang, Xiaoran, and Farideh Alizadeh. "A Literature Review on the Identity Construction of the Simulacra Subject in Jean Genet’s The Balcony." Malaysian Journal of Social Sciences and Humanities (MJSSH) 9, no. 3 (2024): e002737. http://dx.doi.org/10.47405/mjssh.v9i3.2737.

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Jean Genet's The Balcony explores the fundamental elements of subject identity construction and identification within a framework of double paradoxes. The reconfigurations of simulacra activities challenge the traditional political model of theater, redefining the nature and expression of the subject's identity and endowing theatrical representation with political potential. The subject of simulacra exists in a constant state of internal and external constitutive difference, emphasizing the essential incompleteness and antagonistic dimension of identity construction, which resonates with the p
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SEVİM, SALMAN Yasemin. "JEAN GENET' İN BALKON OYUNUNDA ÜSTKURMACA UNSURLARI." December 13, 2024. https://doi.org/10.5281/zenodo.14446132.

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Dissertations / Theses on the topic "Balcon (Genet, Jean)"

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Hua, Chun-Yung, and 華君勇. "L’étude sur la théâtralité de ‘‘Le Balcon’’ de Jean Genet." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/44085094734361088856.

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碩士<br>中國文化大學<br>法國語文學研究所<br>98<br>By using of different kinds of theater tricks and scenic techniques such as role play, mirror effects or the setting in abyss, Jean Genet, the most controversial playwright of the Theatre of the Absurd, creates an entirely innovative style. For the author, the theater is not only a way of telling a story but also a way to present his point of view on the art. He declares thus about the theatre: ‘‘in the world, there is a place where theatricality can not hide the power, it is the theater.’’ The representation of theatre moves him to produce several possibiliti
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Books on the topic "Balcon (Genet, Jean)"

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Puzin, Claude. Les bonnes le balcon: Jean Genet. Nathan, 1998.

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Schuster, Aaron, William Mazzarella, and Eric L. Santner. Sovereignty, Inc.: Three Inquiries in Politics and Enjoyment. University of Chicago Press, 2019.

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Sovereignty, Inc: Three Inquiries in Politics and Enjoyment. University of Chicago Press, 2020.

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Book chapters on the topic "Balcon (Genet, Jean)"

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Botond, Anneliese, and KLL. "Genet, Jean: Le balcon." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3763-1.

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Lemesle, Audrey. "Le Balcon : réécritures et achèvements." In Jean Genet du roman au théâtre. Presses universitaires de Provence, 2011. http://dx.doi.org/10.4000/books.pup.20174.

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"Key late plays: The Balcony, The Blacks, The Screens." In Jean Genet. Routledge, 2012. http://dx.doi.org/10.4324/9780203098912-9.

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"Key productions and issues surrounding production: The Balcony, The Blacks." In Jean Genet. Routledge, 2012. http://dx.doi.org/10.4324/9780203098912-12.

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"XI. Revolution als ritualisiertes Schauspiel: Jean Genets "Le Balcon"." In Revolution als Schauspiel. De Gruyter, 1994. http://dx.doi.org/10.1515/9783110902594-012.

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Barbosa, Nilda Aparecida, and Roselene de Fátima Coito. "ENTRE HETEROTOPIA E UTOPIA: DO REGIME DE ORGANIZAÇÃO DOS ESPAÇOS E DOS MODOS DE SUBJETIVAÇÃO EM O BALCÃO, DE JEAN GENET." In (In) Subordinações Contemporâneas: Linguística, Letras e Artes. Atena Editora, 2019. http://dx.doi.org/10.22533/at.ed.08919030916.

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