Relevant bibliographies by topics / Bangladeshi Painting

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Academic literature on the topic 'Bangladeshi Painting'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Bangladeshi Painting"

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Shawin, Mohammad Ferdous Khan. "Rural Life of Bangladesh Reflected in Hashem Khan’s Painting." Idealogy Journal 6, no. 2 (September 1, 2021): 28–34. http://dx.doi.org/10.24191/idealogy.v6i2.290.

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Hashem Khan is considered as one of the key figures in Bangladesh art scenario. Born in Chandpur, Hashem Khan was graduated from the Faculty of Fine Art, Dhaka University in 1961. He was a Professor at the Faculty of Fine Art, University of Dhaka with 44-year experience and retired in the year 2007. He has achieved Ekushey Padak and Independence Day Award (The highest civilian award in Bangladesh) for his significant contributions in art and culture. Rural lifestyle is very unique in Bangladesh. Many poets, musicians, visual artists have taken inspiration from rural culture and life style of Bangladesh. His works reproduce the natural beauty of the village, rural life, and plenty of other things. He has used traditional folk colours like yellow, orange and green in his paintings and used folk motifs. Hashem Khan has done semi-realistic style of narration to communicate to the common people and also used vibrant colours in his paintings. The researcher here has selected the works of the artist for discussion and analysis from the exhibitions which were held from 1980 to 2018 in different art galleries in Dhaka, the capital of Bangladesh and also from two catalogues, which articulate 143 plates. The researcher has analysed his contents of the paintings. Besides the researcher also closely analysed the colours, composition and forms of the painting.
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Fatima, Siti. "The Stylization of Art and Mysticism in the Context of Bangladesh." Praxis International Journal of Social Science and Literature 6, no. 6 (June 25, 2023): 81–84. http://dx.doi.org/10.51879/pijssl/060612.

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The purpose of this paper is to create a new field in the philosophy of art in context of Mysticism which expanded in Bangladesh especially in contemporary modern art. Here the relation between Art and philosophy will be also discussed. How different philosophical ideas and theme impacted on art and artist in various periods and isms will also be focused. Moreover the thought process of an artist is usually derived from the social surroundings, cultures, norms and by the view point of their religion will be also focused here. In this paper the bridge between art forms and artists and the impact of mysticism will be described elaborately. The main issue of this paper is to clarifying that mysticism can be a new form or new style of visual art and can be transformed in painting. A new style or ism can be mode of formation from the mystic verses of Sufism widely expanded in Bangladesh.
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Shamsuzzaman, Md, Ridhwanul Haq, and Mohammad Aman Ullah Aman. "Influence of Reference Group, Especially Painters on Decorative Paint Buying Decision: A Case Study of Bangladesh." Journal of Business and Economics 10, no. 8 (August 20, 2019): 775–87. http://dx.doi.org/10.15341/jbe(2155-7950)/08.10.2019/008.

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Paint is a semi technical product, where except for the shade selection, other factors such as category, brand and painting process selection require proper technical knowledge. The end users of Bangladesh are highly dependent on the reference groups for product knowledge, technical knowhow, and buying decision. This is why the research focused on the influence of reference groups, especially painters. An elaborated multi-step research method including expert in-depth interview, focus group discussions and a structured questionnaire survey has been conducted. FGDs and expert in-depth interviews’ findings revealed that for paints and painting activities of new architecture about 80% end-user depends on professional reference groups like architects, engineers etc., and rest of the 20% depend on other reference groups like paints dealers, contractors, and painters. But reverse scenario (20% vs. 80%) has been found in painting of old architectures. For brand selection, 80% of the buyers are influenced by dealers with the help of contractors or painters. A unique implication of Pareto’s Principle (80/20 rule) has been observed in the research findings. Questionnaire survey exposed that for category and brand selection, 74% of the end-users depended on the reference groups, 54% of whom on painters. The study will help paint marketer, entrepreneurs, researchers and others stakeholder in their strategic decision making process.
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Kulkarni, MV, K. Elangovan, and KH Reddy. "Development of electroplating process for plating polyamides." Bangladesh Journal of Scientific and Industrial Research 48, no. 3 (December 15, 2013): 205–12. http://dx.doi.org/10.3329/bjsir.v48i3.17333.

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We report a method of converting non-conductive plastic surfaces into conductive by coating with copper based conductive paints onto polyamide6 (Nylon6) plastics to create a conducting surface for a subsequent copper deposition and thus for electroplating them. Nylon6 are basically hygroscopic materials and difficult to plate and hence conductive painting procedure has been adopted for electroplating them. The electroless plating procedure that is normally followed in plating of plastics has been avoided and thus a new method of plating on plastics has been presented in this research paper. DOI: http://dx.doi.org/10.3329/bjsir.v48i3.17333 Bangladesh J. Sci. Ind. Res. 48(3), 205-212, 2013
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Samanta, Gopa. "Art on the Move." Transfers 3, no. 3 (December 1, 2013): 131–34. http://dx.doi.org/10.3167/trans.2013.030310.

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Art in the form of decorating rickshaws, a very popular mode of mobility in Bangladesh, especially in Dhaka city, was developed in the 1950s to make the rickshaw more popular so that it could compete with the horse-drawn “tomtom.” Syed Ahmed Hossain, a rickshaw artist more commonly known in Dhaka as Ahmed, was a small boy then, living in a small house located on a narrow by-lane of old Dhaka city. He used to draw things on his school copy book with a small eroded pencil. Ahmed never had any formal training in painting because his father could not afford that. By the time Ahmed grew up, however, there was a growing demand for people who could decorate rickshaws and Ahmed found that job suitable to earn a livelihood for his family.
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6

Ghosh, Debashis, Abdul Alim, M. Mamun Huda, Christine M. Halleux, Md Almahmud, Piero L. Olliaro, Greg Matlashewski, Axel Kroeger, and Dinesh Mondal. "Comparison of Novel Sandfly Control Interventions: A Pilot Study in Bangladesh." American Journal of Tropical Medicine and Hygiene 105, no. 6 (December 1, 2021): 1786–94. http://dx.doi.org/10.4269/ajtmh.20-0997.

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ABSTRACT. In this pilot comparative study, we investigated and compared the effects of existing vector control tools on sandfly densities and mortality to inform and support the National Kala-azar Elimination Program (NKEP). The interventions included insecticidal wall painting (IWP), reduced-coverage insecticidal durable wall lining (DWL), insecticide-impregnated bednets (ITN), and indoor residual spraying with deltamethrin (IRS). Sakhua union with seven villages was the study area, which was the most highly endemic visceral leishmaniasis union in Trishal upazila, Bangladesh. Each cluster containing the different interventions included approximately 50 households. Study methods included random selection of clusters, collection of sandfly by CDC light trap and manual aspirator to determine sandfly density, and sandfly mortality determined by WHO cone bioassay test. Trained field research assistants interviewed household heads using structured questionnaires for sociodemographic information, as well as safety and acceptability of the interventions. Descriptive and analytical statistical methods measured interventions’ effect and its duration on sandfly density reduction and mortality. We measured the relative efficacy of IWP on sandfly control against DWL, ITN, and IRS by the difference-in-difference regression model. We found that existing interventions were effective and safe for sandfly control with different duration of effect and acceptability. The relative efficacy of IWP for sandfly reduction varied by –59% to –91%, –75% to –81%, and –30% to –104% compared with DWL, ITN, and IRS, respectively, at different time points during the 12-month follow-up. These study results will guide the NKEP for selection of sandfly control tool(s) in its subsequent consolidation and maintenance phases.
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Alam Khan, Md Shahin. "Promotional Tools: Household Marketing Strategy and Its Effectiveness." Business and Management Research 8, no. 2 (June 24, 2019): 32. http://dx.doi.org/10.5430/bmr.v8n2p32.

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For any organizations, it is necessary to examine whether its marketing activities are enough to attract customers. The main objective of this study is to focus on the effectiveness of promotional tools of paintings industries.This research has done on the Roxy Paints Bangladesh Ltd. Every company employs their at best efforts to attract customer and to keep potential customer satisfied through their proper household marketing activities and tools. The effectiveness of these efforts depends on how the customer viewing the ads, how they remind advertisements in time of searching and purchasing the products. This report is based on some documents and also some practical observations. The nature of this study is exploratory and descriptive. All the issues intended to this study are explored through assessing and analyzing information those are gathered from different sources.
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Md. Nadimuddaula, Md Nadimuddaula. "Invisible Influence of Deities on the Culture, Art, and Lifestyle in Mangrove Forest Settlements: The Curious Case of Bonbibi." Journal of Social Sciences Research, no. 82 (April 24, 2022): 31–34. http://dx.doi.org/10.32861/jssr.82.31.34.

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Stories in paintings are not only creative imaginations but often are reflections of life. Since religion and culture are two pivotal parts of human evolution, art and literature are intertwined with these two aspects of life. If we look back in history, we would observe that the Renaissance period remarkably brought and celebrated religion and religious figures in arts. This paper explores the deep convergence among art, life, religion, and culture in the settlements of the South Coastal belt of Bangladesh. This work at first brings out how religious beliefs and disbeliefs have shaped culture and art in the region. The work secondly traces the influence of culture and art in the daily lives of the people. Findings suggest that people living in coastal area have strengthened their courage based on religious beliefs, and mythical beliefs of Bonbibi (Forest Goddess), which is reflected via diverse worship-artwork and the cultural aesthetics that belongs to society. Religious beliefs also assist people to follow social standards, as a result of which a variety of laws and regulations, cultural ideals, and appropriate infrastructure for living in society are developed. Belief in Bonbibi, on the other hand, provides coastal people the bravery to roam around in everyday life and contributes to the development of culture.
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9

Ferdousi, Asma. "Rickshaw Paintings of Bangladesh: Representation of Reality, Evolution of Art and Preservation." Perspectives in Social Science, 2023. http://dx.doi.org/10.59146/pbdhvi2a4.

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Rickshaw painting is one of the popular art forms of Bangladesh. It is also a symbol of Bangladeshi culture. But with the passage of time the subject of rickshaw pictures has changed. For various reasons, various topics and events have taken place in the rickshaw painting. This research has tried to investigate the past and present of the rickshaw painting, content of the rickshaw painting and its variations and some factors that have affected the rickshaw painting most over the time. In order to know all these issues, 14 rickshaw painters living in different regions of the country were interviewed to collect primary data and the rickshaw paintings stored in the Bangladesh National Museum were reviewed and thematically analyzed. Also the help of various books, journals, magazines, newspapers and other published information has been taken to achieve research objectives. This research reveals that apart from the topics discussed at different times, rickshaw paintings are being made considering the political and social context more. The research results also show that various types of contemporary events, morals, sermons, scenes and some popular topics have appeared again and again in rickshaw paintings. Various problems of rickshaw filming have been identified in this study. One of the problems is the industrialization and commercialization of rickshaw paintings. As a result the whole rickshaw painting industry is under serious threat. The study unveils that many rickshaws are now using digital banners instead of traditional rickshaw painting. Rickshaw painting is soon going to be included in the world immeasurable cultural heritage list from our own heritage. Therefore more research is needed to protect and preserve this industry. The research makes a contribution in understanding the content, evolution and problems of folk art of Bangladesh.
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Ferdousi, Asma. "Rickshaw Paintings of Bangladesh: Representation of Reality, Evolution of Art and Preservation." Perspectives in Social Science, 2023. http://dx.doi.org/10.59146/pbdhv12a4.

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Rickshaw painting is one of the popular art forms of Bangladesh. It is also a symbol of Bangladeshi culture. But with the passage of time the subject of rickshaw pictures has changed. For various reasons, various topics and events have taken place in the rickshaw painting. This research has tried to investigate the past and present of the rickshaw painting, content of the rickshaw painting and its variations and some factors that have affected the rickshaw painting most over the time. In order to know all these issues, 14 rickshaw painters living in different regions of the country were interviewed to collect primary data and the rickshaw paintings stored in the Bangladesh National Museum were reviewed and thematically analyzed. Also the help of various books, journals, magazines, newspapers and other published information has been taken to achieve research objectives. This research reveals that apart from the topics discussed at different times, rickshaw paintings are being made considering the political and social context more. The research results also show that various types of contemporary events, morals, sermons, scenes and some popular topics have appeared again and again in rickshaw paintings. Various problems of rickshaw filming have been identified in this study. One of the problems is the industrialization and commercialization of rickshaw paintings. As a result the whole rickshaw painting industry is under serious threat. The study unveils that many rickshaws are now using digital banners instead of traditional rickshaw painting. Rickshaw painting is soon going to be included in the world immeasurable cultural heritage list from our own heritage. Therefore more research is needed to protect and preserve this industry. The research makes a contribution in understanding the content, evolution and problems of folk art of Bangladesh.
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Books on the topic "Bangladeshi Painting"

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Caudhurī, Samarajit̲a Rāẏa. The paintings of Samarjit Roy Chowdhury =: Samarajit̲a Rāẏa Caudhurīra citrakalā. Dhaka: Bangladesh Shilpakala Academy, 2003.

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2

Islam, Syed Manzoorul. Bangladesh art: Collection of contemporary paintings. Dhaka: Society for Promotion of Bangladesh Art, 2003.

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3

Kajol. Song of loneliness: Works of art by Kajol, Bangladesh National Museum, Dhaka, March 18th-28th, 1995. Dhaka: The Museum, 1995.

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Islam, Mohammad Fokhrul. Solo Painting Exhibition. Dhaka: Bengal Gallery of Fine Arts, 2003.

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Jahangir, Syed. Syed Jahangir. Dhaka: Bengal Gallery of Fine Arts, 2002.

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Chowdhury, Swapan. Solo Art Exhibition, Introspection =: Antarbīkshaṇa. Dhaka: Bengal Gallery of Fine Arts, 2006.

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7

Mamoon, Muntassir. Ḍhākāra hāriẏe yāoẏā chabira khon̐je. Ḍhākā: Pārla Pābalikeśansa, 1996.

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8

Sweet and the sublime (Exhibition) (2005 Dhaka, Bangladesh). The Sweet and the Sublime: Art exposition of Hashem Khan, 4-17 September 2005 = Madhura Gambhīra, Hāsema Khānera Citramelā, 2005. Dhaka: Bengal Gallery of Fine Arts, 2005.

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9

Āśarāphaujjāmāna, Śarīpha. Kiṃbadantīra kyānabhāse Esa. Ema. Sulatāna. [Naṛāila: Barṇachāpa Prakāśanī, 1997.

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Āśarāphaujjāmāna, Śarīpha. Kiṃbadantīra kyānabhāse Esa. Ema. Sulatāna. [Naṛāila: Barṇachāpa Prakāśanī, 1997.

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Conference papers on the topic "Bangladeshi Painting"

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Manal, Ali Hasan Md Linkon, Md Mahir Labib, Marium-E-Jannat, and Md Saiful Islam. "Restyling Images with the Bangladeshi Paintings Using Neural Style Transfer: A Comprehensive Experiment, Evaluation, and Human Perspective." In 2020 23rd International Conference on Computer and Information Technology (ICCIT). IEEE, 2020. http://dx.doi.org/10.1109/iccit51783.2020.9392698.

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