Dissertations / Theses on the topic 'Ballade No,2'
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Ljung, Lucas. "Skräckromantiken genom Franz Liszt Ballad i b-moll." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2977.
Full textZakrzewska, Dorota. "Alienation and powerlessness : Adam Mickiewicz's Ballady and Chopin's Ballades." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0001/MQ43976.pdf.
Full textVazquez, Medrano Oscar. "A study of L. Van Beethoven’s Sonata Op. 31, No.1; Chopin’s Nocturne Op. 55, No. 2 and Ballade Op. 23; Ponce’s Prelude and Fugue on a theme by Handel; and Larregla’s ¡Viva Navarra! Jota de Concierto: Historical, theoretical and stylistic implications." Kansas State University, 2018. http://hdl.handle.net/2097/38758.
Full textSchool of Music, Theatre, and Dance
Slawomir Dobrzanski
The purpose of this Master’s report is to analyze the five-piano works at the author’s piano recital on April 8, 2018. The discussed pieces are Ludwig van Beethoven’s Sonata in G major Op. 31, No.1; Fryderyk Franciszek Chopin’s Nocturne Op. 55, No. 2 and Ballade in G minor, Op. 23; Manuel M. Ponce’s Prelude and Fugue on a theme by Handel; and Joaquín Larregla Urbieta’s ¡Viva Navarra! Jota de Concierto. The author approaches the analysis and study of the pieces from the historical, theoretical, and stylistic perspectives.
Malm, Ulf. "Sveriges medeltida ballader. Utgivna av Svenskt visarkiv. Band 4:1, 4:2. Sthlm 1996." Uppsala universitet, Litteraturvetenskapliga institutionen, 1997. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-201074.
Full textTavares, Joana Flor R. "Assessing the importance of biological uncertainties to the control of species introductions via ballast water /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 90 p, 2009. http://proquest.umi.com/pqdweb?did=1654487631&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Full textVarillas, Montenegro Alberto. "RUT HOUSE WEBBER, Formulistic diction in the Spanish ballad. University of California Press. Berkeley and Los Angeles. 1951 . (University 01 California Publications in Modern Philology, vol . XXXIV. núm. 2. págs . 175-278)." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/114162.
Full textEn-I, Chi, and 機恩藝. "The Interpretation of Chopin’s Ballade No. 2, Op. 38." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/98653627110366278003.
Full text輔仁大學
音樂研究所
101
The main theme of this thesis is about Chopin’s Ballade No.2, Op.38. It is included Chopin’s life, the background and features of the composition, comparison of score versions, musical analysis and performance interpretation. At last, the conclusion of the complete music structure and the contrast characteristic of Chopin Ballade No.2 Op.38.Beside, the author compares the differences of fingering, phrase lines and pedals skills by using three music score versions from Paderewski, Jan Ekier’s PWM and G. Henle. Lastly, author comments on methods of personal interpretation and the ways to overcome the difficulties of playing this Ballade.
Hai, Chuang Shu, and 莊淑慧. "An Analysis and Interpretation of Franz Liszt's Ballade No. 2." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/97216408615170738526.
Full textYang, Chien-Hsi, and 楊茜睎. "A Study on Franz Liszt’s Ballade No. 2 in b minor." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/90209783540490402227.
Full text高雄師範大學
音樂學系
99
Franz Liszt (1811-1886) "Ballade No. b minor" completed in 1853, the music contains poetic images, according to the views of pianist Claudio Arrau, he implied the Greek love story "Hero and Leander" behind the ballade, author hopes to integrate the music with the story, with the understanding will benefit while performing. As a whole, the "Ballade No. 2 in b minor" covers the tradition as well as the innovation in terms of the musical art. From the literature and musical analysis, the "Ballade No. 2 in b minor" could be regarded as the "symphonic poem", in which the composer applied the "thematic transformation" as his compositional techniques. The dissertation will attempt to discuss how the throughout understanding of “Ballade No. 2 in b minor” can help author realize the myth “Hero and Leander”. The dissertation is organized into five chapters. The first chapter will introduce the motive, purpose and method of the discourse. The second chapter focuses on the history of “ballade” and describes the historical background of the work. The third chapter is the compositional analysis and compares the different theories of the composition. The fourth chapter talks about the performance interpretation; it compares the different publications of the “Ballade No. 2 in b minor”, as well as its’ three different versions of endings. The dissertation will also discuss how the story of "Hero and Leander" and "Ballade No. 2 in b minor" are related. The final chapter concludes how thematic transformation matches the characters’ roles with the music. Follow the close relationship between words and music, the performance will be more insightful.
Lin, Tzu Chen, and 林子程. "The Analysis and Interpretation of Franz Liszt Ballade No.2 in b minor." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/6c6j3k.
Full text國立臺灣藝術大學
音樂學系
103
Abstract Piano is the king of musical instruments; Liszt, the king of the piano. His brilliant techniques on piano, exaggerated expressions in music and beautiful melody have conquered all the people. A great Chinese poet Du Fu once said, “Read wild, and you will wisely write.” The author sincerely believes that Liszt’s works have the same vein“Practice wild and you will wisely play.” In his 75 years’ career, he has composed all sorts of piano works. In these works, they in general can be classified into two types: originals and transcriptions. The paper investigated the original one. Liszt composed two ballades during his life: Ballade No.1 was composed in 1848 and completed in 1849 while Ballade No.2 in b minor was composed and accomplished in 1853. Pianist Claude Arrau, in the book “Conversation with Arrau” written by Valdimir Horowitz（1903-1989）, once claimed “Liszt’s Ballade No.2 was based on a Greek mythology also known as a love story– Hero and Leander. Touched by the mythology, the author would like to experience the scenarios of those characters in the mythology in the context of music.
CHEN, YI-RUNG, and 陳俋蓉. "An Analysis and Interpretation of Franz Liszt's Ballade No.2 in b minor." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/55kfc2.
Full text輔仁大學
音樂學系
107
Franz Liszt (1811-1886) gained renown in Europe during the nineteen century for his prodigious virtuosic technique as a painist. The varied compose style of Liszt has changed from showing the technique in the early life to the description of the music connotation in the late period. The transformation is closely related to his growth background. There were the only two ballades that were composed by Liszt in his life. The purpose of this study is to analyze Franz Liszt’s major solo piano work Ballade No.2 in b minor was composed in 1853, which as shown as the most significant composition in Weimar period. Since this ballade "Ballade No.2 in b minor" which is added special effects on the themes of Frederick Chopin (1810-1849) with his style of composition, thus this ballade encompassed the technique of Thematic Transformation to create the various dramatic effects. This thesis probes into the relationship between Liszt's growth process and the style of piano works, then discusses the background of "Ballade No.2 in b minor". And finally process the composition analysis and performance interpretation to explore the drama content and the tension of this ballade that Liszt were willing to express in the case of the composition background. Keywords : Franz Liszt, " Ballade No.2 in b minor ", Thematic Transformation
TSOU, YU-HAN, and 鄒宇涵. "The Analysis and Performing Practice of Franz Liszt’s Ballade No.2 in b minor S.171 and Brahms’s Ballade in d minor,Op.10 No.1." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/78798589320579128680.
Full text國立臺北教育大學
音樂學系碩士班
104
Franz Liszt (1811-1886) and Johannes Brahms (1833-1897) are two of the greatest composer/pianists of the Romantic period. Franz Liszt is an outstanding musician who influences 19th century western music history. The virtuoso techniques in piano performing and variety harmony are distinguishing features of Liszt’s. Besides, his compositions are combining of western litertures, religion, and life experiences with music, using diverse compositional skills to represent the subjects he intended to convey. He composed for piano, symphony orchestra, chamber ensembles, and for voice and chorus. Piano pieces played an important part in his creative life. Meanwhile, Brahms was a virtuoso pianist, he premiered many of his own works. Brahms’ special music style between classical and romantic became a unique style in the 19th century. Franz Liszt Ballade No.2 in b minor completed in 1853, the music contains poetic images, according to the views of pianist Claudio Arrau, he implied the Greek love story "Hero and Leander" behind the ballade, author hopes to integrate the music with the story, with the understanding will benefit while performing. Brahms Ballade, Op. 10, No. 1, alias Edward Ballade. First part was based on the Scotland Narrative Poetry ⟨Edward⟩ of German poet Johann Gottfried Herder’s Stimmen der Völker in Liedern.With intellectual analysis and performance practice,the artistic value and beauty of Ballad can be achieved to a complete level.
Bo-Ling, Li, and 李柏伶. "An Analytical and Interpretive Study of Ballade N0. 2 in B Minor by Franz Liszt." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/60425950522836316541.
Full text國立臺南藝術大學
音樂學系碩士班
105
Franz Liszt is one of the most significant composers in the Romantic Era during the nineteenth century. Because of the French revolution, his compositional style became more mature and romantic. He affected the younger generation by his distinctive musical character and development which lead him to become the most influential musician in his time. This thesis is an analytical and interpretive study of Franz Liszt Ballade No. 2 in B minor. It is divided into five chapters: chapter one includes an introduction, research motivation and methods; chapter two provides the biography and music background of Franz Liszt; chapter three discusses Liszt's inspiration and background story of Ballade No.2 in B minor; chapter four is a brief analysis which includes structures, harmony and musical ideas that are related to the story and characters. At last, chapter five is a conclusion to express my reflection and final thoughts on this research project.
Lin, Wan-yu, and 林菀榆. "The Analysis and Interpretation of “Ballade in b Minor, No. 2” by Franz Liszt (1811-1886)." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/80177884569003242026.
Full text東吳大學
音樂學系
99
Abstract The purpose of this thesis is to analyze and discuss the interpretation of Ballade in b Minor by Franz Liszt. Liszt is one of the most important musicians in the Romantic Period. He composed two ballades. His first ballade, Ballade No. 1 in D-flat major, started in 1848 and completed in 1849. His second ballade was finished in 1953. At the same year, he also composed Piano Sonata in b minor. This thesis is going to situate the context of Liszt’s music and explore the composition background of this piece. Furthermore, this thesis is to discuss the prevailing romanticism, virtuosity at his time, and the influence of Chopin’s ballade on Liszt’s works. This thesis also analyzes the creation through different perspectives, including skills, interpretation, related background, and performance interpretation. The b Minor Ballade(1853), based on the ancient Greek love story of Hero and Leander composed by three themes. He developed the method of "transformation of themes" as part of his revolution in form which shows his unique music texture and style. In tonality and harmony, this piece has abundant sonority. Concerning transformation of major and minor, the composer uses common-tone modulation, enharmonic modulation, and some featured chords, including Neapolitan Sixth, and Diminished 7th chords. Liszt’s music shows incredibly difficult piano skill by dazzling notes and exaggerating contrast. Nevertheless, this piece is still visually vivid and poetic: not only does the listener see the stories depicted in the music, but also the emotional worlds are palpable. Keyword: Liszt, Romanticism, Virtuosity, Ballade, Ballade in b Minor
Chang, Ching-Hua, and 張靜華. "An Analysis and Interpretation of Franz Liszt’s Ballade no. 2, in B minor, S.171, for Piano." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/d82nd8.
Full text臺北市立大學
音樂學系
106
Franz Liszt was born in an era prosperous of romanticism. He was inspired by composers of the same period such as F. Chopin (1810-1849), N. Paganini (1782-1840), and H. Berlioz (1803-1869). Liszt implemented a combination of unique techniques and subjective emotions to create “The Virtuoso Style”. He became one of the quintessential roles in the Romantic School. His contribution to the development of piano music was significant and everlasting. Evidently, he holds a pivotal position in the Romantic School. Recalling his romantic, sentimental and dramatic life, Liszt created an abundance of admirable works. Beyond his unique style of Virtuoso, we can observe connotations and ideas in those pieces, along with prominent portrayals of characteristics. Ballade No. 2, in B minor, S.171, subject to the proposed research, is one of his masterpieces during his later stages of life. Analyzing the techniques used in Franz Liszt’s work, transformation from unrestrained styles of early stages to a comparatively mild and reserved manner can be seen. This progression of work reflected the implementation of Virtuoso styles. It enhanced the depth within the music, also exhibiting his magnificent techniques and emotions. For reasons listed above, Ballade No. 2, in B minor, S.171 is able to become Liszt's eternal masterpiece.
Yang, Chia-Hsun, and 楊家熏. "An Interpretation and Analysis of Chopin Ballades NO. 2 and NO. 4." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/59795674212830307428.
Full text台南應用科技大學
音樂系碩士班
102
This study focuses on Romanticism composer Frédéric Chopin’s ballades No. 2 and No. 4. There are four chapters in this thesis: the first chapter is an introduction, the second chapter is literature review, the third chapter includes the analysis, interpretation and also the comparison between ballades No. 2 and No. 4, and the last chapter is the conclusion. Besides analyzing formal structure of the two pieces, the introduction, theme, form and compositional technique of coda were also compared. The result of the comparison reveals that F. Chopin frequently used compound meters, contrast character of theme, recurring of introduction material, sequence and canon, technique of variation, special harmonic and tonality language, and brilliant coda in his ballades. These compositional skills also distinguish the difference between ballade No. 2 and ballade No. 4.