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Journal articles on the topic 'Banda (Music)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Sarbulis, Sarbulis, Afriani Afriani, Marty Mawarpury, and Syarifah Faradina. "Karakteristik Kepribadian Ditinjau Dari Preferensi Musik Pada Mahasiswa Di Banda Aceh." Syiah Kuala Psychology Journal 1, no. 2 (2023): 61–73. http://dx.doi.org/10.24815/skpj.v1i2.28435.

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Musik adalah salah satu bentuk seni yang sangat dekat dengan keseharian manusia. Preferensi musik yang dimiliki seseorang dapat digunakan untuk mengungkapkan karakteristik-karakteristik dari kepribadiannya. Penelitian ini bertujuan untuk mengetahui bagaimana hubungan antara preferensi musik dengan kepribadian pada mahasiswa di kota Banda Aceh. Sampel penelitian ini adalah 352 mahasiswa (18-25 tahun) di kota Banda Aceh yang dipilih menggunakan teknik cluster dan proportionate stratified random sampling. Pengumpulan data dilakukan dengan menggunakan skala Short Test of Music Preference (STOMP) u

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2

Monteagudo Mañas, Javier, Conrado Carrascosa López, and José Hernández Farinós. "Entre aula y escenario: estudio del repertorio sinfónico para banda en la especialidad de tuba de las Enseñanzas Artísticas Superiores de Música y en el acceso a las plantillas profesionales." Opus 28 (December 29, 2022): 1–27. http://dx.doi.org/10.20504/opus2022.28.30.

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La autonomía y prestigio que han ido adquiriendo las bandas de música en la sociedad actual son tan merecidos como frutos de un largo y costoso camino recorrido. Incluso el acceso a las plantillas profesionales se ha ido adaptando a la propia idiosincrasia de la banda, por ejemplo, exigiendo interpretar en las pruebas de acceso fragmentos del repertorio original para banda, algo que prácticamente no pasaba hasta 2019. No obstante, parece ser que ni la metodología ni la formación ofrecida en los centros educativos sigue el ritmo de esa realidad cambiante. Y, para comprobarlo, este trabajo anali

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3

Haji, Iwan, and Qurratul Aini. "Music Center In Banda Aceh, Theme : Expressionist Architecture." Rumoh Journal of Architecture 14, no. 1 (2024): 28–37. http://dx.doi.org/10.37598/rumoh.v14i1.133.

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The city of Banda Aceh quite regularly holds music events ranging from small to large scale. The city of Banda Aceh does not yet have music center facilities capable of accommodating the enthusiasm of music lovers. Usually musical activities are often held in the Blang Padang field, the Arts and Culture Park Building, and Ratu Safiatuddin Park. The main objective of building a Music Center Building in Banda Aceh is to provide a music center building in Banda Aceh with adequate facilities. This Music Center is located in the trade and services area located on Jl. Prof. Ali Hasyimi, Pango, Distr

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Wirandi, Rika, and Magfhirah Murni B. P. "FUNGSI MUSIK DALAM UPACARA PERAYAAN RITUAL THAIPUSAM ETNIS HINDU TAMIL DI BANDA ACEH." Gorga : Jurnal Seni Rupa 10, no. 2 (2021): 415. http://dx.doi.org/10.24114/gr.v10i2.28379.

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Thaipusam is a celebration ceremony held sacredly in the form of a prayer ritual procession and the procession of the Lord Murugan statues which is held annually by the Tamil Hindu ethnic community in Banda Aceh. This ritual is held in the Thai month according to the Hindu Tamil calendar, as a form of respect for Lord Murugan for his victory in fighting evil. This celebration ceremony is also a place to fulfill vows and purify themselves for ritual participants - which is accompanied by the attraction of stabbing sharp objects into certain body parts such as the tongue, lips, cheeks, forehead,

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González Sánchez, Igael. "La tuba sinaloense en la renovación de la música regional mexicana del siglo XXI." Frontera norte 36 (January 1, 2024): 1–20. http://dx.doi.org/10.33679/rfn.v1i1.2371.

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This article reflects on the importance of tuba on banda and Mexican regional music, under the actual expansion of tuba and accordion bands. This approach retrieves documental sources and notes of participant observation about musicians of bands and conjuntos in Tijuana. In contrast to other studies concerning banda music groups in Mexico, the present work highlights the musical exchanges to and from the United States as catalysts for the technical development of the instrument and its adoption in popular bands. This vision brings a cross-border approach to the studies on the development of ba

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Andiko, Benny, Benni Andika, and Sabri Gusmail. "ANALISIS PROSES PEREKAMAN MUSIK DENGAN METODE DIGITAL DI SANGGAR BUANA BANDA ACEH MASA PANDEMI CIVID-19." Gorga : Jurnal Seni Rupa 11, no. 2 (2022): 538. http://dx.doi.org/10.24114/gr.v11i2.38737.

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This research is entitled "Analysis of Music Recording Process with Digital Methods in Sanggar Buana Banda Aceh during the COVID-19 Pandemic". This study aims to determine the process of recording music using the Digital Method at Sanggar Buana Banda Aceh during the Covid-19 Pandemic. The tracking process of music recording on each instrument is recorded in the track.The overdub process is done by adding a new recording at the same time as the previously made recording is being played.The editing process uses an audio editor to enhance certain parts. The mixing process balances and combines th

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Samarasinghe, Kamani. "A Biographical Study of William Banda Makulloluwa's Contributions." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 14 (December 19, 2024): 77–86. https://doi.org/10.30819/aemr.14-7.

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William Banda Makulloluwa (1922–1984) was a musician in Sri Lanka who made a significant con- tribution to preserving Sinhalese music. He dedicated his scholarly pursuits to the investigation of Sinhalese music and the cultural intricacies of Sri Lanka. Undertaking extensive fieldwork from the 1960s to the 1980s, he methodically documented and studied traditional music, with a particular emphasis on various communities in Sri Lanka. The objective of this study is to investigate the con- tribution of Makulloluwa’s musical style, expectations, and ideologies to elevate Sri Lankan tradi- tional m

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RodrÍguez, Eva Moreda. "Why do Orchestral and Band Musicians in Exile Matter? A Case Study from Spain." Music and Letters 101, no. 1 (2020): 71–88. http://dx.doi.org/10.1093/ml/gcz080.

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Abstract Even though scholarship on music and exile under Franco has grown steadily for the past three decades, little attention has been paid thus far to exiled performers who were active primarily as members of orchestras and bands. This article makes an initial contribution to this field by focusing on the Banda Madrid as a case study. The Banda Madrid was founded in the spring of 1939 in the internment camp of Le Barcarès (France) by Rafael Oropesa. Its members went into exile in Mexico City and became a fixture of the Spanish exile community until 1947. I discuss how the Banda Madrid and

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Solís, Ted, Helena Simonett, and Ted Solis. "Banda: Mexican Musical Life across Borders." Yearbook for Traditional Music 34 (2002): 202. http://dx.doi.org/10.2307/3649202.

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Torres, George, and Helena Simonett. "Banda: Mexican Musical Life across Borders." American Music 23, no. 2 (2005): 275. http://dx.doi.org/10.2307/4153035.

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Alhari, Alhari, Bondet Wrahatnala, and Aris Setiawan. "Form of Presentation of Ranup Lampuan Dance Music in the Intat Linto Procession in Banda Aceh City." Soshum: Jurnal Sosial dan Humaniora 13, no. 1 (2023): 32–43. http://dx.doi.org/10.31940/soshum.v13i1.32-43.

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This study aims to reveal the form of presentation of ranup lampuan dance music in the intat linto baroe procession in the city of Banda Aceh. Ranup Lampuan dance music is music that is used to accompany the Ranup Lampuan dance in the procession of welcoming guests in Acehnese society. This study used a qualitative research method, a descriptive research type with an ethnomusicological approach. The results of this study reveal that the music of the ranup lampuan dance in the city of Banda Aceh is presented in several traditional events such as the intat linto procession which contains social

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Gonçalves, Inez. "Práticas musicais conectadas: bandas militares no “longo século XIX” e a banda de música da Força Policial Militar do Ceará." Opus 27, no. 3 (2021): 1–22. http://dx.doi.org/10.20504/opus2021c2712.

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As últimas décadas do século XVIII sofreram modificações políticas e culturais que influenciaram o aumento do número de músicos militares em escala global. Dentre essas modificações, destacam-se a valorização dos regimentos do Exército como integrantes da autoridade do Estado e o declínio dos modelos de patrocínio e aprendizagem musical de origem aristocrática. De 1770 até o início da Primeira Guerra Mundial, observa-se uma grande difusão das bandas militares ao redor do mundo (HERBERT; BARLOW, 2013: 2. WHITWELL, 2010: 267). Os conjuntos que se instituíram nos regimentos militares nesse períod

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Simonett, Helena, and Helmut Brenner. "Banda. Mexican Musical Life across Borders." Lied und populäre Kultur / Song and Popular Culture 47 (2002): 280. http://dx.doi.org/10.2307/3595232.

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Taton, Jose Jr Rabara. "Rendering the Popular as "Tradition": The Music of Virgilio "Pirot" Petcheller and the Panay Bukidnon Banda Music Practice in Panay Island, Philippines." Malaysian Journal Of Music 9 (October 20, 2020): 65–81. http://dx.doi.org/10.37134/mjm.vol9.6.2020.

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In recent years, the popular music of Virgilio “Pirot” Petcheller had been included in the banda (ensemble) musical repertoire, practice and identity of several indigenous cultural communities in Panay Island located in Western Visayas, Philippines. Pirot’s music, particularly renderings of folk music genres, such as harana (serenade) and komposo (ballad), had been in mainstream broadcast media and were widely produced by the recording industry in the 1970s. Because of the parallels between his music and West Visayan folk practice, folk musicians categorically ascribe and recognise his music a

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15

Saputra, Pardian. "EKSISTENSI DAN ADAPTASI GRUP BAND THRASH METAL DAN ROCK DI NEGERI SYARIAT." Aceh Anthropological Journal 2, no. 2 (2018): 114. http://dx.doi.org/10.29103/aaj.v2i2.1161.

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Fatwa ulama no. 12 of 2013 on Art and Culture of Other Arts in Islamic Syariat in Banda Aceh, should the band with the rock music genre not be able tosurvive for long periods in ‘Aceh. But in reality bands of music genre Thrash Metal and Rock is still survive and present with real in public space in Aceh. This study looks at how the development, existence, and adaptation of the bands Inverno and Cronic in Banda Aceh. The Cronic band was formed in 1999, while Inverno was formed in 2011 in Banda Aceh. From interviews with the band Cronic and personnel about the existence and adaptation Inverno t

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Syawali, Rahmat, and Fauzi Ismail. "THE EXISTENCE OF GAYO ART BEYOND ITS TRADITIONAL REALM: AN EXPLORATORY STUDY IN BANDA ACEH." Indonesian Journal of Islamic History and Culture 4, no. 2 (2023): 121–45. http://dx.doi.org/10.22373/ijihc.v4i2.3735.

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Gayo art is one of the folk arts of Aceh originating from Tanoh Gayo, Central Aceh. Gayo art serves as popular entertainment and a means of Islamic missionary for the dissemination and development of Islam in the Banda Aceh region. This art is often featured in weddings, circumcision ceremonies, festivals, and other events. The focused types of art are performance arts, such as Gayo dances (Saman, Bines, Guel, and others), music, and poetry. The research findings indicate that the development of Gayo art in Banda Aceh has progressed after being regularly and systematically showcased several ti

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Yep, Virginia. "Fiesta, musica y banda: La Semana Santa en Catacaos, Peru." Latin American Music Review 23, no. 2 (2002): 206–22. http://dx.doi.org/10.1353/lat.2002.0020.

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Sheehy, Daniel. "En Sinaloa nací: Historia de la música de banda (review)." Latin American Music Review 27, no. 2 (2006): 220–24. http://dx.doi.org/10.1353/lat.2007.0009.

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KOEGEL, JOHN. "Review: Banda: Mexican Musical Life across Borders by Helena Simonett." Journal of the American Musicological Society 58, no. 1 (2005): 247–60. http://dx.doi.org/10.1525/jams.2005.58.1.247.

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Goertzn, Chris. "A Review of: “ Banda: Musical Life Across Borders , Helena Simonett.”." Journal of Musicological Research 21, no. 1-2 (2002): 147–49. http://dx.doi.org/10.1080/01411890290024379.

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21

Torres, Walter Viteri, Alejandro Palacios Quito, and Zoraya Herrera Vargas. "Music discourse and political power in Ecuador." Medwave 24, S2 (2024): eUTA08. https://doi.org/10.5867/medwave.2024.s2.uta08.

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Introducción Lenín Moreno empezó su presidencia de la República del Ecuador el 24 de mayo de 2017. Las elecciones las ganó con un respaldo del 51,16% con el movimiento político Alianza País. Sucesor y encargado de continuar con el Proyecto Político del expresidente Rafael Correa Delgado, proyecto del que se deslindó. De manera coyuntural, en el campo musical, empezó a ganar popularidad Lolabúm, una banda musical ecuatoriana de género Indie y Rock latino, quienes lanzarían su segundo álbum en 2018, con estilo Indie. Su música se caracteriza por tener un corte alternativo, con canciones como “El

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Salgado, José Alberto. "Observando o trabalho musical e sua sustentação em uma banda filarmônica portuguesa." Opus 29 (January 2, 2024): 1–22. http://dx.doi.org/10.20504/opus2023.29.28.

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O artigo descreve o trabalho musical em uma banda filarmônica portuguesa, com base em anotações etnográficas, entrevista com o diretor musical e interlocução com outros musicistas vinculados a esse tipo de conjunto no Brasil e em Portugal. No diálogo com a literatura, incluem-se concepções de música como ação coletiva e como recurso simbólico na construção de lugar e identidade, além de se dar relevo aos instrumentos e comportamentos como pontos focais para a observação, em pesquisa etnomusicológica e educativo-musical. Descrevem-se as rotinas de ensaio, em que pessoas de diferentes faixas etá

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Pereira, Rita de Cássia Mendes, and Elisabete Tâmara Galvão dos Santos. "Performance e sentido no DVD da Banda Quilombo do Rio das Rãs." Per Musi, no. 42 (January 30, 2022): 1–19. http://dx.doi.org/10.35699/2317-6377.2022.36936.

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O texto tem por objeto a relação entre performance e produção de sentidos no espetáculo da Banda Quilombo do Rio das Rãs, realizado em 2009, na cidade de Bom Jesus da Lapa-Ba. A análise foi calcada nas regras da performance (Zumthor 2014), tendo como referência o tempo e o lugar de realização do espetáculo, a finalidade do ato comunicacional, as ações dos músicos e das dançarinas e o perfil do público, nos diferentes tempos de recepção. O protagonista da ação performática é o sujeito quilombola, que fez da música o meio para sair da sua condição habitual, marcada pela exclusão e pelo preconcei

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Jaquez, Candida. "Banda: Mexican Musical Life Across Borders (review)." Notes 59, no. 2 (2002): 326–27. http://dx.doi.org/10.1353/not.2002.0175.

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Yunus Ahmad, Muhammad, Irwan Irwan, Ruhamah Ruhamah, Nurul Izatul Jannah, Ida Hasanah, and Radja Fadlul Arabi. "Fenomena Korean Wave pada Kehidupan Mahasiswa di Kota Banda Aceh." Jurnal Adabiya 26, no. 1 (2024): 110. http://dx.doi.org/10.22373/adabiya.v26i1.21626.

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This research discusses the phenomenon of the development of Korean culture among students in the city of Banda Aceh, and how students respond and view the phenomenon of Korean Wafe. The method used in this research is descriptive qualitative method. The data collection method is through observation, interview, and documentation. The results of this study indicate that Korean Wave spreads through social media which is currently loved by many teenagers, many factors influence the interest in K-Wave such as fashion styles, music colors, beauty products, and others. The various impacts of K-Wave

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Power, Ian. "Adrián Demoč - Adrián Demoč, Žiadba. Apartment House, Ostravska Banda, Benjamin. another timbre, AT147." Tempo 74, no. 293 (2020): 90–91. http://dx.doi.org/10.1017/s0040298220000078.

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Lazarte Moron, Eduardo Daniel, and Fernando César Costa Xavier. ""FUNK COMO LE GUSTA?" JUÍZO DE GOSTO, ARTE E CENSURA." RFD- Revista da Faculdade de Direito da UERJ, no. 39 (August 11, 2021): 171–85. http://dx.doi.org/10.12957/rfd.2021.49588.

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“Funk Como Le Gusta” é uma banda paulistana com um repertório que abrange música latina, samba-rock, black music e música eletrônica, e cujo nome sugere a capacidade de agradar às audições mais heterodoxas. Os autores tomam de empréstimo o nome da banda para revisitar o debate sobre a Ideia Legislativa 65.513, que pretendeu tipificar o funk e os “pancadões” como “crime de saúde pública a crianças, aos adolescentes e a família (sic)”. Para isso, o artigo revisita o debate filosófico (em Immanuel Kant, Theodor Adorno e Martin Heidegger) sobre se haveria um critério objetivo com o qual se poderia

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Elfira, Cut, and Alwern Molley Bin Johnling. "Effect of Audiolyfe Stimulation on Cognitive Development (Intelligence, Memory, and Child Learning Enthusiasm) in Banda Aceh." Eduvest - Journal of Universal Studies 5, no. 2 (2025): 2119–27. https://doi.org/10.59188/eduvest.v5i2.50847.

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Cognitive development is a crucial aspect of a child's growth, encompassing thinking skills, memory, and learning motivation. This study aims to analyze the impact of Audiolyfe stimulation on the cognitive development of children aged 0-12 years in Banda Aceh, focusing on enhancing intelligence, memory, and learning enthusiasm. A quasi-experimental method was employed with 20 children as participants. Data were collected through observation and questionnaires and analyzed descriptively. The results revealed that Audiolyfe significantly influenced children's cognitive development. Children who

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de Lara Melo, Edésio. "MARCHA DA PAIXÃO: HISTÓRIA, RELIGIOSIDADE E MÚSICA EM SÃO JOÃO DEL-REI." Fênix - Revista de História e Estudos Culturais 16, no. 1 (2019): 1–18. http://dx.doi.org/10.35355/000003.

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Este artigo aborda a historicidade da peça denominada Marcha da Paixão. Esta marcha fúnebre, de banda, própria para acompanhamento de enterros e procissões, produzida na segunda metade século XIX é, ainda hoje, executada por ocasião da cerimônia do Descendimento da Cruz, no período da Semana Santa em São João del-Rei. Objetiva-se reconstituir os elementos que viabilizaram a produção desta peça musical, bem como sua reapropriação contínua pela memória musical-religiosa até a atualidade.

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Gebrina, Riska. "Bentuk Penyajian Tari Kreasi Ratoeh Jaroe di Sanggar Budaya Aceh Nusantara (Buana, Banda Aceh)." INVENSI 3, no. 2 (2018): 27–36. http://dx.doi.org/10.24821/invensi.v3i2.2418.

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Penelitian ini bertujuan mendeskripsikan bentuk penyajian tari Ratoeh Jaroe di Sanggar Budaya Aceh Nusantara (BUANA) Banda Aceh. Sumber data dan lokasi dalam penelitian ini adalah ketua sanggar Budaya Aceh Nusantara (BUANA), koreografer atau penata tari, penari tari, dan penata musik tari Ratoeh Jaroe. Pendekatan yang digunakan dalam penelitian ini adalah kualitatif dan jenis penelitian deskriptif. Pengumpulan data dilakukan dengan teknik observasi, wawancara, dan dokumentasi. Teknik analisis data dalam penelitian ini yaitu mereduksi data, display, dan verifikasi. Hasil penelitian mengungkapka

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Bota, João Victor. "O processo criativo musical envolvido na transcrição da composição Agnus Dei de Krzysztof Penderecki." Revista Música Hodie 17, no. 2 (2018): 177. http://dx.doi.org/10.5216/mh.v17i2.49314.

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O presente artigo trata da pesquisa do estilo de orquestração observável em composições musicais de Krzysztof Penderecki, que foram analisadas para que eu pudesse transcrever a música Agnus Dei do compositor polonês para banda sinfônica. Durante a pesquisa preliminar das obras orquestrais de Penderecki e a feitura da transcrição propriamente dita, escrevi um "diário de transcrição" (termo inspirado na prática de diversos tradutores que escrevem diários a respeito do ato de traduzir), que mapeou tanto os desafios enfrentados, quanto as soluções que foram encontradas durante meu processo criativ

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Álvarez, Ricardo. "From the Streets to the Stage." Journal of World Popular Music 12, no. 1 (2025): 67–90. https://doi.org/10.1558/jwpm.33139.

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This article examines two professional brass bands from Central Chile, La Bandalismo from Valparaíso and Banda Conmoción from Santiago, which have built successful careers in the contemporary music scene by merging infectious dance rhythms and diverse musical styles with a strong commitment to activism. The study investigates how these bands’ artistic paths and public roles demonstrate a balance between entertaining audiences and engaging with social causes, positioning activism as a key, yet not exclusive, aspect of their identity within Chilean popular music. Drawing on fieldwork and semi-

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Fajriah, Nurul, Hamdani M. Syam, Novi Susilawati, Rizanna Rosemary, and Zakirah Azman. "BTS K-Pop consumption and self-identity in the k-pop army community of Banda Aceh." Jurnal Geuthèë: Penelitian Multidisiplin 7, no. 2 (2024): 105. http://dx.doi.org/10.52626/jg.v7i2.345.

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The term Korean wave refers to the global spread of K-Pop, which has been widely accepted and adopted by societies around the world. The dissemination of BTS K-Pop through social media platforms such as Twitter, Instagram, music portals, and other constantly updated media channels provides extensive information for BTS fans, known as the Army. Data for this study was collected via questionnaires distributed to 133 respondents, all members of the K-Pop Army community in Banda Aceh City. The findings indicate that the consumption of BTS K-Pop influences self-concept, driven by the significant in

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Muhammad Aulia Kahfi. "LEGAL PROTECTION OF THE BUR'AM TRADITIONAL MUSIC COMMUNITY FROM THE PERSPECTIVE OF ISLAMIC ECONOMIC LAW." Al-Mudharabah: Jurnal Ekonomi dan Keuangan Syariah 5, no. 2 (2024): 472–91. https://doi.org/10.22373/al-mudharabah.v5i2.6621.

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This research aims to analyse the form of dispute and settlement over the similarity of the name and quality of the Bur'am Banda Aceh Traditional Music Community, as well as the legal certainty of the Community's name rights in the perspective of haq ibtikar. Bur'am Music Community, which was first established in Banda Aceh, has become an icon of Acehnese traditional art through the use of rapai instruments. However, the name Bur'am is also used by other communities in various regions, such as Bireuen, Sabang, and Yogyakarta, raising concerns regarding the clarity of the origin and original cr

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Passos, Rogério Duarte Fernandes dos. "RESENHA DA OBRA “U2”, DE ANTÔNIO CARLOS MIGUEL, CONDENSANDO MAIS DE QUARENTA ANOS DA BANDA DE ROCK IRLANDESA." Scientia Generalis 5, no. 1 (2024): 102–5. http://dx.doi.org/10.22289/sg.v5n1a9.

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Review of the book “U2”, by Antônio Carlos Miguel, illustrating more than forty years of the Irish rock band, reaching the group’s origins in the city of Dublin until their recent residency in Las Vegas in the year 2024, bringing the music in a platform on which technology, entertainment and experimentation substantiate the trajectory of artists who, at the same time, did not give up activism and religiosity in their lyrics and sound atmospheres. The text even addresses U2’s ability to reinvent itself, concluding with perspectives for its future in the music industry. Therefore, this review ai

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Porta-Navarro, Amparo, and Lucía Herrera. "Music and its significance in children favourite audiovisuals." Comunicar 25, no. 52 (2017): 83–92. http://dx.doi.org/10.3916/c52-2017-08.

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Audiovisual media are part of children´s daily life. They build and/or replace a part of the reality that is sometimes preceded. This paper is interested in one of the elements of the audiovisual binomial, the soundtrack, in order to analyse its meaning and sense from the children’s point of view. The objectives are: to determine if the audiovisual media clips to which children are exposed (sound, image and all) are perceived differently; to establish the possible differences in the assessment they make when comparing the sound and image presentation modalities. Fourteen audiovisual media (mov

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Wulandari, Utami, Dyah Erti Idawati, and Cut Nursaniah. "The Application of Neo-Vernacular Architecture in the Redesign of the Aceh Arts and Culture Park in Banda Aceh." Jurnal RAUT 14, no. 1 (2025): 21–33. https://doi.org/10.24815/raut.v14i1.45820.

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Aceh’s diverse cultural heritage expressed through music, dance, theater, and traditional customs, highlights the need for a dedicated space to preserve and promote local arts. This study aims to redesign the Aceh Arts and Culture Park in Banda Aceh using Neo-Vernacular Architecture, an approach that combines traditional values with modern design principles. The design adopts five key principles: Direct Connection, Abstract Relationship, Landscape Integration, Contemporary Interpretation, and Future Relationship. These are reflected in the form, massing, and façade treatments inspired by eleme

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Córdoba, Alder Luis Pérez, and Víctor Alfonso Moreno Pineda. "“La araña que el idioma daña”. Formas de lo risible en la lírica de Calle 13." Cuadernos de Lingüística Hispánica, no. 24 (July 21, 2014): 43. http://dx.doi.org/10.19053/0121053x.2756.

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En este artículo, a partir de figuras retóricas, se describen las distintas formas de lo risible en las canciones de la banda de música urbana Calle 13. Para ello, se revisó los cuatro álbumes de la banda, los sencillos y los trabajos en colaboración, y se seleccionaron algunas canciones en las que predomina lo risible. El análisis permitió agrupar las canciones en tres líneas temáticas: la sátira social, la tiraera y la imagen corporal del hombre y la mujer, desde allí se interpretaron las formas de lo risible y las figuras retóricas. Entre las formas de lo risible predominan la sátira, la ir

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González-Varga, Marina, and María Jesús Pena-Castro. "Performing Gender in Late Spanish Folk Revival." Journal of World Popular Music 11, no. 1 (2024): 22–48. http://dx.doi.org/10.1558/jwpm.26150.

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This article focuses on modern musical practices from Art al Quadrat, A Banda da Loba and Nun Tamos Toes which relate in a variety of ways to the idea of tradition and folklore. These musical practices represent a part of the folk revival process, revitalizing a countercultural movement, which portrays a clash of ideologies and identities. Identities and ideologies related with feminism are acted out through performance aesthetics, its staging, and musical references. Adapting, renewing and introducing new gender models and innovative main characters as part of the musical discourse are some o

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Wirandi, Rika, and Fifie Febryanti Sukman. "POWER PEREMPUAN DALAM TRADISI MUSIK BECANANG DI BENER MERIAH." Gorga : Jurnal Seni Rupa 11, no. 2 (2022): 572. http://dx.doi.org/10.24114/gr.v11i2.40085.

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This study aims to identify and examine the existence and role of women in the bronze musical tradition: becanang in Bener Meriah. The extent of the role of men in Aceh, including various forms of performing arts activities known as Islamic – the becanang music culture has survived for a long time until now with supporters and performers of the culture being women. The importance of this research to be carried out for several reasons and considering the lack of studies on traditional music from a gender perspective to date in Indonesia, especially in Aceh. In addition, the reason for the low i

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Franklin, Gabriel. "“LISTEN TO MY MUSIC”: ARTE, RESISTÊNCIA E CONEXÃO EM ‘2112’." REVISTA DE LETRAS - JUÇARA 5, no. 01 (2021): 115–31. http://dx.doi.org/10.18817/rlj.v5i01.2576.

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Este artigo tem por objetivo analisar a música ‘2112’, presente no quarto álbum de estúdio do grupo musical canadense Rush, lançado em abril de 1976. Ao longo da análise, destaca-se a abordagem dada por Neil Peart, baterista da banda e autor das letras e paratextos que compõem as sete partes da referida faixa, acerca do papel da arte na caracterização da individualidade do ser humano e na conexão deste com os outros membros da coletividade. Constrói-se o argumento de que a arte parte do conhecimento do tempo presente para, num exercício de criação, ponderar acerca do futuro. Ao fim, defende-se

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Kun, Josh. "What Is an MC If He Can't Rap to Banda? Making Music in Nuevo L.A." American Quarterly 56, no. 3 (2004): 741–58. http://dx.doi.org/10.1353/aq.2004.0036.

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Andrade, Ricardo. "The role of Valentim de Carvalho in the emergence of the ‘Portuguese rock boom’ of the early 1980s." Popular Music History 15, no. 1 (2023): 78–102. http://dx.doi.org/10.1558/pomh.21752.

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This article delves into the editorial processes that triggered the so-called ‘boom of Portuguese rock’ of the early 1980s, a term commonly used to denote the initial surge of commercial success for rock music created, recorded, and released in Portugal. I aim to spotlight the changes that shaped the development of rock music in Portugal at the turn of the 1970s to the 1980s, emphasizing the pivotal role of the record company Valentim de Carvalho in this period. During the late 1970s, shifts in the record publishing personnel significantly contributed to the primary upsurge in commercial succe

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Hammond, Matthew. "Huddersfield Contemporary Music Festival: 21–23 November 2014." Tempo 69, no. 272 (2015): 63–65. http://dx.doi.org/10.1017/s0040298214001077.

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hcmf// 2014 kicked off with a typically tough and knotty concert from Petr Kotik's chamber orchestra Ostravská banda, who performed a collection of UK premieres for small ensemble by Christian Wolff, three Czech composers and another American. The concert was billed as a tribute to Wolff, who was in attendance and who celebrates his eightieth birthday this year, and this acknowledgement of his status as one of the few remaining high modernists allowed the festival to begin with a celebration of the music with which it has been most closely associated. First up was Wolff's 37 Haiku, a setting o

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Pérez Garrido, Javier. ""Beso Mediterráneo", tangos flamencos." Revista de Investigación sobre Flamenco "La Madrugá", no. 16 (December 27, 2019): 137–76. http://dx.doi.org/10.6018/flamenco.354511.

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Los tangos son uno de los palos más conocidos y reconocidos del universo flamenco. Su versatilidad les ha permitido adaptarse a diferentes enfoques, confiriéndoles de este modo la posibilidad de adherirse a una amplia variedad de estéticas sin perder por ello sus señas de identidad. Este artículo pretende dar a conocer, analizando sus aspectos más relevantes, una de mis más recientes composiciones, unos tangos flamencos sinfónicos, Beso mediterráneo, escritos originalmente para clarinete solo y arreglados para banda de música. "Tangos flamencos" are one of the best known and recognized flamenc

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Fernández, Agustín. "Banda – Mexican Musical Life Across Borders. By Helena Simonett. Middletown, Connecticut: Wesleyan University Press, 2001. 373 pp." Popular Music 23, no. 1 (2004): 91–92. http://dx.doi.org/10.1017/s0261143004219018.

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Moreira, Maria Beatriz Cyrino, and Rafael dos Santos. "O caso do Som Imaginário: contracultura, experimentação e indústria fonográfica entre as décadas de 1960 e 1970." Per Musi, no. 30 (December 2014): 87–97. http://dx.doi.org/10.1590/s1517-75992014000200011.

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A banda Som Imaginário surgiu no ano de 1969 com o intuito de acompanhar o músico Milton Nascimento em sua turnê na qual promovia seu álbum Milton (1970). Nos anos seguintes, o grupo pôde alçar vôos independentes que resultaram em três discos gravados pela Odeon em 1970, 1971 e 1973. Neste artigo, pretendemos articular a produção musical do grupo com o contexto da MPB no começo da década de 70, marcado principalmente pela ditadura em seu momento mais repressivo e pela consolidação da indústria fonográfica no país. No que se refere aos dois primeiros álbuns, ambos homônimos, nos deteremos nas l

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Fernández de Larrinoa, Rafael. "La música de Carmen, la de Triana (1938): las fuentes y el proceso creativo." Anuario Musical, no. 76 (December 21, 2021): 151–80. http://dx.doi.org/10.3989/anuariomusical.2021.76.08.

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Considerada una pieza clave de la incipiente propaganda franquista, la coproducción cinematográfica hispano-alemana Carmen, la de Triana (Florián Rey, 1938), rodada en Berlín en plena guerra civil española, ha sido ampliamente escrutada desde distintos enfoques culturales y políticos. Enmarcado en el creciente interés hacia el cine por parte de la musicología española, este filme ha sido estudiado por Laura Miranda (2018 y 2021) desde una perspectiva principalmente cultural e identitaria. Nuestro estudio, en cambio, adopta un enfoque esencialmente filológico y se centra —principal, pero no exc

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Sedeño-Valdellós, Ana. "Visualidad del flamenco contemporáneo en los videoclips: grupo musical Califato 3/4." Anduli, no. 28 (2025): 223–44. https://doi.org/10.12795/anduli.2025.i28.09.

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A pesar del creciente interés en la mediación comunicativa de la música, son escasos los análisis que describen cómo los grupos emplean el videoclip como recurso de experimentación y gestión de su identidad en géneros como el flamenco. Este trabajo profundiza en el estudio de la visualidad de la música popular de raíz andaluza y flamenca a través del caso de la videografía del grupo Califato ¾, con una muestra de todos los videoclips oficiales de sus cuatro álbumes. Se realiza un análisis textual y de contenido con un acercamiento a los tipos de clips, los códigos visuales y de puesta en escen

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Etlinger, Sarah A., and Fausto Borém. "Além da música: repensando Sgt. Pepper's Lonely Hearts Club Band." Per Musi, no. 30 (December 2014): 43–52. http://dx.doi.org/10.1590/s1517-75992014000200007.

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A discussão crítica sobre o Sgt. Pepper's Lonely Hearts ClubBand tem sido consistentemente consolidada em relação à importância do álbum, especialmente em relação às inovações musicais e maneiras com que mudou a cultura do rock. Quando se menciona a capa do álbum, esta é analisada em termos de sua relação simbólica com o conteúdo das inovações musicais do disco. Entretanto, teóricos como Kenneth Womack e Todd F. Davis examinaram a relação dos Beatles com a teoria crítica, enquanto que Ian Inglis explora o trabalho cultural contido nas capas dos álbuns dos Beatles. Ao invés de tratar da relação

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