Relevant bibliographies by topics / Balkanismus

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Academic literature on the topic 'Balkanismus'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Balkanismus"

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Asenova, Petia. "Quelques Remarques Sur Les Types Convergents." Diachronica 7, no. 1 (January 1, 1990): 1–8. http://dx.doi.org/10.1075/dia.7.1.02ase.

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SUMMARY The Balkan language alliance (Sprachbund) comprises three different kinds of common linguistic types: 1) the common origin types; 2) the independent origin types and 3) the convergent types. The last ones are more characteristic for an areal group of languages such as the Balkan language alliance since they appear within a common geographical area. Two criteria are proposed to prove the convergent origin of some balkanisms: 1) The diachronic approach to the Balkan types (applied here to the future tense formation), which also implies that the paper supports the idea of a diachronic typology; 2) the research of semantic borrowings on the level of grammatical forms (applied to the parallel functions of some prepositions in the different Balkan languages; to the identical infinitive replacement, and to the expression of non-testimonial action). RÉSUMÉ L'union linguistique balkanique recèle trois sortes de types communs: 1) des types hérités d'une source commune; 2) des types d'origine indépendante et 3) des types convergents. Ces derniers sont les plus caractéristiques pour un groupe aréal de langues que représente l'union linguistique balkanique, étant donné qu'ils surgissent sur une aire commune. On propose deux critères qui pourraient prouver l'origine convergente de certains balkanismes: 1) L'approche diachronique des types balkaniques (appliquée ici à la formation du futur), c'est-à-dire on supporte l'idée d'une typologie diachronique; 2) la recherche d'emprunts sémantiques au niveau des formes grammaticales (appliquée ici aux fonctions parallèles de certaines prépositions dans les langues balkaniques différentes; à la façon identique de remplacer l'infinitif et à l'expression non-testimoniale de l'action). ZUSAMMENFASSUNG Der Balkansprachbund weist drei Arten gemeinsamer Typen auf: 1) aus einer gemeinsamen Quelle ererbte; 2) unabhangig voneinander entstandene; 3) konvergente. Letztere sind besonders charakteristisch für eine areale Sprach-gruppe wie den Balkansprachbund, da sie auf dem gemeinsamen Areal ent-stehen. Es werden zwei Kriterien aufgestellt, die als Beweis für den konver-genten Ursprung bestimmter Balkanismen gelten können: 1) die diachrone Untersuchung der balkanischen Typen (hier auf die Bildung des Futurs ange-wandt), d.h. es wird der Gedanke einer diachronen Typologie vertreten; 2) die Untersuchung von Bedeutungsentlehnungen auf dem Gebiet grammatischer Formen (angewandt auf die parallelen Funktionen bestimmter Präpositionen in den verschiedenen Balkansprachen, auf den identischen Ersatz des Infinitivs und den kommentativen Ausdruck der Handlung).
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Mihăilescu, Vintilă. "Ulysse ou le balkanisme heureux." Civilisations, no. 60-2 (July 27, 2012): 13–22. http://dx.doi.org/10.4000/civilisations.2994.

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Topolińska, Zuzanna. "On some neglected balkanisms in the Serbian verbal systems." Juznoslovenski filolog, no. 64 (2008): 509–14. http://dx.doi.org/10.2298/jfi0864509t.

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The author finds that one of the most prominent features of the so-called Balkan Sprachbund is the extended system of grammaticalized modal distinctions both in the episthemic and deontic functional zone. She then focuses on two tendencies characteristic of the Balkan Sprachbund which are also present in the Serbian verbal system: (1) the differentiation of the exponents of the predicate of negation depending on its function and position in the discourse, and (2) the tendency to transform the synsemantic, most often modal, verbs into indeclinable particles.
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Zinaić, Rade. "Confronting Balkanism from a Global Stance." New Perspectives 27, no. 1 (February 2019): 151–58. http://dx.doi.org/10.1177/2336825x1902700115.

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Bryce, Derek, and Senija Čaušević. "Orientalism, Balkanism and Europe's Ottoman heritage." Annals of Tourism Research 77 (July 2019): 92–105. http://dx.doi.org/10.1016/j.annals.2019.06.002.

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Mevorah, Vera. "Turbo-folk: Balkanism, orientalism and otherness." Kultura, no. 151 (2016): 261–78. http://dx.doi.org/10.5937/kultura1651261m.

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Razsa, Maple, and Nicole Lindstrom. "Balkan Is Beautiful: Balkanism in the Political Discourse of Tudman’s Croatia." East European Politics and Societies: and Cultures 18, no. 4 (November 2004): 628–50. http://dx.doi.org/10.1177/0888325404266939.

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This article examines the role of Balkanist discourse in Tudman’s Croatia. Todorova’s concept of Balkanism provides a useful theoretical framework through which to explore the deployment of Balkanist stereotypes against Croatia by Western leaders. Balkanism also illuminates the ways in which Croatians used many of these same Balkan stereotypes to differentiate themselves from their neighbors to the south and east. Through an examination of Croatian newspaper columns, government documents and speeches, and political cartoons from the 1990s, this article analyzes how Balkanist interpretations and representations played an integral role in the construction of Croatian national identity and the mobilization of Croatians around a variety of political agendas. The objective of this article is not, however, simply to document the deployment of Balkanist stereotypes against or within Croatia. The second component of the article suggests ways in which Croatia’s liminal position between “Europe” and the “Balkans” might serve as an ideal standpoint from which one might challenge the binary oppositions of Balkanism and begin to reimagine the Balkans, redirecting these categories as a site of political engagement and critique.
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Stan, Marius. "Beyond Balkanism: the scholarly politics of region making." International Affairs 95, no. 2 (March 1, 2019): 495–96. http://dx.doi.org/10.1093/ia/iiz032.

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Haliliuc, Alina. "ManeleMusic and the Discourse of Balkanism in Romania." Communication, Culture & Critique 8, no. 2 (December 23, 2014): 290–308. http://dx.doi.org/10.1111/cccr.12083.

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Sawyer, Andrew. "National Museums in Southeast Europe: (En)countering Balkanism?" International Journal of Politics, Culture, and Society 27, no. 1 (November 1, 2013): 115–27. http://dx.doi.org/10.1007/s10767-013-9160-9.

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Dissertations / Theses on the topic "Balkanismus"

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Kelley, Brittany. "Chronic Myopia: Foundations of Contemporary Western Perspectives on the Balkans." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc149619/.

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The construction of Southeastern Europe in Western imagination is the result of assertions of imperial power from some of the first recorded histories onward to modern time. Instead of providing alternative narratives gaping differences in time period, literary genres and geographical origins ballast stereotypical racist tropes and derogatory images of the countries of Southeastern Europe. For example, Roman histories, secondary historical works, twentieth century travel literature, and Central Intelligence Agency estimates all exhibit the same perception. The narrative created by these accounts is limited, remarkably racist and counterfactual. While there has been an abundance of new scholarship aimed at debunking the myths surrounding the area, much of the revisionist histories focus on placing blame, proving ethnogenesis, and serving political purposes. Understanding how the sources continue to influence perception is a pivotal step to understanding Southeastern Europe.
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Previsic, Ivana. "Migrating “Otherness”: Serbian Ethnic Media amid Nationalism and Multiculturalism." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20235.

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The thesis explores the ways in which Serbian ethnic media in Canada represent their own group and “Others”, specifically Croats, Slovenians and Catholics, Bosniaks, Albanians and Muslims, Montenegrins and the West. The research investigates the convergence of these representations with Canadian multiculturalism. The thesis epistemologically feeds from Jean Jacques Rousseau’s 18th century theories of recognition and patriotism, Stuart Hall’s (1997) theory of representation and identity and Edward Said’s (1978) theory of Orientalism, and is further guided by the theoretical frameworks of Charles Taylor’s (1994) politics of recognition, Benedict Anderson’s (1992) long-distance nationalism and Maria Todorova’s (1994) Balkanism. Qualitative content analysis through purposive and sequential sampling of Serbian ethnic broadcasting is conducted to gauge the programs’ representations of the “Self” and “Others”. Ethnic media provide a method to promote a minority group’s heritage, but also to facilitate communication between various cultural, ethnic, religious and racial groups. In the age of an increased critique of multiculturalism, the role of ethnic media rises in importance. The findings of the thesis show that Serbian ethnic media employ Canadian multiculturalism to promote Serbian heritage, but also to stereotype other groups. Applying the theoretical juxtaposition of multiculturalism, nationalism and “Othering”, this research argues that through negative identification of “Others”, Serbian ethnic media deviate from Canadian multiculturalism that calls for a positive recognition of all Canadian groups.
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Berisha, Visar. "Collective Identity and Economic Development : A Case Study of How People’s Perception of the Collective Identity Affects The Economic Development in Kosovo." Thesis, Uppsala universitet, Statsvetenskapliga institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-273704.

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This paper aims to show how identity can be of importance to issues relating to development. More specifically, it deals with how the Kosovar Albanians perception of their collective identity have affected Kosovo’s economic development. The study draws primarily from the theories of Identity Economics and Orientalism and presents a hypothesis which is then tested empirically through the analysis of the in-depth interviews and participant observation carried out in Kosovo. The results show that Kosovar Albanians have, to a degree, internalized the Orientalist discourse, which often portrayed them in racist terms as the ’other’, in their view of their collective identity and that this has had a negative effect on how they perceive their potential in the global economic system, which in turn has undermined the country’s economic development. Thus, identity seems to be of significance when it comes to issues relating to development.
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Borčak, Fedja. "A Children’s Literature? : Subversive Infantilisation in Contemporary Bosnian-Herzegovinian Fiction." Doctoral thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-58269.

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The past two decades of political and social disintegration in Bosnia and Herzegovina have given birth to literary counterreactions against hegemonic ways of imagining social life in the country. This thesis deals with a particular practice in BosnianHerzegovinian war and post-war literature, which uses infantile perspectives to critically address issues related to the socialist history of Bosnia as part of Yugoslavia, the war in the 1990s, and the socalled transitional post-war period. Drawing on an old Western literary tradition of using the child character to estrange conventional experiences of the world, the texts (by authors such as Miljenko Jergović, Nenad Veličković, Alma Lazarevska, Aleksandar Hemon, and Saša Stanišić) use the skewing and dislocating outlook associated with the infantile subject to expose and undermine perceivably problematic mechanisms in socialist, ethnonationalist, and Western liberal hegemonic discourses. In contrast to previous research on the topic, which has primarily focussed upon the narratological conditions for the infantile perspective, the focus here is on the subversive infantilisation of hegemonic discourse—that is, the very discursive act of representing and contesting dominant concepts, narratives, and representations. The texts are seen as transitional areas through which input from the social world passes and, in this process, is restructured and ultimately transformed into a configuration slightly or radically different from the original input. Theoretically inspired by discourse theory and ideas from New Historicism, the study isolates and investigates a set of techniques through which this reconfiguration occurs. Apart from discussing the use of the basic infantile perspective as such a technique, the study also considers how the notion of the infantile influences techniques of dichotomisation (the production of positional counterpoints), appropriation (the critical subsuming of dominant discourse), and blending (the mixing of dominant and childish imagery). The thesis also addresses the possible political implications of the strategy of subversive infantilisation. Here the approach is influenced by the political philosophy of Jacques Rancière, which enables an understanding of the aesthetic reconfiguration of how Bosnian social life is imagined as a way of constituting a new form of subjectivity that evades the excluding and oppressive framework of hegemonic discourse.
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Cenaki, Marco. "Bal.Kan - Europe´s Demonized Other." Thesis, Malmö högskola, Institutionen för globala politiska studier (GPS), 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22861.

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Paatere, Heidi. "Väst möter Transsylvanien i svenska reseskildringar : Med fokus på befolkning och omgivning, 1930–2000-talet." Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2463.

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Basanovic, Pavle. "Tam a zase zpět: ideologie, kinematografie a Jugoslávie v 60. - 80. letech 20. století." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-434155.

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This thesis analyzes the socio-political function of cinema in Yugoslavia during its two most vibrant eras, the 1960s and 1980s. Film in Yugoslavia existed on a materially state centered model yet presented an ideological plurality in its filmic representativeness that offers a richer and more dynamic understanding of the Yugoslav state. This thesis proposes that by looking at Yugoslav film from its inception following world war two until its dissolution in the early 1990s reveals a fascinating ideological trajectory reflected in the evolving contours of the socio- political and economic make-up of Yugoslavia.
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Libánská, Alena. "Češi hrají balkán: výzkum stereotypů českých hudebníků." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-326995.

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The thesis deals with the Czech community of musicians who play so-called "Balkan music". The research deals with those coming originally from the Czech Republic and who do not have any obvious links to the Balkan peninsula. The emphasis is put on their stereotypical notion about Balkans. The content of the music works they produce and the way how are performed are considered as the key moments how the musicians express their feelings and visions about Balkan. The most of the thesis originates from my personal experience with the "Balkan music" in the Czech environment and from my participation in the Džezvica band. This band is also utilized as an reference model of the "western idea"about the Balkan. The work comprises of both theoretical part denoting the stereotypization and balkanism and the field research carried out during years 2010-2012 in Prague. As an integral part follows the analysis of semi-structured interviews with selected musicians on the (general) topic "balkan music". As the main outcome, the thesis captures and analyses whether we can evaluate the "czech balkanism" with the balkanism and if and how are such musicians' concepts being made.
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Popan, Elena Roxana. "The good, the bad, and the Gypsy : constant positive representation and use of reversed negative stereotypes as ‘sympathy triggers’ in Gypsy cinema." Thesis, 2013. http://hdl.handle.net/2152/23593.

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Gypsies or Roma are one of the minorities frequently represented in film, whenever we talk about European or American film; within this context Russian and Eastern European cinema seems to offer the richest palette of portrayals, as in this region Roma represent an important and controversial minority. Film scholars agreed that from the moment when Roma appeared on screen and until the last decades when a shift toward a more realistic approach can be detected, their filmic representations were predominantly stereotypic and highly exoticized. Films from the last decades show more interest in the depiction of poverty, discrimination and marginalization, but stereotypical representation is still present and dominant. The purpose of this paper is to focus on several stereotypes generally perceived as negative stereotypes (theft, drunkenness, vulgar language, falseness, etc.) and to demonstrate that in relation to Gypsy representations on screen, these stereotypes change their function, trying to inculcate upon the viewer sympathetic feelings and accentuating the gap between the Roma cinematic image and the dominant ideology about them in the societies where they live. This thesis will examine negative stereotypes and their function in some of the most representative films of the Gypsy cinema: Skupljaci perja / I Even Met Happy Gypsies (Petrović 1967), Tabor ukhodit v Nebo/ Gypsy Camp Goes to Heaven or Queen of the Gypsies (Loteanu 1976), Ko to tamo peva? / Who’s Singin’ Over There? (Sijan 1980), Dom za vesanje / Time of the Gypsies Gypsies (Kusturica 1988), Gadjo Dillo / The Crazy Stranger (Gatlif 1997), Dallas Pashamende / Dallas among Us (Pejo 2005), and Baklava (Petrov 2007). Special attention will be paid to the relationship between the subjects of representation (Roma), their authors (the directors), and their consumers (the viewers).
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Books on the topic "Balkanismus"

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Balkanismen heute: Balkanisms today = Balkanizmy segodnii︠a︡. Wien: Lit, 2012.

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Beyond Balkanism. Taylor & Francis Group, 2018.

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Book chapters on the topic "Balkanismus"

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Mishkova, Diana. "Introduction." In Beyond Balkanism, 1–6. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge borderlands studies: Routledge, 2018. http://dx.doi.org/10.4324/9781351236386-1.

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Mishkova, Diana. "A concept with many names." In Beyond Balkanism, 7–40. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge borderlands studies: Routledge, 2018. http://dx.doi.org/10.4324/9781351236386-2.

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Mishkova, Diana. "The emergence of the Balkans as a cultural-historical space." In Beyond Balkanism, 41–69. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge borderlands studies: Routledge, 2018. http://dx.doi.org/10.4324/9781351236386-3.

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Mishkova, Diana. "The Balkans as autospace." In Beyond Balkanism, 70–103. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge borderlands studies: Routledge, 2018. http://dx.doi.org/10.4324/9781351236386-4.

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Mishkova, Diana. "The Balkans on the European map." In Beyond Balkanism, 104–38. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge borderlands studies: Routledge, 2018. http://dx.doi.org/10.4324/9781351236386-5.

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Mishkova, Diana. "Nationalism in transnational guise." In Beyond Balkanism, 139–77. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge borderlands studies: Routledge, 2018. http://dx.doi.org/10.4324/9781351236386-6.

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Mishkova, Diana. "In the orbit of Eastern Europe." In Beyond Balkanism, 178–210. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge borderlands studies: Routledge, 2018. http://dx.doi.org/10.4324/9781351236386-7.

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Mishkova, Diana. "A Sonderweg or a metaphor?" In Beyond Balkanism, 211–31. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge borderlands studies: Routledge, 2018. http://dx.doi.org/10.4324/9781351236386-8.

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Mishkova, Diana. "Conclusion." In Beyond Balkanism, 232–40. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge borderlands studies: Routledge, 2018. http://dx.doi.org/10.4324/9781351236386-9.

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Bobic, Nikolina. "Balkanism and balkanization." In Balkanization and Global Politics, 23–54. First edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in urbanism and the city: Routledge, 2019. http://dx.doi.org/10.4324/9781315162065-2.

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You might also be interested in the extended bibliographies on the topic 'Balkanismus' for particular source types:
Journal articles
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