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Relevant bibliographies by topics / Bambara, Toni Cade. Salt eaters

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Academic literature on the topic 'Bambara, Toni Cade. Salt eaters'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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Journal articles on the topic "Bambara, Toni Cade. Salt eaters"

1

Murray, Nancy. "Book reviews : The Salt Eaters By TONI CADE BAMBARA (London, Women's Press, 1982). 295pp. E3.50 Gorilla, my love By TONI CADE BAMBARA (London, Women's Press, 1984). 177pp. £3.95." Race & Class 26, no. 4 (April 1985): 108–10. http://dx.doi.org/10.1177/030639688502600412.

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KIM, Myung-Joo. "Women’s Sacred Space for Healing in Toni Cade Bambara’s The Salt Eaters." Literature and Religion 20, no. 3 (September 30, 2015): 1–24. http://dx.doi.org/10.14376/lar.2015.20.3.01.

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Alwes, Derek. "The Burden of Liberty: Choice in Toni Morrison's Jazz and Toni Cade Bambara's The Salt Eaters." African American Review 30, no. 3 (1996): 353. http://dx.doi.org/10.2307/3042529.

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Mathes, Carter A. "Scratching the Threshold: Textual Sound and Political Form in Toni Cade Bambara’s The Salt Eaters." Contemporary Literature 50, no. 2 (2009): 363–96. http://dx.doi.org/10.1353/cli.0.0063.

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5

Tomas Reed, Conor. "The Early Developments of Black Women’s Studies in the Lives of Toni Cade Bambara, June Jordan, and Audre Lorde." Anuario de la Escuela de Historia, no. 30 (November 10, 2018): 45. http://dx.doi.org/10.35305/aeh.v0i30.249.

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<p>This article explores the pedagogical foundations of three U.S. Black women writers—Toni Cade Bambara, June Jordan, and Audre Lorde—widely recognized as among the most influential and prolific writers of 20th century cultures of emancipation. Their distinct yet entwined legacies—as socialist feminists, people’s poets and novelists, community organizers, and innovative educators—altered the landscapes of multiple liberation movements from the late 1960s to the present, and offer a striking example of the possibilities of radical women’s intellectual friendships. The internationalist reverberations of Bambara, Jordan, and Lorde are alive and ubiquitous, even if to some readers today in the Caribbean and Latin America, their names may be unfamiliar.<a title="" href="file:///C:/Users/natal/Documents/MEGA/1-REVISTAS/Anuario/Anuario%2030-2018/Dossier/02%20Articulo%20Conor.docx#_ftn1"><sup><sup>[</sup></sup></a></p><p>Bambara’s fiction centered Black and Third World women and children absorbing vibrant life lessons within societies structured to harm them. Her 1980 novel, The Salt Eaters, posed the question - “are you sure, sweetheart, that you want to be well?” -to conjoin healing and resistance for a new embattled generation under President Reagan’s neoliberal shock doctrines that were felt worldwide. June Jordan’s salvos of essays, fiction, and poetry -including Things That I Do in the Dark, On Call, and Affirmative Acts - intervened in struggles around Black English, community control, police violence, sexual assault, and youth empowerment. Audre Lorde’s words are suffused across U.S. movements (and, increasingly, in the Caribbean and Latin America)- on signs, shirts, and memes, at #BlackLivesMatter and International Women’s Strike marches. Your silence will not protect you. The master’s tools will never dismantle the master’s house. Revolution is not a one-time event. However, her voluminous legacy may risk becoming a series of slogans, “the Audre Lorde that reads like a bumper sticker.”</p><div><br clear="all" /><hr align="left" size="1" width="33%" /><div><p> </p></div></div>

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Waller-Peterson, Belinda. "“Are You Sure, Sweetheart, That You Want to Be Well?”: The Politics of Mental Health and Long-Suffering in Toni Cade Bambara’s The Salt Eaters." Religions 10, no. 4 (April 12, 2019): 263. http://dx.doi.org/10.3390/rel10040263.

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In analyzing the woman-centered communal healing ceremony in Toni Cade Bambara’s The Salt Eaters, this article considers how these types of womb-like spaces allow female protagonists to access ancestral and spiritual histories that assist them in navigating physical illnesses and mental health crises. It employs Bell Hooks’ Sisters of the Yam: Black Women and Self-Recovery alongside Arthur Kleinman’s definition of illness as social and transactional to demonstrate that the recognition of illness, and the actualization of wellness, necessitates collective and communal efforts informed by spiritual and cultural modes of knowledge, including alternative healing practices and ancestral mediation.

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7

Kelley, Margot Anne. ""Damballah is the First Law of Thermodynamics": Modes of Access to Toni Cade Bambara's The Salt Eaters." African American Review 27, no. 3 (1993): 479. http://dx.doi.org/10.2307/3041939.

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8

Fielder, Elizabeth Rodriguez. "The Activist Turn in American Studies: A Pragmatic Response from the South." Publications of the Modern Language Association of America 131, no. 1 (January 2016): 179–81. http://dx.doi.org/10.1632/pmla.2016.131.1.179.

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My vision for the future of southern studies is for the field to develop as a site of activism. Since comparative civil rights scholarship and a focus on radical activism in the South are on the rise, I hope that work in these areas can teach us lessons about how to act on our ideas, to convert manifestos into practice. Any scholar of, or participant in, sixties (in the extended, poetic sense of the term) activism will recognize the frustration that accompanies mobilizing for change. As one of the characters in Toni Cade Bambara's novel The Salt Eaters, a community organizer from Georgia, states, “The dream is real, my friends. The failure to make it work is the unreality” (126). I call for us to reflect on the unreality of our limitations, and I suggest places where we could open dialogue that would push the field forward.

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"Savoring the salt: the legacy of Toni Cade Bambara." Choice Reviews Online 45, no. 11 (July 1, 2008): 45–6035. http://dx.doi.org/10.5860/choice.45-6035.

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Dissertations / Theses on the topic "Bambara, Toni Cade. Salt eaters"

1

Hinkson, Warren. "Morrison, Bambara, Silko : fractured and reconstructed mythic patterns in Song of Solomon, The salt eaters, and Ceremony." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27566/27566.pdf.

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Ullrich-Ferguson, Loretta N. "The beauty of her survival : being Black and female in Meridian, The salt eaters, Kindred, and The bluest eye /." View online, 2008. http://repository.eiu.edu/theses/docs/32211131464907.pdf.

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Books on the topic "Bambara, Toni Cade. Salt eaters"

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1949-, Holmes Linda Janet, and Wall Cheryl A, eds. Savoring the salt: The legacy of Toni Cade Bambara. Philadelphia: Temple University Press, 2007.

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2

(Editor), Linda J. Holmes, and Cheryl A. Wall (Editor), eds. Savoring the Salt: The Legacy of Toni Cade Bambara. Temple University Press, 2007.

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3

(Editor), Linda J. Holmes, and Cheryl A. Wall (Editor), eds. Savoring the Salt: The Legacy of Toni Cade Bambara. Temple Univ Press, 2007.

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Book chapters on the topic "Bambara, Toni Cade. Salt eaters"

1

Williams, Dana A. "Dancing Minds and Plays in the Dark: Intersections of Fiction and Critical Texts in Gayl Jones’s Corregidora, Toni Cade Bambara’s The Salt Eaters, and Toni Morrison’s Paradise." In New Essays on the African American Novel, 93–106. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-0-230-61275-4_7.

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Schryer, Stephen. "Civil Rights and the Southern Folk Aesthetic." In Maximum Feasible Participation. Stanford University Press, 2018. http://dx.doi.org/10.11126/stanford/9781503603677.003.0006.

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This chapter explores the persistence of community action as an ideal in post-1960s black feminist fiction, focusing on Alice Walker’s Meridian and Toni Cade Bambara’s The Salt Eaters. Both writers began their careers as social workers associated with War on Poverty programs; both were also influenced by the Student Nonviolent Coordinating Committee’s version of community action, implemented during the 1964 Freedom Summer. In their novels, Walker and Bambara explore the legacy of the civil rights movement, focusing on intraracial class divisions that community action was supposed to suture. In both novels, these divisions turn out to be ineradicable, and their persistence marks the Southern folk aesthetic—the influential version of process art that Walker, Bambara, and other black feminist writers created in the 1970s.

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3

"Toni Cade Bambara’s The Salt Eaters: Hearing the Silent Voice of Pain." In Voices of Illness: Negotiating Meaning and Identity, 146–70. Brill | Rodopi, 2019. http://dx.doi.org/10.1163/9789004396067_009.

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4

"Disability in Toni Cade Bambara’s The Salt Eaters: Narrating Pain and Healing Wounds." In Narrating Illness: Prospects and Constraints, 129–38. BRILL, 2016. http://dx.doi.org/10.1163/9781848884885_014.

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