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Relevant bibliographies by topics / Ballet The Fair at Sorochyntsi

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Academic literature on the topic 'Ballet The Fair at Sorochyntsi'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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Journal articles on the topic "Ballet The Fair at Sorochyntsi"

1

Churpita, Tetiana. "Mykola Trehhubov's Ballet Master Activity in Donetsk State Opera and Ballet Theatre." Dance Studies 3, no. 2 (2020): 114–23. https://doi.org/10.31866/2616-7646.3.2.2020.220529.

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The purpose of the article is to consider the choreographic activity of Mykola Trehubov at the Donetsk State Opera and Ballet Theatre based on the materials from periodicals and specialized publications. Methodology. The author has prepared an article using historical, historiographical, and analytical approaches. Scientific novelty. The article is the first attempt to analyze the main choreographic works by M. Trehubov at the Donetsk Opera House, new materials are introduced that expand the peculiarities’ understanding of the ballet master’s creative activ

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Щукіна, Ю. П. "ІНТЕРПРЕТАЦІЇ ТВОРІВ У ЖАНРАХ «ВІДЕНСЬКОЇ» ТА УКРАЇНСЬКОЇ ОПЕРЕТИ РЕЖИСЕРОМ ЮРІЄМ СТАРЧЕНКОМ". Традиції та новації у вищий архітектурно-художній освіті, № 5 (5 січня 2019): 120–23. https://doi.org/10.5281/zenodo.2532063.

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The article analyzes the approach of Yuriy Starchenko (in the period from 1985 to 1996 – the main director of the Kharkiv Academic Theater of Musical Comedy) to the implementation of classical operettas and their domestic genre analogues. Yu. Starchenko’s work was multifaceted: these were the first productions of rock operas in Ukraine, the resuscitation of intelligent viewer’s curiosity to the classical operetta, and the embodiment of dramatic quality works in the genre of musical. Background. Unlike the productions in the genre of rock opera by this director, the topic for

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Yarovoy, S. A. "CINEMATIC TECHNIQUES IN N. V. GOGOL’S SHORT STORY “THE FAIR AT SOROCHYNTSI”." Bulletin of the Moscow State Regional University (Russian philology), no. 4 (2022): 118–23. http://dx.doi.org/10.18384/2310-7278-2022-4-118-123.

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Greaver, Talitha. "Ballet Bellum." Fairy Tale Review 20, no. 1 (2024): 78. https://doi.org/10.1353/fair.2024.a960957.

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Liebman, Elizabeth A. "Catherine Littlefield's Bicycle Ballet and the 1940 World's Fair." Dance Chronicle 36, no. 3 (2013): 326–51. http://dx.doi.org/10.1080/01472526.2013.834539.

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Dorris, George. "The Polish Ballet at the New York World's Fair, June 1939." Dance Chronicle 27, no. 2 (2004): 217–34. http://dx.doi.org/10.1081/dnc-120039223.

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7

Savchenko, Aleksandr Viktorovich, and Anna Gennadevna Bodrova. "Ukrainian in Russian Context: Pattern, Folklore and Ethnic Symbols (on the Exsples of Epigraphes in "The Fair at Sorochyntsi" of N.V. Gogol)." Ethnic Culture, no. 1 (1) (December 26, 2019): 55–58. http://dx.doi.org/10.31483/r-64082.

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In this article, from the linguistic and ethnoculturological points of view are analyzed Ukrainian texts of epigraphs in «The Fair at Sorochyntsi» by N.V. Gogol, included in the Russian-language prose, which is an integral part of Russian literature, culture and history. Purpose of the article: This work is an attempt to interpret Ukrainian conceptual symbols, images and metaphors used by the author to create a special atmosphere of Ukrainian identity. Methods: In the study the methods of contextual-pragmatic and lexical analysis are used. In particular, the subject of our study is the Ukraini

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Łapeta, Oskar. "The Ballets of Eugeniusz Morawski in the Context of the Search for Polish National Identity." Polski Rocznik Muzykologiczny 19, no. 1 (2021): 54–66. http://dx.doi.org/10.2478/prm-2021-0010.

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Abstract The topic of this article is Eugeniusz Morawski’s ballet music analysed in the context of the search for national identity in Poland after it regained independence in 1918. The author’s reflection is focused on two fully preserved ballet compositions written in the 1920s. In the monumental four-part dance poem Miłość [Love] by Morawski, together with the author of the libretto, Franciszek Siedlecki, presents an allegorical journey of the pair of protagonists in search of spiritual renewal in a world threatened by progressive mechanisation. Their pilgrimage ends on Earth, and Mazurka i

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Hamilton, William G., Francesca M. Thompson, and Stephen W. Snow. "The Modified Brostrom Procedure for Lateral Ankle Instability." Foot & Ankle 14, no. 1 (1993): 1–7. http://dx.doi.org/10.1177/107110079301400101.

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Twenty-eight ankles in twenty-seven patients (average age 28) underwent the Gould modification of the Brostrom repair for symptomatic lateral ankle instability. Fifty-four percent were high level professional ballet dancers, 35% were recreational athletes, and 11% were nonathletes. Follow-up averaged 64.3 months (range 30–132 months). Of the 28 operations performed, there were 26 excellent results, one good result, and one fair result. All the professional dancers obtained excellent results. There were no failures, stretch-outs, re-dos, or complications. This operation is believed to be an exc

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Kryazheva, I. A. "Manuel de Falla’s Music Theater and Russian Art of the Early 20th Century (Meyerhold and Stravinsky)." Cuadernos Iberoamericanos 12, no. 4 (2025): 50–67. https://doi.org/10.46272/2409-3416-2024-12-4-50-67.

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The music theater of the Spanish composer Manuel de Falla, in particular, his most significant and representative work El Retablo de maese Pedro (Master Peter’s Puppet Show), is examined through the lens of the trends in theater relevant in early 20th century. Those include the diminishing role of the psychological theater and the developing conventional imagery of the representation theatre. Thus, Manuel de Falla’s Music Theater has clear parallels with the theater of the Russian avant-garde and with the work of artists such as Vsevolod Meyerhold and Igor Stravinsky. These similarities stem f

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Books on the topic "Ballet The Fair at Sorochyntsi"

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Jones, Janey Louise. Princess Poppy: The Fair Day Ball (Princess Poppy Book & CD). Corgi, 2008.

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Steichen, James. 1939–1940. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190607418.003.0011.

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From 1939 to 1940 Balanchine and Kirstein continued their independent activities. Balanchine and Zorina took on additional projects on the stage and screen, including a film adaptation of On Your Toes, the romantic melodrama I Married an Adventuress, and a new stage musical by Irving Berlin, Louisiana Purchase. Balanchine also created dances for the short-lived revue Keep Off the Grass as well as serving as producer and director of Cabin in the Sky, for which he collaborated with Vernon Duke and choreographer Katherine Dunham and her dance company. Kirstein continued to tour with the company n

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Roust, Colin. Georges Auric. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190607777.001.0001.

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Although Georges Auric (1899–1983) is best remembered today for his affiliation with the Groupe des Six, his musical career was long, productive, complex, and intimately attuned to the realities of modern life. His polyvalent career—as a composer of concert, theatrical, ballet, popular, film, and television music; music critic; opera director; and arts administrator—reveals a diversity of engagements that speak to a reconfiguration of the role of the composer in the modern world. Auric was a product of his time, with deep connections to France’s artistic, social, and political elites. At the s

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Book chapters on the topic "Ballet The Fair at Sorochyntsi"

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"Opera, Ballet, and the Politics of French Identity." In Musical Encounters at the 1889 Paris World's Fair. Boydell & Brewer Ltd, 2005. http://dx.doi.org/10.2307/j.ctvc16mmn.10.

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"Chapter 2 Opera, Ballet, and the Politics of French Identity." In Musical Encounters at the 1889 Paris World's Fair. Boydell and Brewer, 2005. http://dx.doi.org/10.1515/9781580466417-008.

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Meglin, Joellen A. "White She-Devil in an Otherwise Black Cast." In Ruth Page. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190205164.003.0005.

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Page’s first large-scale ballet, La Guiablesse, is most famous for its casting of a twenty-three-year-old Katherine Dunham. Produced for the 1933 Chicago World’s Fair, A Century of Progress, the ballet featured Page as the She-Devil, opposite an otherwise all-black cast. Later, Page asked Dunham to assume the title role and to restage the ballet for the Chicago Grand Opera; then, the mentor turned the performance rights to the ballet over to her mentee. La Guiablesse was quite a feat of intercultural communication: a Martinique folk tale recorded by Lafcadio Hearn, an immigrant European Americ

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Skeel, Sharon. "“An enormous macédoine of musical comedy, patriotism, and burlesque, spangled with American history—that is ‘American Jubilee.’ ”." In Catherine Littlefield. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190654542.003.0013.

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Joan McCracken leaves the Littlefields to perform at Radio City Music Hall and eventually on Broadway. Catherine stages dances for the large-scale “American Jubilee” pageant at the World’s Fair in New York in 1940. Her innovative bicycle ballet in the pageant is a tremendous hit. Al Jolson hires her for his comeback show on Broadway, Hold On to Your Hats. She is then enlisted to choreograph ice-skating routines for New York’s Center Theatre, which has been converted into an ice theater by Chicago entrepreneur Arthur Wirtz and his business partner, Olympic skating champion Sonja Henie. Wirtz so

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Carter, Alexandra. "A Fairyland of Fair Women: Dancing the Narratives of the Age." In Dance and Dancers in the Victorian and Edwardian Music Hall Ballet. Routledge, 2017. http://dx.doi.org/10.4324/9781351163644-5.

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Brister, Wanda, and Jay Rosenblatt. "The Lady Composer Steps Out." In Madeleine Dring. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979312.003.0006.

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Dring’s early career is traced through her commissions for BBC radio and television broadcasts, of which the most significant is The Fair Queen of Wu, a ballet for singers and chamber ensemble with choreography by Felicity Gray. During these years, her first publications appeared, with an emphasis on piano music (for solo piano and two pianos) and her Three Shakespeare Songs. Dring’s music was also performed in recitals, including her recently published piano works and a selection of her songs (published and unpublished). The most favorable reviews are found for her Festival Scherzo (“Nights i

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Conference papers on the topic "Ballet The Fair at Sorochyntsi"

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Stasenko, O. P. "DECONSTRUCTION OF CARNIVAL CULTURE IN THE WORK OF PETER BRUEGEL THE ELDER AND IN GOGOL’S SHORT STORY «THE FAIR AT SOROCHYNTSI»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-65.

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