Academic literature on the topic 'Ballet royal (Cambodia)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Ballet royal (Cambodia)"

Steiner, Marta. "Świat widowisk khmerskich — królewska rozrywka i rytualna ofiara." Kultura i Społeczeństwo 49, no. 4 (2005): 129–45. http://dx.doi.org/10.35757/kis.2005.49.4.8.

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Abstract:

Classical Khmer ballet (lakhon kbach boran) began at the royal court in the latter part of the first millennium AD (probably around 802 AD), and continues to be performed in Cambodia. The ballet is dominated by women, while men are the sole performers in another form of traditional dramatic dance, known as lakhon khol. Although this masked theatre also functioned as “royal theatre”, its popular, ritual version is more widespread. Lakhon bassac, the newest genre of traditional Khmer theatre in what is today Cambodia, has its origins in the early twentieth century. It is a popular form of musica