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1

Dancers: Ballet paintings and drawings. Oxford, [England]: Phaidon in association with CCA Galleries, 1989.

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2

Serebrennikov, Nikolaĭ Nikolaevich. The art of pas de deux. Princeton, NJ: Princeton Book Co., 1989.

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3

Both sides of the mirror: The science and art of ballet. 2nd ed. Pennington, NJ: Princeton Book Co., 1992.

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4

Paula, Rego, and Kent Sarah, eds. Paula Rego: The dancing ostriches from Disney's "Fantasia". London: Saatchi Gallery, 1996.

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5

Kohm, Giovanni. Tanz des Lebens. Stuttgart: S. Hirzel, 1993.

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6

Corpus, Rina Angela P. Defiant daughters dancing: Three independent women dance. Diliman, Quezon City: The University of the Philippines Press, 2007.

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7

Wenzel, Angela. Edgar Degas: Dance like a butterfly. Munich: Prestel, 2002.

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8

Anholt, Laurence. Degas and the little dancer: A story about Edgar Degas. Hauppauge, NY: Barron's Educational Series, 1996.

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9

Holliday, Anne. Nijinsky dancing: From the golden age of the Ballets russes. Pacific Grove, Calif: Stowitts Museum & Library, 1996.

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10

Arleen, Sugano, ed. Physics and the art of dance: Understanding movement. 2nd ed. New York: Oxford University Press, 2008.

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11

Cirrone, Dorian. Dancing in red shoes will kill you. New York: HarperTrophy, 2006.

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12

Holliday, Anne. Nijinsky dancing!: From the golden age of the Ballets russes : paintings by Stowitts. Pacific Grove, Calif: Stowitts Museum and Library, 1996.

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13

Warren, Gretchen Ward. The art of teaching ballet: Ten twentieth-century masters. Gainesville: University Press of Florida, 1996.

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14

Elements of Classical Ballet Technique. Chicago: Princeton Book Company, 2004.

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15

Both Sides of the Mirror. Chicago: Princeton Book Company, 2004.

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16

A, Briginshaw Valerie, and Burt Ramsay 1953-, eds. Writing dancing together. New York: Palgrave Macmillan, 2009.

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17

1958-, Cisneros Evelyn, ed. Ballet for dummies. Indianapolis, IN: Wiley, 2003.

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18

Ballet and dance. London: Usbourne Publications, 1992.

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19

Barbara, Sears, ed. Dancing from the heart: A memoir. Toronto: M&S, 2000.

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20

Kendall, Richard. Degas and The Little Dancer. New Haven: Yale University Press, 1998.

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21

Bea at ballet. New York, NY: Nancy Paulsen Books, 2012.

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22

Dancing in the vortex: The story of Ida Rubinstein. Amsterdam: Harwood Academic, 2000.

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23

ill, Sutcliffe Mandy, ed. The little dancers showtime! New York, NY: Imprint, 2018.

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24

Cirrone, Dorian. Dancing in Red Shoes Will Kill You. S.l: Harper Trophy, 2006.

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25

Cirrone, Dorian. Dancing in Red Shoes Will Kill You. New York: HarperCollins, 2009.

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26

Dancing in red shoes will kill you. New York: HarperCollins, 2005.

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27

Crist, Linda A. Ballet barre and center combinations. Hightstown, N.J: Princeton Book Co., 2000.

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28

Dancing genius: The stardom of Vaslav Nijinsky. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.

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29

Nat︠s︡ionalʹnyĭ tanet︠s︡ v sovremennom balete. Sankt-Peterburg: Baltiĭskie sezony, 2012.

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30

Legacies of twentieth-century dance. Middletown, Conn: Wesleyan University Press, 2005.

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31

Meadows, Daisy. A fairy ballet. New York: Cartwheel Books, 2011.

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32

Kostrovit︠s︡kai︠a︡, V. S. School of classical dance. London: Dance Books, 1995.

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33

Chapman, Hilsendager Sarah, and Gottschild Brenda Dixon, eds. History of the dance in art and education. 3rd ed. Englewood Cliffs, N.J: Prentice Hall, 1991.

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34

Dancing modernism/performing politics. Bloomington: Indiana University Press, 1995.

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35

Franko, Mark. Dancing modernism / performing politics. Bloomington, Ind: Indiana University Press, 1995.

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36

ill, Ivey José, ed. A young Alvin Ailey dancer. New York: Henry Holt and Co., 2009.

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37

Beck, Robert. Una conejita en el ballet. New York: Scholastic en español., 2015.

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38

Punt, pass & point! Kansas City, Mo: Landmark Editions, 1992.

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39

Ballet: From the first plié to mastery : an eight-year course. Princeton, NJ: Princeton Book Co., 1990.

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40

Paskevska, Anna. Ballet: From the first plié to mastery : an eight-year course. London: Dance Books, 1990.

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41

Hanna, Rubin, and American Ballet Theatre, eds. The ballet book: Learning and appreciating the secrets of dance : American Ballet Theatre. New York, NY: Universe, 2003.

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42

Der Tanz als Darstellungsproblem der Skulptur im 19. Jahrhundert: Unter besonderer Berücksichtigung der Interdependenz zwischen Ballett und Skulptur. Frankfurt am Main: P. Lang, 2000.

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43

Ballet. Steidl Druckerei und Verlag, Gerhard, 2017.

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44

The art of dance in Hungary. [Budapest]: Corvina Kiadó, 1985.

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45

Dolin, Anton. Pas de Deux: The Art of Partnering. Dover Publications, 2005.

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46

Lasky, Kathryn. Dancing Through Fire: Based on the Art of Edgar Degas (Portraits Series). Turtleback Books Distributed by Demco Media, 2005.

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47

Campbell, Jennifer L. Dancing Marines and Pumping Gasoline. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199377329.003.0007.

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This essay offers close readings of two of Depression-era ballets that arts impresario Lincoln Kirstein developed for his troupe The Ballet Caravan. Because of Kirstein’s integrated method of ballet creation, pairings of ballet components, specifically dance and visual art and dance and music, should be closely evaluated for their queer semiotic freight, and so the chapter examines Filling Station and Time Table, teasing out the queering of masculine codes that occurs within these pieces. Furthermore, it argues that in these works the interplay between working-class characters, cartoonish costumes, suggestive choreography, and campy burlesque music alludes to an underlying subtext that reflected aspects of homosexual behavior as practiced in New York during the first half of the twentieth century.
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48

Never Far from Dancing. Taylor & Francis Ltd, 2013.

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49

Merberg, Julie, and Suzanne Bober. Dancing with Degas. Chronicle Books, 2003.

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50

(Foreword), Francia Russell, and Martha Swope (Photographer), eds. Physics and the Art of Dance: Understanding Movement. Oxford University Press, USA, 2002.

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