Log in

Relevant bibliographies by topics / Balthasar, Hans Urs von, Religion and drama

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Academic literature on the topic 'Balthasar, Hans Urs von, Religion and drama'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Balthasar, Hans Urs von, Religion and drama.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Balthasar, Hans Urs von, Religion and drama"

1

Havenga, M. "Justice as Beauty-in-Action? Insights from Hans Urs von Balthasar’s Aesthetics and Dramatics." Acta Theologica Supp, no. 29 (November 30, 2020): 37–49. http://dx.doi.org/10.18820/23099089/actat.sup29.3.

Full text

Abstract:

This essay explores the relation between beauty and justice by turning to the thought of the Swiss Catholic theologian Hans Urs von Balthasar. It begins by giving an exposition of Balthasar’s theological aesthetics, as developed in his work The glory of the Lord, which shows how, for Von Balthasar, earthly beauty participates in, and expresses something of God’s divine glory and reaches its apex in the revelation of the beautiful form of Jesus Christ. This is then followed by an exposition of Von Balthasar’s theological dramatics, as developed in his work Theo-drama, which shows how, for Von Balthasar, this beautiful form of Christ is not merely a static image, icon, or artwork but, in fact, a dynamic event, a dramatic act, an embodied performance which reveals to us, along with God’s glory and beauty, God’s unbounded goodness. The essay subsequently turns to questions of justice (in light of Von Balthasar’s understanding of the relation between beauty and goodness), and ultimately argues that, according to Von Balthasar’s thought, justice can be viewed as a form of beauty-in-action that asks to be performed in the world.

APA, Harvard, Vancouver, ISO, and other styles

2

O’Callaghan, Paul. "Can God be Enriched? On the Metaphysical Underpinnings of Von Balthasar’s Theology." Irish Theological Quarterly 84, no. 2 (February 27, 2019): 175–94. http://dx.doi.org/10.1177/0021140019829323.

Full text

Abstract:

Hans Urs von Balthasar, in his work Theo-drama, on the basis of the profound, Christologically based bond between the Trinity and the created world, speaks of the possibility of God being ‘enriched’ by creatures. The study considers his explanation and justification of this position. It goes on to present the position of a variety of authors who favour Von Balthasar’s view on the basis of a more ample idea of ‘being’ that includes receptivity and donation. Others however point out that the ‘enrichment’ of God would place potency and change in the divinity, and thus should only be spoken of in metaphorical terms. Receptivity would only be a perfection in created being, not in God.

APA, Harvard, Vancouver, ISO, and other styles

3

Sachs, John R. "Theo-Drama: Theological Dramatic Theory, vol. 1, Prolegomena. Hans Urs von Balthasar." Journal of Religion 71, no. 2 (April 1991): 305–6. http://dx.doi.org/10.1086/488645.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

McIntosh, Mark A. "Theo-Drama: Theological Dramatic Theory. Vol. 4, The Action. Hans Urs von Balthasar , Graham Harrison." Journal of Religion 76, no. 3 (July 1996): 491–93. http://dx.doi.org/10.1086/489829.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Emerson, Matthew Y. "‘The one who trampled Hades underfoot’: a comparative analysis of Christ's descent to the dead and trinitarian relations in second-century Christian texts and Hans Urs von Balthasar." Scottish Journal of Theology 72, no. 03 (August 2019): 277–90. http://dx.doi.org/10.1017/s0036930619000334.

Full text

Abstract:

AbstractIn both Theo-Drama IV and Mysterium Paschale, Balthasar suggests that the descensus existentially separates the divine hypostases of Father and Son. He also repeatedly argues that his position is faithful to the Great Tradition. While there has been much debate about Balthasar's view of the descensus, this debate has focused mostly on the issues of universalism and penal substitution, leaving the issue of trinitarian relations either to the side or without an analysis of its historical precedent. This article attempts to address this lacuna by asking whether Balthasar's view of the descensus is in fact supported by the Great Tradition, with a specific focus on second-century texts. After surveying the apostolic fathers, second-century Jewish and Christian traditions (e.g. the New Testament apocrypha), second-century apologists and Melito's Peri Pascha, the article concludes that Balthasar's position does not find historical support in the second century. His view may be in line with the Great Tradition elsewhere, but it is not grounded in this seminal century of Christian doctrinal reflection.

APA, Harvard, Vancouver, ISO, and other styles

6

Situmorang, Markus. "MENDALAMI DOKTRIN TRINITAS DALAM PANDANGAN HANS URS VON BALTHASAR." Studia Philosophica et Theologica 18, no. 2 (December 7, 2019): 161–77. http://dx.doi.org/10.35312/spet.v18i2.26.

Full text

Abstract:

All the Hans Urs von Balthasar theology is the Trinity. For him everything flows from interpersonal relationships in the Trinity. The starting point for understanding the Trinity must depart from the event of love. Jesus is a manifestation of God’s love that appears to humans. God’s love is beautiful. Jesus revealed the beauty of the Triune God. The fundamental aspect of beauty is obedience from Jesus. Jesus as the beauty that manifest the Father and the Holy Spirit. We will not be able to understand the beauty of Christ without referring to inter-Trinitarian beauty. It does not stop at mere beauty but God is involved in the history of human life. In other words, God is involved in drama with humans. On the Good Friday, there was a drama between God and the world on the cross. But a more dramatic drama took place on Holy Saturday. Drama also occurs in the life of the Trinity. The three divine persons empty themselves which are united in a bond of love. The real kenosis occurs in a triune life. The Trinity lives in the Church and maintains the Church. The church’s teachings are undeniable because of the truth of the Trinity itself. Seluruh teologi Hans Urs von Balthasar adalah Tritunggal. Baginya segala sesuatu mengalir dari relasi antar pribadi dalam Tritunggal. Titik tolak untuk memahami Tritunggal harus berangkat dari peristiwa kasih. Yesus adalah wujud kasih Allah yang tampak kepada manusia. Kasih Allah sendiri sangat indah. Yesus mewahyukan keindahan dari Allah Tritunggal. Aspek fundamental dari keindahan itu yakni ketaatan dari Yesus. Yesus sebagai keindahan yang mewahyukan Bapa dan Roh Kudus. Wujud dari Yesus mengacu kepada wujud dari Allah dalam diri-Nya sendiri.Trinitas seperti cinta di dalam dirinya sendiri. Kita tidak akan dapat memahami keindahan Kristus tanpa mengacu pada keindahan inter-Trinitaris. Tidak berhenti pada keindahan semata tetapi Allah terlibat di dalam sejarah kehidupan manusia. Dengan kata lain Allah terlibat drama dengan manusia. Pada peristiwa Jumat Agung terjadi drama antara Allah dan dunia di kayu salib. Namun drama yang lebih dramatis terjadi pada Sabtu Suci. Drama juga terjadi juga di dalam kehidupan Tritunggal. Tiga pribadi ilahi saling mengosongkan diri yang disatukan dalam ikatan cinta. Tritunggal itu yang hidup di dalam Gereja dan memelihara Gereja. Ajaran-ajaran Gereja tidak terbantahkan karena kebenaran Tritunggal itu sendiri.

APA, Harvard, Vancouver, ISO, and other styles

7

Dewa, Anton. "Teologi Inkarnasi dan Gereja Yang Inkarnatoris menurut Hans Urs von Balthasar." Media (Jurnal Filsafat dan Teologi) 2, no. 1 (March 3, 2021): 25–59. http://dx.doi.org/10.53396/media.v2i1.18.

Full text

Abstract:

The uniqueness of Balthasar's theology of incarnation lies in the fact that he bases his arguments of kenosis primarily on the Bible and the theology of patristics. On this basis, he confronts the systematic theological exposition of incarnation with the question of God in modern times. Balthasar represents the centre of his theological principle in the "drama of God". This drama became visible to all men when Christ, Son of God, died for the salvation of the world. That is an act of solidarity and became for Balthasar the central concept of soteriology. Based on the incarnation of Christ, Balthasar calls the church to a living practice of kenosis in her missions.

APA, Harvard, Vancouver, ISO, and other styles

8

Havenga, Marnus. "Christ as performance." STJ | Stellenbosch Theological Journal 6, no. 4 (January 22, 2021): 139–58. http://dx.doi.org/10.17570/stj.2020.v6n4.a6.

Full text

Abstract:

This essay will explore Hans Urs von Balthasar’s Christology as performance from below. It will begin by introducing Balthasar’s theodramatic project as presented in his five-volume work Theo-drama. Here, it will be shown how Balthasar engages with and uses the conceptual resources of drama and the theatre to develop a theological dramatic theory with the performance of Christ at its very centre. This will be followed by an investigation into Balthasar’s dramatic Christology and what he saw as the re-performance of the Christ-drama on the world stage. The essay will then conclude with a few brief remarks on the continued relevance of Balthasar’s dramatic Christology, especially for those interested in doing – and performing – theology from below.

APA, Harvard, Vancouver, ISO, and other styles

9

Koerpel, Robert. "The Form and Drama of the Church: Hans Urs von Balthasar on Mary, Peter, and the Eucharist." Logos: A Journal of Catholic Thought and Culture 11, no. 1 (2007): 70–99. http://dx.doi.org/10.1353/log.2008.0007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Gillespie, Charles A. "Theodramatic Themes and Showtime in Nassim Soleimanpour’s White Rabbit Red Rabbit." Religions 11, no. 10 (September 29, 2020): 499. http://dx.doi.org/10.3390/rel11100499.

Full text

Abstract:

This essay engages the experimental playwright Nassim Soleimanpour’s White Rabbit Red Rabbit alongside the theological dramatic theory of Hans Urs von Balthasar. Every Soleimanpour play can only happen once. Actors receive the script as they begin the show; any given actor must perform Soleimanpour’s drama as a cold reading unique in history. I propose “Showtime” to theorize this theatrical temporality, exemplified by White Rabbit Red Rabbit and shared by von Balthasar’s theology, on analogy to stage space. This article further examines the play’s themes of identity, self-sacrifice, free obedience, and writing about time through a “theodramatic structural analysis” keyed to von Balthasar. Soleimanpour expands Balthasarian theodramatics in unexpected and unintended directions. So too did the performance of White Rabbit Red Rabbit I attended in 2016 that featured Wayne Brady as the actor. This essay concludes with analysis of that performance and how it places this essay’s theodramatic structural analysis into contexts of race and the history of anti-Black racism in the United States.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Balthasar, Hans Urs von, Religion and drama"

1

Elamparayil, Joseph G. "The concept of person as mission in the Theo-drama of Hans Urs von Balthasar." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Oliveira, Isaque Sicsú de. "A trindade como dramatis personae no Theo-Drama de Hans Urs von Balthasar." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20923.

Full text

Abstract:

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-03-26T12:27:01Z No. of bitstreams: 1 Isaque Sicsú de Oliveira.pdf: 813967 bytes, checksum: a912ab46e0ecf902895e26d7c7f85328 (MD5)
Made available in DSpace on 2018-03-26T12:27:01Z (GMT). No. of bitstreams: 1 Isaque Sicsú de Oliveira.pdf: 813967 bytes, checksum: a912ab46e0ecf902895e26d7c7f85328 (MD5) Previous issue date: 2018-02-22
Aliança de Misericordia - ADVENIAT
The present dissertation contemplates an investigation on the trinitarian dogma, as exposed and outlined by the Swiss theologian Hans Urs von Balthasar (1905-1988). The emphasis lies on the dramatic Balthasarian method. That is, the investigation seeks to clarify how Balthasar presents his vision of the Trinity in the second episode of his trilogy, Theo- Drama. In addition, it seeks to show how this method can be useful in presenting the Christian faith to an increasingly skeptical audience. Balthasar is one of the leading theologians of the 20th century. Its theological production is extremely long. Throughout his life, there were hundreds of works produced. The present dissertation concentrates mainly on the exposition of the trinitarian dogma in the five volumes of theodramik: (1) Prolegomena; (2) Dramatis Personae: Man in God; (3) Dramatis Personae: Persons in Christ; (4) The Action; (5) The Last Act. The hypothesis of the present dissertation is based on the way in which Balthasar presents the three Persons of the Trinity, as personages within a redemptive drama, in which the Father appears as the playwright and architect of the history of the redemption; the Son appears as the main character in the redemptive history, performing his role to the last consequences; and the Holy Spirit as the great drama director and guiding agent who guides the main character; For this, the first part of the dissertation concentrates on a brief summary of the life and work and distinctive features of the thought of Balthasar, trying to show how his geographical and historical locus was determinant in the construction of his theological convictions. Next, the doctrine of the Trinity is investigated in its classic dogmatic formulation, passing through Scripture, history of theology, main characters in the process of theological refinement of the Trinity, eventual doctrinal dissonances, culminating in an exposition of the balthasarian argumentation of the Trinity. Finally, it focuses on the way Balthasar was influenced by the theology of Karl Barth and how this robust theological dialogue can be a prototype of a respectful dialogue between Catholic and Protestant traditions within their convergences and divergences
conforme exposto e delineado pelo teológico suíço Hans Urs von Balthasar (1905-1988). A ênfase recai no método balthasariano dramático. Isto é, a investigação busca esclarecer como Balthasar apresenta sua visão da Trindade no segundo episódio de sua trilogia, o Theo- Drama. Além disso, busca-se mostrar como este método pode ser útil na apresentação da fé cristã para uma audiência cada vez mais cética. Balthasar é um dos principais teólogos do séc. XX. Sua produção teológica é extremamente longa. Ao longo de sua vida, foram centenas de obras produzidas. A presente dissertação concentra-se majoritariamente na exposição do dogma trinitário nos cinco volumes da theodramik: (1) Prolegomena; (2) Dramatis Personae: Man in God; (3) Dramatis Personae: Persons in Christ; (4) The Action; (5) The Last Act. A hipótese da presente dissertação apoia-se na maneira como Balthasar apresenta as três Pessoas da Trindade, como personagens dentro de um drama redentivo, no qual o Pai se apresenta como o dramaturgo e arquiteto da história da redenção; o Filho se apresenta como a personagem principal na história redentiva, performando seu papel até as últimas consequências; e o Espírito Santo como o grande diretor do drama e agente que guia o orienta a personagem principal; Para isto, a primeira parte da dissertação concentra-se em um breve resumo da vida e obra e traços distintivos do pensamento de Balthasar, buscando mostrar como o seu locus geográfico e histórico foi determinante na construção de suas convicções teológicas. Logo em seguida, investiga-se a doutrina da Trindade em sua formulação dogmática clássica, passando pela Escritura, história da teologia, personagens principais no processo de refinamento teológico da Trindade, eventuais dissonâncias doutrinarias, culminando em uma exposição da argumentação balthasariana da Trindade. Finalmente, concentra-se na maneira como Balthasar foi influenciado pela teologia de Karl Barth e como esse robusto diálogo teológico pode se um protótipo de um diálogo respeitoso entre as tradições católica e protestante, dentro de suas convergências e divergências

APA, Harvard, Vancouver, ISO, and other styles

3

Khovacs, Ivan. "Divine reckoning in profane spaces : towards a theological dramaturgy for theatre /." St Andrews, 2007. http://hdl.handle.net/10023/329.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Bellafiore, I. Michael. "Representation and reconciliation Hans Urs von Balthasar's theological interpretation of Shakespeare in the light of the Theo-drama /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p029-0688.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Khovacs, Ivan Patricio Morillo. "Divine reckonings in profane spaces : towards a theological dramaturgy for theatre, with special reference to the theo-drama of Hans Urs von Balthasar." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/329.

Full text

Abstract:

If from God’s perspective ‘all the world’s a stage’, theology invites one to think and act according to the view afforded from this height. To speak theologically of a ‘world stage’ as many contemporary theologians have done has required rethinking the Church’s long-established antagonism towards the stage. Of late, theology has opened up academic exchange with the drama’s understanding of ‘the great theatre of the world’. Hans Urs von Balthasar’s theo-drama in particular has given Christians a means for entering into discussion with dramatic forms. Contemporary theological engagements with ‘drama’, however, have been limited to its most literary/metaphorical aspects; less attention has been paid to the potentialities in theology’s exchange with the performance aesthetics of live theatre. Pressed to its logical ends, however, von Balthasar’s idea of a ‘theological dramatics’ and its advances made in contemporary theology, suggest the need for sustained engagement with other modes of dramaturgy, including performance theory and the stage. This thesis attempts to instantiate this theological engagement through the aesthetics of theatrical performance.

APA, Harvard, Vancouver, ISO, and other styles

6

Farlow, Matthew S. "The dramatising of theology : humanity’s participation in God’s drama with particular reference to the theologies of Hans Urs von Balthasar and Karl Barth." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2102.

Full text

Abstract:

The aim of this project is to investigate the proper response of theology to the Christian God who, as revealed through revelation, is Being-in-act. This project takes seriously the idea posited by Shakespeare, that totus mundus agit histrionem, and upon this stage ‘all the men and women merely players: They have their exits and their entrances; and one man in his time plays many parts.’ If, then, God’s Being is in act, and as so many have deduced, life and death are enveloped within the drama of everyday, then, might it be possible that our theological endeavours would prosper through a dramatic rendering? In light of this, the project seeks to illumine that it is beneficial for both the Church and society, to realise how drama can be, and is, fruitful for our theological endeavours. God is Being-in-act, and through His revelation, He invites humanity to enter into and participate in His action. In light of the aforementioned, then, theology must contend with the implications for its practices, which, as is being argued, are benefited most through a full embrace of the dramatising of theology. The thesis is situated in the recent movement of our theological endeavours that recognise the profundity of the dramatic and its ability to illuminate God’s action and call to action from theology, the Church and society. Moving forward from the seminal work of Hans Urs von Balthasar, and set forth in the context of the theologies of Balthasar and Karl Barth, this project argues that it is through the dramatising of theology that theology is best equipped to illumine God’s desire for humanity’s participation in His Theo-drama. The dramatising of theology is a natural response to God’s Being-in-act; it is the natural movement of theology’s response to God’s action which calls for an active response on our part. Current examples of today’s theological movement towards the dramatic can be seen in such authors as Max Harris, Trevor Hart, Stanley Hauerwas, Michael Horton, Todd Johnson and Dale Savidge, Ben Quash, Kevin Vanhoozer, Samuel Wells and N.T. Wright. This project hopes to contribute to the movement towards the dramatising of theology.

APA, Harvard, Vancouver, ISO, and other styles

7

Wigley, Stephen David. "Karl Barth and Hans Urs von Balthasar : a critical engagement." Thesis, University of Birmingham, 2006. http://etheses.bham.ac.uk//id/eprint/247/.

Full text

Abstract:

This thesis examines the relationship between two major twentieth century theologians, Karl Barth and Hans Urs von Balthasar. It seeks to show how their meeting, resulting in von Balthasar’s seminal study The Theology of Karl Barth, goes on to influence von Balthasar’s theological development throughout his trilogy beginning with The Glory of the Lord, continuing in the Theo-Drama and concluding with the Theo-Logic. In particular it explores the significance of the debate over the ‘analogy of being’ and seeks to show that von Balthasar’s decision to structure his trilogy around the transcendentals of ‘being’, the beautiful, the good and the true, results from his re-affirmation of the role of analogy in light of his debate with Barth. It will also suggest that von Balthasar’s adoption of a ‘theo-dramatic’ approach to God’s saving action and assertion of the role of Church as a ‘theo-dramatic character’ in her own right is prompted by concern over what he alleges to be ‘christological constriction’ and an inadequate doctrine of the Church in Barth. This argument will be conducted in dialogue with other theologians and interpreters of von Balthasar and conclude with a personal reflection on how the issues raised remain relevant today.

APA, Harvard, Vancouver, ISO, and other styles

8

Poukhaev, Andrej. "Ludwig Wittgenstein and Hans Urs von Balthasar faith and reason in the postmodern age /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Sharman, Elizabeth, and n/a. "Imagining the revealed God : Hans Urs von Balthasar, Eberhard Jungel, and the triduum mortis." University of Otago. Department of Theology and Religious Studies, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070615.112629.

Full text

Abstract:

'Do not be conformed to this world, but be transformed by the renewing of your minds.' [Rom 12:2] Hans Urs von Balthasar and Eberhard Jungel are profound and imaginative thinkers who unreservedly ground their theologies in revelation as God�s self-disclosure. This thesis asks what resources such revelation-centred authors, from different traditions, may contribute to a theological understanding of the human imagination. Although theology has often been more interested in the constructive capacities of the imagination, it is the responsive quality of the imagination that is of particular interest to this thesis. Can the imagination contribute to a theological understanding which comprehends the action and speech of God as antecedent to human response? This thesis examines the epistemological issues that are related both to the imagination and to revelation as the self-communication and self-interpretation of God. The imagination is conceived of as essential to perception and understanding; it allows for both recognition and re-cognition. Through the imagination we can rethink the patterns or paradigms that shape our lives. The renewing of the mind can be said to involve the imagination. However, spiritual transformation requires more than a notion of the imagination as a spontaneous mental act which determines its own content. Balthasar and Jungel, while thinking in lively and narrative ways, are constrained by divine self-disclosure. God�s self-revelation provides the content of the paradigm or pattern by which the Christian believer is to live. The imagination can be said to act as the context or locus of revelation. This thesis demonstrates that the three days of Easter are central to Balthasar�s and Jungel�s respective understandings of God. For Balthasar and Jungel, the triduum mortis is where the self-revelation of God is most apparent; it is here that God is understood to be self-giving love as Father, Son, and Holy Spirit. While quite distinct in their approaches, both authors work within trinitarian, and therefore relational, frameworks. This thesis traces the motifs that not only express their understandings of the paschal mystery in relational terms but also ground their respective understandings of renewed existence; for Balthasar, the motifs of mission and kenosis, and for Jungel, those of identification and justification. For both Balthasar and Jungel, the events of the triduum mortis can be said to provide the content of, and act as a boundary to, our conception of God. Nonetheless, it is proposed that, within their respective understandings of divine prevenience, Balthasar and Jungel leave room for the exercise of the imagination. God is mystery; God is not a fixed or completed concept.

APA, Harvard, Vancouver, ISO, and other styles

10

Read, Christina Jane. "Nature and grace in the work of Hans Urs Von Balthasar with particular reference to the theo-drama." Thesis, King's College London (University of London), 2005. https://kclpure.kcl.ac.uk/portal/en/theses/nature-and-grace-in-the-work-of-hans-urs-von-balthasar-with-particular-reference-to-the-theodrama(b0e4f533-40d0-40d4-865c-b7e1534a7eb4).html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Balthasar, Hans Urs von, Religion and drama"

1

Guerriero, Elio. Il dramma di Dio: Letteratura e teologia in Hans Urs von Balthasar. Milano: Jaca book, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Stinglhammer, Hermann. Freiheit in der Hingabe: Trinitarische Freiheitslehre bei Hans Urs von Balthasar : ein Beitrag zur Rezeption der Theodramatik. Würzburg: Echter, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Beauté, bonté, vérité chez Hans Urs von Balthasar. Paris: Cerf, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Saint-Pierre, Mario. Beauté, bonté, vérité chez Hans Urs von Balthasar. Sainte-Foy, Québec: Presses de l'Université Laval, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Meiattini, Giulio. Sentire cum Christo: La teologia dell'esperienza cristiana nell'opera di Hans Urs von Balthasar. Roma: Editrice Pontificia Università Gregoriana, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Word and silence: Hans Urs von Balthasar and the spiritual encounter between East and West. Edinburgh: T & T Clark, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Word and silence: Hans Urs von Balthasar and the spiritual encounter between East and West. Grand Rapids, Mich: W.B. Eerdmans, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Garcı́a, Eduardo López-Tello. Simbologı́a y lógica de la redención: Ireneo de Lyón, Hans Küng y Hans Urs von Balthasar leı́dos con la ayuda de Paul Ricoeur. Roma: Pontificia università gregoriana, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Rivero, Rafael Francisco Luciani. El misterio de la diferencia: Un estudio tipológico de la analogía como estructura originaria de la realidad en Tomás de Aquino, Erich Przywara y Hans Urs von Balthasar y su uso en teología trinitaria. Roma: Pontificia università gregoriana, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Volker, Kapp, Kiesel Helmuth 1947-, and Lubbers Klaus, eds. Theodramatik und Theatralität: Ein Dialog mit dem Theaterverständnis von Hans Urs von Balthasar. Berlin: Duncker & Humblot, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Balthasar, Hans Urs von, Religion and drama"

1

"Theo-Drama:." In The Achievement of Hans Urs von Balthasar, 83–149. Catholic University of America Press, 2019. http://dx.doi.org/10.2307/j.ctvh4zdgn.7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Quash, Ben. "The theo-drama." In The Cambridge Companion to Hans Urs von Balthasar, 143–57. Cambridge University Press, 2004. http://dx.doi.org/10.1017/ccol0521814677.011.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!