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1

Meira, Antonio Gonçalves. Música militar e bandas militares: Origem e desenvolvimento. [Rio de Janeiro, Brazil]: Ombro a Ombro, 2000.

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2

Desarrollo musical en Costa Rica durante el siglo XIX: Las bandas militares. Heredia, C.R: EUNA, 2001.

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3

Trías, Rolando A. Laguarda. Apuntes sobre ingenieros militares españoles en la banda oriental. Maldonado: Museo Didáctico Artiguista, 1991.

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4

De la musique et des militaires. Paris: Ministère de la défense, 2008.

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5

Trías, Rolando A. Laguarda. Apuntaciones sobre la vida y obra de los ingenieros militares españoles que actuaron en la banda oriental. Montevideo: Imprenta Militar, 1991.

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6

Gordon, Turner. The history of British military bands. Staplehurst, Kent: Spellmount, 1994.

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7

Formento, Ettore. Kai Bandera: Etiopia 1936-1941 : una banda irregolare. Milano: Mursia, 2000.

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8

Grootemaat, Peter. Met muziek op mars: Nederlandse militaire tamboerkorpsen en andere muziekformaties van 1945 tot 2003. Zaltbommel: Europese Bibliotheek, 2003.

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9

Erendil, Muzaffer. Dünden bu güne mehter. Ankara: Genelkurmay Basım Evi, 1992.

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10

Erendil, Muzaffer. Dünden bu güne mehter. Ankara: Genelkurmay Basım Evi, 1992.

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11

Edinburgh Military Tattoo. London: Robert Hale, 2001.

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12

The Black Bands of Giovanni: Infantry and diplomacy during the Italian wars (1526-1528). Pisa: Edizioni Plus-Pisa University Press, 2005.

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13

Bacher, Urban. Deutsche Marschmusik: Hintergründe, Geschichte und Tradition der Soldaten und ihrer Musik am Beispiel der Bürgerwache Mengen. Konstanz: Hartung-Gorre, 2013.

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14

Ruuth, Gustaf. Konung och fosterland: Skarpskyttemusiken i Jönköping på 1860-talet. Klockrike: Noteria, 1987.

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15

P, Langellier John, ed. The drums would roll: A pictorial history of US Army Bands on the American frontier, 1866-1900. Poole, Dorset: Arms & Armour Press, 1987.

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16

V, Pearson Ian, ed. The heritage of Canadian military music. St. Catharines, Ont: Vanwell Pub., 2002.

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17

Iz istorii voennykh orkestrov Kostromskogo krai︠a︡. Kostroma: DiAr, 2010.

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18

Shirim be-madim: Sipuran shel ha-lehaḳot ha-tsevaʼiyot. Yerushalayim: Yad Yitsḥaḳ Ben-Tsevi, 2007.

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19

Williams, Beryl R. They shall have music: The story of the WAAF voluntary marching bands from 1939. Surbiton: Brigwill, 1995.

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20

Gundersen, Egil A. Oscar Borg: Norges marsjkonge. Skien [Norway]: Eget forlag, 1991.

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21

Walter, Elmar. Blas- und Bläsermusik: Musik zwischen Volksmusik, volkstümlicher Musik, Militärmusik und Kunstmusik. Tutzing: Hans Schneider, 2011.

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22

Ögel, Bahaeddin. Türklerde devlet ve ordu mehteri: Hunlardan Osmanlılara : resimler ve sözlükler. [Ankara]: Kültür ve Turizm Bakanlığı, 1987.

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23

Jitka, Bajgarová, ed. Vojenská hudba v kultuře a historii českých zemí. Praha: Etnologický ústav Akademie věd České republiky, 2007.

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24

F, Camus Raoul, and Habla Bernhard, eds. Kongressbericht Northfield/Minnesota, USA 2006. Tutzing: Schneider, 2008.

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25

Marosi, László. Két évszázad katonazenéje Magyarországon: A magyarországi katonazene története, katonakarmesterek 1741-1945. Budapest: Zrínyi, 1994.

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26

Mezinárodní konference "Vojenská hudba v kultuře a historii českých zemí." Vojenská hudba v kultuře a historii českých zemí. Edited by Bajgarová Jitka. Praha: Etnologický ústav Akademie věd České republiky, 2007.

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27

Murray, David. Music of the Scottish regiments: Cogadh no sith (war or peace). Edinburgh: Pentland Press, 1994.

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28

Music of the Scottish regiments: Cogadh no sith = war or peace. Edinburgh: Mercat Press, 2001.

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29

Banakashinutʻyuně Hayastani Errord Hanrapetutʻyunum. Erevan: Patmutʻyan institut, 2015.

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30

Bernhard, Habla, ed. Kongressbericht Oberwölz/Steiermark 2004. Tutzing: Schneider, 2006.

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31

Hario, Genzō. Kaigun gungakutai: Hana mo arashi mo ... Tōkyō: Kindai Shōbōsha, 2000.

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32

Rostin, Per. Flottans musikkår i Carlscrona. Karlskrona: Föreningen Gamla Carlscrona, 1994.

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33

Schachiner, Memo G. Janitscharenkapelle und Europa: Quellen und Dokumente zu den Janitscharen und ihrer Musikkapelle im kaiserlichen Österreich. Wien: Musical Confrontations, 2007.

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34

Janitscharenkapelle und Europa: Quellen und Dokumente zu den Janitscharen und ihrer Musikkapelle im kaiserlichen Österreich. Wien: Musical Confrontations, 2007.

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35

I was detailed to the regimental band: How the music continued after 1862 : a compendium of Civil War brass bands from New England : New Hampshire and Vermont volunteers. South China, Me: Sam Teddy Pub., 2014.

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36

Mirtle, Jack. The Naden Band: A history. Victoria: Jackstays Pub., 1990.

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37

1950-, Capo Bernard, ed. Les hospitaliers de Malte: Neuf siècles au service des autres. 2nd ed. Paris: Oeuvres hospitalières françaises de l'Ordre de Malte, 2004.

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38

XXI dari banakě: Nvirvum ě Artsʻakhi Pashtpanutʻyan banaki steghtsman 15-rd taredardzin. Erevan: Tigran Mets hratarakchʻutʻyun, 2007.

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39

Maillard, Keith. The clarinet polka. Toronto: Thomas Allen Publishers, 2002.

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40

The clarinet polka. New York: Thomas Dunne Books/St. Martin's Press, 2003.

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41

Peppas, Lynn, ed. On the Western Front. New York, NY: Crabtree Publishing, 2013.

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42

Jeffrey, Gary. North Africa and the Mediterranean. St. Catharines, Ontario: Crabtree Publishing, 2012.

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43

Mankell, Henning. Chronicler of the winds. London: Vintage, 2007.

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44

Mankell, Henning. Chronicler of the winds. New York: Vintage Books, 2007.

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45

Mankell, Henning. Comédia infantil. Stockholm: Ordfront, 1995.

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46

Mankell, Henning. Chronicler of the winds. New York: New Press, 2006.

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47

Reily, Suzel Ana, and Katherine Brucher. Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making. Taylor & Francis Group, 2016.

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48

Brass Bands of the World: Militarism Colonial Legacies and Local Music Making. Taylor & Francis Group, 2013.

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49

Turner, Gordon, and Alwyn Turner. History of British Military Bands: Infantry and Irish (History of British Military Bands). Spellmount Publishers, 1997.

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50

Warfield, Patrick. A Capital Boyhood. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037795.003.0001.

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This chapter looks at John Philip Sousa's early education in Washington and his training as a member of the United States Marine Band. Looking back over his childhood, the March King remembered the 1860s as a period of adventure and the Navy Yard as a neighborhood that allowed youthful play to coexist with military pageantry. The soundtrack of this childhood was provided by military bands, some of which were accompanying Northern regiments to battle, while others were permanent residents of the city. The most important band was, of course, the Marine Band. By the age of thirteen he had largely committed himself to a career in music. He was helped along the way by a community of musicians that provided him with much more than playmates and an apprenticeship.
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