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Journal articles on the topic 'Bandas Militares'

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1

Araya Quesada, Mauricio. "Música militar en Costa Rica durante la primera mitad del Siglo XX: distribución de conocimiento, valores estéticos y patriotismo." Revista Herencia 31, no. 1 (2018): 123–56. http://dx.doi.org/10.15517/h.v31i1.34074.

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En dos artículos publicados se discutió sobre la importancia de las bitácoras de trabajo de la Banda Militar de Alajuela y los datos suministrados por ellas. El primero, introductorio, con resultados preliminares; el segundo, con un marco histórico de referencia y resultados estadísticos extraídos del repertorio ejecutado. Esta tercera entrega ampliará la discusión sobre el significado “banda militar” en Costa Rica y su papel en la distribución de conocimiento musical y valores estéticos. El texto pondrá disponible más información sobre personajes ligados a las bandas; además, algunos document
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Méndez, Edwin Alexander Castro. "La transformación de las bandas de viento en el caribe colombiano: un paso de la estética europea a la banda como fiesta." Revista académica estesis 4, no. 4 (2018): 72–81. http://dx.doi.org/10.37127/25393995.25.

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Las bandas de viento, en el escenario colombiano, se comprenden como un fenómeno artístico que permite el encuentro alrededor de las celebraciones locales donde se tejen interrelaciones corporales, visuales, y sonoras desde diferentes formas de goce. Sus acompañantes de más relevancia en los pueblos: el desfile y la retreta, llaman al encuentro cuando pasan por las calles o se apropian de un parque. La fiesta -intrínseca en cualquiera de estos eventos-, cuando el estallido de metales, maderas y percusión se toman la calle; es fruto del diálogo que logró darse entre las músicas tradicionales co
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Soncini, Fabiana, and Maristela Júlio Costa. "Efeito da prática musical no reconhecimento da fala no silêncio e no ruído." Pró-Fono Revista de Atualização Científica 18, no. 2 (2006): 161–70. http://dx.doi.org/10.1590/s0104-56872006000200005.

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TEMA: o treinamento auditivo melhora a percepção de sinais acústicos complexos como a fala. OBJETIVO: verificar se o treinamento auditivo proporcionado pela prática musical é um fator que exerce influência na habilidade de reconhecer a fala no silêncio e no ruído. MÉTODO: participaram do estudo 55 indivíduos sem experiência musical (não músicos) e 45 indivíduos que atuavam como músicos profissionais em bandas militares há, no mínimo, 5 anos (músicos). Todos os voluntários eram militares, do sexo masculino, destros, normo-ouvintes e com idades variando entre 25 e 40 anos. Utilizando o teste Lis
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Rincón, Dubán. "LA POLÍTICA DE ATAQUES MILITARES CONTRA LAS BANDAS CRIMINALES EN COLOMBIA Y SU LEGITIMIDAD A LA LUZ DEL DERECHO INTERNACIONAL HUMANITARIO." Ars Boni et Aequi 13, no. 2 (2017): 11–33. http://dx.doi.org/10.23854/07192568.2017132rincon11.

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5

Monsálvez Araneda, Danny Golzalo. "Legitimación e institucionalización. El poder militar disciplinario en Chile: bandos y decretos ley (1973-74)." Estudios digital, no. 44 (September 4, 2020): 185–206. http://dx.doi.org/10.31050/re.vi44.30173.

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A través del Decreto Ley número 5 del 12 de septiembre de 1973 los militares chilenos especificaron que el “Estado de Sitio decretado por conmoción interna” debía entenderse como “Estado o Tiempo de Guerra”. De esa forma, y una vez consolidado el golpe de Estado del martes 11 de septiembre, la Junta Militar y las Fuerzas Armadas emprendieron un proceso institucional tendiente a legitimar la acción militar, el combate al marxismo y la eliminación del “enemigo interno”, usando para ello todos los instrumentos y mecanismo a disposición con el fin de combatir su presencia en el país. Se adaptó y a
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Ray, Daniel E. "Military Bands and Government Documents." DttP: Documents to the People 44, no. 4 (2017): 27. http://dx.doi.org/10.5860/dttp.v44i4.6227.

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Since before the founding of the United States, musicians have been an integral part of the military. Throughout history armies have used trumpets and drums to enhance communication and assist the movement of mass forces. Over time, the military has influenced both the makeup of musical ensembles, and styles of popular music. The modern American wind band featuring brass, woodwinds and percussion, is modeled after British military bands. And the marches of John Phillip Sousa, who served as the director of the President’s Own Marine Band for twelve years, remain popular to this day. His “Stars
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7

Paulo, E. G., M. S. Pinho, R. da C. Lima, M. L. Gregori, and T. Ogasawara. "Compósitos de ferrita de Ni-Zn com policloropreno para utilização como materiais absorvedores de radar para a banda S." Cerâmica 50, no. 314 (2004): 161–65. http://dx.doi.org/10.1590/s0366-69132004000200014.

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O objetivo deste trabalho foi a obtenção de Materiais Absorvedores de Radar (RAMs) para a faixa de freqüência de 2,6 a 4,0 GHz (banda S). A carga magnética adicionada na proporção de 80% em peso à matriz de policloropreno consistiu de uma ferrita de Ni-Zn. O compósito, com espessura de 6 mm, apresentou um bom desempenho como RAM para toda a faixa de freqüência analisada com absorção de microondas superior a 96,9% (-15 dB) e com absorção máxima de 99,5% (-25 dB) em 3,2 GHz, viabilizando sua aplicação como revestimento externo em plataformas militares, segundo o ensaio de névoa salina.
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Gamba, Sérgio Roberto Horst, Edson Eyji Sano, and Marcelo Peres Rocha. "Identificação de embarcações em imagens aerotransportadas de radar de abertura sintética (R-99 SAR) na área marítima do Brasil." Boletim de Ciências Geodésicas 17, no. 3 (2011): 458–75. http://dx.doi.org/10.1590/s1982-21702011000300008.

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O objetivo deste trabalho foi identificar embarcações em imagens de radar obtidas pela aeronave R-99 da Força Aérea Brasileira. Dados de amplitude, obtidas na banda L e nas polarizações HH, HV, VH e VV da região de Porto de Tubarão, ES, foram processados por meio de diferentes tipos de realces, filtros, classificadores e transformadores espectrais. As imagens com maior potencial para identificar embarcações foram ainda analisadas para diferenciar embarcações militares de mercantes, considerando-se os cinco elementos de interpretação (forma, tamanho, sombra, tonalidade e fatores associados, ist
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Jones, Patrick M. "Media Review: Bands of Sisters: U.S. Women's Military Bands during World War II." Journal of Historical Research in Music Education 35, no. 1 (2013): 74–75. http://dx.doi.org/10.1177/153660061303500108.

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Gonçalves, Cláudia Giglio de Oliveira, Adriana Bender Moreira Lacerda, Bianca Simone Zeigelboim, Jair Mendes Marques, and Débora Luders. "Limiares auditivos em músicos militares: convencionais e altas frequências." CoDAS 25, no. 2 (2013): 181–87. http://dx.doi.org/10.1590/s2317-17822013000200015.

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OBJETIVO: Analisar e caracterizar os limiares auditivos tonais entre 500 Hz e 16.000 Hz de músicos profissionais, integrantes de uma banda militar. MÉTODOS: Realizou-se um estudo de coorte histórico, que comparou um grupo de 50 músicos profissionais (banda militar) com um grupo sem histórico de exposição profissional a som intenso (44 sujeitos); e homogêneos (p<0,05) em relação ao gênero (masculino) e à idade (em torno de 35 anos). Foram realizados exames de audiometria tonal limiar convencional e de altas frequências (de 9.000 a 16.000 Hz). RESULTADOS: A exposição à música desencadeou alte
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Newmark, Jonathan. "Military Bands as a Population for Studying Musicians' Health." Medical Problems of Performing Artists 24, no. 1 (2009): 50. http://dx.doi.org/10.21091/mppa.2009.1011.

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The largest employer of full-time musicians in the United States is the Department of Defense. There are, within the Department, four separate full-time band programs (Army, Air Force, Marines, and Navy), of which the Army is by far the largest. Not only are these musicians employed full-time, but they have completely free health care and a uniform, electronic, world-wide health record that follows them for the length of their careers. They also have to adhere to the physical fitness standards of their services, including both height and weight standards and biannual physical fitness tests; in
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Silvério, Kelly Cristina Alves, Eliane Cristina Pereira, Laiza Maia Menoncin, Cláudio Antonio Sorondo Dias, Celso Luis Gonçalves dos Santos Junior, and Paulo Prieto Y. Schwartzman. "Avaliação vocal e cervicoescapular em militares instrumentistas de sopro." Revista da Sociedade Brasileira de Fonoaudiologia 15, no. 4 (2010): 497–504. http://dx.doi.org/10.1590/s1516-80342010000400005.

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OBJETIVO: Este estudo transversal e prospectivo objetivou avaliar qualidade vocal, respiração e região cervicoescapular em instrumentistas de sopro integrantes da Banda Musical do Exército. MÉTODOS: Foram estudados 42 sujeitos do gênero masculino, militares, com idades entre 20 e 45 anos, divididos em: Grupo Experimental, com 30 instrumentistas de sopro, e Grupo Controle, com 12 instrumentistas de percussão. Todos passaram por entrevista; avaliação vocal - registro da voz e análise perceptivo-auditiva com uso da escala GRBASI; avaliação do tipo respiratório; avaliação fisioterapêutica da regiã
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Dordzro, John-Doe. "BRASS BAND MUSIC IN GHANA: THE INDIGENISATION OF EUROPEAN MILITARY MUSIC." African Music: Journal of the International Library of African Music 11, no. 2 (2020): 141–63. http://dx.doi.org/10.21504/amj.v11i2.2318.

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Local brass bands have become an indispensable factor in weddings, processions, rituals of birth or death, at Christmas and New Year festivities in many parts of the globe. Remains of European brass bands are widely distributed throughout Africa, India, Indonesia, Latin America, and the Caribbean. )ese bands are of both military and missionary origin. They are an important component of the nineteenth and early twentieth-century colonial expressive culture. Despite their uniqueness and widespread presence across the world, brass bands have received limited attention in Ghana. )is paper aims to
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14

Velasco Sánchez, José-Tomás. "Materiales especiales de la Guerra de la Independencia conservados en el Centro Documental de la Memoria Histórica (CDMH)." Titivillus 4 (October 21, 2018): 165–80. http://dx.doi.org/10.26754/ojs_titivillus/titivillus.201803171.

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Se da a conocer la existencia de un pequeño pero rico conjunto bibliográfico de la época de la Guerra de la Independencia depositado en el Archivo General de la Guerra Civil del Centro Documental de la Memoria Histórica. En él, se explica cómo pudo constituirse el conjunto bibliográfico, cómo pudo llegar a formar parte del Archivo de la Guerra Civil y qué tipo de materiales especiales bibliográficos lo conforman, libros y opúsculos, proclamas, manifiestos y exhortaciones, y sentencias judiciales, bandos e instrucciones militares, que dan lugar a las tres secciones en las que se divide este art
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15

Sullivan, Jill M. "John Philip Sousa as Music Educator and Fundraiser during World War I." Journal of Historical Research in Music Education 40, no. 2 (2017): 143–69. http://dx.doi.org/10.1177/1536600617743013.

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This study documents the music teaching and learning that took place in the U.S. Navy band program at the Great Lakes Naval Training Station (GLNTS) near Chicago during World War I, led by Lieutenant John Philip Sousa. The following six research questions helped guide this investigation: How did Sousa organize the Navy band program? What were the details of teaching the enlisted bandsmen? What other music experiences were provided? How did the bandsmen’s work benefit the Navy and the US government? Which of the military band experiences likely influenced teaching and learning of instrumental m
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Meckna, Michael. "Battle Cry of Freedom: Military Music of Union Army Bands." American Music 3, no. 3 (1985): 371. http://dx.doi.org/10.2307/3051490.

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17

Gheorghiţă, Nicolae. "Military Bands in the Romanian Principalities between 1821 and 1878." Nineteenth-Century Music Review 14, no. 3 (2017): 367–89. http://dx.doi.org/10.1017/s1479409817000180.

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The abandonment in the early nineteenth century of the Ottoman military bands (mehterhâne and tabl-khāne) that had provided ceremonial music for the Romanian princes, and the establishment of Western-style military bands in the newly formed army, brought about a radical shift in the cultural paradigm that was to have an effect upon the entire spectrum of musical life in the capitals of the Romanian provinces of Wallachia and Moldavia. This change occurred at two levels: on the one hand, musicians and the repertory current in noble salons were imported from the West, and, on the other, a native
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18

Baek, Young Ki, and Young Sik Kim. "The Effect of Cultural Activities in Military Bands on Organizational Performance." Journal of Arts and Cultural Management 11, no. 2 (2018): 91–111. http://dx.doi.org/10.15333/acm.2018.12.30.91.

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19

Harvey, James F., Michael B. Steer, and Theodore S. Rappaport. "Exploiting High Millimeter Wave Bands for Military Communications, Applications, and Design." IEEE Access 7 (2019): 52350–59. http://dx.doi.org/10.1109/access.2019.2911675.

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20

Queiroz, Viviana Oliveira, and Gustavo Bittencourt Camilo. "Aspectos de imagem de ressonância magnética das lesões relacionadas à corrida no treinamento físico militar." EsSEx: REVISTA CIENTÍFICA 2, no. 3 (2019): 36–51. http://dx.doi.org/10.46848/900020.

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O Treinamento Físico Militar (TFM) tem como um de seus objetivos o desenvolvimento, manutenção ou recuperação da aptidão física necessária para o desempenho das atividades militares. São realizados treinamentos neuromuscular e cardiopulmonar, sendo a corrida principal representante deste último. A realização dos exercícios de maneira excessiva pode levar ao surgimento de lesões, o que ocorre com muita frequência no meio militar. Este trabalho tem como objetivo identificar as lesões mais frequentes decorrentes da prática da corrida, caracterizando-as através da análise de imagens de Ressonância
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Jiménez Marce, Rogelio. "Problemática sanitaria y conflictos políticos en una ciudad del centro de Veracruz: la epidemia de cólera morbus de 1833 en Xalapa." Secuencia, no. 91 (December 19, 2014): 69. http://dx.doi.org/10.18234/secuencia.v0i91.1249.

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<p>El objetivo de este trabajo es mostrar las acciones que las autoridades del Ayuntamiento de Xalapa realizaron, en materia de políticas sanitarias, para evitar que el cólera morbus provocara graves daños en la ciudad. El que el Cabildo tomara en sus manos el control de la política sanitaria preventiva evidenciaba una nueva visión de la sociedad, en la que el Estado buscaba convertirse en el eje rector de las acciones. Antes de la llegada de la enfermedad, las autoridades municipales dispusieron una serie de medidas tendentes a preservar la salubridad pública, como la publicación de ban
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Webb, John, Robert Garofalo, and Mark Elrod. "A Pictorial History of Civil War Era Musical Instruments and Military Bands." Galpin Society Journal 39 (September 1986): 137. http://dx.doi.org/10.2307/842144.

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Byrne, Frank, Robert Garofalo, and Mark Elrod. "A Pictorial History of Civil War Era Musical Instruments & Military Bands." American Music 5, no. 3 (1987): 323. http://dx.doi.org/10.2307/3051743.

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Nemoto, Koichi, and Hiroshi Arino. "Hand and Upper Extremity Problems in Wind Instrument Players in Military Bands." Medical Problems of Performing Artists 22, no. 2 (2007): 67–69. http://dx.doi.org/10.21091/mppa.2007.2014.

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This study examined the medical problems, especially of the hand and upper extremity, observed in wind instrument players from the military bands of the Japan Self-Defense Forces. The bands included 235 wind instrument players (184 men, 51 women), whose ages ranged from 18 to 57 yrs (average, 35 yrs). The length of their careers ranged from 6 to 41 yrs (average, 21 yrs). Methods: A questionnaire was distributed to the subjects for the health check. Results: From 235 wind instrument players, 71 (30% of the total players, 27% of the male players, and 41% of the female players) had hand and upper
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Silveira, Zuleide S., and Dinah Terra. "Educação Pública e Resistir! (Editorial)." movimento-revista de educação, no. 10 (June 30, 2019): 1–10. http://dx.doi.org/10.22409/mov.v0i10.542.

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O Editorial, intitulado "Educação pública e resistir!", analisa alguns dos instrumentos legais que se manifestam na contrarreforma da educação, implementada e aprofundada por meio de cortes de verbas, pelo recém-governo Jair Messias Bolsonaro. Neste contexto, revela que, as contradições e as lutas entre e intra classes sociais têm se acirrado. De um lado, as manifestações da “onda conservadora” ocorrem por mediação de intelectuais coletivos como o Movimento Escola sem Partido; o Movimento pela Base, o Movimento Todos pela Educação, bem como o Fomento às Escolas Cívico-Militares. De outro, a mo
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Reid, James J. "Irregular Military Bands and Colonies in the Balkans under Ottoman Rule, 1789-1878." Études Balkaniques-Cahiers Pierre Belon N° 3, no. 1 (1996): 131. http://dx.doi.org/10.3917/balka.003.0131.

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Gorbal, Y. M. "Professional Training of Military Musicians in Ukrainian Lands at the Turn of the XIX–XX Centuries." Culture of Ukraine, no. 71 (April 2, 2021): 75–81. http://dx.doi.org/10.31516/2410-5325.071.09.

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Abstract. The Armed Forces of Ukraine have strong traditions of musical bands that date back to princely and Cossack times. The task of their orchestras is to boost the morale of servicemen, to strengthen the power of the Ukrainian army by means of musical arts, as well as to perform at festive events (both at the local and the state level). However, despite the importance and diversity of creative and educational activities of the Military Orchestra Service of the Armed Forces of Ukraine, no comprehensive study of historical aspects of the functioning of music and military bands in national m
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Forján Anillo, Cristóbal. "El proceso de captación en la organización terrorista ETA." Revista Logos, Ciencia & Tecnología 13, no. 2 (2021): 134–47. http://dx.doi.org/10.22335/rlct.v13i2.1395.

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El reclutamiento de activistas en bandas armadas, de manera general, se explica entre otras cosas por su relación con dos procesos psicosociales básicos, uno de radicalización y otro de polarización social, encaminados a disponer de militancia suficiente. Este artículo analiza desde una perspectiva empírica la captación de militantes de la organización terrorista ETA (Euskadi ta Askatasuna) en España, durante sus años de existencia, con base en la experiencia, investigación y contacto continuo con el mundo nacionalista radical, a partir del estudio de sumarios judiciales de atentados y desarti
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Coffman, Don D. "Book Review: A Pictorial History of Civil War Era Music Instruments and Military Bands." Bulletin of Historical Research in Music Education 7, no. 2 (1986): 78–79. http://dx.doi.org/10.1177/153660068600700205.

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Pedroso, Anayara Fantinel, and Antonio José Guimarães Brito. "Vidas do sul: Identidade, Direito e Resistência na América Latina." RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade 2, no. 4 (2016): 556. http://dx.doi.org/10.23899/relacult.v2i4.352.

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Os Charruas habitavam o Uruguai, Argentina e parte do território do Rio Grande do Sul, no Brasil antes da chegada dos colonizadores europeus, no século XVI. Durante muito tempo foram rotulados como bárbaros e demonizados, por resistir à cultura ocidental colonialista e eurocêntrica. Considerados uma ameaça, sofreram perseguições, principalmente no que diz respeito à formação dos Estados Nacionais, uruguaio e argentino. Entre 1701-1702 houve conflito na banda oriental onde 500 Charruas foram mortos. Tido como infiéis, em 1750 surgiram campanhas militares contra os indígenas, e no ano de 1831, o
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Robertson, A. G., and T. S. Weeramanthri. "(A40) Military and Civilians in Australian Disaster Medical Assistance Teams." Prehospital and Disaster Medicine 26, S1 (2011): s12. http://dx.doi.org/10.1017/s1049023x11000525.

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The Australian Government first started to deploy civilian medical teams internationally in the aftermath of the 2004 Tsunami to Banda Aceh, the Maldives, and Sri Lanka. Historically, Australia had relied upon the Australian Defence Force (ADF) to provide overseas medical assistance, but, in this instance, the volunteers deployed were civilian staff, predominantly from tertiary hospital environments. Civilian Australian Medical Assistance Teams (AUSMATs), particularly in Banda Aceh, interacted closely with the ADF after the tsunami and have had a close liaison with the ADF in subsequent disast
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Granet, Christophe, and Graeme L. James. "Smooth-walled spline-profile Ka-band horn covering both the full commercial and military bands." Microwave and Optical Technology Letters 50, no. 8 (2008): 2119–21. http://dx.doi.org/10.1002/mop.23551.

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Pattieu, Sylvain. "Souteneurs noirs à Marseille, 1918-1921: Contribution à l’histoire de la minorité noire en France." Annales. Histoire, Sciences Sociales 64, no. 6 (2009): 1361–86. http://dx.doi.org/10.1017/s0395264900027530.

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RésuméAlors que l’historiographie a privilégié intellectuels et militants, l’espace marseillais permet d’aborder l’histoire des populations noires par les milieux populaires. Le cas d’un petit groupe de navigateurs, devenus proxénètes à la faveur de la guerre, permet en effet de tester à la fois la portée et les limites d’une approche de leur trajectoire sociale par la « condition noire ». Ces souteneurs, éloignés de la culture légitime, marginaux par rapport à la norme sociale, sont toutefois très intégrés dans le milieu populaire localisé du port. Si la couleur de peau compte dans leur const
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Lee, Kyungmee, Michiyo Nomura, Jisoo Lee, and Minjung Lee. "A Study on the Historical Research and Design of the 1901 Daehan Empire Military Band’s Uniform." Journal of the Korean Society of Costume 68, no. 5 (2018): 128–42. http://dx.doi.org/10.7233/jksc.2018.68.5.128.

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Sullivan, J. M. "Music for the Injured Soldier: A Contribution of American Women's Military Bands During World War II." Journal of Music Therapy 44, no. 3 (2007): 282–305. http://dx.doi.org/10.1093/jmt/44.3.282.

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Bowles, E. A. "The impact of Turkish military bands on European court festivals in the 17th and 18th centuries." Early Music 34, no. 4 (2006): 533–60. http://dx.doi.org/10.1093/em/cal103.

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VARTAVARIAN, MESROB. "Warriors and States: Military labour in southern India, circa 1750–1800." Modern Asian Studies 53, no. 2 (2018): 313–38. http://dx.doi.org/10.1017/s0026749x17000038.

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AbstractThe consolidation of numerous regional polities in the aftermath of Mughal imperial decline presented favourable socioeconomic opportunities for South Asian service communities. Protracted armed conflicts in southern India allowed a variety of mercenaries, soldiers, and war bands to accumulate resources in exchange for mobilizing manpower on behalf of states with weak standing armies. This article focuses on British imperial efforts to obtain sufficient quantities of military labour during its struggle with the Mysore sultanate. As the sultanate assumed an increasingly hostile attitude
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De la Torre Curiel, José Refugio, and Isabel Pérez González. "“Nada les hemos cumplido”: negociaciones de paz entre apaches y españoles en la Nueva Vizcaya en 1787." Historia Mexicana 69, no. 3 (2020): 1023. http://dx.doi.org/10.24201/hm.v69i3.4018.

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Desde fines del siglo XVI, distintas fuentes de primera mano registraron la presencia de grupos identificados como apaches a lo largo de la frontera norte novohispana. Conforme el poblamiento español avanzó hacia el norte en el siglo XVII y conforme estos grupos clasificados como apaches fueron desplazados hacia el sur, las confrontaciones violentas entre ambos bandos se hicieron recurrentes. Los estudios clásicos sobre estos temas, producidos por autores estadounidenses y españoles, han mostrado que la corona española transitó de manera errática entre las políticas de guerra y negociación par
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Singh, Ravindra, Nagarajan R., Karuna Poonia, Hari Mohan, and Jagdish Prasad Mangalhara. "High Temperature Calibration of Thermal Imagers for Infrared Measurements on Military Platforms." Defence Science Journal 67, no. 2 (2017): 188. http://dx.doi.org/10.14429/dsj.67.9979.

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<p>Calibration of thermal imaging system is not a straight forward process and hence manufacturers suggest re-calibration at factory itself. However, it is time consuming and expensive. A few research papers refer various approaches to perform low temperature calibration considering the wide requirement of low temperature measurements (typically less than 150 °C). However, no reference is available in open literature about high temperature calibration of thermal imagers. Hence, the possibility of high temperature calibration of thermal imaging systems has been explored using high tempera
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KEISTER, JAY, and JEREMY L. SMITH. "Musical ambition, cultural accreditation and the nasty side of progressive rock." Popular Music 27, no. 3 (2008): 433–55. http://dx.doi.org/10.1017/s0261143008102227.

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AbstractProgressive rock of the early 1970s has been demonised as a nadir in the history of rock primarily because of the ambitions of progressive rock musicians. Critics have interpreted these ambitions as attempts to elevate rock music to the level of high art in order to gain cultural accreditation from an unspecified cultural elite. This interpretation is further compounded by the common notion that progressive rock’s subject matter is dominated more by individualistic quests for spirituality than by socio-political critique, resulting in a stereotype of progressive rock as apolitical, pre
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Lee, Jung-hee. "A Study on Military Bands 軍樂隊 at the Age of the Daehan Empire 大韓帝國". STUDIES IN KOREAN MUSIC 44 (30 грудня 2008): 165–94. http://dx.doi.org/10.35983/sikm.2008.44.165.

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Hunter, Justin R. "Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making ed. by Suzel Ana Reily and Katherine Brucher." Notes 71, no. 3 (2015): 504–7. http://dx.doi.org/10.1353/not.2015.0028.

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Sullivan, Jill M. "Women Music Teachers as Military Band Directors during World War II." Journal of Historical Research in Music Education 39, no. 1 (2017): 78–105. http://dx.doi.org/10.1177/1536600616665625.

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The purpose of this study was to determine how women music teachers became the United States’ first female military band directors. Interviews with seventy-nine World War II military bandswomen revealed that seven of the ten chosen female directors were music teachers prior to their enlistment in the Army, Coast Guard, or Marines—band and orchestra teachers, music supervisors, and a college professor. Six of those seven directors are included in this study. Research questions pertained to their childhood music education, formal schooling, music-teacher employment, why they quit teaching to enl
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Shansky, Carol L. "Book Review: Suzel Ana Reily and Katherine Brucher, eds, Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making." Journal of Historical Research in Music Education 38, no. 2 (2017): 213–16. http://dx.doi.org/10.1177/1536600616688762.

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Hsing-Yi Chen, I. Y. Tarn, and Yeou-Jou Hwang. "Infrared extinction of the powder of brass 70Cu/30Zn calculated by the FDTD and turning bands methods [military smoke screening applications]." IEEE Transactions on Geoscience and Remote Sensing 33, no. 6 (1995): 1321–24. http://dx.doi.org/10.1109/36.477188.

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Chacón Serrano, Fernando. "Estamos en guerra." ECA: Estudios Centroamericanos 75, no. 763 (2020): 71–96. http://dx.doi.org/10.51378/eca.v75i763.3284.

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El conflicto armado de El Salvador (1980-1992) ha sido uno de los más largos y sangrientos de la historia reciente de Latinoamérica. Entre sus particularidades destaca la devastación de comunidades enteras por operativos militares que obligaron a su población a desplazarse, para luego ser reconstruidas al término de este. Ya han transcurrido 28 años de su fin formal, tiempo en el cual han emergido nuevas generaciones que no vivieron tal acontecimiento, pero que se han socializado dentro de las comunidades afectadas, en interacción con las víctimas directas (familiares y vecinos). A partir del
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Herbert, Trevor. "Public Military Music and the Promotion of Patriotism in the British Provinces, c. 1780-c. 1850." Nineteenth-Century Music Review 17, no. 3 (2020): 427–44. http://dx.doi.org/10.1017/s1479409819000594.

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The role and importance of military musicians changed and intensified in the late eighteenth century through two important processes. The first was the culture of display that took root in both the home-based army and units in the colonies. The second was the result of successive militia acts which effectively ensured that military units with bands would be systematically placed in every corner of the British Isles.It became evident that music as a component of military display served an important diplomatic purpose. Music performed in public spaces was heard by a population deeply sceptical o
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Bethke, Andrew-John. "Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making. Suzel Ana Reily and Katherine Brucher, eds. 2013. Surrey: Ashgate, illus., index. 268pp." African Music: Journal of the International Library of African Music 10, no. 1 (2015): 206–8. http://dx.doi.org/10.21504/amj.v10i1.1233.

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Bae, Taewuk, Youngchoon Kim, and Sangho Ahn. "IR-Band Conversion of Target and Background Using Surface Temperature Estimation and Error Compensation for Military IR Sensor Simulation." Sensors 19, no. 11 (2019): 2455. http://dx.doi.org/10.3390/s19112455.

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Military infrared (IR) imaging systems utilize one or more IR wavelength-bands, among short wavelength IR (SWIR), middle wavelength IR (MWIR), and long wavelength IR (LWIR) band. The IR image wavelength-band conversion which transforms one arbitrary IR wavelength-band image to another IR wavelength-band image is needed for IR signature modeling and image synthesis in the IR systems. However, the IR wavelength-band conversion is very challenging because absorptivity and transmittance of objects and background (atmosphere) are different according to the IR wavelength band and because radiation a
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Schenquer, Laura, and Julia Risler. "Opinion polls and surveys in the BANADE archives: a productive use of governmental technologies by the last military dictatorship in Argentina (1976–1983)." Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes 44, no. 2 (2019): 225–42. http://dx.doi.org/10.1080/08263663.2019.1602937.

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