Journal articles on the topic 'Ballet dancing in art'
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Nunn, Tessa Ashlin. "The Paris Opera Ballet Dancing Offstage." French Politics, Culture & Society 40, no. 2 (2022): 90–115. http://dx.doi.org/10.3167/fpcs.2022.400206.
Full textLund, Curt. "Dancing in the Darkroom." Afterimage 48, no. 4 (2021): 3–23. http://dx.doi.org/10.1525/aft.2021.48.4.3.
Full textFoster, Andrew. "A Directory of Diaghilev Dancers." Dance Research 37, no. 2 (2019): 181–205. http://dx.doi.org/10.3366/drs.2019.0272.
Full textEliot, Karen. "Turning Movement into Words: The Technique Writings of Tamara Karsavina and Agrippina Vaganova." Dance Research 40, no. 2 (2022): 158–82. http://dx.doi.org/10.3366/drs.2022.0367.
Full textGreene, Thomas M. "Labyrinth Dances in the French and English Renaissance." Renaissance Quarterly 54, no. 4-Part2 (2001): 1403–66. http://dx.doi.org/10.2307/1262158.
Full textCoombes, Timothy F. "The Nursery as Circus: Dancing the Childlike to Fauré's Dolly Suite, 1913." Journal of the Royal Musical Association 142, no. 2 (2017): 277–325. http://dx.doi.org/10.1080/02690403.2017.1361174.
Full textVan Rij, Inge. ""There is no anachronism": Indian Dancing Girls in Ancient Carthage in Berlioz's Les Troyens." 19th-Century Music 33, no. 1 (2009): 3–24. http://dx.doi.org/10.1525/ncm.2009.33.1.003.
Full textPolianska, I. M. "Specificity and functions of a dance as a component of syncretic “mousikē” art of the Ancient world." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 274–87. http://dx.doi.org/10.34064/khnum1-51.16.
Full textBercu, Alina. "Golden Era of Baroque Dance." Studia Universitatis Babeş-Bolyai Musica 66, no. 2 (2021): 69–78. http://dx.doi.org/10.24193/subbmusica.2021.2.05.
Full textKoegler, Horst. "Dancing in the closet: The coming out of ballet." Dance Chronicle 18, no. 2 (1995): 231–38. http://dx.doi.org/10.1080/01472529508569199.
Full textNewman, Shawn. "It's All in the Hips: Sexual and Artistic Minority in Canadian Concert Jazz Dance." Congress on Research in Dance Conference Proceedings 2012 (2012): 118–23. http://dx.doi.org/10.1017/cor.2012.15.
Full textKlapper, Melissa R. "Discipline and the Art of Dancing in Twentieth-Century British and American Ballet Books for Girls." Journal of the History of Childhood and Youth 12, no. 3 (2019): 413–33. http://dx.doi.org/10.1353/hcy.2019.0043.
Full textRizzo, Laura Katz. "Spectacular Choreographies of Epic Proportions: Ricki Starr, the Ballet Dancing Wrestler." Dance Research 40, no. 2 (2022): 139–57. http://dx.doi.org/10.3366/drs.2022.0366.
Full textAalten, Anna. "In the Presence of the Body: Theorizing Training, Injuries and Pain in Ballet." Dance Research Journal 37, no. 2 (2005): 55–72. http://dx.doi.org/10.1017/s0149767700008561.
Full textNather, Francisco Carlos, and José Lino Oliveira Bueno. "Timing Perception in Paintings and Sculptures of Edgar Degas." Kronoscope 12, no. 1 (2012): 16–30. http://dx.doi.org/10.1163/156852412x631628.
Full textLiu, Ting. "The interpretative function of singing in the “score” of a modern ballet performance." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 62, no. 62 (2022): 79–92. http://dx.doi.org/10.34064/khnum1-62.05.
Full textCrow, Susie. "Developing Craft in the Ballet Class." Dance Research 39, no. 2 (2021): 147–57. http://dx.doi.org/10.3366/drs.2021.0340.
Full textHammond, Helena. "Dancing against History: (The Royal) Ballet, Forsythe, Foucault, Brecht, and the BBC." Dance Research 31, no. 2 (2013): 120–43. http://dx.doi.org/10.3366/drs.2013.0072.
Full textDURKIN, HANNAH. "Cinematic “Pas de Deux”: The Dialogue between Maya Deren's Experimental Filmmaking and Talley Beatty's Black Ballet Dancer in A Study in Choreography for Camera (1945)." Journal of American Studies 47, no. 2 (2013): 385–403. http://dx.doi.org/10.1017/s0021875813000121.
Full textHöfling, Ana Paula. "Dancing Mestiçagem, Embodying Whiteness: Eros Volúsia's Bailado Brasileiro." Dance Research Journal 52, no. 2 (2020): 59–74. http://dx.doi.org/10.1017/s0149767720000170.
Full textTodi, Cristina. "1. Historical Evolution of Adagio (Analysis of the Choreographic Concept)." Review of Artistic Education 19, no. 1 (2020): 155–64. http://dx.doi.org/10.2478/rae-2020-0019.
Full textRobinson, Anne. "Penelope Spencer (1901–93) Dancer and Choreographer: A Chronicle." Dance Research 28, no. 1 (2010): 36–89. http://dx.doi.org/10.3366/drs.2010.0004.
Full textMartin, Christopher. "NAKED FEMALES AND SPLAY-FOOTED SPRAWLERS: BALLERINAS ON THE STAGE IN JACKSONIAN AMERICA." Theatre Survey 51, no. 1 (2010): 95–114. http://dx.doi.org/10.1017/s0040557410000232.
Full textWhiteside, Bethany, and John Kelly. "The presentation of self in the classical ballet class: dancing with Erving Goffman." Research in Dance Education 17, no. 1 (2015): 14–27. http://dx.doi.org/10.1080/14647893.2015.1110570.
Full textRavelhofer, Barbara. "Burlesque Ballet, a Ballad and a Banquet in Ben Jonson's The Gypsies Metamorphos'd (1621)." Dance Research 25, no. 2 (2007): 144–55. http://dx.doi.org/10.3366/drs.2007.25.2.144.
Full textGirdwood, Megan. "‘Puppet of skeletal escapade’: Dance Dialogues in Mina Loy and Carl Van Vechten." Modernist Cultures 16, no. 2 (2021): 265–88. http://dx.doi.org/10.3366/mod.2021.0331.
Full textSchultz, Marianne. "‘Sons of the Empire’: Dance and the New Zealand Male." Dance Research 29, no. 1 (2011): 19–42. http://dx.doi.org/10.3366/drs.2011.0003.
Full textSpinul, Igor, and Elena Spinul. "THEORETICAL AND METHODOLOGICAL FUNDAMENTALS OF TRAINING OF FUTURE SPECIALISTS OF MODERN BALLOT DANCES." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 128–33. http://dx.doi.org/10.36550/2415-7988-2021-1-195-128-133.
Full textBudnik-Przybylska, Dagmara, Maria Kaźmierczak, Jacek Przybylski, and Maurizio Bertollo. "Can Personality Factors and Body Esteem Predict Imagery Ability in Dancers?" Sports 7, no. 6 (2019): 131. http://dx.doi.org/10.3390/sports7060131.
Full textReynolds, Dee. "‘Glitz and Glamour’ or Atomic Rearrangement: What do Dance Audiences Want?" Dance Research 28, no. 1 (2010): 19–35. http://dx.doi.org/10.3366/drs.2010.0003.
Full textCardoso, Allana Alexandre, Nycolle Martins Reis, Ana Paula Ramos Marinho, Melissa de Carvalho Souza Vieira, Leonessa Boing, and Adriana Coutinho de Azevedo Guimarães. "INJURIES IN PROFESSIONAL DANCERS: A SYSTEMATIC REVIEW." Revista Brasileira de Medicina do Esporte 23, no. 6 (2017): 504–9. http://dx.doi.org/10.1590/1517-869220172306170788.
Full textPortnova, Tatiana. "Dance in Sculpture of the Early 20th Century." Sculpture Review 68, no. 4 (2019): 22–34. http://dx.doi.org/10.1177/0747528420901915.
Full textAterianus-Owanga, Alice. "‘Butt shakers' versus national ballet: dancing national identity during the one-party rule in Gabon (1968–1990)." Critical African Studies 11, no. 1 (2019): 31–47. http://dx.doi.org/10.1080/21681392.2019.1650648.
Full textPritchard, Jane. "A Review of: “Dancing at the Alhambra and Empire: Dance and Dancers in the Victorian and Edwardian Music Hall Ballet”." Dance Chronicle 30, no. 1 (2007): 107–15. http://dx.doi.org/10.1080/01472520601164001.
Full textDiPasquale, Sarah, Nicole Becker, Sarah Green, and Kim Sauers. "Self-Reported Injury and Management in a Liberal Arts College Dance Department." Medical Problems of Performing Artists 30, no. 4 (2015): 224–30. http://dx.doi.org/10.21091/mppa.2015.4041.
Full textCorrales Valero, Alicia, María Mena Milán, Juan José García Jaén, and Remedios López-Liria. "PREVENCIÓN DE LAS PRINCIPALES LESIONES EN LA DANZA Y MECANISMOS DE PRODUCCIÓN." International Journal of Developmental and Educational Psychology. Revista INFAD de Psicología. 2, no. 1 (2017): 239. http://dx.doi.org/10.17060/ijodaep.2017.n1.v2.936.
Full textGailīte, Elīna. "Tautas deju definēšanas problemātika mūsdienās Latvijā." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/2 (March 11, 2021): 94–104. http://dx.doi.org/10.37384/aplkp.2021.26-2.094.
Full textTing, Liu. "Aesthetic principles of interpretation of early arias in the vocalist’s concert repertoire: air de cour." Aspects of Historical Musicology 27, no. 27 (2022): 73–96. http://dx.doi.org/10.34064/khnum2-27.05.
Full textGordon, Robert. "Dance, mobility and social change in Billy Elliot: The Musical." Studies in Musical Theatre 16, no. 3 (2022): 215–28. http://dx.doi.org/10.1386/smt_00107_1.
Full textBurel, Oleksandr. "On Gabriel Pierné and his compositions for piano and orchestra." Aspects of Historical Musicology 16, no. 16 (2019): 170–89. http://dx.doi.org/10.34064/khnum2-16.10.
Full textWisniewski, Steve J. "Foot Injury – Ballet Dancing." Medicine & Science in Sports & Exercise 36, Supplement (2004): S360. http://dx.doi.org/10.1249/00005768-200405001-01728.
Full textWisniewski, Steve J. "Foot Injury ??? Ballet Dancing." Medicine & Science in Sports & Exercise 36, Supplement (2004): S360. http://dx.doi.org/10.1097/00005768-200405001-01728.
Full textWang, Cenzi, and Stephen Jia Wang. "Relevé: An at-home ballet self-learning interactive system." KnE Engineering 2, no. 2 (2017): 242. http://dx.doi.org/10.18502/keg.v2i2.622.
Full textDePass, Cecille. "Dancing Our Stories Ourselves: Dancing with Mr. Neville Black." Cultural and Pedagogical Inquiry 12, no. 3 (2022): 54–58. http://dx.doi.org/10.18733/cpi29616.
Full textVenuso, Maria. "Zorba's Dance in Lorca Massine's Dancing Expression." Congress on Research in Dance Conference Proceedings 2016 (2016): 425–30. http://dx.doi.org/10.1017/cor.2016.56.
Full textPines, Rachyl, and Howard Giles. "Dancing while Aging: A Study on Benefits of Ballet for Older Women." Anthropology & Aging 41, no. 1 (2020): 83–94. http://dx.doi.org/10.5195/aa.2020.209.
Full textRoncaglia, Irina. "The Ballet Dancing Profession: A Career Transition Model." Australian Journal of Career Development 17, no. 1 (2008): 50–59. http://dx.doi.org/10.1177/103841620801700108.
Full textLauer, Meryl. "Dancing for the Nation: Ballet Diplomacy and Transnational Politics in Post-Apartheid South Africa." Dance Research Journal 50, no. 3 (2018): 85–98. http://dx.doi.org/10.1017/s0149767718000384.
Full textPreston, Carrie J. "Modernism's Dancing Marionettes: Oskar Schlemmer, Michel Fokine, and Ito Michio." Modernist Cultures 9, no. 1 (2014): 115–33. http://dx.doi.org/10.3366/mod.2014.0077.
Full textKolb, Alexandra, and Sophia Kalogeropoulou. "In Defence of Ballet: Women, Agency and the Philosophy of Pleasure." Dance Research 30, no. 2 (2012): 107–25. http://dx.doi.org/10.3366/drs.2012.0042.
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