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Journal articles on the topic 'Balzac, Honoré de'

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1

Heathcote, O. "Honore de Balzac." French Studies 64, no. 4 (2010): 463–70. http://dx.doi.org/10.1093/fs/knq107.

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2

Durand, Alain-Philippe. "Honore de Balzac (review)." Nineteenth Century French Studies 30, no. 3 (2002): 395–97. http://dx.doi.org/10.1353/ncf.2002.0013.

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3

Sabourin, Lise. "Honore de Balzac, La Peau de chagrin." Studi Francesi, no. 146 (XLIX | II) (November 1, 2005): 430. http://dx.doi.org/10.4000/studifrancesi.34857.

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4

Heathcote, Owen, and Stephane Vachon. "Honore de Balzac: Memoire de la critique." Modern Language Review 96, no. 1 (2001): 194. http://dx.doi.org/10.2307/3735768.

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5

Gainutdinova, Dar'ya Aleksandrovna. "Landscape in the novel by Honore de Balzac "Letters of two brides": motifs of heaven and hell." Филология: научные исследования, no. 7 (July 2024): 66–73. http://dx.doi.org/10.7256/2454-0749.2024.7.71317.

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This article research subject are features of landscape descriptions in the novel by Honore de Balzac «Letters of Two Brides». The novel was written in 1841 and is included in «Scenes of private life», which the writer dedicates it to Georges Sand. The author of the article bases the analysis of Balzac’s book on the landscape descriptions given by L. N. Dmitriyevskaya. She defines the landscape as an artistic image of nature, a «portrait» of the soul and person’s worldview and an image of the world. The landscapes in the novel are multifaceted and include a love motive related to the developme
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6

Heathcote, Owen. "Honore de Balzac. Ecrits sur le roman. Anthologie." Modern Language Review 96, no. 2 (2001): 510. http://dx.doi.org/10.2307/3737405.

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7

Fedyk, Tamara. "ARTISTIC MODELS OF ADDICTIVE BEHAVIOR IN O. MYKOLAYCHUK AND NEDA NEZHDANA'S PLAY "HONORE, AND WHERE IS BALZAC?"." LITERARY PROCESS: methodology, names, trends, no. 19 (2022): 77–84. http://dx.doi.org/10.28925/2412-2475.2022.19.10.

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The article is devoted to the analysis of poetics of artistic models of protagonists' addictive behavior in the play by O. Mykolaychuk and Neda Nezhdana "Honore, and where is Balzac?". The relevance of the study is due to the notable increase in the number of interdisciplinary investigations. It contributes to a significant expansion of the range of aspects of research in the literature, especially the researches devoted to the analysis of works of art through the prism of psychology. This study was conducted using modeling, psychological and poetological analysis. The content of the concepts
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8

مبروک, نهى عبد العزیز رزق. "es temps verbaux du recit romanesque. Chez Honore de Balzac." مجلة کلیة الآداب بقنا 22, no. 42 (2013): 1–38. http://dx.doi.org/10.21608/qarts.2013.118583.

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9

LETHBRIDGE, R. D. "Review. Cousin Bette. Translated by Sylvia Raphael. Balzac, Honore de." French Studies 47, no. 4 (1993): 471. http://dx.doi.org/10.1093/fs/47.4.471-a.

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10

Yıldız, Sibel. "Narcissism In The Work Of Honore De Balzac Called “Droll Stories”." Pamukkale University Journal of Social Sciences Institute 2017, no. 50 (2017): 169–74. http://dx.doi.org/10.5505/pausbed.2017.32659.

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11

Sypa, L., and O. Kovalchuk. "MUSICAL DISCOURSE IN THE NOUVELETTE “MASSIMILLA DONI” BY HONORE DE BALZAC." International Humanitarian University Herald. Philology 2, no. 43 (2019): 49–52. http://dx.doi.org/10.32841/2409-1154.2019.43.2.13.

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12

BELLOS, D. "Review. Theorie und Praxis des Typischen bei Honore de Balzac. Jung, Willi." French Studies 40, no. 4 (1986): 475–76. http://dx.doi.org/10.1093/fs/40.4.475-a.

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13

Kholmonova Shokhsanam, Karshibaeva Uljan Davirovna,. "The Ideological Characteristics of Balzac’s Novel “The Magic Skin”." Tuijin Jishu/Journal of Propulsion Technology 44, no. 4 (2023): 4226–30. http://dx.doi.org/10.52783/tjjpt.v44.i4.1653.

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This article details the work of the French realist writer Honore de Balzac, “The Magic Skin.” The use of opposites is an important feature of Balzac's romantic work in the novel The The Magic Skin. Contrasting additions serve to show the evolution of the image of the main character and the restoration of his thoughts and mental states; they are used to describe the main characters of the novel and describe the location of the action, the main plot twists; they also play an essential role in realistic depiction. The interpretation of the fantastic element of the work is also revealed. O. De Ba
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14

TILBY, M. "Review. Honore de: 'Les Employes'. Edition etablie et presentee par Anne-Marie Meininger. Balzac." French Studies 41, no. 3 (1987): 344. http://dx.doi.org/10.1093/fs/41.3.344.

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15

Smith, Edward C. "Honore de Balzac and the "Genius" of Walter Scott: Debt and Denial." Comparative Literature Studies 36, no. 3 (1999): 209–25. http://dx.doi.org/10.1353/cls.1999.0009.

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16

Fırıncıoğulları, Sevra. "Honore De Balzac’ın Güzel İmpera Romanında Toplumsal Yozlaşma ve Yabancılaşma Sorunu." Ankara Hacı Bayram Veli Üniversitesi Edebiyat Fakültesi Dergisi, no. 12 (June 30, 2025): 113–22. https://doi.org/10.56387/ahbvedebiyat.1600023.

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Bu çalışmanın amacı Honore de Balzac’ın Güzel İmpera eserini toplumsal yozlaşma, yabancılaşma bağlamında analiz etmektir. Balzac içinde bulunduğu dönemde özellikle soylu sınıf içindeki çürümeyi eserlerine konu olarak seçmiştir. Onun yaşadığı dönemde toplumdaki değerlerin çözülmesi, ikiyüzlü ilişkiler özellikle soylu sınıf içinde kendini gösteren yozlaşma ile ortaya çıkar. Dönemin Fransa’sı (19. yüzyıl) içinde halkın her kesiminden kişiyi romanlarına karakter olarak seçen Balzac’ın romanlarında en yoğun şekilde eleştiriye tabi tuttuğu sınıf soylu sınıftır. Halkın en üst kesimi olduğu iddiasında
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17

Рыков, Анатолий Владимирович. "«Неведомый шедевр» Оноре де Бальзака и теория авангарда". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 476–83. https://doi.org/10.18688/aa2414-7-37.

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Skeptical and pragmatic concepts are becoming increasingly important in the context of the interpretation of avant-garde art. The article considers Honore de Balzac’s “The Unknown Masterpiece” as a key text for understanding the European theory of art. The pragmatic concept of avant-garde art is inextricably linked with the movement of theoretical thought from mannerism to the 19th century. Although both Romanticism and avant-garde art are often associated with enthusiastic versions of culture and art, more cynical and instrumental strategies within these trends cannot be excluded from our vie
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18

Marchenko, Tetiana. "Study of O. de Balzac's Works in Middle and High School: Methodical and Comparative Aspects." Volyn Philological: Text and Context 30 (March 5, 2020): 117–27. https://doi.org/10.5281/zenodo.5246010.

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The article deals with features of the study of the life and work of Honore de Balzac in the context of interethnic relations.  The influence of Ukrainian culture and tradition on the work of the French writer can be traced. The vision of Ukraine by the European writer is analyzed. The modern style  of life requires creative approach to the literature lesson  and the whole process of learning . Comparative method gives the opportunity to form vit
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19

TILBY, M. "Review. La Peau de chagrin. Texte presente et commente par Madeleine Ambriere. Balzac, Honore de." French Studies 39, no. 1 (1985): 87. http://dx.doi.org/10.1093/fs/39.1.87.

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20

PARLAKYILDIZ, Necmiye Ayşim. "The Relationship Between Character and Place in The Novel Called 'Father Goriot' of Honore De Balzac." International Journal of Language and Education Research 2, no. 2 (2020): 18–28. http://dx.doi.org/10.29329/ijler.2020.243.2.

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21

FARRANT, T. J. "Review. Sarrasine, Gambara, Massimilla Doni. Edition presentee, etablie et annotee par Pierre Brunel. Balzac, Honore de." French Studies 51, no. 3 (1997): 332. http://dx.doi.org/10.1093/fs/51.3.332.

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22

TILBY, M. J. "Review. Pere Goriot. Translated with an Introduction and Notes by A. J. Krailsheimer. Balzac, Honore de." French Studies 47, no. 1 (1993): 86. http://dx.doi.org/10.1093/fs/47.1.86.

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23

Zaitsev, Aleksei A., and Dinara G. Vasbieva. "Semantic and morphological characteristics of a noun as a subject in the modern French language." XLinguae 14, no. 4 (2021): 227–36. http://dx.doi.org/10.18355/xl.2021.14.04.15.

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The present study considers the problem of the relationship between semantics and morphology of nouns in the syntactic function of the subject in the modern French literary language. This work aims to answer the questions of whether the syntactic function is not indifferent to the semantic nature of the noun and whether any noun can be used in the function of the subject. The text fragments taken from the works of classic French writers Honore de Balzac, Emile Zola, André Maurois, François Moryac, etc. have been investigated. The total length of the analyzed texts taken in equal portions of 10
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24

Vechirko, O. L. "THE PROBLEM OF PERSONALITY FORMATION IN THE WORKS OF HONORE DE BALZAC (BASED ON THE NOVEL “FATHER GORIOT”)." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications, no. 3 (2020): 207. http://dx.doi.org/10.32838/2663-6069/2020.3-2/33.

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25

FARRANT, T. J. "Review. 'Le Chef-d'oeuvre inconnu' et autres nouvelles. Edition presentee et annotee par Adrien Goetz. Balzac, Honore de." French Studies 50, no. 1 (1996): 89. http://dx.doi.org/10.1093/fs/50.1.89-a.

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26

Anosova, Nina Aleksandrovna, and Nina Alexandrovna Anosovа. "Color and Sound in Balzac's Novels." Journal of Flm Arts and Film Studies 2, no. 1 (2010): 66–83. http://dx.doi.org/10.17816/vgik2166-83.

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This paper analyzes the dramatic color of Honore de Balzac's novels "Shagreen" (1831) and "Father Goriot" (1834). Using symbolic colors, different color details and motives, color and light accents, decoloration Balzac creates dramatic contrasts, transforms the time, reveals the inner state of the characters. The writer's works are the result of the brilliant application of the reflex theory to literature suggested by Eugene Delacroix, a painter and Balzac's contemporary. Artistic intensity and the diversity of color elements in Balzac's novels are one of the vivid steps on the way to the chro
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27

Pylypiuk, Larysa, and Valentyna Kovalenko. "THE PERCEPTION OF THE READER AS AN INTEGRAL PART OF THE ART WORLD OF LITERARY WORKS BY HONORE de BALZAC." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 1(69)/2 (2018): 92–95. http://dx.doi.org/10.25264/2519-2558-2018-1(69)/2-92-95.

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28

FARRANT, T. J. "Review. 'La Maison Nucingen' precede de 'Melmoth reconcilie'. Edition presentee, etablie et annotee par Anne-Marie Meininger. Balzac, Honore de." French Studies 45, no. 2 (1991): 213. http://dx.doi.org/10.1093/fs/45.2.213-a.

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29

Vilches, Patricia. "Chivalry, Materialism, and the Grotesque in Don Quijote and Alberto Blest Gana’s El ideal de un calavera." Open Cultural Studies 1, no. 1 (2017): 17–31. http://dx.doi.org/10.1515/culture-2017-0003.

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Abstract This study analyses chivalry, materialism, and the grotesque in Alberto Blest Gana’s El ideal de un calavera [The Ideal of a Rogue] (1863) under the light of Miguel de Cervantes’s Don Quijote’s part II (1615). It underscores the legacy of Cervantes on the Chilean author especially in his reflections on nation building. Unlike its author, Don Quijote eluded restriction and successfully reached the colonies; once there, author and text became a massive influence on intellectuals in the burgeoning Americas. Blest Gana, for example, created protagonists who were multi-dimensional and imbu
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30

Pashko, Oksana. "“...Sered Skytiv-Chynbariv”: Approach to the Symbolism of Shoes in Viktor Petrov-Domontovych’s Works." NaUKMA Research Papers. Literary Studies 3 (September 2, 2022): 53–67. http://dx.doi.org/10.18523/2618-0537.2022.3.53-67.

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The article proves the importance of the philosophy of things, clothes/shoes in the literary works, scientific article, and memoirs of Viktor Petrov-Domontovych. This theme is analyzed in the context of the philosophy of clothing of Tomas Carlyle and Barbe d`Oréville. An analysis of works “The Girl with the Bear,” “Doctor Seraficus,” “Alina and Kostomarov,” and the article “Petersburg Tales of Gogol” shows that in Viktor Petrov`s works there is a complex of motives: eccentric – saint – traveler – man – villain – boots/shoes (thing) – gait – poetry. Observations of the dynamics of images in eac
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31

Zhilyakova, Emma M. "THE IMAGE OF THE “WILD FLOWER” IN THE AESTHETICS AND EARLY WORKS BY F.M. DOSTOEVSKY (TO THE PROBLEM: F.M. DOSTOEVSKY AND HONORE DE BALZAC)." Imagologiya i komparativistika, no. 12 (December 2019): 67–89. http://dx.doi.org/10.17223/24099554/12/4.

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32

SMETHURST, C. "Review. Lettres inedites a Champfleury (1851-1854): Les lettres de la collection Lovenjoul. Textes etablis et annotes par Lorin A. Uffenbeck, Elizabeth Fudakowska. Balzac, Madame Honore de." French Studies 45, no. 3 (1991): 329–30. http://dx.doi.org/10.1093/fs/45.3.329-b.

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33

Pavel, Thomas. "Honoré de Balzac." Romanic Review 115, no. 1 (2024): 218–22. http://dx.doi.org/10.1215/00358118-11012131.

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34

Rykov, A. V. "«Бьюти-пространство» Боттичелли, поп-арт и гностики (к вопросу о становлении классического искусства)". Studia Culturae, № 58 (21 березня 2024): 153. http://dx.doi.org/10.31312/2310-1245-2023-58-153-166.

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<p>The article continues the series of publications by the author on the art of the Renaissance and the work of Botticelli. The author's concept of “classical art” allows us to establish closer connections with subsequent stages of artistic development, as well as with the Early Renaissance. The multi-level structure of Botticelli’s art and the “collage” nature of his works are substantiated. The “universality” of the classics correlates with the gaming strategies of Neoplatonism and Gnosticism. The features that bring the intellectual culture of the Renaissance closer to modern scientif
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35

Stupazzoni, Marco. "Honoré de Balzac, Addio." Studi Francesi, no. 196 (LXVI | I) (April 1, 2022): 184. http://dx.doi.org/10.4000/studifrancesi.48809.

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36

Diethelm, Marie-Bénédicte. "De Balzac à Honoré." L'Année balzacienne 8, no. 1 (2007): 59. http://dx.doi.org/10.3917/balz.008.0059.

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37

Stupazzoni, Marco. "Honoré de Balzac, Honorine." Studi Francesi, no. 195 (LXV | III) (December 1, 2021): 620. http://dx.doi.org/10.4000/studifrancesi.47355.

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38

Stupazzoni, Marco. "Honoré de Balzac, Sarrasine." Studi Francesi, no. 166 (I | LVI) (April 1, 2012): 164. http://dx.doi.org/10.4000/studifrancesi.4733.

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39

Stupazzoni, Marco. "Honoré de Balzac, Sarrasine." Studi Francesi, no. 163 (LV | I) (May 1, 2011): 186. http://dx.doi.org/10.4000/studifrancesi.6006.

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40

Stupazzoni, Marco. "Honoré de Balzac, Pierrette." Studi Francesi, no. 201 (LXVII | III) (December 1, 2023): 708. http://dx.doi.org/10.4000/studifrancesi.55765.

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41

Stupazzoni, Marco. "Honoré de Balzac, Séraphîta." Studi Francesi, no. 200 (LXVII | II) (August 1, 2023): 468. http://dx.doi.org/10.4000/studifrancesi.54359.

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42

Stupazzoni, Marco. "Honoré de Balzac, Sarrasine." Studi Francesi 203 (LXVIII | II) (2024): 420. https://doi.org/10.4000/13e2q.

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43

Alberto da Fonseca, Carlos. "Vautrin. Drama em 5 atos. De Honoré de Balzac." Dramaturgias, no. 8 (September 21, 2018): 219–342. http://dx.doi.org/10.26512/dramaturgias.v0i8.14982.

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44

Stupazzoni, Marco. "Honoré de Balzac, Papà Goriot." Studi Francesi, no. 192 (LXIV | III) (December 1, 2020): 677–78. http://dx.doi.org/10.4000/studifrancesi.42683.

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45

Stupazzoni, Marco. "Honoré de Balzac, L’Albergo rosso." Studi Francesi, no. 192 (LXIV | III) (December 1, 2020): 677. http://dx.doi.org/10.4000/studifrancesi.43201.

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46

Stupazzoni, Marco. "Honoré de Balzac, I Proscritti." Studi Francesi, no. 145 (XLIX | I) (July 1, 2005): 183. http://dx.doi.org/10.4000/studifrancesi.36382.

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47

Stupazzoni, Marco. "Claudia Jullien, Balzac (Honoré de)." Studi Francesi, no. 145 (XLIX | I) (July 1, 2005): 185. http://dx.doi.org/10.4000/studifrancesi.36417.

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48

Stupazzoni, Marco. "Honoré De Balzac, Papà Goriot." Studi Francesi, no. 147 (XLX | III) (December 1, 2005): 662. http://dx.doi.org/10.4000/studifrancesi.33417.

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Stupazzoni, Marco. "Honoré de Balzac, Papà Goriot." Studi Francesi, no. 194 (LXV | II) (August 1, 2021): 385. http://dx.doi.org/10.4000/studifrancesi.45234.

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50

Stupazzoni, Marco. "Honoré de Balzac, Eugénie Grandet." Studi Francesi, no. 194 (LXV | II) (August 1, 2021): 384. http://dx.doi.org/10.4000/studifrancesi.45224.

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