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Journal articles on the topic 'Baldassare'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 January 2023

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1

Stella, Federico. "El miʿrāǧ de Muḥammad según Baldassarre Loyola Mandes S.J. (1631-1667).Fuentes, controversia y cristianización de una tradición islámica". Al-Qanṭara 42, № 2 (2021): e18. http://dx.doi.org/10.3989/alqantara.2021.015.

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El artículo versa sobre una versión latina desconocida del miʿrāǧ que el autor ha descubierto en el Archivo de la Pontificia Universidad Gregoriana dentro de un opúsculo escrito por Baldassarre Loyola Mandes S.J. (1631-1667), un príncipe musulmán marroquí convertido al cristianismo que luego entró en la Compañía de Jesús. El objetivo del artículo será demostrar cómo este miʿrāǧ latino se basó en una fuente árabe relacionada con la literatura de ḥadīṯ. Como método para alcanzar nuestro objetivo, haremos un estudio comparativo de las fuentes de las que Baldassare pudo tener conocimiento. Además,

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2

Jellinek, G. "L'amante di tutte. Baldassare Galuppi." Opera Quarterly 20, no. 4 (2004): 752–54. http://dx.doi.org/10.1093/oq/kbh092.

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3

Cortés Zaborras, Carmen. "La traducción española de Le Périple de Baldassare. Intervenciones sobre el título, las notas y las marcas entonativas." TRANS. Revista de Traductología, no. 8 (June 22, 2017): 153. http://dx.doi.org/10.24310/trans.2004.v0i8.2990.

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4

Mcdonald, Stuart W. "Medicine through the Ages with Dr Baldassare." Journal of the Royal Society of Medicine 92, no. 12 (1999): 656. http://dx.doi.org/10.1177/014107689909201217.

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5

Gopnik, Blake. "Physiognomic theory and a drawing by Baldassare Peruzzi1." Konsthistorisk tidskrift/Journal of Art History 66, no. 2-3 (1997): 133–41. http://dx.doi.org/10.1080/00233609708604428.

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6

Antonenko, Ekaterina. "Baldassare Galuppi and Music for the Orthodox Liturgy." St.Tikhons' University Review. Series V. Christian Art 28 (December 31, 2017): 49–66. http://dx.doi.org/10.15382/sturv201728.49-66.

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7

Steadman, Philip. "Baldassare Peruzzi and Theatrical Scenery in Accelerated Perspective." Nexus Network Journal 22, no. 3 (2020): 553–76. http://dx.doi.org/10.1007/s00004-020-00479-z.

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8

Dekker, Elly. "The Astronomical Framework Underlying the Sala di Galatea." Nuncius 33, no. 3 (2018): 537–61. http://dx.doi.org/10.1163/18253911-03303006.

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Abstract This paper examines the much-debated ceiling painting by Baldassare Peruzzi on the vault of the loggia in Agostino Chigi’s Villa Farnesina. To date, most studies have examined the ceiling painting from a largely astrological and mythological point of view. Here an astronomically coherent model is proposed that helps to clarify the structure and several of the individual features of the painting.

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9

Burr, Isolde, and Ludwig Fesenmeier. "II Cortegiano de Baldassare Castiglione: entre communication et cognition." Romanistisches Jahrbuch 52, no. 1 (2001): 81–95. http://dx.doi.org/10.1515/roja-2001-0105.

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10

Jones, Mark Wilson. "Palazzo Massimo and Baldassare Peruzzi's Approach to Architectural Design." Architectural History 31 (1988): 59. http://dx.doi.org/10.2307/1568536.

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11

Graeme, Roland. "Ciro in Babilonia, ossia La caduta di Baldassare (1812)." Opera Quarterly 9, no. 4 (1993): 159–61. http://dx.doi.org/10.1093/oq/9.4.159.

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12

McReynolds, Daniel. "Review: Baldassare Longhena and Venetian Baroque Architecture by Andrew Hopkins." Journal of the Society of Architectural Historians 72, no. 3 (2013): 416–17. http://dx.doi.org/10.1525/jsah.2013.72.3.416.

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13

Resende, Aimara Da Cunha. "Robert Browning, "il maestro di S. Marco" - a study of the musical structure of "a tocata of Galupp's "." Cadernos de Linguística e Teoria da Literatura 3, no. 6 (2016): 98. http://dx.doi.org/10.17851/0101-3548.3.6.98-106.

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Abstract: On first reading "A TOCCATAOF GALUPPl'S" one is puzzled at the misleading title. How can Galuppi have his name connected with the form of the toccata when this latter had its birth in the 16th. century and its splendour in the seventeenth, while Galuppi lived in the elghteenth century? Besides, though Baldassare Galuppi came to be a "maestro di S. Marco", his fame is due to compositions for buffo opera and mainly for the sonatas.

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14

Renuga Devi, S. "Sprezzatura in Postmodern Perspective." Shanlax International Journal of English 8, no. 2 (2020): 32–36. http://dx.doi.org/10.34293/english.v8i2.2100.

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Fashion in contemporary time is a prominent part of the art. In the status of fashion, Postmodernism plays a huge role in the art world. In this research paper, the researcher deals with the idea of Sprezzatura in the modern world, and it plays a vital role in the concept of Sprezzatura in work The Book of the Courtier by Baldassare Castiglione in Postmodern perspective. In recent times people misunderstand the word Sprezzatura, and it changed people’s inner thought and outer appearance through this concept.

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15

Sevilla Fernández, José Manuel. "Baldassare Labanca (1829-1913), 'Del Autor al Autor' y 'Ocasión de este escrito' (Prefacio y Cap. I de "G.B. Vico e i suoi critici cattolici", 1898). Ed., Trad. y Nota de J.M. Sevilla." Cuadernos sobre Vico, no. 34 (2020): 231–46. http://dx.doi.org/10.12795/vico.2020.i34.10.

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Traducción en español del prefacio ––«del Autor al Autor»–– y del capítulo I ––«ocasión de este escrito»–– de la monografía italiana G.B. Vico e i suoi critici cattolici, escrita por baldassare Labanca (1829-1913) y publicada en Nápoles en 1898. Labanca es un miembro de la línea interpretativa que Croce definió como «la de los intérpretes católicos» de Vico. En este texto, Labanca analiza (y sigue) el devenir de la crítica apologética de Finetti. PALAbrAs CLAVE: g. Vico, b. Labanca, g.F. Finetti, religión, «estado ferino», J.M. sevilla.

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16

Munoz-Vera, Gonzalo. "Inhabiting the Stage: The Viewer inside Baldassare Peruzzi’s Sala delle Prospettive." International Journal of the Image 9, no. 1 (2018): 43–56. http://dx.doi.org/10.18848/2154-8560/cgp/v09i01/43-56.

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17

Paiva, Valéria. "A identidade como obra coletiva em O Cortesão, de Baldassare Castiglion." Tempo Social 21, no. 1 (2009): 91–111. http://dx.doi.org/10.1590/s0103-20702009000100006.

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18

Lowry, James D. "California in the New Millennium: The Changing Social and Political Landscape. Mark Baldassare." Urban Geography 25, no. 7 (2004): 691–92. http://dx.doi.org/10.2747/0272-3638.25.7.691.

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19

Paternoster, Annick. "Decorum and Indecorum in the "Seconda redazione" of Baldassare Castiglione's "Libro del Cortegiano"." Modern Language Review 99, no. 3 (2004): 622. http://dx.doi.org/10.2307/3738991.

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20

Jurdjevic, Mark, and Christine Raffini. "Marsilio Ficino, Pietro Bembo, Baldassare Castiglione: Philosophical, Aesthetic, and Political Approaches in Renaissance Platonism." Sixteenth Century Journal 30, no. 1 (1999): 228. http://dx.doi.org/10.2307/2544954.

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21

Tavuzzi, Michael. "Gaspare di Baldassare da Perugia O.P. (1465–1531): A Little-Known Adversary of Cajetan." Thomist: A Speculative Quarterly Review 60, no. 4 (1996): 595–615. http://dx.doi.org/10.1353/tho.1996.0003.

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22

Ünlüönen, Sezen. "Forgetting Greekness in Romola." George Eliot - George Henry Lewes Studies 74, no. 1 (2022): 17–38. http://dx.doi.org/10.5325/georelioghlstud.74.1.0017.

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Abstract Critics have uncovered many relevant contexts to further our understanding of Romola, from fifteenth-century Florentine politics and Piero di Cosimo’s Higher Primitivism to Eliot’s quarry and Leighton’s illustrations. In this article, I look at a previously understudied context that is crucial to our understanding of Romola: the Turkish conquest of former Greek territories in the fifteenth century. I show that, in Romola, following the Turkish conquest, an amnesia surrounds all things Greek (from Tito and Baldassare to Greek churches), and I argue that this amnesia is ideologically mo

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23

Butler, Margaret R. "From Guadagni’s Suitcase: A Primo Uomo’s Signature Aria and its Transformation." Cambridge Opera Journal 27, no. 3 (2015): 239–62. http://dx.doi.org/10.1017/s0954586715000105.

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AbstractBy 1760, the great musico Gaetano Guadagni had made a name for himself singing the role of Arbace in Baldassare Galuppi’s popular setting of Artaserse. A replacement aria connected with that work emerged as Guadagni’s signature song. Its text appears in all librettos for Galuppi’s setting that Guadagni sang; Johann Christian Bach provided Guadagni with another setting of the text; and a third by an unknown composer suggests links between the poetry and settings by Gaetano Pampani and Leonardo Vinci. This article examines Guadagni’s aria and its transformation, re-examining the role of

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24

Comellas Solé, Jordi. "La música dentro de las cortes europeas del siglo XVI. El modelo de Il Cortegiano y el papel de las damas en su consolidación. El ejemplo de las cortes italianas." Philostrato. Revista de Historia y Arte, no. 7 (June 26, 2020): 5–32. http://dx.doi.org/10.25293/philostrato.2020.01.

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Durante el siglo XVI las élites nobiliarias tomaron como modelo de comportamiento al gentiluomo descrito por Baldassare de Castiglione en su Cortegiano. Según este ideal, la música jugaba un papel esencial en la formación de príncipes y cortesanos. El soberano humanista debía conjugar la doble faceta de intérprete y patrón. Paradójicamente y bajo este prisma, en las cortes italianas de Mantua y Ferrara la figura de la mujer adquirió una relevancia especial en dos ámbitos, por un lado en el intenso patronazgo musical ejercido por las princesas de las familias gobernantes, y por otro en la impor

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25

Kulhánková, Zora. "Villa Kratochvíle as an Example of an Italian Garden in the Czech Lands." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 65, no. 4 (2017): 1213–23. http://dx.doi.org/10.11118/actaun201765041213.

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The paper deals with an example of the Italian garden applied as a type in the Czech lands. Villa Kratochvíle is one of the very few cases of an independently created Renaissance villa in the territory of the Czech Republic. Its author was an Italian builder coming from the area around Como Lake – Baldassare Maggi and he was commissioned by a significant Czech nobleman, William of Rosenberg. Villa Kratochvíle together with the surrounding landscape is compared with the landscape of lakes around Mantua and Palazzo Te, which is typologically similar. Especially the use of large water bodies is w

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26

Ricci, Maria Teresa. "La «Cortegiania» e la «Cortesana Filosofia»: B. Castiglione e B. Gracián." Revista de Italianística, no. 25 (June 7, 2013): 36. http://dx.doi.org/10.11606/issn.2238-8281.v0i25p36-50.

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Este artigo estabelece uma comparação entre a cortigiania, ou seja, a filosofia do comportamento refinado do homem cortês proposta pelo texto Il cortigiano de Baldassare Castiglione, e a cortesana filosofia presente em toda a obra de Gracián. Esses dois autores, que viveram em países e lugares diferentes, têm princípios filosóficos, antropológicos e religiosos bem distintos. Diferenciam-se seja do ponto de vista literário seja pela abordagem teórica. O primeiro oferece um novo modelo social de comportamento relacionado com a estrutura particular da corte no começo da época moderna; o segundo p

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27

Maurette, Pablo. "Plato’s Hermaphrodite and a Vindication of the Sense of Touch in the Sixteenth Century." Renaissance Quarterly 68, no. 3 (2015): 872–98. http://dx.doi.org/10.1086/683854.

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AbstractThis essay considers readings of Plato’sSymposiumin sixteenth-centurytrattati d’amore(love treatises) — especially Francesco Patrizi’sL’amorosa filosofia— that offer an alternative to Marsilio Ficino’s pervasive interpretation as presented in hisDe amore. Against the backdrop of a larger debate concerning the role of the lower senses (touch, in particular) and the relationship between body and soul, these alternative readings of theSymposiumattempt to redeem the role of tactility in love matters. Whereas Ficino and his most influential followers — Pico della Mirandola, Pietro Bembo, an

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28

Kacete, Malika. "Le Mythe d’Orphée dans Samarcande , les Jardins de Lumière et le Périple de Baldassare d’Amin Mâalouf." مجلة الممارسات اللغوية, no. 36 (2016): 29–40. http://dx.doi.org/10.12816/0027528.

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29

Tolbert, C. J. "Mark Baldassare and Cheryl Katz. The Coming of Age of Direct Democracy: California's Recall and Beyond." Public Opinion Quarterly 72, no. 2 (2008): 394–97. http://dx.doi.org/10.1093/poq/nfn020.

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30

Mitchell, Nathaniel. "The Volta: A Galant Gesture of Culmination." Music Theory Spectrum 42, no. 2 (2020): 280–304. http://dx.doi.org/10.1093/mts/mtaa006.

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Abstract This article presents an overview of a new pre-cadential schema in the galant style: the Volta. The Volta is a two-part schema featuring a prominent chromatic reversal: stage one charges up the dominant with a ♯4^–5^ melodic string, while stage two releases to the tonic using a ♮4^–3^ string. The schema sheds light on many aspects of galant music-making: its variants illustrate how central features of a schematic prototype motivate or constrain plausible manipulations, its pre-cadential function reveals the intimate communion between surface schemas and the harmonic patterns inscribed

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31

Prijatelj Pavičić, Ivana. "Contributo alla ricerca delle pale d’altare di Baldassare D’Anna nei conventi francescani della Dalmazia, Quarnaro e Bosnia." IKON 3 (January 2010): 327–42. http://dx.doi.org/10.1484/j.ikon.3.90.

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32

Matsusaka, John G. "The Coming Age of Direct Democracy: California's Recall and Beyondby Mark Baldassare and Cheryl Katz. Lanham, MD." Political Science Quarterly 123, no. 3 (2008): 514–15. http://dx.doi.org/10.1002/j.1538-165x.2008.tb01780.x.

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33

Simionescu-Panait, Andrei. "The Phenomenology of Elegance: an Outline." Studia Universitatis Babeș-Bolyai Philosophia 66, no. 3 (2021): 231–45. http://dx.doi.org/10.24193/subbphil.2021.3.11.

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Elegance ranks low on the list of debated topics in philosophy, mainly because of the fleeting and mundane character of phenomena that it relies on for its existence. However, the rise of kinaesthesia as an important topic in today’s philosophical and phenomenological environment facilitates the inclusion of elegance in the canon of philosophical debates. This article reviews two important positions regarding elegance, that of Renaissance philosopher Baldassare Castiglione and of 20th Century realist phenomenologist Dietrich von Hildebrand. First, we underline three aspects of Castiglione’s co

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34

Hicks, D. A. "Trouble in Paradise: The Suburban Transformation in America. By Mark Baldassare. Columbia University Press, 1986. 251 pp. $25.00." Social Forces 66, no. 2 (1987): 584–85. http://dx.doi.org/10.1093/sf/66.2.584.

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35

Goja, Bojan. "Nova istraživanja i dopune o graditeljima mramornih oltara u Zadru: Antonio Peschiera, Baldassare Garzotti, Pietro Coste i Girolamo Girardi." Radovi Zavoda za povijesne znanosti HAZU u Zadru 60 (2018): 119–46. http://dx.doi.org/10.21857/y26kec3ro9.

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36

Cochrane, Michelle L., J. Dallas Dishman, and Robert A. Young. "Replacing Citizenship: AIDS Activism and Radical Democracy. Michael P. Brown;When Government Fails: The Orange County Bankruptcy. Mark Baldassare." Urban Geography 20, no. 5 (1999): 483–86. http://dx.doi.org/10.2747/0272-3638.20.5.483.

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37

MOWAT, ROBERT J. C. "Navigare necesse est: Lighthouses from Antiquity to the Middle Ages: history, architecture, iconography and archaeological remains - By Baldassare Giardina." International Journal of Nautical Archaeology 40, no. 1 (2011): 209–10. http://dx.doi.org/10.1111/j.1095-9270.2010.00300_5.x.

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38

Erie, Steven P. "When Government Fails: The Orange County Bankruptcy. By Mark Baldassare. Berkeley: University of California Press, 1998. 320p. $48.00 cloth, $18.95 paper." American Political Science Review 93, no. 2 (1999): 444–45. http://dx.doi.org/10.2307/2585420.

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39

Weidling, Tor. "Den äldsta arkivläran: Jacob von Rammingens båda läroböcker i registratur- och arkivskötsel från 1571, samt en monografi om arkiv från 1632 av Baldassare Bonifacio [The oldest archival science: Jacob von Rammingen's two manuals of registry and archival management from 1571, and a monography on archives from 1632 by Baldassare Bonifacio]." Scandinavian Journal of History 38, no. 2 (2013): 270–71. http://dx.doi.org/10.1080/03468755.2013.776405.

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40

Barbarzak, Dawid. "The Humanist at the Table." Tabula, no. 17 (November 16, 2020): 21–46. http://dx.doi.org/10.32728/tab.17.2020.1.

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Italian humanists’ discoveries of ancient texts and printed editions of such ancient works as Lucretius’ De rerum natura, Plato’s Symposium or Apicius’ De re coquinaria strongly influenced the renewal of the Epicurean category of pleasure (voluptas) and created a new approach to eating. Many Italian humanists began emphasizing bodily needs and stressed their importance. We can find these ideas in the works of Lorenzo Valla (De voluptate, 1431), Marsilio Ficino (De voluptate, 1457) or Bartolomeo Platina (the author of the first printed cookbook De honesta voluptate et valetudine, ca. 1465-68) w

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41

Andranovich, Greg. "California in the New Millennium: The Changing Social and Political Landscape. By Mark Baldassare. Berkeley: University of California Press and Public Policy Institute of California, 2000. 283p. $27.50." American Political Science Review 94, no. 4 (2000): 939–40. http://dx.doi.org/10.2307/2586235.

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42

Faitrop-Porta, Anne-Christine. "Baldassarre Labanca en France." Revue de l'histoire des religions 208, no. 3 (1991): 303–25. http://dx.doi.org/10.3406/rhr.1991.1661.

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43

Koretz, Ronald L. "Response to Dr. Baldassarre." American Journal of Gastroenterology 113, no. 10 (2018): 1561–62. http://dx.doi.org/10.1038/s41395-018-0249-7.

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44

Awad, M. M. "Kandlikar third number map for flow boiling in micro-channels and micro-gravity." Thermal Science 19, no. 3 (2015): 1131–34. http://dx.doi.org/10.2298/tsci150320043a.

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As an extension of the recent work of Baldassari and Marengo (Baldassari C., Marengo M., Flow Boiling in Microchannels and Microgravity, Progress in Energy and Combustion Science 39 (2013) 1, pp. 1-36), this note presents Kandlikar third number (K3) map for flow boiling in microchannels and microgravity. Using several data points available in the literature, Kandlikar third number (K3) map was plotted versus the hydraulic diameter (dh) as the characteristic dimension for flow boiling in microchannels and microgravity. The ranges of the Kandlikar third number (K3), calculated using the hydrauli

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45

Busca, Maurizio. "Raffaele Ruggiero, Baldassarre Castiglione diplomatico." Studi Francesi, no. 186 (LXII | III) (December 1, 2018): 484. http://dx.doi.org/10.4000/studifrancesi.15026.

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46

Chieffi, Giovanni. "Baldassarre De Lerma (1908–1996)." General and Comparative Endocrinology 107, no. 1 (1997): VIII—1. http://dx.doi.org/10.1006/gcen.1997.6929.

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47

Licht, Meg. ""I Ragionamenti"-Visualizing St. Peter's." Journal of the Society of Architectural Historians 44, no. 2 (1985): 111–28. http://dx.doi.org/10.2307/990024.

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Thirteen architectural drawings by four architects-Bramante, Baldassare Peruzzi, Giuliano da Sangallo, and Antonio da Sangallo the Younger-all dating from the period between early 1505 to 18 April 1506, all except one in the Gabinetto dei Disegni e Stampe of the Uffizi, and all connected with the earliest proposals for the new St. Peter's, are examined to establish their authorship and date and the exact sequence in which they were executed. Beyond that, the chronological alignment of the drawings enables us to follow the process of visualizing and creating a building of an unprecedented type

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48

Molina Barea, María del Carmen. "Francesco Paolo Di Teodoro, Lettera a Leone X di Raffaello e Baldassarre Castiglione, Leo S. Olschki, Firenze 2020 (Biblioteca dell’Archivium romanicum, ser. I: Storia, letteratura, paleografia, 503), PP. XII + 72, ISBN 9788822266774." Mediterranea. International Journal on the Transfer of Knowledge 6 (March 31, 2021): 343–47. http://dx.doi.org/10.21071/mijtk.v6i.12955.

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Review of: Francesco Paolo Di Teodoro, Lettera a Leone X di Raffaello e Baldassarre Castiglione, Leo S. Olschki, Firenze 2020 (Biblioteca dell’Archivium romanicum, ser. I: Storia, letteratura, paleografia, 503), PP. XII + 72, ISBN 9788822266774

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49

Colombo, Emanuele. "A Muslim Turned Jesuit: Baldassarre Loyola Mandes (1631-1667)." Journal of Early Modern History 17, no. 5-6 (2013): 479–504. http://dx.doi.org/10.1163/15700658-12342378.

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Abstract The goal of this article is to show, through a case study of a convert from Islam to Catholicism in the seventeenth century, how multi-faceted and complex the phenomenon of conversion is, where political, social, and religious factors are intertwined. The article recounts the conversion story of Mohammed el-Attaz, later known as Baldassarre Loyola (1631-1667). Son of the king of Fez (Morocco) of the Saʿadian dynasty, Mohammed was captured on his way to Mecca by the Knights of Malta; he converted to Christianity, went to Italy, became a Jesuit, and spent some years of his life converti

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50

Ricci, Maria Teresa, and Cristiane Maria Rebello Nascimento. "Graça e Sprezzatura em Baldassar Castiglione." Revista Limiar 2, no. 3 (2019): 5–31. http://dx.doi.org/10.34024/limiar.2014.v2.9266.

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Partindo da análise da etimologia da palavra “graça”, a autora analisa a teoria de Castiglione, condensada na frase “quem tem graça, é grato”, que indica tanto um sentido ativo, quanto um sentido passivo da palavra “graça”. Para receber a graça de seu príncipe, o nobre cortesão deve ser gracioso. A “graça”, portanto, torna-se um ornamento e uma estratégia. A “graça” nasce de uma “regra universal”: evitar afetação e demonstrar certa indiferença – sprezzatura. Sprezzatura, que implica disprezzo, desdém, é dissimulação da arte e similação de natureza. É o produto de uma longa “fadiga” que deve fi

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