Dissertations / Theses on the topic 'Balduin'

Thesis (Ph. D.)--Georgia State University, 2005.
Title from title screen. Thomas L. McHaney, committee chair; Mary Zeigler, Warren Carson, committee members. Electronic text (164 p.) : digital, PDF file. Description based on contents viewed May 4, 2007. Includes bibliographical references (p. 147-164).

Plus qu’une étude sur la représentation des catégories raciales et sexuelles, et leur interaction, cette recherche sur James Baldwin s'intéresse aux voies que l'écriture emprunte pour transformer les identités et les mener au-delà de l'effacement et de la négation. Chez l'essayiste et romancier africain-américain, l'homosexualité est à la source de ce processus ou la conscience noire s'arrache aux repères spatiotemporels traditionnels et à la tyrannie de l'origine. Elle est le prisme à travers lequel Baldwin observe la fabrique des identités américaines, cauchemar transparent dont perce la vérité du pouvoir, le plaisir qu'il procure. Dédoublant le propre cheminement intellectuel de l'écrivain et le dessin que son œuvre déploie, cette thèse a pour emblème la métalepse, figure de l'inversion où le binarisme oppositionnel des identités se brouille ; elle suit, par ailleurs, une progression en huit qui par, ses tours, détours et retours sur elle-même, fait entendre comme en écho à celle de l'identité, la dissonante question de l'origine de l'écriture. En utilisant essentiellement les cadres théoriques offerts par l'hypothèse psychanalytique, la sociologie et la sémiologie, tout en s'inscrivant dans la perspective ouverte par les études gay et afro-américaines, « James Baldwin : écriture et identité » s'articule autour de trois images de la masculinité : le père, le fils et l'amant. Ils sont les porteurs de mémoire du texte dont ils mettent aussi en jeu la triade notionnelle que forment ensemble la transmission, la translation, et la transformation. Remontée de l'œuvre, depuis sa préhistoire jusqu'aux dernières pièces de l'héritage scripturaire, cette analyse des nouvelles, romans et essais de l'auteur de « notes of a native son » a pour paliers successifs les thèmes de la mémoire, la textualité, l'éthique de l'inclusion chère à Baldwin, ses exils et enfin cette parole noire et gay qui cinglait sur son écriture vers l'ile exondée de l'identité critiquée.

Esplanade Ridge is the largest downtown historic district in New Orleans, a place that is known as the home of the "last Creole aristocrats" and described as the French Creole version of St. Charles Avenue during the 1800's (Jensen A-I). This historically significant neighborhood is suffering much like other metropolitan areas in New Orleans. Amidst the urban neighborhoods ofNew Orleans often exists rampant property deterioration, crime, litter and population loss. Typical problems in any city, these frightening realities often make imagining the future of Esplanade Ridge a depressing experience. However, alongside the problems endures a rich cultural history and offering. New Orleans architectural treasures are among the finest in the nation; Esplanade Ridge boasts Greek Revival, Classic, Italianate, and High Victorian architectural styles built by such noted architects as Henry Howard, James Freret and James Gallier(Jensen A-I). Rich with history, Esplanade Ridge and all New Orleans neighborhoods must fight to maintain and improve their current condition, in order to ensure a positive cultural future for all New Orleans residents.

Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2017-05-29T10:45:08Z No. of bitstreams: 2 Dissertação - Paulo Rogério Bentes Bezerra - 2017.pdf: 2271427 bytes, checksum: da467bb1c50c5b78b2adb29e71ffbe81 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-05-29T10:59:40Z (GMT) No. of bitstreams: 2 Dissertação - Paulo Rogério Bentes Bezerra - 2017.pdf: 2271427 bytes, checksum: da467bb1c50c5b78b2adb29e71ffbe81 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Made available in DSpace on 2017-05-29T10:59:40Z (GMT). No. of bitstreams: 2 Dissertação - Paulo Rogério Bentes Bezerra - 2017.pdf: 2271427 bytes, checksum: da467bb1c50c5b78b2adb29e71ffbe81 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-04-10
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The aim of this academic paper is to do a cartography of the desire, the identitiy and the space, among other issues which are related to the difference, on the novel Giovanni`s Room, produced in 1956 by African American writer James Baldwin. From my particular reading of the novel, there is the perception that the relationship between the couple David and Giovanni is the core of the narrative. Concerning the issue of desire, I will discuss it as multiplicity. Furthermore, regarding identity, I will discuss its subversive character, the diaspora and the in-between, which are snippets that I consider very meaningful to the novel and its author. Regarding the matter of space, through my point of view, it has a peripheral atmosphere, which reflects the social marginalization of the characters that inhabit and move around it. Moreover, the masculinity, which I also consider as a significant issue in the work of Baldwin is connected, in my conception, to sexual ambiguity. I emphasize that, considering the matters of space and masculinity, this research will approach Giovannni`s Room, but it will be also extended to the novels Another Country and Just Above My Head, also written by Baldwin, for their construction is marked, through my point of view, by the difference. In order to better conduct this academic paper, I will select a theoretical framework, which includes Michel Foucault, Judith Butler, Stuart Hall, Gilles Deleuze, Félix Guattari, Georges Battaile, Homi Bhabha, Gaston Bachelard, Fernando Seffner and other contributors.
Propõe-se neste trabalho cartografar o desejo, a identidade, a espacialidade e outros aspectos que estão permeados pela diferença, no romance Giovanni`s Room, de autoria do afro-americano James Baldwin, publicado em 1956. Na minha proposta de leitura do romance, com a percepção de que a sua narrativa gira em torno da relação do casal de amantes David e Giovanni, discuto o desejo como multiplicidade. No que concerne às questões relacionadas à identidade, as discussões abordam a transgressão, a diáspora e o entre-lugar, recortes que considero significativos com relação à obra e ao autor. Quanto à temática da espacialidade, esta tem, na minha percepção, uma configuração periférica, que remete à condição marginal das personagens que nela habitam e circulam. A masculinidade, na obra de Baldwin está ligada, na minha leitura, à ambiguidade sexual. Ressalto que, quanto à masculinidade e à espacialidade, a pesquisa abordará, além de Giovanni`s Room, os romances Another Country e Just Above My Head, de autoria de James Baldwin, por também terem, na minha concepção, sua configuração ligada à diferença. Como suporte teórico para as questões pertinentes a essa pesquisa, utilizarei as contribuições de Michel Foucault, Judith Butler, Gilles Deleuze, Félix Guattari, Stuart Hall, Georges Bataille, Gaston Bachelard, Fernando Seffner, entre outros.

Regulation   and   regulatory   agencies   have   aninfluence on the economy and on the legal system ofa country. In this context, which are the challengesof regulatory agencies in developing countries, forexample, Peru? What is their relation with foreign investment? In a context of financial crisis, which isthe role that these agencies should play?THĒMIS-Law Review had the opportunity to briefly interview one of the more recognized and consulted experts in Regulation, who provided answers to the questions indicated above.
La regulación y los organismos reguladores influyen en la economía y en el sistema jurídico de unpaís. En ese contexto, ¿cuáles son los retos de los or-ganismos reguladores en países en vías en desarrollo, como el Perú? ¿Cuál es su relación con la inversión extranjera? En situaciones de crisis económica,¿cuál es el rol que deben jugar estos organismos?THĒMIS-Revista de Derecho tuvo la oportunidad de conversar brevemente con uno de los expertos en regulación económica más reconocidos y consulta- dos, quien brindó respuesta a las preguntas antes señaladas.

Transformable Furniture Master’s Degree Work The theme of the Master’s degree work - “Transformable Furniture” – is a topical issue these days, because the problem of irrational and tasteless furniture as well as interiors still exists. After analysing theories of the development of contemporary material environment as well as philosophical and artistic theories and attitude through the prism of the art and science proportion, the conception of the art playfulness, tendencies of the development of furniture and interior installations, assortment and principles of the creation and art conception as well as ergonomic laws, declared by the Functionality, the Constructivism, the concept of the Master’s degree work was formed, theoretical description was prepared and the universal, transformable furniture of 98 sq. m., designed for the interior was created; it enables to plan the dwelling space rationally and creatively. The project is composed from eleven main objects with continuous transformable modifications of the furniture for individual space. The project is presented on fourteen plane-tables with detailed schemes of each object, visualisations of their position in the interior. Three-dimensional models of each object are presented following a chosen scale of M 1 : 10. After the analysis of theoretical sources and their application in the project, the conclusions were made: transformable furniture enables to form the mobile as well as playful individual space... [to full text]

This thesis analyzes James Baldwin's essays as a method for understanding racial identity and authenticity. By using Vetta Sanders-Thompson's racial identification parameters, I suggest that Baldwin's struggle with his identity as a black American is crucial to deposing the idea of a monolithic black experience, which opens up new ways of analyzing African American literature.

Thesis (M.A.)--Georgia State University, 2007.
Title from title page. Margaret Harper, committee chair; Christopher Kocela, Daniel Black, committee members. Electronic text (63 p.) : digital, PDF file. Description based on contents viewed Oct. 11, 2007. Includes bibliographical references (p. 61-63).

The following is a report based on an internship during the Summer and Fall of 1997 in fulfillment of the requirements for the Masters of Arts Administration degree. The internship took place at the Dufour-Baldwin House Historic Museum & Gardens, Inc. and was in response to a request submitted to Director Elizabeth Williams by this intern to establish an annual or bi-annual special event/fundraiser for the home. The outcome was a festival that would be called Arthemise's Pantry, the namesake being Arthemise Bouligny, the wife of Albert Baldwin, one of the owners of the home.

The following is a record of the activities which were undertaken during an internship at the Dufour Baldwin House Historic Museum & Gardens, Inc. during the summer of 1996. The intern will describe what was implemented and accomplished during this process and will conclude with recommendations for the museum to use in it's future development undertakings.

Klubinių baldų projektą sudaro fotelis, stalas ir pufas. Pasirinkta ši tema dėl tokių priežasčių: tokio tipo baldų pasirinkimas gan nedidelis, tokio tipo baldai salyginai brangūs ir ši tema man yra artima. Baldų formos ir spalvos įkvėptos gamtos – idėja kilo iš kokoso riešuto. Pagrindiniai kriterijai kuriais vadovautasi: funckionalumas, estetinė išvaizda, aukšta kokybė ir žema kaina. Sukurti baldai yra praktiški dėl keičiamų dažniausiai dėvimų dalių. Ištepus šias dalis ar mechaniškai pažeidus jas galima lengvai pakeisti, tai yra itin aktualu, nes nereikialauja papildomų išlaidų (transportavimas, baldo pervilkimas, darbo kaina). Dėl šios baldo savybės jį lengva pritaikyti prie interjero, gali būti keičiamos spalvos bei medžiagos (oda, audinys ir kt.). Fotelio galinėje dalyje pritvirtinta detalė yra tik mano pasiūlytas sprendinys, dėl baldo unikalios konstrukcijos, gali būti gaminami įvairūs kevalai, kitos formos detalės. Vietoje užrašo „COCONUT“ gali būti naudojami kiti užrašai, kuriuos siekiama populiarinti. Baigiamąjį darbą sudaro penki planšetai, aiškinamasis raštas, brėžinių aplankas, bukletas ir gaminys – fotelis.
Club furniture design project consists of a chair, a table and a pouffe. This theme was chosen for the following reasons: the choise of this type of furniture is relatively small, such furniture is expensive and the topic is close to me. The shape and the colour are inspired by nature – the coconut. The main criteria I followed in my diploma work were: functionality, aesthetic appearance, high quality and low price. The created furniture is practical because of the parts that can be replaced. These parts can be easily replaced when smeard or mechanically broken and that is really important because it does not require additional expenses (transportation, furniture reclothing, labour price). Due to these removable parts, the designed furniture can be easily adapted to any interior – the colour and the material of the parts can be changed (leather, cloth, ect.). The attached part in the back of the armchair is my solution, variuos parts of other form can be made and attached. Other notes that are wanted to be populatized can be used instead of „COCONUT“. The Bachelor work consists of five flatbeds, the note folder, the folder of drawings, brochure and the product – an armchair.

In 1880 Gerard Baldwin Brown (1849-1932) was appointed by Edinburgh University as its first Watson Gordon Professor of Fine Art. Over the fifty-year period that he held the professorship he was to become well-known as a scholar of Anglo-Saxon art and culture, preparing the first comprehensive study of Anglo-Saxon church architecture in England as part of a six volume study of the arts in early England. In 1905 he produced a monograph, The Care of Ancient Monuments (Cambridge, 1905) which provided a comprehensive assessment of the protective systems in place across Europe and America for the protection of ancient buildings and monuments and made strong recommendations for the strengthening of the protective measures in Britain. These recommendations led amongst other things to the creation of Britain’s first national inventory bodies but Baldwin Brown’s call for the protection of occupied ancient buildings to be improved was not successful. Although The Care of Ancient Monuments appeared to be a departure from Baldwin Brown’s usual interests, this research suggests that it formed part of the author’s longer-term commitment to the protection of long-lived elements of the built environment, and that his views were strongly influenced by his experience of pursuing preservation campaigns in Edinburgh’s Old and New Towns. This study draws on a detailed study of Baldwin Brown’s preservation-related campaigns in Edinburgh to trace the coalescence of an urban preservation movement in the city in the late nineteenth and early twentieth centuries. It draws on a range of information sources including a hitherto unidentified collection of letters to the press, reports of lectures and published papers to trace the development of his preservation philosophy and the nature and scope of his preservation campaigns. It also explores the mechanisms available to would-be preservationists in the absence of effective legislation, and it assesses Baldwin Brown’s broader significance in the development of the urban preservation movement.

The reign of King Baldwin I (1100-1118) has thus far received little noteworthy attention by historians as the important pivotal period following the First Crusade conquest of Jerusalem in 1099. The two decades of his rule marked the extension of Latin conquests in the east, most notably by the conquest of the important coastal cities of Arsulf, Acre, Caesarea, Beirut and Sidon. These vital ports for the early Latin Kingdom of Jerusalem provided outlets to the sea for commerce, as well as safe harbors for incoming assistance from the west. Further, Baldwin led in the establishment of strong secular control over ecclesiastical authorities, and provided a model of administration for subsequent monarchs to follow until the loss of the kingdom in 1187. Baldwin's contributions to these developments are presented here in a bibliographical framework to illustrate both his important place in crusader historiography, as well as to gauge the significance of his memory in contemporary literature as a second Joshua archetype. The conquest of Jerusalem and the decades that followed were extraordinarily perilous for the western "colonial" transplants, and thus a Biblical precedent was sought as an explanation to the success of the crusaders. This thesis argues that Fulcher of Chartres, the chaplain and primary contemporary biographer of Baldwin I, saw a parallel with the Biblical figure of Joshua as beneficial to posterity. By the establishment of Baldwin's memory in such a context, Fulcher of Chartres encouraged further western support for the Latin Kingdom, and reveals the important trials that faced Jerusalem's first Latin king.

Albert Baldwin Wood and his screw pumps modernized New Orleans by bringing flood-free streets and cleaner water to the city while providing the potential for growth by pumping swamp lands dry. While Wood was never part of the local Progressive movement, his work with the pumps fit with Progressive initiatives for modernization. At first, the screw pumps removed rain water from the streets. Then New Orleans expanded the drainage to include sewerage removal and water purification. The pumps successfully drained thousands of acres of land once considered uninhabitable swamp land. This additional land extended New Orleans city limits but also aided in the acceleration of residential segregation. Cities from around the world used the designs for the screw pump and consulted Wood for advice on drainage systems.

This thesis traces the emergence of the American policewomen's movement through the career of Portland, Oregon's Lola Greene Baldwin, the first such officer hired by a municipality. It recounts the conditions which marked Baldwin's transition from a volunteer moral purity worker to a professional urban vice detective. The thesis connects Baldwin and her new profession to the Progressive era's social hygiene impulse. It considers how government absorption of the social hygiene agenda influenced the enforcement attitudes and methods of the early policewoman. Further, this work looks at the way Baldwin functioned within the bureaucracies and political structures of her environment. Baldwin's biographical history was obtained from her answers on a federal civil service application. The detective's original police department logs were a key element in researching her activities. Correspondence from the Portland city archives between the policewoman and five mayors and numerous police chiefs enhanced the information from her daily entries, as did a thorough perusal of contemporary newspaper items. Progressive-era city ordinances, reports of the Portland Vice Commission, and various memoranda of city council and local social hygiene committees also proved valuable. Miscellaneous personal documents and newspaper stories covering Baldwin's federal policing service during World War I were bolstered by articles from Social Hygiene. Baldwin professionalized women's police work by convincing Portland to pay for vice prevention and investigation formerly sponsored by private charities. She developed professional standards and procedures such as detailed case files, periodic statistical reports, and a specialized parole system for female delinquents. The female vice officer freely offered her ideas to other cities and helped form a national association of policewomen in 1912. Baldwin adopted social hygiene ideas through authoring laws which segregated females from sources of immorality in amusement and employment environments. The policewoman also championed detention homes for sexually precocious young women and special facilities for venereal cases. She fully accepted, moreover, social hygiene doctrine that prostitution was a medical as well as moral threat mandating complete abolition. When city authorities lagged in pursuing prostitution abatement, Baldwin helped establish a vice commission which forced appropriate action. National recognition of the female detective's vice policing won her appointment as a World War I federal military training facility protective agent. This work involved the detention of thousands of West Coast women and girls on mere suspicion of immorality. Baldwin returned to her police job in Portland after her federal task ended in late 1920. Used to the complete social control afforded by martial law, however, the policewoman became discouraged by postwar moral laxity in the Rose City, and retired in early 1922. The American urban policewomen's movement was engendered as a government effort to maintain traditional female purity in the modernizing environment of the Progressive era. Baldwin personified the transition from religious-based notions which relied on moral suasion to methods of modern professional social control which codified traditional standards and made them relevant to prevailing cultural and social conditions. The policewoman used the agenda and momentum of the social hygiene movement to empower herself and her new profession. Baldwin took advantage of growing acceptance of women as necessary partners in the management of a "parental" state. She embodied elements of "social feminism" because she believed that females were inherently different and needed state protection. Her insistence on professional equality with male cohorts, however, contradicted this pattern, as did her support of woman suffrage. Although Baldwin never reconciled to the vast cultural changes of her time, she left a proud legacy of professionalism to her daughters in modern law enforcement.

Archbishop Baldwin of Canterbury was one of the most influential English ecclesiasts of the late twelfth century. He was also a prolific writer, whose writings are significant in their synthesis of Cistercian spirituality and monastic theology. His Liber de Sectis Hereticorum, composed in the 1170s whilst he was still a monk, is a unique example of an anti-heretical treatise produced in England before the rise of Wycliffe, and yet it has received far less attention than his other works. This thesis, for the first time, argues that heresy was an important issue to ecclesiasts in England at this time. Twelfth-century England was a keen observer of continental popular heresy. This perspective inspired debate about the theoretical prospect of heresy which was combined with an active concern for the faith across the country, and how heresy could be identified and confronted. Baldwin’s Liber was the most ambitious manifestation of this discourse which drew inspiration from a second key consideration. This was a recognition that the monasteries, and specifically the Cistercian order, had a special role to play in the Church’s struggle against heresy. The Cistercians’ involvement with heresy in the twelfth century came in the anti-heretical activities of some of its most famous members, and in the development of specifically Cistercian thinking on society, caritas, and humility, which inspired individuals both inside and outside the monasteries to expect the participation of monks in the Church’s affairs. This thesis demonstrates how Baldwin’s role as an anti-heretical polemicist provided a link between an ambitious new religious order and a country preparing for the unprecedented threat of heretical incursion.

Cette thèse se fonde sur l'étude des six romans publiés par James Arthur Baldwid et ce qui, dans le texte, nous est révélé de l'économie de la fonction paternelle, suivant une approche critique se référant à la psychanalyse et, principalement, aux écrits et concepts freudiens et lacaniens. La première partie, consacrée à l'étude des romans familiaux et à la dialectique oedipienne, explore les liens oedipiens qui régissent les configurations familiales dans les différents romans, en mettant l'accent tout d'abord sur le désir de la mère, puis la place occupée par le père, et, enfin, le complexe d'Oedipe féminin. Dans la deuxième partie, nous avons étudié le rapport pervers qu'entretient le sujet baldwinien avec le désir et la loi. Le sujet bladwinien, capturé dans les rets de l'imaginaire, s'aliène dans la relation à l'autre : l'autre du miroir, le frère, l'amant de la relation homosexuelle et l'autre race. . .
This dissertation focuses on the study of the six novels published by James Arthur Baldwin and what is revealed in the texts about the economy of the paternal function, following a critical approach based upon the psychoanalytical writings and concepts of Sigmund Freud and Jacques Lacan. The first part, dedicated to the study of the family romances and the dialectic of the Oedipus complex, explores the oedipal links which govern the family configurations in the various novels and focuses first on the desire of the mother then, on the position of the father and, eventually, deals with the feminine response to the Oedipus complex. In the second part, the perverse relation which the subject enjoys with desire and law is studied. The subject, captured by the imaginary, is alienated in relation to the other : the other in the mirror, the brother, the homosexual lover and the other race. . .

The purpose of this study is to examine the social and historical foundations of the music education program in the Baldwin Park Unified School District in terms of personnel, organizational structure, performance activities, funding, and district support in order to gain an understanding of how the program has developed, sustained, and thrived despite significant challenges during the years 1950-2015. Whereas many school districts in California have elected to drastically reduce or cut funding to music programs, BPUSD has maintained a robust music program in the schools for more than 65 years. Demographic information indicates that the city of Baldwin Park, fifteen miles east of Los Angeles, is one of the lowest socio-economic regions in the state; this economic factor is among the challenges the district has faced throughout the years.

Data from this historical overview include interviews with former BPUSD music teachers and artifacts in the form of district personnel records, school yearbooks, concert programs, photos, newspaper clippings, and personal correspondence. Data also revealed there was strong leadership due to the administrative position of Music Coordinator held by Bob Greenwell from 1960 to 1986 and by Danny Wagner from 1986 to 2005. Under Greenwell’s leadership, a graduated music program was implemented for grades four through 12 – a structured program having elements that are still recognizable today, more than 60 years later. Collegial interactions between music teachers provided an environment for all BPUSD students to have equal opportunities to quality musical training and experiences. Program elements such as traditional performance activities – concerts, parades, field shows, and evaluation festivals – are examined with a particular focus on the role and perceived value of competition.

The investigation into this musical tradition will be beneficial to music teachers, school administrators, students and parents alike, by providing an understanding of the social and historical influences. This study will serve to fill a gap in the comprehensive history of California public school music education, documenting the early historical events occurring in this district. It will contribute to the general field of knowledge of historical music education and will benefit the Baldwin Park Unified School District by conveying a detailed account of past music education activities and providing school leadership a strategic tool for future planning.

David Baldwin has been the trumpet professor at the University of Minnesota since 1974. His most celebrated accomplishment is his recording of the Charlier 36 Etudes de Transcendantes and the Marcel Bitsch Vingt Etudes. In addition to this recording Baldwin has made recordings of etude books by Small, St. Jacome, Arban, Caffarelli, Smith, and the 32 Etudes de Perfectionnement also by Charlier. The quality of performance on all of these makes them excellent reference recordings. The back cover of the Etudes 32 de Perfectionnement reveals that the two-CD album, with a total run time of 115:35, was recorded over a span of four days. Endurance is a topic that all brass players confront. Baldwin wrote an etude book titled Lips of Steel that also contains two previously published articles on the topic of endurance. His ideas on endurance reveal a unique approach. This study analyzes the pedagogical concepts in those articles and in Lips of Steel. In addition to his recording projects, Baldwin has had many successful students. Thomas Rolfs and Lynn Erickson are both members of full-time professional orchestras. Larry Griffin, Scott Hagarty, and many others built their careers as professors of trumpet. An investigation of Baldwin's influence on his students further reveals how he approaches teaching and how his pedagogy has influenced his students who are now successful college professors.

Orientador: Mariza Correa
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-01T02:10:22Z (GMT). No. of bitstreams: 1 Passador_LuizHenrique_M.pdf: 18724478 bytes, checksum: 835d398d5e3e5ec6d67065607eddaa1d (MD5) Previous issue date: 2002
Resumo: o presente trabalho está inscrito na área de estudos sobre a história da Antropologia no Brasil, tomando por objeto de análise a trajetória de Herbert Baldus. Herbert Baldus (1899-1970) foi um etnólogo alemão, naturalizado brasileiro, que chegou ao país na década de 1920, tendo empreendido pesquisas etnográficas entre vários grupos indígenas americanos, majoritariamente no Brasil. Descendente de uma linhagem de pesquisadores germânicos que, desde o descobrimento, dedicaram-se a estudar os indígenas brasileiros, Baldus teve uma trajetória peculiar entre eles. Inserindo-se, desde o princípio, no processo de institucionalização da Antropologia no Brasil que se iniciou nos anos 30, Baldus ocupou a cadeira de Etnologia Brasileira na Escola Livre de Sociologia e Política de São Paulo de 1939 a 1960, assumindo posteriormente a chefia da Seção de Etnologia do Museu Paulista de 1947 a 1968, vindo também a dirigir aquela instituição. Sua trajetória e obra refletem as transições entre diferentes períodos e correntes teóricas na Antropologia brasileira, tendo sido um dos introdutores do funcionalismo e dos estudos de aculturação indígena no país, e tendo desempenhado importante papel de liderança e definição nos rumos tomados pela discussão de questões indigenistas entre os etnólogos no Brasil desde a decada de 30... Observação: O resumo, na íntegra, poderá ser visualizado no texto completo da tese digital
Abstract: The present issue is refered to the studies on History of Anthropology in Brazil, analysing the trajectory of Herbert Baldus. Herbert Baldus (1899-1970) was a German ethnologist, who became a Brazilian citzen, arrived in Brazil in the 1920's, and accomplished fieldworks among American indigenous groups, mainly the Brazilian ones. Baldus descends from a German ethnological tradition in Brazilian Anthropology that, since the discovery of Brazil, studied Brazilian native groups. Although, compared with his pairs, Baldus had a peculiar trajectory. He was inserted into the process of Anthropology institutionalization in Brazil since its beginning, in the 1930's. He became the Chairman on Brazilian Ethnology in Escola Livre de Sociologia e Política de São Paulo, from 1939 to 1960. From 1947 to 1968, he was the Chief of the Section of Ethnology on Museu Paulista, where he also became the director of the museum. His works reflect the transition between different theoretical trends and historical periods in Brazilian History of Anthropology. He was one of the former ethnologists who introduced functionalistic theories, began the studies on Indigenous acculturation and developed a leadership role on indigenism discussion in Brazil, since the 30's... Note: The complete abstract is available with the full electronic digital thesis or dissertations
Mestrado
Mestre em Antropologia Social

The dermal papillae of the hair follicle control its growth, differentiation and apoptosis via a range of growth factors. These secreted growth factors are known to differ between those of non-balding scalp and those of balding scalp and can even differ in response to a common stimuli – androgen. In balding scalp androgen stimulates the secretion of negative growth factors, while in non-balding scalp androgen is found to exert little or no effect. Dermal papilla cells (DPCs) can be cultured in vitro, however those from balding scalp have been found to undergo premature senescence compared to those from non-balding scalp. A major cause of premature senescence is oxidative stress – the gradual accumulation of reactive oxygen species within the cell causing deleterious loss of function. Reactive oxygen species are known to be mediated in response to androgens and growth factors and in turn may affect growth factor signalling within the cell. Using low oxygen cell culture as a means of reducing oxidative stress, balding and non-balding DPCs were grown and characterised. It was confirmed that low oxygen culture could increase proliferation, delay senescence and reduce reactive oxygen species with both DPC types and that balding DPCs showed a higher sensitivity to oxidative stress. It was also found that secretions of growth factors by the balding DPCs in response to different oxygen conditions differed greatly to that of the occipital DPCs. Androgen, but not TGF-β was found to modulate DPC production of catalase, an antioxidant, under low oxygen conditions and this caused a reduction in reactive oxygen species in the balding DPCs. Balding DPCs also demonstrated an upregulation of the antioxidant total glutathione, however had a reduced fraction of the active reduced form of the molecule. In addition, it was shown for the first time 3 that under cell culture conditions balding DPCs express TGF-β receptors and it was shown that proliferation and migration of the balding DPCs could be affected by addition of exogenous TGF-β, highlighting a potential role for TGF-β as an autocrine growth factor in the balding dermal papilla.

James Arthur Baldwin argues that the issue of humanity—what it means to be human and whether or not all people bear the same measure of human worth—supersedes all issues, including socially popular ones such as race and religion. As a former child preacher, Baldwin claims, like others shaped by both the African-American faith tradition and Judeo-Christianity, that human equality stands as a divinely mandated and philosophically sound concept. As a literary artist and social commentator, Baldwin argues that truth in any narrative text, whether fictional or non-fictional, lies in its embrace or rejection of human equality. Truth-telling narrative texts uphold human equality; false-witnessing texts do not. Baldwin shows in four of his novels the prevalence of the latter narrative type. Within the fictional societies of Go Tell It on the Mountain (1953), Giovanni’s Room (1956), If Beale Street Could Talk (1974), and Just Above My Head (1979), Baldwin reveals how society’s powerful bear false witness against the marginalized through stereotyping social narratives. However, Baldwin uses his novels to show the humanity of the marginalized. In so doing, he connects his works, as well as the works of contemporary black literary artists, to the concept of Christian spirituality.

Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2017-10-30T12:36:44Z No. of bitstreams: 2 Dissertação - Dagmar Olmo Talga - 2017.pdf: 7039710 bytes, checksum: 56244963cf19c50b576c241d6009d1cd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-10-30T12:37:05Z (GMT) No. of bitstreams: 2 Dissertação - Dagmar Olmo Talga - 2017.pdf: 7039710 bytes, checksum: 56244963cf19c50b576c241d6009d1cd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Made available in DSpace on 2017-10-30T12:37:05Z (GMT). No. of bitstreams: 2 Dissertação - Dagmar Olmo Talga - 2017.pdf: 7039710 bytes, checksum: 56244963cf19c50b576c241d6009d1cd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-07-28
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
Las bases iniciales para la formación territorial brasilera, considerando el periodo posterior a la invasión europea, fueron ciertamente el latifundio, la mono cultura y el trabajo esclavo. Esa triada fue responsable de la violencia que caracterizó el avance colonizador sobre las tierras y poblaciones tradicionales, así como de las demás matrices formadoras del pueblo brasilero y sus diferentes hibridaciones. En la lucha por el territorio, sin embargo, también la resistencia de esos pueblos por su tierra y forma de vida fue central para los nuevos ajustes territoriales y humanos. Por otro lado, en algunos momentos este proceso ganó diversas características. Podemos citar por ejemplo los conflictos por la tierra y territorio ocurridos en las diversas regiones brasileras: Cabanagem en la región Amazónica, Canudos en la Región Nordeste, Contestado y Porecatu en la Región Sur, Ligas Camponesas en la Región Nordeste, Trombas y Formoso en la Región Centro-Oeste. Las dos últimas ocurrieron en el umbral – y fueron motivos para - de la instalación de la Dictadura Militar de 1964, que enterró varios proyectos políticos y sociales que incluían la democratización del acceso a la tierra y el derecho al territorio. La lucha reciente por la tierra puede ser contada a partir de mediados de la década de 1980, en el ámbito de la redemocratización brasileira, con el surgimiento del Movimiento de los Trabajadores Rurales Sin Tierra –MST, entre otros que proporcionaron, desde entonces, un nuevo sentido a la lucha por la tierra. La ocupación del latifundio improductivo y los acampamentos colectivos con el propósito de presionar por la expropiación pasan a ser parte de las tácticas de lucha de los movimientos sociales y populares del campo. Todo ese proceso histórico a su vez, fue acompañado por los discursos hegemónicos que sustentan y dan soporte a la concentración agraria brasilera y específicamente goiana. Los Medios de Comunicación en su magnitud son un actor político de este proceso, de la mano con los nuevos medios digitales Facebook, WhatsApp, Google, etc., y principalmente la televisión que posee gran alcance. La reciente campaña “O AGRO É POP” ejemplifica la fuerza de estos instrumentos en la lucha ideológica por la mente, lo cual influencia directamente en el resultado de la lucha por la tierra. De esa forma, el latifundio de los Medios ha asumido relevancia equivalente al latifundio concreto de la posesión de la tierra así como sus múltiples relaciones con trasnacionales alrededor del mundo y el mercado financiero. En contrapartida, nos cuestionamos sobre la utilización de tales procesos de comunicación por los campesinos en la lucha por la tierra. ¿Cómo la comunicación de forma general y, específicamente los nuevos medios digitales influencian en la lucha por la tierra en Brasil, y puntualmente en Goiás? ¿En qué amplitud tales instrumentos mediáticos son utilizados por los acampados o por sus lideranzas en el proceso de lucha? ¿Cuál es la fuerza de los procesos de comunicación en el desarrollo y desenlace de los conflictos por la tierra? Con intención de reflexionar y buscar respuestas para estas y otras cuestiones, tenemos como objetivo principal en esta disertación, entender cómo los procesos de comunicación influencian la lucha por la tierra en el Estado de Goiás. Teniendo como población de análisis los sujetos del Acampamento Don Tomás Balduino, consolidado inicialmente en la ocupación de la Hacienda Santa Mónica en Corumbá de Goiás, en el año 2014, más que continúa en movimiento en otros espacios como el municipio de Formosa, también en el Estado de Goiás. El proceso investigativo que resultó de esta disertación está basado en una perspectiva de investigación participante, entendiendo que, solamente es posible comprender de hecho el contexto investigando con una inmersión participativa en el cotidiano social, político y cultural de los sujetos con los cuales compartimos la investigación. Destacadamente usamos la observación participante como instrumento de campo, utilizado en diferentes momentos y lugares, durante la inmersión en el territorio de la vida de las familias acampada en el Acampamento Don Tomás Balduino. En estos momentos también fueron realizadas 36 entrevistas con hombres y mujeres acampados. Para el análisis de tales entrevistas utilizamos el Análisis de Contenido (AC), que nos proporciona elementos sólidos para las reflexiones, discusiones y análisis aquí presentados. Con los resultados alcanzados esperamos contribuir de alguna forma con el desvelamiento de la influencia de los procesos de comunicación en la lucha por la tierra en el Estado de Goiás. Y, concomitantemente contribuir con la lucha por la tierra y por el territorio de sujetos acampados en el Estado de Goiás
As bases iniciais para a formação territorial brasileira, considerando o período posterior à invasão europeia, foram certamente o latifúndio, a monocultura e o trabalho escravo. Essa tríade foi responsável pela violência que caracterizou o avanço colonizador sobre as terras e populações tradicionais, assim como, sobre as demais matrizes formadoras do povo brasileiro e suas diferentes miscigenações. Na luta pelo território, contudo, também a resistência desses povos por sua terra e forma de vida foi central para os novos arranjos territoriais e humanos. Por outro lado, em alguns momentos, este processo ganhou nuances características. Podemos citar, como exemplo, os conflitos pela terra e território ocorridos nas diversas regiões brasileiras: Cabanagem na Região Amazônica, Canudos na Região Nordeste, Contestado e Porecatu na Região Sul, Ligas Camponesas na Região Nordeste, Trombas e Formoso na Região Centro-Oeste. As duas últimas, ocorreram no limiar - e foram motivos para - da instalação da Ditadura Militar de 1964, que enterrou vários projetos políticos e sociais que incluíam a democratização do acesso à terra e o direito ao território. A luta recente pela terra pode ser contada a partir de meados da década de 1980, no âmbito da redemocratização brasileira, com o surgimento do Movimento dos Trabalhadores Rurais Sem Terra - MST, entre outros que forneceram, a partir de então, um novo sentido à luta pela terra. A ocupação do latifúndio improdutivo e os acampamentos coletivos com intuito de pressionar pela desapropriação passam a fazer parte das táticas de luta dos movimentos sociais populares no campo. Todo esse processo histórico, por sua vez, foi acompanhado pelos discursos hegemônicos que sustentam e dão suporte à concentração fundiária brasileira e goiana, em específico. A mídia em sua magnitude é um ator político desse processo, juntamente com as novas mídias digitais, facebook, whatzapp, Google etc. e, principalmente, a mídia televisiva que possui grande abrangência. A recente campanha “O AGRO É POP” exemplifica a força destes instrumentos na luta ideológica pelas mentes, o que influencia diretamente no resultado da luta pela terra. O latifúndio da mídia, desta forma, tem assumido relevância equiparada ao latifúndio concreto da posse da terra, bem como suas relações múltiplas com transnacionais ao redor do mundo e o mercado financeiro. Em contrapartida, nos questionamos sobre a utilização de tais processos de comunicação pelos camponeses em luta pela terra. Como a comunicação de forma geral, e as novas mídias digitais, em específico, influenciam na luta pela terra no Brasil e destacadamente em Goiás? Em que amplitude tais instrumentos midiáticos são utilizados pelos acampados ou por suas lideranças no processo de luta? Qual a força dos processos de comunicação no desenvolvimento e desfecho dos conflitos pela terra? No sentido de refletir e buscar resposta para estas e outras questões, temos como objetivo principal nesta dissertação entender como os processos de comunicação influenciam a luta pela terra no Estado de Goiás. Temos como foco de análise os sujeitos do Acampamento Dom Tomás Balduino, consolidado inicialmente na ocupação da Fazenda Santa Mônica em Corumbá de Goiás, em 2014, mas que continua em movimento em outros espaços como o município de Formosa, também em Goiás. O processo investigativo que resultou nesta dissertação tem suas bases na perspectiva participante de pesquisa, entendendo que somente é possível compreender de fato o contexto pesquisado com uma imersão participativa no cotidiano social, político e cultural dos sujeitos com os quais compartilhamos a pesquisa. Destacadamente, utilizamos a observação participante como instrumento de campo, utilizado, em diferentes momentos e locais, durante imersão no território de vida das famílias acampadas no Acampamento Dom Tomás Balduino. Nestes momentos também foram realizadas 36 entrevistas com homens e mulheres acampados. Para a análise de tais entrevistas utilizamos a Análise de Conteúdo (AC), que nos forneceu elementos sólidos para as reflexões, discussões e análises aqui apresentadas. Esperamos de alguma forma, com os resultados alcançados, contribuir com o desvelamento da influência dos processos de comunicação na luta pela terra no Estado de Goiás. E concomitantemente contribuir com a luta pela terra e pelo território de sujeitos acampados no Estado de Goiás.

Bibliography: leaves 187-192.
This dissertation is a study of the Royal Navy's campaign against the slave trade from their base at the Cape of Good Hope from 1861-4. During this period the Cape Squadron (which included the West African Station at this point) was under the command of Rear Admiral Sir Baldwin Walker. Under his command the first major successes against the East African slave trade were achieved. The study comprises of three main sections. The first gives background information about the Royal Navy, international relations and the state of the slave trade suppression at the time. The second examines the actions of the Cape Squadron under Walker's command. The third section gives detail of the cruises of specific Royal Navy ships and evaluates their success ( or otherwise) in suppressing the slave trade. Themes explored in this dissertation include the international nature of the slave trade, the policy of substituting legitimate trade for the slave trade, the influence of naval technology and how interactions between 'men on the spot' affected the success of suppression. Also explored is Britain's motivation for undertaking so difficult and expensive a task. Conclusions drawn are that the international nature of the slave trade and the lack of treaties (regarding the right to search shipping) with some powers, particularly France, greatly hindered the Royal Navy's suppression efforts. The substitution of legitimate trade for the slave trade worked successfully on the West African Coast but many of the legitimate enterprises relied upon slave labour, a fact which the British and other European powers chose to ignore. The personal interaction between men on the spot proved to be an important factor in determining the success (or failure) of the slave trade suppression efforts. New naval technologies were not as effective as they could have been in suppressing the slave trade due to the poor quality of ships assigned to the slave patrol (although this was remedied somewhat during Admiral Walker's tenure as Commander-in-Chief of the Cape Squadron). Britain's motivation for undertaking the suppression of the slave trade is shown to have been a combination of humanitarian concerns and political and economic expediency.

L’année 1963 est centrale pour le mouvement des droits civiques puisque la popularité de Martin Luther King donne un nouvel élan aux luttes afro-américaines. En effet, c’est au mois d’août 1963 à Washington que le pasteur King prononce son discours I Have a Dream. Bien qu’il s’attaque aux lois « Jim crow » et à sa doctrine Separate but equal qui ségrége la société américaine. Par son message non-violent empreint d’amour, d’espoir et de résilience, King devient un porte-parole emblématique du mouvement des droits civiques et le porteur d’une pensée structurante au sein des luttes afro-américaines dans les années 1960, soit la pensée intégrationniste. À cette époque, le mouvement des droits civiques devient un mouvement populaire porté par différents acteurs. C’est le cas de l’écrivain afro-américain James Baldwin qui fait paraître en 1963 son essai The Fire Next Time. De manière plus spécifique, on peut dire que son essai The Fire Next Time vulgarise le discours intégrationniste. Nous proposons d’évaluer, dans notre mémoire, la contribution de James Baldwin et de son essai The Fire Next Time paru en 1963 à l’idéologie intégrationniste. D’abord, nous aborderons certains éléments de l’histoire afro-américaine concernant les premières formes de résistance des Noirs américains (1917- 1954). Ensuite, nous tenterons de cerner les éléments compris dans l’argumentaire de Baldwin faisant en sorte que son essai The Fire Next Time et les idées qui y sont comprises, sont souvent associés à l’idéologie intégrationniste. Pour finir, nous verrons que l’amour est l’ultime solution au « problème noir », selon Baldwin. Dans ce chapitre, nous nous intéresserons au concept d’amour et aux définitions qu’en donnent Martin Luther King et Baldwin.

Baigiamajame darbe nagrinėjami moduliniai poilsio baldai. Darbo pavadinimas – „Modulinių poilsio baldų projektas „Fleksi““. Darbo apimtį sudaro 5 planšetai, filmukas, vaizduojantis sukurtus trimačius baldus, ir aprašas. Bakalauro darbe pateikiamas modulinių poilsio baldų aprašas. Darbą sudaro 7 dalys. Darbo tikslas – paruošti modulinių baldų projektą. Darbo uždavinys – sukurti gražius bei originalius baldus, kuriuos vartotojas galėtų pritaikyti pagal savo poreikius, kuriuos būtų galima lengvai transformuoti ir kurie leistų patirti naujus pojūčius. Darbo eiga prasidėjo nuo prototipų analizės. Nagrinėti įvairūs baldai, ieškant idėjos baldui. Buvo kuriami įvairūs eskizai, iš kurių išsirinkti geriausi. Tuomet buvo kuriamos jų schemos bei tolesni brėžiniai. Galutiniame variante sukurti keturi moduliniai poilsio baldai. Tai – lentyna su sėdima dalimi, staliukas, kėdė ir pakabinama lentyna. Baldus lengva transportuoti ir surinkti. Naujumas: baldai leis patirti naujus pojūčius. Baldus bus galima pritaikyti pagal savo poreikius bei iš turimų modulių sukurti tokį baldą, kokio nori vartotojas – kėdę, staliuką ar lentyną.
The final paper analyses modular leisure furniture. Topic: Modular Leisure Furniture Project "Fleksi". Paper volume includes 5 project drawings, video showing the created 3D furniture and description. Bachelor’s paper presents modular leisure furniture description. The paper is made of 8 parts. Aim of the paper: to design a modular leisure furniture project. Task: to create nice and original furniture to be adapted to customer’s needs. Furniture should be easily transformed allowing experiencing new sensations. Course: the work started with prototype analysis. I analysed various furniture in order to find an idea. Then I created various sketches, selected the best ones, made their schemes and further drawings. Finally, four modular leisure furniture pieces were created: the shelf with a sitting place, small table, chair and suspended shelf. The furniture is easy to assemble and transport. Novelty: the furniture will allow experiencing new sensations. The furniture can be adapted to one’s individual needs.

The thesis investigates the ways in which James Baldwin, Alice Walker and Toni Morrison’s fictional portrayals of forms of love, eroticism and sexuality that are excluded or prohibited by social norms, destabilise heteronormativity as the only legitimate option for non-harmful and pleasurable sensual and sexual expression. It aims to situate Baldwin, Walker and Morrison in a continuum of African American authors, beginning with Harlem Renaissance writer Bruce Nugent – the first African American writer to openly explore the relationship between homosexuality and Blackness – that have examined the intertwining issues of transgressive sexuality and race in increasingly explicit ways. By highlighting the ways in which Baldwin, Walker and Morrison decentre heteronormativity, the project aims to uncover how their novels expose the systems of power and knowledge by which racial forms of oppression are maintained, thereby debunking both the notion of Black “authenticity” and Black sexual stereotypes. Finally, the project hopes to show how the process of “queering” heteronormativity in these ways effectively serves to legitimise all forms of love, eroticism and sexuality that are non-harmful, opening up a new trajectory for contemporary twentieth-century authors who delve into these themes. Theoretical Approach: The thesis will argue for a queer reading of Baldwin, Walker and Morrison’s novels that underscores the writers’ treatment of sexuality as a discursive construct. Specifically, this theoretical perspective looks to their legitimisation of alternative forms of love, eroticism and sexuality that are non-harmful – a process that, in each case, serves to counteract and denaturalise White heteronormativity as the only rightful option for sexual desire and practice. Through this approach, the thesis strives to reveal how by working to legitimise such taboo expressions, these writers deconstruct the idea of the “other” as aberrant, thus calling attention to the specific political and moral systems by which love, eroticism and sexuality are judged in the modern Western world. Chapter Break Down: Chapters one and two of the project situate my argument in the context of critical earlier American writing encompassing canonical fiction, including political protest and African American folklorist novels, political polemics, Puritan captivity narratives, slave narratives, political essays, and experimentalist fiction. Together, these chapters provide a detailed overview of discourses surrounding sexuality, considering what is socially determined to be sexually “perverse” as a shifting concept, the meaning of which changes in tandem with changes in social and historical context. They also extensively analyse Black cultural specificity, examining both the sociological genesis of Black sexual stereotypes that led in part to the justification of the modern slave trade and the subsequent impact of slavery on African American sexual practices. In chapter three, the literary analysis begins with a consideration of the broadened possibilities of sexual acceptability Baldwin puts forth in his anti-protest style of fiction, by examining relationships between characters that do not fit conventional racial or sexual stereotypes, their social contexts, and the narrative perspectives employed by the author. Chapter four examines how Walker’s work carries forward Baldwin’s ideas, by further opening up the spectrum of socially acceptable forms of love, eroticism and sexuality through her presentation of an even wider array of erotically transgressive characters, and her effort to write about them during sustained periods of American conservatism. In chapter five, I examine how Morrison complicates the traditional understanding of what constitutes legitimate sexuality by infusing positive elements into sensual and sexual acts that appear to be nothing other than violent, illegal or psychologically regressive, thereby exposing the impact of social and historical context on the individual, further emphasising the changing and discursive nature of sexuality. The thesis finally argues that Baldwin, Walker and Morrison’s particular depictions of alternative sexuality roll back into a bigger idea of human experience that claims as necessary a re-thinking of social norms based on ethical considerations, rather than arbitrary social codes of morality that lead to both racial and sexual discrimination. Their novels thus ultimately involve us in human issues of justice and responsibility beyond the boundaries of race and sexuality.

This dissertation examlnes scribal practice in English music manuscripts of the late sixteenth and early seventeenth centuries, with one scribe, John Baldwin (d.1615), as its point of reference and centre of interest. Baldwin is known to be the copyist of three manuscripts: British Library, R.M.24.d.2, also known as his Commonplace Book, the source Oxford, Christ Church 979-83, and the keyboard source My Ladye Nevells Booke. He also contributed to several others. His copying methods are assessed and compared with those used in sources concordant with his manuscripts, by means of studies of the various types of music -- texted vocal, textless vocal and instrumental, and keyboard -- found In these sources. Chapter 1 is a survey of the sources In question. It places particular emphasis on Baldwin's manuscripts, and discusses their structure, apparent purpose, and place in his copying output. Chapter 2 examines scribal practice with regard to manuscript accidentals. Various types of procedure are described and their incidence discussed; and scribal performance in this area is compared throughout Baldwin's manuscripts and their concordant sources. The same approach is applied to text underlay in Chapter 3. Chapter 4 examines Baldwin's textless copying, and discusses related topics such as surviving texted versions of pieces which Baldwin copied in textless form . In Chapter 5, conclusions drawn from these studies are brought to bear on two related problems of major importance: the identification of 'directional' evidence and the establishment of manuscript inter-relationships. The evidence produced by these studies suggests that in substantial areas of manuscript copying, scribal performance is directly dependent on individual habit, and that this should place considerable restrictions on the range of directional evidence when associative variants are sought. The dissertation concludes with a study of the lute arrangements of certain vocal pieces found in the manuscripts of Baldwin and other scribes, and an examination of Baldwin's Nevell hand, most extensively and importantly represented in My Ladye Nevells Booke. The second volume consists of a supporting body of transcriptions, including Baldwin unica from his two manuscripts of vocal music, and the handful of pieces (not necessarily unica) which these manuscripts share.