Journal articles on the topic 'Ballet dancing in art'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Ballet dancing in art.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
Nunn, Tessa Ashlin. "The Paris Opera Ballet Dancing Offstage." French Politics, Culture & Society 40, no. 2 (June 1, 2022): 90–115. http://dx.doi.org/10.3167/fpcs.2022.400206.
Full textLund, Curt. "Dancing in the Darkroom." Afterimage 48, no. 4 (December 1, 2021): 3–23. http://dx.doi.org/10.1525/aft.2021.48.4.3.
Full textFoster, Andrew. "A Directory of Diaghilev Dancers." Dance Research 37, no. 2 (November 2019): 181–205. http://dx.doi.org/10.3366/drs.2019.0272.
Full textEliot, Karen. "Turning Movement into Words: The Technique Writings of Tamara Karsavina and Agrippina Vaganova." Dance Research 40, no. 2 (November 2022): 158–82. http://dx.doi.org/10.3366/drs.2022.0367.
Full textGreene, Thomas M. "Labyrinth Dances in the French and English Renaissance." Renaissance Quarterly 54, no. 4-Part2 (2001): 1403–66. http://dx.doi.org/10.2307/1262158.
Full textCoombes, Timothy F. "The Nursery as Circus: Dancing the Childlike to Fauré's Dolly Suite, 1913." Journal of the Royal Musical Association 142, no. 2 (2017): 277–325. http://dx.doi.org/10.1080/02690403.2017.1361174.
Full textVan Rij, Inge. ""There is no anachronism": Indian Dancing Girls in Ancient Carthage in Berlioz's Les Troyens." 19th-Century Music 33, no. 1 (2009): 3–24. http://dx.doi.org/10.1525/ncm.2009.33.1.003.
Full textPolianska, I. M. "Specificity and functions of a dance as a component of syncretic “mousikē” art of the Ancient world." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (October 3, 2018): 274–87. http://dx.doi.org/10.34064/khnum1-51.16.
Full textBercu, Alina. "Golden Era of Baroque Dance." Studia Universitatis Babeş-Bolyai Musica 66, no. 2 (December 30, 2021): 69–78. http://dx.doi.org/10.24193/subbmusica.2021.2.05.
Full textKoegler, Horst. "Dancing in the closet: The coming out of ballet." Dance Chronicle 18, no. 2 (January 1995): 231–38. http://dx.doi.org/10.1080/01472529508569199.
Full textNewman, Shawn. "It's All in the Hips: Sexual and Artistic Minority in Canadian Concert Jazz Dance." Congress on Research in Dance Conference Proceedings 2012 (2012): 118–23. http://dx.doi.org/10.1017/cor.2012.15.
Full textKlapper, Melissa R. "Discipline and the Art of Dancing in Twentieth-Century British and American Ballet Books for Girls." Journal of the History of Childhood and Youth 12, no. 3 (2019): 413–33. http://dx.doi.org/10.1353/hcy.2019.0043.
Full textRizzo, Laura Katz. "Spectacular Choreographies of Epic Proportions: Ricki Starr, the Ballet Dancing Wrestler." Dance Research 40, no. 2 (November 2022): 139–57. http://dx.doi.org/10.3366/drs.2022.0366.
Full textAalten, Anna. "In the Presence of the Body: Theorizing Training, Injuries and Pain in Ballet." Dance Research Journal 37, no. 2 (2005): 55–72. http://dx.doi.org/10.1017/s0149767700008561.
Full textNather, Francisco Carlos, and José Lino Oliveira Bueno. "Timing Perception in Paintings and Sculptures of Edgar Degas." Kronoscope 12, no. 1 (2012): 16–30. http://dx.doi.org/10.1163/156852412x631628.
Full textLiu, Ting. "The interpretative function of singing in the “score” of a modern ballet performance." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 62, no. 62 (September 16, 2022): 79–92. http://dx.doi.org/10.34064/khnum1-62.05.
Full textCrow, Susie. "Developing Craft in the Ballet Class." Dance Research 39, no. 2 (November 2021): 147–57. http://dx.doi.org/10.3366/drs.2021.0340.
Full textHammond, Helena. "Dancing against History: (The Royal) Ballet, Forsythe, Foucault, Brecht, and the BBC." Dance Research 31, no. 2 (November 2013): 120–43. http://dx.doi.org/10.3366/drs.2013.0072.
Full textDURKIN, HANNAH. "Cinematic “Pas de Deux”: The Dialogue between Maya Deren's Experimental Filmmaking and Talley Beatty's Black Ballet Dancer in A Study in Choreography for Camera (1945)." Journal of American Studies 47, no. 2 (April 17, 2013): 385–403. http://dx.doi.org/10.1017/s0021875813000121.
Full textHöfling, Ana Paula. "Dancing Mestiçagem, Embodying Whiteness: Eros Volúsia's Bailado Brasileiro." Dance Research Journal 52, no. 2 (August 2020): 59–74. http://dx.doi.org/10.1017/s0149767720000170.
Full textTodi, Cristina. "1. Historical Evolution of Adagio (Analysis of the Choreographic Concept)." Review of Artistic Education 19, no. 1 (April 1, 2020): 155–64. http://dx.doi.org/10.2478/rae-2020-0019.
Full textRobinson, Anne. "Penelope Spencer (1901–93) Dancer and Choreographer: A Chronicle." Dance Research 28, no. 1 (May 2010): 36–89. http://dx.doi.org/10.3366/drs.2010.0004.
Full textMartin, Christopher. "NAKED FEMALES AND SPLAY-FOOTED SPRAWLERS: BALLERINAS ON THE STAGE IN JACKSONIAN AMERICA." Theatre Survey 51, no. 1 (April 26, 2010): 95–114. http://dx.doi.org/10.1017/s0040557410000232.
Full textWhiteside, Bethany, and John Kelly. "The presentation of self in the classical ballet class: dancing with Erving Goffman." Research in Dance Education 17, no. 1 (November 20, 2015): 14–27. http://dx.doi.org/10.1080/14647893.2015.1110570.
Full textRavelhofer, Barbara. "Burlesque Ballet, a Ballad and a Banquet in Ben Jonson's The Gypsies Metamorphos'd (1621)." Dance Research 25, no. 2 (October 2007): 144–55. http://dx.doi.org/10.3366/drs.2007.25.2.144.
Full textGirdwood, Megan. "‘Puppet of skeletal escapade’: Dance Dialogues in Mina Loy and Carl Van Vechten." Modernist Cultures 16, no. 2 (May 2021): 265–88. http://dx.doi.org/10.3366/mod.2021.0331.
Full textSchultz, Marianne. "‘Sons of the Empire’: Dance and the New Zealand Male." Dance Research 29, no. 1 (May 2011): 19–42. http://dx.doi.org/10.3366/drs.2011.0003.
Full textSpinul, Igor, and Elena Spinul. "THEORETICAL AND METHODOLOGICAL FUNDAMENTALS OF TRAINING OF FUTURE SPECIALISTS OF MODERN BALLOT DANCES." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 128–33. http://dx.doi.org/10.36550/2415-7988-2021-1-195-128-133.
Full textBudnik-Przybylska, Dagmara, Maria Kaźmierczak, Jacek Przybylski, and Maurizio Bertollo. "Can Personality Factors and Body Esteem Predict Imagery Ability in Dancers?" Sports 7, no. 6 (May 29, 2019): 131. http://dx.doi.org/10.3390/sports7060131.
Full textReynolds, Dee. "‘Glitz and Glamour’ or Atomic Rearrangement: What do Dance Audiences Want?" Dance Research 28, no. 1 (May 2010): 19–35. http://dx.doi.org/10.3366/drs.2010.0003.
Full textCardoso, Allana Alexandre, Nycolle Martins Reis, Ana Paula Ramos Marinho, Melissa de Carvalho Souza Vieira, Leonessa Boing, and Adriana Coutinho de Azevedo Guimarães. "INJURIES IN PROFESSIONAL DANCERS: A SYSTEMATIC REVIEW." Revista Brasileira de Medicina do Esporte 23, no. 6 (December 2017): 504–9. http://dx.doi.org/10.1590/1517-869220172306170788.
Full textPortnova, Tatiana. "Dance in Sculpture of the Early 20th Century." Sculpture Review 68, no. 4 (December 2019): 22–34. http://dx.doi.org/10.1177/0747528420901915.
Full textAterianus-Owanga, Alice. "‘Butt shakers' versus national ballet: dancing national identity during the one-party rule in Gabon (1968–1990)." Critical African Studies 11, no. 1 (January 2, 2019): 31–47. http://dx.doi.org/10.1080/21681392.2019.1650648.
Full textPritchard, Jane. "A Review of: “Dancing at the Alhambra and Empire: Dance and Dancers in the Victorian and Edwardian Music Hall Ballet”." Dance Chronicle 30, no. 1 (May 2007): 107–15. http://dx.doi.org/10.1080/01472520601164001.
Full textDiPasquale, Sarah, Nicole Becker, Sarah Green, and Kim Sauers. "Self-Reported Injury and Management in a Liberal Arts College Dance Department." Medical Problems of Performing Artists 30, no. 4 (December 1, 2015): 224–30. http://dx.doi.org/10.21091/mppa.2015.4041.
Full textCorrales Valero, Alicia, María Mena Milán, Juan José García Jaén, and Remedios López-Liria. "PREVENCIÓN DE LAS PRINCIPALES LESIONES EN LA DANZA Y MECANISMOS DE PRODUCCIÓN." International Journal of Developmental and Educational Psychology. Revista INFAD de Psicología. 2, no. 1 (October 22, 2017): 239. http://dx.doi.org/10.17060/ijodaep.2017.n1.v2.936.
Full textGailīte, Elīna. "Tautas deju definēšanas problemātika mūsdienās Latvijā." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/2 (March 11, 2021): 94–104. http://dx.doi.org/10.37384/aplkp.2021.26-2.094.
Full textTing, Liu. "Aesthetic principles of interpretation of early arias in the vocalist’s concert repertoire: air de cour." Aspects of Historical Musicology 27, no. 27 (December 27, 2022): 73–96. http://dx.doi.org/10.34064/khnum2-27.05.
Full textGordon, Robert. "Dance, mobility and social change in Billy Elliot: The Musical." Studies in Musical Theatre 16, no. 3 (December 1, 2022): 215–28. http://dx.doi.org/10.1386/smt_00107_1.
Full textBurel, Oleksandr. "On Gabriel Pierné and his compositions for piano and orchestra." Aspects of Historical Musicology 16, no. 16 (September 15, 2019): 170–89. http://dx.doi.org/10.34064/khnum2-16.10.
Full textWisniewski, Steve J. "Foot Injury – Ballet Dancing." Medicine & Science in Sports & Exercise 36, Supplement (May 2004): S360. http://dx.doi.org/10.1249/00005768-200405001-01728.
Full textWisniewski, Steve J. "Foot Injury ??? Ballet Dancing." Medicine & Science in Sports & Exercise 36, Supplement (May 2004): S360. http://dx.doi.org/10.1097/00005768-200405001-01728.
Full textWang, Cenzi, and Stephen Jia Wang. "Relevé: An at-home ballet self-learning interactive system." KnE Engineering 2, no. 2 (February 9, 2017): 242. http://dx.doi.org/10.18502/keg.v2i2.622.
Full textDePass, Cecille. "Dancing Our Stories Ourselves: Dancing with Mr. Neville Black." Cultural and Pedagogical Inquiry 12, no. 3 (April 5, 2022): 54–58. http://dx.doi.org/10.18733/cpi29616.
Full textVenuso, Maria. "Zorba's Dance in Lorca Massine's Dancing Expression." Congress on Research in Dance Conference Proceedings 2016 (2016): 425–30. http://dx.doi.org/10.1017/cor.2016.56.
Full textPines, Rachyl, and Howard Giles. "Dancing while Aging: A Study on Benefits of Ballet for Older Women." Anthropology & Aging 41, no. 1 (March 4, 2020): 83–94. http://dx.doi.org/10.5195/aa.2020.209.
Full textRoncaglia, Irina. "The Ballet Dancing Profession: A Career Transition Model." Australian Journal of Career Development 17, no. 1 (April 2008): 50–59. http://dx.doi.org/10.1177/103841620801700108.
Full textLauer, Meryl. "Dancing for the Nation: Ballet Diplomacy and Transnational Politics in Post-Apartheid South Africa." Dance Research Journal 50, no. 3 (December 2018): 85–98. http://dx.doi.org/10.1017/s0149767718000384.
Full textPreston, Carrie J. "Modernism's Dancing Marionettes: Oskar Schlemmer, Michel Fokine, and Ito Michio." Modernist Cultures 9, no. 1 (May 2014): 115–33. http://dx.doi.org/10.3366/mod.2014.0077.
Full textKolb, Alexandra, and Sophia Kalogeropoulou. "In Defence of Ballet: Women, Agency and the Philosophy of Pleasure." Dance Research 30, no. 2 (November 2012): 107–25. http://dx.doi.org/10.3366/drs.2012.0042.
Full text