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Books on the topic 'Ballade No,2'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Sowerby, Leo. King Estmere: Ballad for two pianos and orchestra, H. 166. [Rochester, N.Y.]: Leo Sowerby Foundation, 1995.

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2

Reyes, Félix Ojeda. Simplemente Betances: Exposición de arte e historia organizada por el Instituto de Estudios del Caribe de la Universidad de Puerto Rico en colaboración con el Museo de las Américas, Cuartel de Ballajá, San Juan, 2 de septiembre al 19 de octubre de 2003. San Juan, P.R: Ediciones Puerto, 2003.

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3

Delany, Samuel R. La Ballade de Bêta-2. Lgf - Livre De Poche, 1997.

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4

Roberson, Jennifer. Chroniques des Cheysulis. 2, La ballade d'Homana. Pocket, 1998.

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5

Veys, Pierre, and Bazile. Les Avatars, tome 2 : La Ballade de John. Dargaud, 2003.

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6

Bednarz, Klaus. Ballade vom Baikalsee. 2 Cassetten. Begegnungen mit Menschen und Landschaften. Gelesen vom Autor. Hoffmann & Campe, 1999.

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7

Caffrey, Anne Mc, and Simone Himming. La Ballade de Pern. Les Origines, tome 2 : La Chute des fils, chroniques. Pocket, 1995.

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8

Anne, McCaffrey. La Ballade de Pern. Autres mondes de Pern, tome 2: L'Oeil du dragon. Pocket, 1998.

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9

Gerlitz, Carsten. Rock Ballads 2. Schott Music, 2012.

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10

100 Irish Ballads Volume 2. Soodlum (Dublin, Ireland), 1987.

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11

Child, Francis James. English and Scottish Popular Ballads Volume 2. University of Cambridge ESOL Examinations, 2014.

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12

Holloway, John. Later English Broadside Ballads: Volume 2. Routledge, 2005.

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13

Ballad of a Shinigami Vol 2. Brand: Seven Seas, 2008.

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14

Bam, Ms. Ballad Of A Bad Bitch 2. CreateSpace Independent Publishing Platform, 2013.

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15

Bronson, Bertrand Harris. Traditional Tunes of the Child Ballads, Volume 2. Princeton University Press, 2016.

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16

Bronson, Bertrand Harris. Traditional Tunes of the Child Ballads, Volume 2. Princeton University Press, 2015.

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17

Bronson, Bertrand Harris. Traditional Tunes of the Child Ballads, Volume 2. Princeton University Press, 2015.

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18

Child, Francis James. The English and Scottish Popular Ballads, Volume 2, Part 2. Franklin Classics Trade Press, 2018.

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19

Hal Leonard Publishing Corporation (COR). Jazz Ballads: Piano Play-Along Volume 2. Hal Leonard Corporation, 2004.

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20

Ballad of Yaya Vol. 2: The Prisoners. Lion Forge, LLC, The, 2019.

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21

Child, Francis James. The English and Scottish Popular Ballads, Vol. 2 (English and Scottish Popular Ballads). Dover Publications, 2003.

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22

Unknown. Popular British Ballads: Ancient and Modern. Volume 2. Adamant Media Corporation, 2001.

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23

Mel Bay Very Best Irish Songs & Ballads, Volume 2. Mel Bay Pubns, 2000.

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24

Bishop Percy's Folio Manuscript: Ballads and Romances, Volume 2. Arkose Press, 2015.

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25

Loesberg, John. Traditional Folksongs & Ballads Of Scotland Vol. 2 (Vocal Songbooks). Ossian, 1994.

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26

Hugh the Drover Romantic Ballad Opera in 2 Acts. Faber & Faber, 2001.

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27

Hill, William B. A Ballad of Wayward Spectres : Day 2: Special Edition. CreateSpace Independent Publishing Platform, 2014.

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28

Reynaud, Jean. 52 ballades en famille autour d'Aix-en-Provence, volume 2. Didier Richard, 2001.

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29

assorted. 100 Irish Ballads VOlume 2 With Words, Music & Guitar Chords. Walton's Mfg. LTD., 2000.

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30

Thoms, William John. Early English Prose Romances: Volume 2. Adamant Media Corporation, 2000.

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31

Ballabh, Pant Govind. Selected Works of Govind Ballabh Pant: Volume 2 (Selected Works of Govind Ballabh Pant). Oxford University Press, USA, 1994.

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32

Lyle, E. B. Andrew Crawfurd's Collection of Ballads and Songs: Volume 2 (Scottish Text Society Fourth Series). Scottish Text Society, 1996.

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33

CHOPIN, Frederic. Sonata for piano no. 2 in B flat minor opus 35: Ballades nos. 1-4. EMI, 1985.

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34

Findlay, Alison. ‘Make My Image but an Alehouse Sign’. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0010.

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Queen Margaret’s words ‘Make my image but an alehouse sign’ in 2 Henry VI (III. ii. 81) offer an appropriate metaphor for the female voice in Shakespeare’s texts because they advertise the ways female characters strive to speak out within a discursive environment that silences them as images. The chapter explores how women in Shakespeare’s plays negotiate a space to speak within a poetic discourse that repeatedly objectifies them as signs, focusing on Catherine’s role in Henry V and the blason, and the Jailer’s Daughter’s self-inscription into a ballad tradition in Two Noble Kinsmen. A second section uses the analytic tools provided by corpus-linguistics to explore the poetic voices of tragic female characters: Lady Macbeth, Cleopatra, and the women of Richard III. The essay concludes by tracing the growth of an independent, poetic female voice in the role of Queen Margaret who offers an ironic commentary on Shakespeare's growing sense of his own identity as national bard.

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35

Songbuch, Bd.2, 150 poetische Balladen und Songs, Friedenslieder und Volkslieder aus den 70er und 80er Jahren. Voggenreiter, 1997.

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36

Joseph, Ritson. Robin Hood 2 Volume Set: A Collection of All the Ancient Poems, Songs, and Ballads, Now Extant, Relative to That Celebrated English Outlaw. Cambridge University Press, 2015.

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37

Delany, Samuel R. A, B, C: Three Short Novels: The Jewels of Aptor, The Ballad of Beta-2, They Fly at Ciron. Vintage, 2015.

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38

Reliques of Ancient English Poetry: Consisting of Old Heroic Ballads, Songs, and Other Pieces of Our Earlier Poets. Volume 2. Adamant Media Corporation, 2001.

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39

Joseph, Ritson. Robin Hood : Volume 2: A Collection of All the Ancient Poems, Songs, and Ballads, Now Extant, Relative to That Celebrated English Outlaw. University of Cambridge ESOL Examinations, 2015.

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40

Brownlee, Kimberley. Being Sure of Each Other. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198714064.001.0001.

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To survive, let alone flourish, we need to be sure of—securely tied to—at least one other person. We also need to be sure of our general acceptance within the wider social world. This book explores the normative implications of taking our social needs seriously. Chapter 1 sketches out what our core social needs are, and Chapter 2 shows that they ground a fundamental, but largely neglected human right against social deprivation. Chapter 3 then argues that this human right includes a right to sustain the people we care about, and that often, when we are denied the resources to sustain others, we endure social contribution injustice. Chapters 4–6 explore the tension between our needs for social inclusion and our needs for interactional and associational freedom, showing that social inclusion must take priority. While Chapters 5 and 6 defend a narrow account of freedom of association, Chapter 7 shows that the moral ballgame changes once we have made morally messy associative decisions. Sometimes we have rights to remain in associations that we had no right to form. Finally, Chapter 8 exposes the distinct social injustices that we do to people whom we deem to be socially threatening. Overall, the book identifies ways to change our social and political practices, and our personal perspectives, to better honour the fact that we are fundamentally social beings.

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41

Unknown. Popular Ballads and Songs, from Tradition, Manuscripts, and Scarce Editions: With Translations of Similar Pieces from the Ancient Danish Language, and a Few Originals by Robert Jamieson. Volume 2. Adamant Media Corporation, 2002.

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42

Joseph, Ritson. Robin Hood : A Collection of All the Ancient Poems, Songs, and Ballads, Now Extant Relative to That Celebrated English Outlaw: To Which are Prefixed Historical Anecdotes of His Life. Volume 2. Adamant Media Corporation, 2004.

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43

Capt. Nat Herreshoff: The Wizard of Bristol : The Life and Achievements of Natanael Greene Herreshoff, Together With an Account of Some of the Yachts He Designed. Sheridan House, 1996.

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