Journal articles: 'Balduin'

1

Hiestand, Rudolf. "König Balduin und sein Tanzbär." Archiv für Kulturgeschichte 70, no. 2 (December 1988): 343–60. http://dx.doi.org/10.7788/akg.1988.70.2.343.

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Peck, Clemens. "Detektiv im Krieg. Galizische Spionageabwehr bei Balduin Groller." Zagreber germanistische Beiträge 25 (2016): 83–97. http://dx.doi.org/10.17234/zgb.25.6.

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3

Neidiger, Bernhard. "Balduin von Luxemburg. Erzbischof von Trier, Kurfürst des Reiches." Annalen des Historischen Vereins für den Niederrhein 189, jg (December 1986): 212–14. http://dx.doi.org/10.7788/annalen-1986-jg41.

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Keller, Vera. "Hermetic Atomism: Christian Adolph Balduin (1632–1682),Aurum Aurae, and the 1674 Phosphor." Ambix 61, no. 4 (October 27, 2014): 366–84. http://dx.doi.org/10.1179/1745823414y.0000000003.

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Embach, Michael. "Der Trierer Erzbischof Balduin von Luxemburg (1307-1354) : eine historische Bilanz nach 700 Jahren ; Wissenschaftliches Symposium und Ausstellung in der Stadtbibliothek Trier." Zeitschrift für Bibliothekswesen und Bibliographie 55, no. 6 (December 15, 2008): 343–44. http://dx.doi.org/10.3196/186429500855671.

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Yaakov, Beery, and Khalil Kashkush. "Massive alterations of the methylation patterns around DNA transposons in the first four generations of a newly formed wheat allohexaploid." Genome 54, no. 1 (January 2011): 42–49. http://dx.doi.org/10.1139/g10-091.

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Rapid and reproducible genomic changes can be induced during the early stages of the life of nascent allopolyploid species. In a previous study, it was shown that following allopolyploidization, cytosine methylation changes can affect up to 11% of the wheat genome. However, the methylation patterns around transposable elements (TEs) were never studied in detail. We used transposon methylation display (TMD) to assess the methylation patterns of CCGG sites flanking three TE families (Balduin, Apollo, and Thalos) in the first four generations of a newly formed wheat allohexaploid. In addition, transposon display (TD), using a methylation-insensitive restriction enzyme, was applied to search for genomic rearrangements at the TE insertion sites. We observed that up to 54% of CCGG sites flanking the three TE families showed changes in methylation patterns in the first four generations of a newly formed wheat allohexaploid, where hypermethylation was predominant. Over 70% of the changes in TMD patterns occurred in the first two generations of the newly formed allohexaploid. Furthermore, analysis of 555 TE insertion sites by TD and 18 cases by site-specific PCR revealed a full additive pattern in the allohexaploid, an indication for lack of massive rearrangements. These data indicate that following allopolyplodization, DNA-TE insertion sites can undergo a significantly high level of methylation changes compared with methylation changes of other genomic sequences.

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Imada, Akira. "Hinton & Nowlan’s computational Baldwin effect revisit: Are we happy with it? Akira Imada." Informacijos mokslai 42, no. 43 (January 1, 2008): 207–12. http://dx.doi.org/10.15388/im.2008.0.3418.

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In their seminal paper published in 1987, Hinton & Nowlan showed us an elegant experiment which might be called an evolution with the Baldwin effect in computers which searches for only one object located in a huge search space. The object was called a-needle-in-a-haystack. Hinton & Nowlan evolved a population of candidates of the solution in the same way as a standard evolutionary search. What made it unique was an exploitation of individual’s lifetime-learning. Since then we have had afair amount of proposals of how we reach the needle more efficiently. The issue, however, is still open to debate. We try to repeat their experiment and take a consideration on it.Naujai peržiūrimas Hintono ir Nowlano skaičiuojamasis Baldwino efektas: ar tai mus tenkina?Akira Imada SantraukaSavo užuomazginiame straipsnyje, publikuotame 1987 m., Hintonas ir Nowlanas pademonstravo elegantišką eksperimentą, kurį galima vadinti evoliucija su Baldwino efektu kompiuteriuose, kuri ieško vieno objekto milžiniškoje paieškos erdvėje. Šis objektas buvo pavadintas adata šieno kupetoje. Hintonas ir Nowlanas išvystė visą populiaciją sprendimo kandidatų analogiškų standartinei evoliucinei paieškai. Unikalu buvo tai, kad panaudotas individo mokymasis visą gyvenimą. Nuo to laiko pateikta pakankamai daug siūlymų, kaip efektyviau pasiekti ieškomąją adatą. Tačiau šis klausimas išlieka atviras diskusijoms. Šiame straipsnyje pakartojamas ir apsvarstomas Hintono ir Nowlano eksperimentas.

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Freed, John B. "Johannes Mötsch, ed., Die Balduineen: Aufbau, Entstehung und Inhalt der Urkundensammlung des Erzbischofs Balduin von Trier. (Veröffentlichungen der Landesarchivverwaltung Rheinland-Pfalz, 33.) Koblenz: Landesarchivverwaltung Rheinland-Pfalz, 1980. Paper. Pp. vii, 743. DM 120." Speculum 62, no. 02 (April 1987): 512–13. http://dx.doi.org/10.1017/s0038713400115416.

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9

Gibson, Ernest L. "Trends in James Baldwin Criticism 2013–15." James Baldwin Review 4, no. 1 (September 11, 2018): 128–43. http://dx.doi.org/10.7227/jbr.4.10.

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James Baldwin might be imagined as reaching his greatest level of popularity within this current decade. With the growth of social media activist movements like Black Lives Matter, which captures and catalyzes off a Baldwinian rage, and the publishing of works directly evoking Baldwin, his voice appears more pronounced between the years of 2013 and 2015. Scholars in Baldwin studies, along with strangers who were turned into witnesses of his literary oeuvre, have contributed to this renewed interest in Baldwin, or at least have been able to sharpen the significance of the phenomenon. Publications and performances highlight Baldwin’s work and how it prefigured developments in critical race and queer theories, while also demonstrating Baldwin’s critique as both prophetic and “disturbingly” contemporary. Emerging largely from Baldwin’s timelessness in social and political discourse, and from the need to conjure a figure to demystify the absurd American landscape, these interventions in Baldwin studies follow distinct trends. This essay examines the 2013–15 trends from four vantages: an examination of a return, with revision, to popular work by Baldwin; identifying Baldwin’s work as a contributor to theoretical and critical methodology; Baldwin and intertextuality or intervocality; and a new frontier in Baldwin studies.

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10

Saltzstein, Alan. "Sidney Baldwin." Political Science and Politics 37, no. 02 (April 2004): 335–36. http://dx.doi.org/10.1017/s1049096504004342.

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11

KLINCK, HAROLD R. "BALDWIN OAT." Canadian Journal of Plant Science 67, no. 2 (April 1, 1987): 499–501. http://dx.doi.org/10.4141/cjps87-070.

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Baldwin is a white-hulled oat (Avetia sativa L.) cultivar with high yield, high test weight, low hull content and early maturity. It was developed at Macdonald College of McGill University and is adapted to eastern Canada. This cultivar was granted license no. 2563 in November 1985.Key words: Oat, Avena sativa L., high test weight

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12

Mirakhor, Leah. "“Oceans of Love”." James Baldwin Review 5, no. 1 (September 2019): 160–77. http://dx.doi.org/10.7227/jbr.5.11.

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This essay reviews Hilton Als’ 2019 exhibition God Made My Face: A Collective Portrait of James Baldwin at the David Zwirner Gallery. The show visually displays Baldwin in two parts: “A Walker in the City” examines his biography and “Colonialism” examines “what Baldwin himself was unable to do” by displaying the work of contemporary artists and filmmakers whose works resonate with Baldwin’s critiques of masculinity, race, and American empire. Mirakhor explores how Als’ quest to restore Baldwin is part of a long and deep literary and personal conversation that Als has been having since he was in his teens, and in this instance, exploring why and how it has culminated via the visual, instead of the literary. As Mirakhor observes, to be in the exhibit is not to just observe how Als has formed and figured Baldwin, but to see how Baldwin has informed and made Als, one of our most lyrical and impassioned contemporary writers and thinkers.

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McDonald, Jon-Marc. "Relatively Conscious: The Enduring Rage of Baldwin and the Education of a White Southern Baptist Queer." James Baldwin Review 2, no. 1 (December 13, 2016): 153–62. http://dx.doi.org/10.7227/jbr.2.9.

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Delivered in Paris at the 2016 International James Baldwin Conference just two weeks before the killing of 49 individuals at a LGBT nightclub in Orlando, Florida on 26 June 2016, “Relatively Conscious” explores, through the eyes of an LGBT American and the words of James Baldwin, how separate and unequal life remains for so many within the United States. Written in the tradition of memoir, it recounts how, just as Paris saved Baldwin from himself, the writer’s life was transformedupon the discovery of Baldwin.

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McBride, Dwight A. "Celebrating Our Current “Baldwin Moment”." James Baldwin Review 5, no. 1 (September 2019): 1–8. http://dx.doi.org/10.7227/jbr.5.1.

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Recounting a celebration at ASA 2018, reflecting on the twenty-year anniversary of the publication of the edited collection James Baldwin Now, celebrating the early success of this journal, and canvassing the renaissance in interest in James Baldwin, Dwight A. McBride introduces the fifth volume of James Baldwin Review.

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15

Miller, D. Quentin. "Trends in James Baldwin Criticism 2010–13." James Baldwin Review 3, no. 1 (October 4, 2017): 186–202. http://dx.doi.org/10.7227/jbr.3.12.

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The acceleration of interest in Baldwin’s work and impact since 2010 shows no signs of diminishing. This resurgence has much to do with Baldwin—the richness and passionate intensity of his vision—and also something to do with the dedicated scholars who have pursued a variety of publication platforms to generate further interest in his work. The reach of Baldwin studies has grown outside the academy as well: Black Lives Matter demonstrations routinely feature quotations from Baldwin; Twitter includes a “Son of Baldwin” site; and Raoul Peck’s 2016 documentary, I Am Not Your Negro, has received considerable critical and popular interest. The years 2010–13 were a key period in moving past the tired old formula—that praised his early career and denigrated the works he wrote after 1963—into the new formula—positing Baldwin as a misunderstood visionary, a wide-reaching artist, and a social critic whose value we are only now beginning to appreciate. I would highlight four additional prominent trends that emerged between 2010 and 2013: a consideration of Baldwin in the contexts of film, drama, and music; understandings of Baldwin globally; Baldwin’s criticism of American institutions; and analyses of Baldwin’s work in conversation with other authors.

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Francis, Conseula. "Reading and Theorizing James Baldwin: A Bibliographic Essay." James Baldwin Review 1, no. 1 (September 29, 2015): 179–98. http://dx.doi.org/10.7227/jbr.1.11.

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Readers and critics alike, for the past sixty years, generally agree that Baldwin is a major African-American writer. What they do not agree on is why. Because of his artistic and intellectual complexity, Baldwin’s work resists easy categorization and Baldwin scholarship, consequently, spans the critical horizon. This essay provides an overview of the three major periods of Baldwin scholarship. 1963–73 is a period that begins with the publication of The Fire Next Time and sees Baldwin grace the cover of Time magazine. This period ends with Time declaring Baldwin too passé to publish an interview with him and with critics questioning his relevance. The second period, 1974–87, finds critics attempting to rehabilitate Baldwin’s reputation and work, especially as scholars begin to codify the African-American literary canon in anthologies and American universities. Finally, scholarship in the period after Baldwin’s death takes the opportunity to challenge common assumptions and silences surrounding Baldwin’s work. Armed with the methodologies of cultural studies and the critical insights of queer theory, critics set the stage for the current Baldwin renaissance.

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Kadyshevskii, Vladimir G., A. A. Komar, Oleg N. Krokhin, Anatolii A. Logunov, A. I. Malakhov, V. A. Matveev, Yurii S. Osipov, et al. "In memory of Aleksandr Mikhailovich Baldin." Uspekhi Fizicheskih Nauk 173, no. 7 (2003): 795. http://dx.doi.org/10.3367/ufnr.0173.200307n.0795.

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Leeming, David, and Magdalena J. Zaborowska. "Remembering Sedat Pakay 1945–2016." James Baldwin Review 3, no. 1 (October 4, 2017): 173–85. http://dx.doi.org/10.7227/jbr.3.11.

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Sedat Pakay, whose name will always be associated with the most intimate portrayals we have of James Baldwin, died on 20 August 2016 at his home in Claverack, NY. Sedat was born in Istanbul, Turkey, where he graduated from Robert College. He studied at the Yale School of Art under Walker Evans, Paul Strand, and Herbert Matter and became a successful photo-journalist and filmmaker. His subjects for photographic portraits included Andy Warhol, Mark Rothko, Josef Albers, Gordon Parks, and, especially, James Baldwin. Pakay’s best-known films are Walker Evans/America (2000) and, as all Baldwin scholars and friends know, James Baldwin: From Another Place, filmed in Istanbul in 1970.

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James, Jenny M. "Trends in James Baldwin Criticism, 2015–16." James Baldwin Review 5, no. 1 (September 2019): 143–59. http://dx.doi.org/10.7227/jbr.5.10.

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This review article charts the general direction of scholarship in James Baldwin studies between the years 2015 and 2016, reflecting on important scholarly events and publications of the period and identifying notable trends in criticism. While these years witnessed a continuing interest in the relationship of Baldwin’s work to other authors and art forms as well as his transnational literary imagination, noted in previous scholarly reviews, three newly emergent trends are notable: an increased attention to Baldwin in journals primarily devoted to the study of literatures in English, a new wave of multidisciplinary studies of Baldwin, and a burgeoning archival turn in Baldwin criticism.

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Komarnicki, Konrad. "Dekada z wieczności. Wizja władzy i jej funkcjonowanie we wczesnym Królestwie Jerozolimskim." Czasopismo Prawno-Historyczne 70, no. 2 (July 17, 2019): 151–71. http://dx.doi.org/10.14746/cph.2018.2.5.

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Praca dotyczy wizji władzy i jej funkcjonowania podczas pierwszej krucjaty i w pierwszej dekadzie istnienia państw krzyżowców. Skupia się na istocie i teologicznym znaczeniu krucjaty oraz eschatologicznej roli Jerozolimy, które mają ogromny wpływ na pojmowanie władzy i jej realizowanie.Krzyżowcy pojmowali siebie jako nowy Naród Wybrany uważając się za swoistych współodkupicieli świata. Poprzez zdobycie Jerozolimy mieli doprowadzić do ponownego przyjścia Chrystusa. Skutkiem tych idei była postawa Gotfryda, który nie przyjął korony, lecz skupił się na tworzeniu wspólnoty wokół Grobu Bożego, która miała uosabiać Kościół czuwający.Ważnym dziełem w budowaniu Królestwa Niebieskiego były też fundacje i donacje poświęcone dla kościołów i klasztorów na górze Syjon, górze Tabor, w dolinie Jozafata oraz dla szpitala Świętego Jana w Jerozolimie. Wszystkie te nadania związane były z głęboką symboliką mesjańską i eschatologiczną.Na wyprawach krzyżowych w ogromnej mierze skorzystały miasta włoskie. Przywileje wydane w pierwszych latach po zdobyciu Jerozolimy dawały im ogromną ekonomiczną przewagę.Jednocześnie zarówno Gotfryd jak i Baldwin w sprawny sposób zajmowali się polityką wewnętrzną i militarną swojego państwa. Paradoksalnie papiestwo okazało się sojusznikiem Baldwina, który pod pewną przykrywką realizowania idei reformatorskich papiestwa, zapewniał sobie dużą władzę nad Kościołem Jerozolimskim, który swe pierwotne plany supremacji władzy duchowej zamienił na wewnętrzne waśnie, spory i skandale.

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21

Swindall, Lindsey R. "There is No Texting at James Baldwin’s Table." James Baldwin Review 4, no. 1 (September 11, 2018): 104–13. http://dx.doi.org/10.7227/jbr.4.8.

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Clearly there is a unique hunger for Baldwin’s wisdom in this historical moment, as illustrated by Raoul Peck’s film, reprints of several Baldwin books, exhibits, and other events. This essay describes the genesis of two five-part public discussions on the works of James Baldwin that were co-facilitated by African-American Studies scholar Dr. Lindsey R. Swindall and actor Grant Cooper at two schools in New York City in the 2016–17 academic year. These discussion series led to numerous Baldwin discussion events being scheduled for the winter and spring of 2018. The surprising popularity of these programs prompted Swindall to wonder: Why do people want to discuss Baldwin now? The first of two parts, this essay speculates that many people in the digital age long for a conversational space like the one Baldwin created at the “welcome table” in his last home in France. The second essay—which is forthcoming—will confirm whether discussion events held in 2018 harmonize with the welcome table thesis.

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Houck, Davis W. "“Who’s the Nigger Now?”: Rhetoric and Identity in James Baldwin’s Revolution from Within." James Baldwin Review 3, no. 1 (October 4, 2017): 110–30. http://dx.doi.org/10.7227/jbr.3.7.

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Despite the proliferation of interest in James Baldwin across popular culture and the academy, few, if any, critical studies of his public oratory have been conducted. This is unfortunate and ironic—unfortunate because Baldwin was a marvelous orator, and ironic in that his preferred solution to what ailed whites and blacks as the Civil Rights movement unfolded was thoroughly rhetorical. That is, Baldwin’s racial rhetorical revolution involved a re-valuing of the historical evidence used to keep blacks enslaved both mentally and physically across countless generations. Moreover, for Baldwin the act of naming functions to chain both whites and blacks to a version of American history psychologically damaging to both. Three speeches that Baldwin delivered in 1963 amid the crucible of civil rights protest illustrate these claims.

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Belilgne, Maleda. "Sonic Living: Space and the Speculative in James Baldwin’s “Sonny’s Blues”." James Baldwin Review 4, no. 1 (September 11, 2018): 45–62. http://dx.doi.org/10.7227/jbr.4.4.

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In a 1961 interview with the journalist Studs Terkel, James Baldwin offered a riveting assessment of Bessie Smith’s “Backwater Blues.” “It’s a fantastic kind of understatement,” Baldwin tells Terkel. “It’s the way I want to write.” Baldwin hears something in Bessie, a sonic and discursive quality he aspires to and identifies as “fantastic.” This essay considers the speculative undertones of Bessie’s blues and Baldwin’s literary realism. I argue that Bessie’s doubled vocalization in “Backwater Blues” lyrically declares her immobility and circumscription, while tonally staging freedom and boundlessness. Baldwin is drawn to this dual orientation and enunciation, a vocalization that in its iteration of the real transcends the social, spatial, and imaginative limitations of that order. If we read “Sonny’s Blues” the way Baldwin hears Bessie, as a fantastic kind of understatement, we discern subtle sonic and spatial iterations of the irreal. Attending to microtonal sounds in “Sonny’s Blues”—screams, whistling, jukeboxes—I show that the speculative emerges in Baldwin’s story when the sonic overrides the racialized inscription of space.

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Markos, Staci, and Brent D. Mishler. "Bruce G. Baldwin." Madroño 60, no. 4 (October 2013): 365–66. http://dx.doi.org/10.3120/0024-9637-60.4.365.

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25

Jackson, Robert, Sharon P. Holland, and Shawn Salvant. "James Baldwin: Interventions." James Baldwin Review 5, no. 1 (September 2019): 197–218. http://dx.doi.org/10.7227/jbr.5.14.

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“Interventions” was the organizing term for the presentations of three Baldwin scholars at the Modern Language Association Convention in Chicago in January of 2019. Baldwin’s travels and activities in spaces not traditionally associated with him, including the U.S. South and West, represent interventions of a quite literal type, while his aesthetic and critical encounters with these and other cultures, including twenty-first-century contexts of racial, and racist, affect—as in the case of Raoul Peck’s 2016 film I Am Not Your Negro—provide opportunities to reconsider his work as it contributes to new thinking about race, space, property, citizenship, and aesthetics.

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Mullen, Bill V. "Baldwin This Time." James Baldwin Review 5, no. 1 (September 2019): 116–28. http://dx.doi.org/10.7227/jbr.5.8.

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This excerpt from James Baldwin: Living in Fire details a key juncture in Baldwin’s life, 1957–59, when he was transformed by a visit to the South to write about the civil rights movement while grappling with the meaning of the Algerian Revolution. The excerpt shows Baldwin understanding black and Arab liberation struggles as simultaneous and parallel moments in the rise of Third World, anti-colonial and anti-racist U.S. politics. It also shows Baldwin’s emotional and psychological vulnerability to repressive state violence experienced by black and Arab citizens in the U.S., France, and Algiers.

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Kornegay, EL. "Baldwin on Top." Black Theology 10, no. 3 (January 2012): 328–38. http://dx.doi.org/10.1558/blth.v10i3.328.

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Kruschwitz, Lutz, and Daniela Lorenz. "Die Baldwin-Verzinsung." WiSt - Wirtschaftswissenschaftliches Studium 48, no. 5 (2019): 10–16. http://dx.doi.org/10.15358/0340-1650-2019-5-10.

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In nahezu allen Lehrbüchern zur Investitionstheorie findet man die Methode des internen Zinssatzes. Diese ist jedoch nicht frei von Schwachstellen, weshalb in der Literatur eine Vielzahl alternativer Verzinsungsmaße vorgeschlagen wurde. Gegenstand dieses Beitrags ist die Baldwin-Verzinsung, für welche wir ein formales Entscheidungskriterium entwickeln und dessen Anwendung illustrieren. Ein Vergleich der Baldwin-Verzinsung mit der Kapitalwertmethode zeigt, dass sich nicht notwendigerweise äquivalente Handlungsempfehlungen ergeben.

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Kunda, Tony. "For James Baldwin." Présence Africaine 145, no. 1 (1988): 193. http://dx.doi.org/10.3917/presa.145.0193.

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Steward, Douglas, and Dwight A. McBride. "James Baldwin Now." Journal of the Midwest Modern Language Association 33, no. 2 (2000): 94. http://dx.doi.org/10.2307/1315204.

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Coswosk, Jânderson Albino, and Maria Aparecida Andrade Salgueiro. "Espectros de Baldwin." Aletria: Revista de Estudos de Literatura 28, no. 4 (December 28, 2018): 31–46. http://dx.doi.org/10.17851/2317-2096.28.4.31-46.

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O artigo explora a potência crítica e narrativa do documentário I Am Not Your Negro (2016), do diretor haitiano Raoul Peck (1953-), resultante de uma pesquisa intensa do diretor nos arquivos pessoais do escritor e ensaísta afro-americano James Baldwin (1924-1987). Apontaremos de que modo Baldwin, através da manipulação imagética e textual proposta por Peck, ressuscita questões graves da história das tensões raciais nos Estados Unidos, que dividiram o país antes e após o início dos anos 1970, ou ainda, após a luta pelos direitos civis e a morte de seus três grandes amigos: Martin Luther King Jr., Medgar Evers e Malcolm X. Evidenciaremos como o documentário expõe um pano de fundo do passado que se confunde com imagens, narrativas, corpos e nomes do presente, ao destacar a importância das reflexões de Baldwin para a luta contra o racismo e a violência ainda impostos à população negra estadunidense na contemporaneidade.

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Mijares, Tomas C. "Baldwin vs. Seattle." Journal of Police Crisis Negotiations 6, no. 1 (June 5, 2006): 125–29. http://dx.doi.org/10.1300/j173v06n01_07.

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Farred. "Baldwin in Britain." CR: The New Centennial Review 16, no. 2 (2016): 1. http://dx.doi.org/10.14321/crnewcentrevi.16.2.0001.

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EVANS, RICHARD J. "Response to Baldwin." Contemporary European History 20, no. 3 (July 8, 2011): 367–76. http://dx.doi.org/10.1017/s0960777311000361.

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My book Cosmopolitan Islanders derives from the Inaugural Lecture I delivered in 2008 as Regius Professor of Modern History in Cambridge. The brief of such a lecture is a tricky one – you have to say something about yourself, something about your field, and something about the discipline of History, and you have to appeal both to colleagues and to the wider world. In addition, in both Oxford and Cambridge, the only two universities with Regius Chairs of History, there have been many famous Inaugurals, by historians as varied as J. B. Bury, Hugh Trevor-Roper and, most famous of all, Lord Acton. In some universities, where professors are all-powerful, the Inaugural has served as a means of laying down the law about how the subject should be taught and researched. But in recent times this has been rare, and it has never really been true in Oxford or Cambridge; the one time that an Oxford Regius, the seventeenth-century specialist Sir Charles Firth, tried this, he ran into a huge amount of trouble and was more or less ostracised in the Faculty for the rest of his career.

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Sinykin, Dan. "The Apocalyptic Baldwin." Dissent 64, no. 3 (2017): 15–19. http://dx.doi.org/10.1353/dss.2017.0066.

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Baldwin, Thomas. "II—Thomas Baldwin." Aristotelian Society Supplementary Volume 75, no. 1 (July 1, 2001): 157–74. http://dx.doi.org/10.1111/1467-8349.00084.

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Dyck, Andrew R. "Timarion. Barry Baldwin." Classical Philology 81, no. 4 (October 1986): 358–63. http://dx.doi.org/10.1086/367016.

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Baldwin, Jacques. "Response to Baldwin." Ratio 13, no. 4 (December 2000): 400–407. http://dx.doi.org/10.1111/1467-9329.00137.

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Camic, Charles. "Reply to Baldwin." American Journal of Sociology 93, no. 4 (January 1988): 957–58. http://dx.doi.org/10.1086/228831.

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Malady, Marissa. "Simon Levay, Janice Baldwin, and John Baldwin: Discovering Human Sexuality." Sexuality and Disability 31, no. 4 (November 19, 2013): 425–26. http://dx.doi.org/10.1007/s11195-013-9327-3.

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Baldi, Elisabetta. "Intracellular events and signaling pathways involved in sperm acquisition of fertilizing capacity and acrosome reaction." Frontiers in Bioscience 5, no. 1 (2000): d110. http://dx.doi.org/10.2741/baldi.

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Ghatage, Rohan. "Beyond Understanding." James Baldwin Review 5, no. 1 (September 2019): 73–95. http://dx.doi.org/10.7227/jbr.5.5.

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This essay establishes a philosophical connection between James Baldwin and the philosopher William James by investigating how the pragmatist protocol against “vicious intellectualism” offers Baldwin a key resource for thinking through how anti-black racism might be dismantled. While Richard Wright had earlier denounced pragmatism for privileging experience over knowledge, and thereby offering the black subject no means for redressing America’s constitutive hierarchies, uncovering the current of Jamesian thought that runs through Baldwin’s essays brings into view his attempt to move beyond epistemology as the primary framework for inaugurating a future unburdened by the problem of the color line. Although Baldwin indicts contemporaneous arrangements of knowledge for producing the most dehumanizing forms of racism, he does not simply attempt to rewrite the enervating meanings to which black subjects are given. Articulating a pragmatist sensibility at various stages of his career, Baldwin repeatedly suggests that the imagining and creation of a better world is predicated upon rethinking the normative value accorded to knowledge in the practice of politics. The provocative challenge that Baldwin issues for his reader is to cease the well-established privileging of knowledge, and to instead stage the struggle for freedom within an aesthetic, rather than epistemological, paradigm.

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Pavlić, Ed. "Jimmy’s Songs: Listening over James Baldwin’s Shoulder." James Baldwin Review 2, no. 1 (December 13, 2016): 163–67. http://dx.doi.org/10.7227/jbr.2.10.

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Black music played a crucial role in the work and life of James Baldwin. What Baldwin heard in the music guided his sense of political reality and human possibility, his invention of character, his shifting analytical point of view, and his decisions about what to do, when, and how to do it during his life in private and career in public. The music, therefore, also offers his critics and his readers important insight and guidance in their own experience and interpretation of his work. This brief essay accounts for some of the most basic connections between Baldwin and black music; it serves here as an introduction to a list of songs, some of which offered Baldwin important guidance and some of which offer his readers access to deeper meanings in his work. A playlist of songs, curated by Ed Pavlić and Justin A. Joyce, is available on YouTube at www.youtube.com/playlist?list=PLtSYQ5bCX-C-IZkeQ_PX7ncsbdjI32HSy

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Keene, John. "Exploring Baldwin in Montpellier: The 2014 “James Baldwin: Transatlantic Commuter” Conference." James Baldwin Review 1, no. 1 (September 29, 2015): 199–201. http://dx.doi.org/10.7227/jbr.1.12.

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Vogel, Joseph. "Trends in Baldwin Criticism, 2016–17." James Baldwin Review 6, no. 1 (September 29, 2020): 155–70. http://dx.doi.org/10.7227/jbr.6.10.

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This review article charts the general direction of scholarship in James Baldwin studies between the years 2016 and 2017, reflecting on important scholarly events and publications of the period and identifying notable trends in criticism. Surveying the field as a whole, the most notable features are the “political turn” that seeks to connect Baldwin’s social insights from the past to the present, and the ongoing access to and interest in the Baldwin archive. In addition to these larger trends, there is continued interest in situating Baldwin in national, regional, and geographical contexts as well as interest with how he grapples with and illuminates issues of gender and sexuality.

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Guilliams, C. Matt, Kristen E. Hasenstab-Lehman, and Bruce G. Baldwin. "Nomenclatural Changes in Western North American Amsinckiinae (Boraginaceae)." Novon, A Journal for Botanical Nomenclature 28, no. 1 (February 25, 2020): 51–59. http://dx.doi.org/10.3417/2019469.

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Three recent phylogenetic studies have used DNA sequence data to examine evolutionary relationships in Amsinckiinae (Boraginaceae). In each of these studies, the genus Plagiobothrys Fisch. & C. A. Mey. has been recovered as non-monophyletic. So that only monophyletic groups are recognized, two new genus names are provided here: Amsinckiopsis (I. M. Johnst.) Guilliams, Hasenstab & B. G. Baldwin and Simpsonanthus Guilliams, Hasenstab & B. G. Baldwin. The new combination P. collinus (Phil.) I. M. Johnst. var. pringlei (Greene) Guilliams & B. G. Baldwin is given for plants from Arizona that were found to be phylogenetically nested within P. collinus. The genus name Sonnea Greene is lectotypified.

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Lockerby, Amanda. "Chapter 5. Evelyn Briggs Baldwin and Operti Bay." Septentrio Conference Series, no. 3 (September 9, 2015): 48. http://dx.doi.org/10.7557/5.3582.

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During the second Wellman polar expedition, to Franz Josef Land in 1898, Wellman’s second-in-command, Evelyn Briggs Baldwin, gave the waters south of Cape Heller on the northwest of Wilczek Land the name ‘Operti Bay.’ Proof of this is found in Baldwin’s journal around the time of 16 September 1898. Current research indicates that Operti Bay was named after an Italian artist, Albert Operti. Operti’s membership in a New York City masonic fraternity named Kane Lodge, as well as correspondence between Baldwin and Rudolf Kersting, confirm that Baldwin and Operti engaged in a friendly relationship that resulted in the naming of the bay.

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Schwarz, Bill. "After Decolonization, After Civil Rights: Chinua Achebe and James Baldwin." James Baldwin Review 1, no. 1 (September 29, 2015): 41–66. http://dx.doi.org/10.7227/jbr.1.3.

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The escalation of systematic, if random, violence in the contemporary world frames the concerns of the article, which seeks to read Baldwin for the present. It works by a measure of indirection, arriving at Baldwin after a detour which introduces Chinua Achebe. The Baldwin–Achebe relationship is familiar fare. However, here I explore not the shared congruence between their first novels, but rather focus on their later works, in which the reflexes of terror lie close to the surface. I use Achebe’s final novel, Anthills of the Savanah, as a way into Baldwin’s “difficult” last book, The Evidence of Things Not Seen, suggesting that both these works can speak directly to our own historical present. Both Baldwin and Achebe, I argue, chose to assume the role of witness to the evolving manifestations of catastrophe, which they came to believe enveloped the final years of their lives. In order to seek redemption they each determined to craft a prose—the product of a very particular historical conjuncture—which could bring out into the open the prevailing undercurrents of violence and terror.

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McIvor, David W. "The Struggle of Integration: James Baldwin and Melanie Klein in the Context of Black Lives Matter." James Baldwin Review 2, no. 1 (December 13, 2016): 75–96. http://dx.doi.org/10.7227/jbr.2.5.

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Recent killings of unarmed black citizens are a fresh reminder of the troubled state of racial integration in the United States. At the same time, the unfolding Black Lives Matter protest movements and the responses by federal agencies each testify to a not insignificant capacity for addressing social pathologies surrounding the color line. In order to respond to this ambivalent situation, this article suggests a pairing between the work of James Baldwin and that of the psychoanalyst Melanie Klein. I will argue that we cannot fully appreciate the depths of what Baldwin called the “savage paradox” of race without the insights provided by Klein and object relations psychoanalysis. Conversely, Baldwin helps us to sound out the political significance of object relations approaches, including the work of Klein and those influenced by her such as Hanna Segal and Wilfred Bion. In conversation with the work of Baldwin, object relations theory can help to identify particular social settings and institutions that might allow concrete efforts toward racial justice to take root.

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Prabasmoro, Tisna, and Rasus Budhiyono. "Ras dan Homoseksualitas: Gagasan James Baldwin dalam Another Country." Metahumaniora 7, no. 1 (July 3, 2017): 55. http://dx.doi.org/10.24198/metahumaniora.v7i1.23328.

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Penelitian ini mencoba untuk ikut menyumbangkan gagasan-gagasan pada diskusi tentang isu-isu ras dan homoseksualitas yang pelik di Amerika Serikat pada tahun 1960-an. Agar dapat mendekati permasalahan yang kompleks ini, penelitian membahas novel karangan James Baldwin berjudul Another Country, yang menantang supremasi kulit putih dengan pemikiran-pemikirannya perihal identitas pribadi dan sosial. Pada penelitian ini Another Country dimanfaatkan untuk menunjukkan pentingnya pemikiran-pemikiran Baldwin tentang identitas personal dan sosial, berkaitan dengan pengenalan dam pengakuan diri seseorang sebagai manusia, yang menjadi lokus pendukung perubahan sosial yang diperlukan untuk terciptanya keselarasan hubungan-hubungan di Amerika Serikat. Penelitian ini mencoba untuk menganalisis kehidupan dan karya Balwin terhadap perkembangan politik pada masanya, dan dengan meminjam konsep-konsep identitas, untuk menunjukkan bagaimana dikotomi warga berkulit putih dan hitam adalah pengalaman-pengalaman hidup Baldwin yang paling mengganggu, namun bermakna. Penelitian ini juga pada akhirnya menunjukkan bahwa dengan mempelajari Baldwin sebagai individu dan anggota masyarakat, kita dapat menafsirkan eksistensi dan ekstensi dikotomi yang tidak berterima tersebut: keunggulan warga berkulit putih disamakan dengan keumuman heteroseksualitas dan kemarjinalan warga berkulit hitam dengan keterasingan homoseksualitas.

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Journal articles on the topic 'Balduin'

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