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Relevant bibliographies by topics / Baldassare

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Academic literature on the topic 'Baldassare'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 January 2023

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Journal articles on the topic "Baldassare"

1

Stella, Federico. "El miʿrāǧ de Muḥammad según Baldassarre Loyola Mandes S.J. (1631-1667).Fuentes, controversia y cristianización de una tradición islámica". Al-Qanṭara 42, № 2 (2021): e18. http://dx.doi.org/10.3989/alqantara.2021.015.

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El artículo versa sobre una versión latina desconocida del miʿrāǧ que el autor ha descubierto en el Archivo de la Pontificia Universidad Gregoriana dentro de un opúsculo escrito por Baldassarre Loyola Mandes S.J. (1631-1667), un príncipe musulmán marroquí convertido al cristianismo que luego entró en la Compañía de Jesús. El objetivo del artículo será demostrar cómo este miʿrāǧ latino se basó en una fuente árabe relacionada con la literatura de ḥadīṯ. Como método para alcanzar nuestro objetivo, haremos un estudio comparativo de las fuentes de las que Baldassare pudo tener conocimiento. Además,

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2

Jellinek, G. "L'amante di tutte. Baldassare Galuppi." Opera Quarterly 20, no. 4 (2004): 752–54. http://dx.doi.org/10.1093/oq/kbh092.

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Cortés Zaborras, Carmen. "La traducción española de Le Périple de Baldassare. Intervenciones sobre el título, las notas y las marcas entonativas." TRANS. Revista de Traductología, no. 8 (June 22, 2017): 153. http://dx.doi.org/10.24310/trans.2004.v0i8.2990.

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Mcdonald, Stuart W. "Medicine through the Ages with Dr Baldassare." Journal of the Royal Society of Medicine 92, no. 12 (1999): 656. http://dx.doi.org/10.1177/014107689909201217.

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Gopnik, Blake. "Physiognomic theory and a drawing by Baldassare Peruzzi1." Konsthistorisk tidskrift/Journal of Art History 66, no. 2-3 (1997): 133–41. http://dx.doi.org/10.1080/00233609708604428.

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Antonenko, Ekaterina. "Baldassare Galuppi and Music for the Orthodox Liturgy." St.Tikhons' University Review. Series V. Christian Art 28 (December 31, 2017): 49–66. http://dx.doi.org/10.15382/sturv201728.49-66.

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Steadman, Philip. "Baldassare Peruzzi and Theatrical Scenery in Accelerated Perspective." Nexus Network Journal 22, no. 3 (2020): 553–76. http://dx.doi.org/10.1007/s00004-020-00479-z.

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Dekker, Elly. "The Astronomical Framework Underlying the Sala di Galatea." Nuncius 33, no. 3 (2018): 537–61. http://dx.doi.org/10.1163/18253911-03303006.

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Abstract This paper examines the much-debated ceiling painting by Baldassare Peruzzi on the vault of the loggia in Agostino Chigi’s Villa Farnesina. To date, most studies have examined the ceiling painting from a largely astrological and mythological point of view. Here an astronomically coherent model is proposed that helps to clarify the structure and several of the individual features of the painting.

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Burr, Isolde, and Ludwig Fesenmeier. "II Cortegiano de Baldassare Castiglione: entre communication et cognition." Romanistisches Jahrbuch 52, no. 1 (2001): 81–95. http://dx.doi.org/10.1515/roja-2001-0105.

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Jones, Mark Wilson. "Palazzo Massimo and Baldassare Peruzzi's Approach to Architectural Design." Architectural History 31 (1988): 59. http://dx.doi.org/10.2307/1568536.

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Dissertations / Theses on the topic "Baldassare"

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Burde, Ines. "Die venezianische Kirchenmusik von Baldassare Galuppi [mit CD]." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2007. http://d-nb.info/989196917/04.

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Day, Gary A. "Five Salve Regina settings of Baldassare Galuppi : Marian antiphons at Two Venetian Ospedali." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29498.

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Baldassare Galuppi (1706--85), during the course of his compositional career, composed a number of settings of the Marian antiphon text " Salve Regina," of which only one choral and five solo settings survive. In this thesis Galuppi's compositional career is reviewed and the history of the Venetian ospedali, or orphanages, addressed, especially as it relates to the composer's tenure at the Ospedale di San Lazzaro dei Mendicanti and the Ospedale del Santissimo Salvatore degli Incurabili. Also, the importance of the Marian text itself is discussed in relation to Galuppi's works at the two instit

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Hopkins, A. J. "Baldassare Longhena, Santa Maria della Salute, and the influence of Ducal ceremony on architectural design #." Thesis, Courtauld Institute of Art (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336500.

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Southwick, Margaret Ann. "Paragon/Paragone: Raphael's Portrait of Baldassare Castiglione (1514-16) in the Context of Il Cortegiano." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1547.

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This thesis argues that Raphael's portrait, Baldassare Castiglione, is three portraits in one: 1) a "speaking likeness" of the subject, 2) a portrait of the "perfect" courtier, and 3) a "shadow" portrait of the Court of Urbino in the early sixteenth century. The formal analysis of the painting is presented in the context of the paragone of word and image expounded by its subject in his masterpiece, Il Cortegiano. Both author and artist demonstrate the concepts of sprezzatura (an artful artlessness) and grazia (graceful elegance) in the creation of their portraits, as well as avoidance of affet

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Costa, Daniela. "La réception française du Courtisan au XVIe siècle." Reims, 2001. http://www.theses.fr/2000REIML011.

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Cette thèse étudie le rôle du courtisan de Baldassarre Castiglione dans le cadre de la culture de cour française, par l'analyse des réactions des français a la lecture de cet ouvrage, elle se propose de comprendre les modalités par lesquelles le courtisan reçût en France de nouvelles significations et contribua à l'élaboration d'un code social et littéraire national. Apres une mise à point préliminaire de la critique sur l'œuvre de Castiglione et sur les notions d'italianisme", de "fortune" et d'"influence", le premier chapitre propose une nouvelle interprétation de la question de la dédicace

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Ricci, Maria Teresa. "L'homme universel chez Baldassar Castiglione et Baltasar Gracian." Clermont-Ferrand 2, 2002. http://www.theses.fr/2002CLF20013.

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Au XVIe et au XVIIe siècles, dans plusieurs pays d'Europe, et surtout en Italie, en France et en Espagne, sont écrits de nombreux traités de comportement, qui ont joué un rôle très important dans le développement de la civilisation européenne. Dans notre thèse, nous portons plus particulièrement notre attention sur le célèbre "Libro del Cortegiano" (1528) de B. Castiglione (1478-1529), et sur les écrits de B. Gracian (1601-1658), notamment "El Heroe" (1637), "El Discreto" (1646) et l'"Oraculo manual y arte de prudencia" (1647). Castiglione se proposant de décrire dans son oeuvre la "profession

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Steinemann, Holger. "Baldassarre Croce, ein Maler der katholischen Reform." [S.l.] : Universität Stuttgart , Fakultät Geschichts-, Sozial- und Wirtschaftswissenschaften, 1996. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB7084256.

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Santos, Daniel William da Silva. "Machiavelli e Castiglione: reflexos do Speculum Princeps no apogeu do renascimento." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/11823.

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Made available in DSpace on 2016-04-27T17:27:30Z (GMT). No. of bitstreams: 1 Daniel William da Silva Santos.pdf: 736281 bytes, checksum: 32a148fafc696dad08ac576fdcd21ed7 (MD5) Previous issue date: 2009-09-30<br>Secretaria da Educação do Estado de São Paulo<br>The present research seeks to investigate the disparity reasons that comes out between Il Principe, of Niccolò Machiavelli, and the Book Fourth by Il Cortegiano, of Baldassare Castiglione, which is about the indicated behavior for the governing class that is looking for possession and power exercise; a fact that put such books inside th

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VAGNI, GIACOMO. "BALDASSAR CASTIGLIONE - CESARE GONZAGA. Rime e Tirsi. Edizione critica e commentata." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1861.

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Il lavoro si propone di dare l’edizione critica e commentata della produzione poetica volgare di Baldassar Castiglione e Cesare Gonzaga. Esso ricostruisce dettagliatamente la fortuna e la tradizione dei testi, indagando il contesto storico e geografico in cui le liriche dei due mantovani furono diffuse. Sono affrontati problemi attributivi, con l’espunzione di un testo apocrifo assegnato dalla vulgata a Castiglione, e la pubblicazione di diversi inediti. Il corpus totale delle rime extravaganti si attesta così a 32 componimenti, comprese le sei poesie che compongono la piccola silloge dedicata

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Weber-Reich, Margret. "Die Architektur der Villa Chigi alle Volte von Baldassarre Peruzzi zur Darstellung des Systems der Ordnung." Berlin Münster Lit, 2008. http://d-nb.info/992522978/04.

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Books on the topic "Baldassare"

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Baldassare Longhena. Istituto veneto di scienze, lettere ed arti, 2004.

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1598-1682, Longhena Baldassare, and Chemollo Alessandra, eds. Baldassare Longhena, 1597-1682. Electa, 2006.

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3

Le périple de Baldassare. Éd. France loisirs, 2000.

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Le périple de Baldassare: Roman. B. Grasset, 2000.

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5

Burde, Ines. Die venezianische Kirchenmusik von Baldassare Galuppi. P. Lang, 2008.

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Die venezianische Kirchenmusik von Baldassare Galuppi. P. Lang, 2008.

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photographer, Chemollo Alessandra, ed. Baldassare Longhena and Venetian Baroque Architecture. Yale University Press, 2012.

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8

Richardson, Robert G. Medicine: Through the ages with Dr Baldassare. Quiller, 1999.

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9

Le règne de Baldassare: Nouveaux sentiers proustiens. Seringa, 2009.

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10

Longoni, Baldassare. Baldassare Longoni 1876-1956: Tra divisionismo, realismo e naturalismo. Nodo libri, 1992.

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Book chapters on the topic "Baldassare"

1

Oschmann, Susanne. "Galuppi, Baldassare." In Metzler Komponisten Lexikon. J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_109.

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Oschmann, Susanne. "Galuppi, Baldassare." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_107.

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Paternoster, Annick. "Castiglione, Baldassare." In Encyclopedia of Renaissance Philosophy. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-02848-4_85-1.

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Schwarz, Hans-Peter. "Baldassare Peruzzi." In Das Künstlerhaus. Vieweg+Teubner Verlag, 1990. http://dx.doi.org/10.1007/978-3-663-05290-6_29.

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Paternoster, Annick. "Castiglione, Baldassare." In Encyclopedia of Renaissance Philosophy. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_85.

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6

Wild, Gerhard. "Castiglione, Baldassare Graf." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3041-1.

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Kremers, Dieter. "Castiglione, Baldassare Graf: Il libro del Cortegiano." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3042-1.

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Moulton, Ian Frederick. "Baldassare Castiglione’s Book of the Courtier: Love and Ideal Conduct." In Love in Print in the Sixteenth Century. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137405050_2.

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Badolati, Ennio. "Capra, Baldassarre." In Biographical Encyclopedia of Astronomers. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_237.

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Chinnici, Ileana, James M. Lattis, Mariafortuna Pietroluongo, et al. "Capra, Baldassarre." In The Biographical Encyclopedia of Astronomers. Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_237.

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Conference papers on the topic "Baldassare"

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Díez Oronoz, Aritz. "Nova Imago Urbis: the transformation of city walls in early Renaissance as a model for the contemporary city image." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6035.

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The introduction of the artillery in the middle 15th century represented a revolution not only from a strictly military perspective: at the same time that medieval defences become obsolete and were replaced with other kind of fortifications, the cities lost their crenelated walls and slim towers that until then had configured their image and expression. The forced loose of this medieval Imago Urbis and the urgency of finding a new formal expression for this new type of fortifications was quickly understood by the leading Italian Renaissance architects. From Francesco di Giorgio Martini to Bald

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