Relevant bibliographies by topics / Bangwa Sculpture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Bangwa Sculpture'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Bangwa Sculpture"

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Campfens, Evelien. "The Bangwa Queen: Artifact or Heritage?" International Journal of Cultural Property 26, no. 1 (2019): 75–110. http://dx.doi.org/10.1017/s0940739119000043.

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Abstract:The return of cultural objects lost as a result of colonial rule is a controversial issue. A common response is: “it was legal at the time” and, therefore, not a legal issue. But is that so? This article argues that it is not a lack of legal norms that explains this belated discussion but, rather, the asymmetrical application of norms. Moreover, a human rights law approach, focusing on the heritage aspect of cultural objects for people today—instead of a sole focus on property title—offers useful tools to structure this field. To illustrate these points, a case concerning an African a
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Kresna Yoga, I. Gede Deva, I. Made Jodog, and I. Wayan Setem. "Mom’s Milk As Inspiration In The Creation Of Sclupture." CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 2, no. 2 (2022): 73–78. http://dx.doi.org/10.59997/citakara.v2i2.1845.

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Breastfeeding is the process of giving milk to a baby or child with breast milk form the mother’s breast. Through the breastfeeding process, there is a personal relationship between mother and child in loving energy. Various perspective on breastfeeding occur in the community, including knowledge about the importance of breastfeeding. The concept of breastfeeding, breastfeeding attitudes, visuals of the breastfeeding process are interesting thing to research and the serve as the basis for creating ideas. This creation aims to remind the importance of breastfeeding and increase knowledge and th
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Hermawan, Agus. "MENELADANI NILAI AJARAN DAKWAH SUNAN KALIJAGA DALAM MENDIDIK KARAKTER BANGSA DI ERA GLOBALISAS." ATTARBIYAH 26 (December 31, 2016): 338. http://dx.doi.org/10.18326/tarbiyah.v26i0.338-378.

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This article describes moral value based on Sunan Kalijaga’s perspective, one of the members of the walisanga who had the longest age from other wali and he was the most famous and creative wali in creating a wide range of media to preach Islam. The media that he made and applied included many fields; such as preacher, literatures and songs (Ilir-ilir song, gundul-gundul pacul, and dandang gula song), Sculpture, Gamelan, mosques, Tatal and Kenthong art, Bedhug, and grebeg sekaten contained character of education that were stil relevant applied in this era. Thus, a preacher’s function as learni
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Hartanti, Grace, and Amarena Nediari. "Pendokumentasian Aplikasi Ragam Hias Budaya Bali, Sebagai Upaya Konservasi Budaya Bangsa Khususnya pada Perancangan Interior." Humaniora 5, no. 1 (2014): 521. http://dx.doi.org/10.21512/humaniora.v5i1.3079.

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Various ornament of Indonesian people comes from the ethnic groups from all over the archipelago. As a tangible cultural ornament has a specific purpose and it does not change throughout the ages. Bali is one of the ethnic group in archipelago that has beautiful decorative art and one of the most popular tourism destination in Indonesia. Bali’s ornament generally seen as decorative carving on the column, window or even in door. The beauty of Bali is not only as an inspiration for their colors and sculpture but also the variety of forms that have been simplified in the ornament. Moreover, flora
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Nediari, Amarena, and Grace Hartanti. "Pendokumentasian Aplikasi Ragam Hias Toraja sebagai Konservasi Budaya Bangsa pada Perancangan Interior." Humaniora 5, no. 2 (2014): 1279. http://dx.doi.org/10.21512/humaniora.v5i2.3271.

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Various ornaments of Indonesia come from ethnic groups from all over the archipelago. As a tangible culture, ornament has specific purpose and does not change throughout the ages. Tana Toraja is one ethnic group in the archipelago that has beautiful decorative art and one of the most popular tourism destinations in Indonesia. Toraja’s ornament generally is seen as decorative carving on the column of Tongkonan (Toraja traditional house), window, or even in barn doors. The beauty of Tana Toraja is not only as an inspiration for its colors and sculptures but also the variety of forms that has bee
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Mirwa, Tetty, Sugito Sugito, Khaerul Saleh, and Nelson Tarigan. "KARAKTERISTIK PATUNG MONUMEN DAN TUGU DI KOTA MEDAN." Gorga : Jurnal Seni Rupa 12, no. 1 (2023): 33. http://dx.doi.org/10.24114/gr.v12i1.38907.

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This research was conducted to explore the works of monuments in the city of Medan. This study aims to reveal, explain and document the works of monuments and monuments. Related to this, this research is also: (1) to find out in real terms the techniques, materials of manufacture, visualization of ideas, shape characteristics, and layout arrangements in terms of the observer's perspective on the art of sculpture, monuments, and monuments, (2) to produce teaching materials for Sculpture. with local content in the Department of Fine Arts at the State University of Medan. The study was conducted
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7

Setianingsih, Rita Margaretha. "Siwa Tandawa di Padanglawas." Berkala Arkeologi Sangkhakala 17, no. 1 (2018): 20. http://dx.doi.org/10.24832/bas.v17i1.91.

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AbstractBiaros in Padanglawas area have many sculpter related with Siwa God. It is shows much relief about some man or giant in different pose or in dancing poses, such as Biaro Bahal I, Biaro Tandihat I, and Biaro Pulo. A pose about traditional dance and related with Siwa as destructor, and in this present shows that dance related with some traditional dance from Papak tribe in North Sumatera. There also some evindence such as triśula, Siva Tandava pose, and story from Thilai Vanam, Nandi and Ganeśa relief showed that reliefs from some biaro are related with Siwa as Hinduism God. In order to
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8

Mrs., Reeta Ghosh. "FORECASTING OF COLOURS IN CREATIVE COMPOSITION OF TEXTILE FABRIC AND FASHION." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–3. https://doi.org/10.5281/zenodo.887515.

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Colour is the most enriched and endless form of human life. It reflects our mood and more importantly, it has more influence and effect on our lives than we realize. How can we define colour, a reality, a feeling that creates energy, enthusiasm, potential, anger, affection, passion and many other feelings in us. If we are in pleasant feeling, colour fills us with the feel of joy and happiness and in contrary to this if we are unhappy and sad the colours are there, who fill with the feel of unhealthy, unhappiness and sadness. Now it is a matter to think upon that why we correlate our feelings w
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Zhang, Weixiao. "Pagoda as Grottos: Rethinking the Architectural Form of Cave 4 of Maijishan Grottoes." Journal of World Architecture 9, no. 1 (2025): 7–25. https://doi.org/10.26689/jwa.v9i1.9825.

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This paper mainly explores the architectural form of the interior of Maiji Mountain’s Cave 4 and the spiritual realm it establishes. Previous research holds the view that the niche within Cave 4 is architecturally modeled after a tent-like structure. However, after in-depth research, this paper suggests that the niche in Cave 4 is more of an imitation of an embedded stupa, or rather, it reconstructs the stupa in an embedded form within the cave. In prior studies, analysis historical background and architectural details of Cave 4 remains inadequate, thus, this paper aims to take a thorough inve
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Iwan pranoto, Iwan Pranoto, Zuly Daima Ulfa, Juli Natalia Silalahi, Isna Herlina, and Sagarli Sagarli. "PENGEMBANGAN VIDEO MEDIA PEMBELAJARAN SENI RUPA TRADISIONAL DAYAK KALIMANTAN TENGAH BERBASIS VIRTUAL REALITY SMPN 2 PALANGKA RAYA." Gorga : Jurnal Seni Rupa 10, no. 2 (2021): 454. http://dx.doi.org/10.24114/gr.v10i2.28544.

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The development of the industrial revolution 4.0 has a profound impact on the development of the world education which is a place to develop and create innovations with insight and character by the use of art and technology, the development of virtual reality based traditional arts. This is done in order to enrich information on art and culture learning, as well as to foster the cultivation of local culture as a nation's identity. Learning by using virtual reality is very supportive in art learning that has been developed in the video. The formulation of the problem in this study is how to dev
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Dissertations / Theses on the topic "Bangwa Sculpture"

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Lintig, Bettina von. "Die bildende Kunst der Bangwa : Werkstatt-Traditionen und Künstlerhandschriften /." München : Akademischer Verlag, 1994. http://catalogue.bnf.fr/ark:/12148/cb37519473w.

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Sony, Kambol Cipriano. "Histoire et sculptures de Songo et leur voisins Tshokwe, Bangala et Ovimbundu : approches des identités historiques et sculpturales." Paris 1, 2008. http://www.theses.fr/2008PA010611.

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L'histoire et l'art des peuples Songo et leurs voisins Tshokwe, Bangala et Ovimbundu s'encadrent dans la tentative d'approche de l'histoire, d'identités historique et sculpturale. Dans Ie domaine de l'histoire, les chefs des clans de ces chefferies actuelles ont une origine commune : Lunda. Chaque nom est devenu une particularité tribale. Sculpturalement, tous ont des représentations anthropomorphes, celles des masques de danse. Toutefois, les critères morphologiques des sculptures des Imbangala chevauchent entre ceux de l'art Tshokwe et ceux de l'art Kongo. Le commerce du sel et Ie Chemin de
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Váňa, Dušan. "DIY technologie v digitálním sochařství." Doctoral thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2020. http://www.nusl.cz/ntk/nusl-433180.

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This dissertation thesis is focused on the search for the presence of DIY (Do It Yourself) technologies in the practice of digital sculpting, from the beginnings of this progressive way of creation to the present. The work, through three thematic areas, answers the main research questions: What kind of technology is or has the DIY phenomenon been represented in digital sculpture? How have these technologies influenced and are influencing the development and direction of digital sculpture? Within the first thematic area, the presence of the DIY phenomenon in the beginnings of digital creation o
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Books on the topic "Bangwa Sculpture"

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Lintig, Bettina von. Die bildende Kunst der Bangwa: Werkstatt-Traditionen und Künstlerhandschriften. Akademischer Verlag, 1994.

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2

Sacks, Shelley. Exchange values: Images of invisible lives : a "social sculpture" project by Shelley Sacks in association with the Free International University Social Sculpture Forum and St. Lucian banana producers Cyril & Felicia Maquis ... [et al.]. Nottingham Trent University, Bonington Gallery, 1996.

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3

Bonelli, Laura. Arte senese: Dal tardo Medioevo al Novecento nelle collezioni del Monte dei Paschi di Siena. Sillabe, 2022.

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Martini, Arturo. Arturo Martini: Gli anni di Anticoli Corrado. Quasar, 1991.

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Martini, Arturo. Arturo Martini. Charta, 1993.

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Martini, Arturo. Arturo Martini: Il gesto e l'anima = le geste et l'âme = the gesture and the soul. Electa, 1989.

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Martini, Arturo. Arturo Martini: 1889-1947 : l'oeuvre sculpté. Electa, 1991.

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Martini, Arturo. Arturo Martini. Edizioni P. Daverio, 1991.

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Martini, Arturo. Arturo Martini: Opere edite e inedite, 1908-1944 :Sintonie, omaggio a Martini : Alimonti, Bentivoglio, Burke, Conte, Dituri, Frare, Meo, Torelli, Trefeli. Electa, 1996.

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Martini, Arturo. Arturo Martini: Da "valori plastici" agli anni estremi. De Luca edizioni d'arte, 1989.

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Book chapters on the topic "Bangwa Sculpture"

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"Visual Communication: Images, Sculptures, and Counting Systems." In From Big Bang to Big Data. McGill-Queen's University Press, 2023. http://dx.doi.org/10.1515/9780228015284-009.

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2

Gorfinkel, Elena. "Introduction." In Lewd Looks. University of Minnesota Press, 2017. http://dx.doi.org/10.5749/minnesota/9781517900175.003.0001.

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New York City, mid-1960s, black-and-white 35mm film stock and a familiar sexploitation scenario: young Candy leaves her small town. We see her departing on the train. She is fleeing the fate of her mother, a prostitute who has committed suicide. She opines in voice-over about a new life in New York City, which holds the promise of another identity and respite from the shame bestowed by maternal disgrace. Candy (Barbara Morris), with dark hair and cropped bangs, evokes a low-budget Anna Karina circa Jean-Luc Godard’s early 1960s films. She moves in with an old girlfriend, her enchantment by the
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