Academic literature on the topic 'Banned Authors'
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Journal articles on the topic "Banned Authors"
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Kharitonov, Yevgeny. "Banned authors." Index on Censorship 24, no. 1 (January 1995): 70–71. http://dx.doi.org/10.1080/03064229508535833.
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Roberts, Ian, Haleema Shakur, Rinaldo Bellomo, Julian Bion, Simon Finfer, Beverley Hunt, John Myburgh, Anders Perner, and Konrad Reinhart. "Should hydroxyethyl starch be banned? – Authors' reply." Lancet 392, no. 10142 (July 2018): 119. http://dx.doi.org/10.1016/s0140-6736(18)31179-6.
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Kuitert, Lisa. "Publishing House Contact and Its Support for Authors in the Second World War." Quaerendo 40, no. 3-4 (2010): 305–26. http://dx.doi.org/10.1163/157006910x537727.
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AbstractThe name of publishing house Contact is associated with Anne Frank’s diary, of which Contact was the first publisher. In this article, Lisa Kuitert shows how Contact, established in 1933, operated during the Second World War. Although Contact was not a publisher for the resistance, both of its publishing directors, in various ways, supported authors who had been banned from publishing. The means also existed for them to do this because precisely in these five years, the publisher did well financially.
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Esmond and Chryssee Bradley Martin. "Combatting the illegal trade in rhinoceros products." Oryx 21, no. 3 (July 1987): 143–48. http://dx.doi.org/10.1017/s0030605300026879.
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Unless the trade in rhino horn is stopped, the survival of the world's rhinos is in jeopardy. Thanks to the efforts of conservationists, many countries have now banned exports and imports of rhino products, and most of the trade that occurs is illegal. There is still much to be done, however, as the authors explain.
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Bickford, John Holden, and Devanne R. Lawson. "Examining Patterns within Challenged or Banned Primary Elementary Books." Journal of Curriculum Studies Research 2, no. 1 (May 25, 2020): 16–38. http://dx.doi.org/10.46303/jcsr.02.01.2.
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Public schools and public libraries often receive challenges—suppression or removal requests—to particular books, which can lead the book being banned. Research has examined challenges to books with multicultural themes and individuals, noted that authors of color are disproportionally targeted, and recognized the remarkable number of challenges to books deemed to be classic. This qualitative content analysis research utilized both with inductive and deductive elements—open coding and axial coding—to examine challenged books intended for primary elementary students. The theoretical framework blended critical multiculturalism, gay and lesbian identity, and radical politics in children’s literature. Findings included patterns based on era, frequency and location of challenge, demography of challenger, and oft-challenged themes, specifically sexuality (sexual reproduction and diverse sexualities), inappropriate humor, danger, death, racial and religious diversity, mysticism and wizardry, racially or culturally insensitive elements, concerning interpersonal dynamics, and evolution. Meaning is extracted for teachers, librarians, administrators, and researchers.
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Shingjergji, Besa, and Hektor Ciftja. "Present day school readers in rapport with the dramatic works of a once-banned Albanian author." Journal of Education Culture and Society 4, no. 1 (January 12, 2020): 257–66. http://dx.doi.org/10.15503/jecs20131.257.266.
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The process of reading, rereading, scrutinizing, re-scrutinizing and appraising an author’s work is not fi nite; moreover it is very dynamic and full of suprises. No doubt that the appraisal and re-appraisal is too complex, including cultural, literary, gender and genre components. This becomes more obvious when referring to an author whose works had been locked up in library stacks during the whole 45 years of totalitarian rule in Albania, and whose appraisal process cannot help facing up to the critical thinking led by biased politicization. In this study the appraisal of the works of one of the most outstanding Albanian writers of the 30s of the twentieth century, Etëhem Haxhiademi, will be done by presenting them in rapport with the present-day school, pre-university and university level readers. This re-appraisal is conducted with a cold logic, devoid of the vindictive political principles which brought the distorted evaluation of the authors’ works, as it happened for many other au-thors as well, and is striving to place the writer into the system of the genuine literary values. Once the reader’s inquisitiveness has been satisfi ed, even after reading a less-known or, moreover, an oblivious or banned literary work, he/she begins reading and rereading it, looking closely into it, essaying to fi nd a proper place for this work in the general system of the national, inter-balkanic and international literary values.E. Haxhiademi’s literary work was known by an older generations of readers whose es-thetic satisfaction it brought forth was confi ned in their consciousness: it was unknown or partly known, not by direct reading but by several interpretations of others, by a middle generation of readers who displayed a certain artistic uncertainty and indifference. However, nowadays it is intently being studied although in excessively fragmentary ways and in many cases even unsuitable ones, by the younger generation of readers who should have a more motivated curiosity for divulging its real values.In the history of the Albanian literature, as well as in the other East European Countries, the authors’ biographies and especially their political aspects, were used as selective criteria to appraise authors and their works, instead of being pure cognitive and studying means. This study intends to reveal the present-day school readers’ affi rmative attitudes or even the non-affi rmative ones, regarding Haxhiademi’s literary works, in the process of re-dimen-sioning the author’s values and those of his literary works.
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Whitaker, Romulus, and Harry V. Andrews. "The Irula Co-operative Venom Centre, India." Oryx 29, no. 2 (April 1995): 129–35. http://dx.doi.org/10.1017/s0030605300021001.
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When the Indian Government banned the export of snakeskins in 1976, the Irulas – a tribal people whose traditional skills included snake-catching – lost a major source of income. The authors describe how the Irula Co-operative Venom Centre was established to replace this lost income and at the same time exploit a valuable wildlife resource in a way that is apparently sustainable. More research is needed, however, to ensure that the project is viable in the long term.
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Sun, Liying, and Michel Hockx. "Dangerous Fiction and Obscene Images." Prism 16, no. 1 (March 1, 2019): 33–61. http://dx.doi.org/10.1215/25783491-7480325.
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Abstract The magazine Meiyu 眉語 (Eyebrow Talk), published from 1914 to 1916 and edited by Gao Jianhua 高劍華, was China's first literary magazine edited by a woman and targeted at a female audience. It was also the first modern magazine to pay extensive attention to nudity and to physical and romantic intimacy through at times carefully considered juxtapositions of texts and images. In addition, it was the first Chinese magazine to be banned on the basis of obscenity legislation introduced during the early Republic. The committee that banned Meiyu was led by Zhou Shuren 周樹人, who later became known as the author Lu Xun 魯迅, and his disparaging reminiscence about Meiyu caused the magazine to be all but forgotten for nearly a century. In this article, the authors use a wide variety of archival material to reconstruct the complex publishing history of the magazine, as well as the processes and cultural standards involved in its banning. This is followed by a close analysis of aspects of the contents of Meiyu, especially the interaction between texts and images in the representation of nudity, intimacy, and coupledom.
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Soepriatmadji, Liliek, and Katharina Rustipa. "Some negative contents portrayed in English song lyrics." EduLite: Journal of English Education, Literature and Culture 5, no. 1 (February 29, 2020): 148. http://dx.doi.org/10.30659/e.5.1.148-158.
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Some song lyrics may have been banned or rescheduled for their radio and television broadcasts. Those song lyrics were claimed to propagandize negative contents. Recently West Java Broadcasting Commission has regulated the broadcast of 17 western songs for the prejudice of negative contents. Based on semantic analysis of those song lyrics, the authors finally found out that they qualitatively describe lust, profanity, drug and alcohol abuse, etc. through periphrasis, simile, litotes, meiosis, and other speech figures. Clauses were selected to deliver the figures of speech of the lyrics sung by mostly male singers and the male-female duets in pop and r and b music genres.
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McCaa, Roberts. "The Big Killers: Mortality Crises in Social Context." Social Science History 20, no. 4 (1996): 553–57. http://dx.doi.org/10.1017/s0145553200017569.
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The emergence of new infectious diseases and the resurgence of old ones fascinate scholars as well as the public. Before the Ebola virus made the best-seller lists or starred in a feature-length film, the International Commission on Historical Demography (ICHD) had planned a colloquium for its quinquennial meeting in Montreal, “The Big Killers: Epidemics, Famine, and War in Historical Perspective” (27 August–3 September 1995). Twenty-eight papers materialized. Interpretation and synthesis were the principal concerns. Technical obsessions of the guild—methodology, data, quantification, and the like—were banned. Instead, authors were encouraged to focus on the interrelations between mortality crises, on the one hand, and culture, society, economy, and politics, on the other.
Dissertations / Theses on the topic "Banned Authors"
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Caraco, Benjamin. "Renouvellement et montée en légitimité de la bande dessinée en France de 1990 à 2011 : histoire de L'Association et de ses auteurs." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H002.
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Le début des années 1990 constitue un tournant dans l'histoire de la bande dessinée, à la fois en termes de renouvellement des contenus et de montée en légitimité du médium. La maison d'édition L'Association, fondée en 1990 par sept auteurs, a été partie prenante de ces deux processus. Cette thèse est la première consacrée à cet éditeur et au rôle qu'il a joué dans la plus grande reconnaissance du médium. Alors que les travaux consacrés à la légitimation d'une forme artistique prennent souvent pour objet des médiateurs, celle-ci s'intéresse à des créateurs.Elle étudie la contribution de L'Association et de ses auteurs à cette montée en légitimité à travers une approche historique globale qui confronte l'analyse des revendications d'indépendance et d'alternative avec leurs traductions dans la pratique (fonctionnement interne, catalogue et livres). Pour cela, cette thèse s'appuie sur le recueil de sources orales auprès des auteurs et salariés de L'Association, sur des analyses à la fois externes et internes des œuvres publiées et porte une attention particulière au discours produit par l'éditeur. Cette thèse s'articule autour d'une première partie consacrée à l'histoire de la maison d'édition et de ses principaux auteurs, en s'efforçant de montrer en quoi ces derniers se distinguent du reste du champ de la bande dessinée, et d'une seconde centrée sur l'analyse de la politique éditoriale de L'Association, à travers l'étude de son catalogue et de ses principales réalisationsThe beginning of the 1990s was a turning point in the history of comics, both in terms of artistic renewal and in terms of the rise in legitimacy of the medium itself. The publisher L'Association, founded in 1990 by seven authors, contributed to both of these phenomena. This thesis is the first one about this publisher and the role it played in legitimising the medium. Whereas studies of the legimisation of art most often focus on intermediaries, this one is centered on creators. This thesis examines the contribution that L'Association and its authors make, by adopting a global historical approach which contrasts the analysis of independence claims with its practical manifestations (organization, title lists, and books). Therefore, our work is based on interviews from authors and workers from L'Association, on both external and internal analysis of its publications, and focuses closely on the discourse produced by the publisher. This thesis is in two parts. The first deals with the history of the publisher and its major authors, and tries to show how they distinguish themselves from the rest of the comics field. The second focuses on the analysis of the publishing policy of L'Association through a study of its title list and its main achievements
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Federici, Sandra. "L'entrance des auteurs africains dans le champ de la bande dessinée européenne de langue française (1978-2016)." Thesis, Université de Lorraine, 2017. http://www.theses.fr/2017LORR0379.
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Cette étude s’interroge sur les conditions de possibilités et les modalités d’entrance des auteurs africains dans le champ de la bande dessinée européenne de langue française. La thèse procède à une approche sociologique en effectuant, en premier lieu, une analyse institutionnelle des conditions de production, de circulation et de réception, ainsi que de la sociabilité dans les contextes locaux, notamment dans les pays de l’Afrique subsaharienne francophone. L’examen des modalités de publication dans l’édition ou dans la presse, des associations d’auteurs, des festivals et d’autres initiatives de promotion, des possibilités offertes par le monde associatif et celui des institutions montre que les auteurs locaux ont à réaliser leur vocation artistique et leurs projets professionnels dans des milieux mal organisés et peu propices. Cet état de choses, certes, oblige les agents à mettre en œuvre leur plus ou moins grande habileté à s’y adapter et à le faire jouer à l’avantage de leur parcours professionnel, mais il pousse aussi de nombreux auteurs à considérer la publication dans le champ européen comme le but vers lequel orienter leurs efforts et leurs stratégies. La problématique générale de l’entrance est l’angle d’attaque de la deuxième partie, qui analyse au moyen de la théorie du champ élaborée par Pierre Bourdieu les trajectoires des quelques auteurs africains de B.D. qui ont réussi à atteindre une certaine légitimation de la part des institutions de la B.D. européenne, à savoir les congolais Barly Baruti et Pat Masioni et l’ivoirienne Marguerite Abouet, ainsi que quelques autres parcours significatifs. Les notions d’habitus, de stratégie, de périphérie, d’autonomie et d’hétéronomie, mais aussi d’antinomie ont permis d’éclairer ces parcours. La théorie des champs, qui met l’accent sur les conditions sociales relatives à la création, à la circulation et à la consommation des biens symboliques et sur les institutions impliquées dans la « mise en acte » de l’objet artistique-culturel pour en comprendre la position dans la société de référence, a été l’instrument qui a permis de saisir l’importance de plusieurs facteurs : l’impact du secteur associatif et des institutions internationales ; l'autonomisation comme seconde étape ou éventuellement comme phase décisive, déterminant l’entrance dès le début ; les « instances de légitimation »This research examines the conditions of possibilities within and the routes of entry of the African authors into the comic field of the French-speaking Europe. The dissertation employs a sociological approach by making, firstly, an institutional analysis of the conditions of production, circulation and reception, as well as the sociability in the local contexts, in particular in the French-speaking countries of sub-Saharan Africa. The examination of the modalities of publication in the edition or in the press, of the associations of authors, festivals and other promotional initiatives, and of the possibilities offered by associations and institutions, shows that local authors have to realize their artistic vocation and their professional projects in poorly organized and unfavourable environments. Of course, this state of things requires agents to exercise their greater or lesser skill in adapting to it and making it play to the advantage of their professional career, but it also prompts a number of authors to consider the publication in the European field as the goal towards which to focus their efforts and strategies. The general problem of entry is the angle of attack of the second part, which draws on Pierre Bourdieu’s theory of fields to analyse the trajectories of the few African comics authors who managed to achieve a certain legitimation in European environments, namely Congolese Barly Baruti and Pat Masioni and the Ivorian Marguerite Abouet, as well as some other significant paths. The notions of habitus, strategy, periphery, autonomy and heteronomy, but also antinomy have helped to illuminate these paths. The theory of fields, which emphasizes the social conditions relating to the creation, circulation and consumption of symbolic goods and the institutions involved in the "mise en act" of the artistic-cultural object, in order to understand the position in the society of reference, was instrumental in understanding the importance of several factors: the impact of associations and of the international institutions; autonomy as a second step or eventually as a decisive phase, determining the entrance from the beginning; the “instances of legitimation”
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Maskell, Katherine Murphy. "Who Wrote Those “Livery Stable Blues”?: Authorship Rights in Jazz and Law as Evidenced in Hart et al. v. Graham." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338343959.
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Falgas, Julien. "Raconter à l'ère numérique : auteurs et lecteurs héritiers de la bande dessinée face aux nouveaux dispositifs de publication." Thesis, Université de Lorraine, 2014. http://www.theses.fr/2014LORR0112/document.
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Considérant l’environnement numérique qui se caractérise par la convergencedes modes et des formes discursifs, à quels cadres les auteurs et les lecteurs héritiers de la bande dessinée se référent-ils et de quelle manière s’y réfèrent-ils ? Il s'agit de comprendre comment des auteurs confrontés à de nouveaux dispositifs de publication produisent le sens commun nécessaire à la création de récits numériques dont les lecteurs parviennent à partager les standards de transcription, tirent des routines d’usage pour leur interprétation, et jugent attrayante la sélection et la mise en forme des évènements racontés. Après avoir présenté lecontexte dans lequel ont émergé les premiers récits identifiés comme des « bandes dessinées numériques de création », l'étude porte sur l'analyse indexicale d'entretiens conduits auprès des auteurs et des lecteurs de deux de ces récits. L'analyse fait apparaître l'originalité des assemblages de cadres de références opérés par les auteurs et reconnus de leurs lecteurs. Cette étude montre ainsi l'importance des dynamiques de production de sens dans l'invention et l'adoption de nouvelles formes narratives. Le retour critique sur ce travail soulève plusieursquestions méthodologiques, notamment quant à la place du chercheur en tant qu'acteur engagé dans la production de sens, mais aussi quant à la prépondérance accordée au mot dans ce type d'étude, et enfin quant aux modalités d'entretien les plus favorables à la recherche et à l'élucidation des marques indexicales par lesquelles s'expriment les cadres de référence des acteursWhat are the frames to which authors inspired by the comics legacy refer inthe digital environment, characterized by the convergence of media and discursive forms ? How do they refer to such frames in order to make sense and to tell digital stories from which readers are able to share the standards of translation, find routines for their interpretation, and feel entertained by the selection and the arrangement of events ? After setting the context in which emerged the first accounts identified as « original digital comics », the study focuses on the indexical analysis of interviews with authors and readers of two such stories. The analysis reveals the originality of the frames arrangements made by the authors and recognized by their readers. This study shows the importance of sensemaking activities for the invention and adoption of new narrative forms. The critical review of this work raises several methodological issues, particularly regarding the place of the scientist as an actor engaged in the sensemaking activity, but also about the the importance given to words in this kind of researches, and finally about the appropriate interview methods in order to find and explain indexical marks leading to the actors' frames
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Matthey, Astrid. "Essays in risk." Doctoral thesis, Humboldt-Universität zu Berlin, Wirtschaftswissenschaftliche Fakultät, 2007. http://www.gbv.de/dms/zbw/547514069.pdf.
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Zídková, Lea. "Lenka Procházková, její literární kariéra, život a dílo - monografická studie." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-312992.
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This thesis deals with the course of literary career and with the forms of work of Lenka Procházková, an author, whose literary career started in the turn of late seventies and early eighties in the unofficial literature. As a signee of Charta 77 and a daughter of Jan Procházka - highly acclaimed, yet unpopular for the regime after 1968 - she became a banned author, whose work could not be published within an official structure of Czech literature in the seventies and eighties. Her literary career continues until these days. In the Introduction part the reasons why our interest is aimed at Lenka Procházková in the first place are being described. The basis goals of our work are also stipulated within the Introduction section. In section Fundaments of Research hypotheses for the approach to the following analyses are introduced. In Sources of Information part all used sources are being introduced - already published literary works as well as sources unpublished or materials which have not been compiled yet (archive materials, letters, reminiscences of observers, family and friend eyewitnesses etc.) In the chapter called Life Circumstances accompanying and determining the literary career of Lenka Procházková we present a comprehensive and detailed biography of the author which cannot be found...
Books on the topic "Banned Authors"
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Paulsen, Wolfgang. Im Banne der Melusine: Theodor Fontane und sein Werk. Bern: P. Lang, 1988.
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Gardner, Terry J. The original Gospel guardian (1935-1936): And The Bible banner (1938-1949) : indexed by author and subject. Indianapolis: T. Gardner, 1994.
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Chołuj, Bożena. Deutsche Schriftsteller im Banne der Novemberrevolution 1918: Bernhard Kellermann, Lion Feuchtwanger, Ernst Toller, Erich Mühsam, Franz Jung. Wiesbaden: Deutscher Universitäts-Verlag, 1991.
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Chołuj, Bożena. Deutsche Schriftsteller im Banne der Novemberrevolution, 1918: Bernhard Kellermann, Lion Feuchtwanger, Ernst Toller, Erich Mühsam, Franz Jung. Wiesbaden: Deutscher Universitäts-Verlag, 1991.
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Banno, Junji, and Jirō Yamaguchi. The Abe Experiment and the Future of Japan. GB Folkestone: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9781898823216.
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With an author’s Foreword written on the day that the Abe cabinet decided to ‘revise the Japanese Constitution by reinterpretation’ (Tuesday, 1 July 2014), this timely examination of Japan’s post-war history by two leading historians committed to democratic politics is highly instructive and prompts serious reflection by anyone concerned with the future of Japan. Originally published in Japan by Iwanami Shinsho, The Abe Experiment and the Future of Japan, records a wide-ranging dialogue between two eminent Japanese scholars – Junji Banno, a political historian, and Jir? Yamaguchi, a political scientist – regarding Japan’s modern political history. The focus of the conversation is on what they perceive as disturbing parallels between the 1930s and the recent policy trajectory of the Abe government, in which relations with Japan’s immediate neighbours have seriously deteriorated. The translation is by the distinguished Oxford scholar and author Arthur Stockwin, formerly Director of the Nissan Institute.
Book chapters on the topic "Banned Authors"
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Boulouque, Clémence. "The Banned Author and the Oriental Publisher." In Another Modernity, 37–45. Stanford University Press, 2020. http://dx.doi.org/10.11126/stanford/9781503612006.003.0004.
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Chapter 3 examines how the utter disgrace of a rabbinic ban (herem) affected Benamozegh. In a very rare and harsh measure, his Hebrew biblical commentary was banned and burned in 1865 in Aleppo because it contained too many references to sources outside the Jewish tradition. The herem discouraged Benamozegh from any further major enterprise in Hebrew. However, he kept a presence, as a publisher, in the Mediterranean and his endeavors deserve significant attention: it was the largely Hebrew catalogue of his printing press, with a distribution and network of authors spanning the Maghreb and the Mashriq, that functioned as his commitment to an Oriental modernity.
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Lukowski, Alison A., and Erika M. Sparby. "Breastfeeding, Authority, and Genre." In Innovations in Global Maternal Health, 403–27. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-2351-3.ch018.
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This chapter is concerned with women's mis- or underrepresentation in knowledge creation, particularly when it comes to their bodies. In this chapter, the authors examine how Wikipedia's generic regulations determine that women's often experiential ethos is unwelcome on the site. Thus, women are often unable to construct knowledge on the “Breastfeeding” entry; their epistemological methods are ignored or banned by other contributors. This chapter also examines six breastfeeding-focused mommyblogs, proposing blogs as an alternative genre that welcomes women's ethos. However, the authors also recognize that such blogs are not a perfect epistemological paradigm. The chapter closes with an examination of the implications of this work for academic collaboration across fields and for women's agency.
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Lukowski, Alison A., and Erika M. Sparby. "Breastfeeding, Authority, and Genre." In Establishing and Evaluating Digital Ethos and Online Credibility, 329–47. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1072-7.ch016.
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This chapter is concerned with women's mis- or underrepresentation in knowledge creation, particularly when it comes to their bodies. In this chapter, the authors examine how Wikipedia's generic regulations determine that women's often experiential ethos is unwelcome on the site. Thus, women are often unable to construct knowledge on the “Breastfeeding” entry; their epistemological methods are ignored or banned by other contributors. This chapter also examines six breastfeeding-focused mommyblogs, proposing blogs as an alternative genre that welcomes women's ethos. However, the authors also recognize that such blogs are not a perfect epistemological paradigm. The chapter closes with an examination of the implications of this work for academic collaboration across fields and for women's agency.
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Collet, Christian. "Waste Time or Lose Life: Assessing the Risk of Phoning While Driving." In Encyclopedia of Mobile Phone Behavior, 1376–97. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8239-9.ch109.
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Several actions and/or operations might interfere with those required during car-driving and thus elicit dual task conditions. Those related to driving itself involve manipulating commands or instruments and should be automated during the learning to drive period to ensure safety. Others, independent of driving may be delayed (eating, smoking a cigarette). Finally, others like manipulating a navigation system or holding a cellphone have potential interference more or less related to driving. The authors now step back about 25 years to analyze the interference between driving and phoning and assess the risk associated with it. Epidemiology provides an overview of mobile phone use and hypotheses about accident causes. If hand-held phones obviously interfere with driving actions, the authors should explain why hands-free kits do not solve all safety concerns. Then, analyzing the operations affected by phoning and describing the objective measures revealing impaired driving performance will address this issue. The authors finally highlight the conditions for relatively safe phone use as well as those that should be banned. Deciding to phone or not will thus depend on driving safety education, during which skills of caution should have been learned.
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Boes, Tobias. "The Loyal American Subject." In Thomas Mann's War, 201–30. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501744990.003.0011.
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This chapter shows how Thomas Mann was reintroduced into postwar Germany—where his works had been previously banned—through American distribution of his literature. Many Germans were glad to be given new reading matter after years of censorship, paper shortages, and aerial bombardments that destroyed a large number of civilian presses. For these Germans, both the U.S. Army and the Bermann-Fischer Verlag, which continued to publish from abroad until 1949, became valuable avenues through which they could reimagine their own broken literary heritage. Thomas Mann, that most German of modern authors, was now indisputably also a part of American (and through it of global) literary culture. His commercial success and his literary reputation were partly, if not predominantly, determined by factors that had nothing to do with the responses of German readers at all.
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Hile, Rachel E. "Thomas Middleton’s satires before and after the Bishops’ Ban." In Spenserian Satire. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9780719088087.003.0006.
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Chapter 5 considers two early works of Thomas Middleton with reference to the social and political context of the turn of the seventeenth century, with special attention to how the Bishops’ Ban of 1599, which banned several books and restricted the future publication of satirical works, affected the literary subfield of satire in England. Following the 1591 calling-in of Spenser’s Complaints volume, which included the satirical animal fable Mother Hubberds Tale, authors largely avoided publishing anything like an animal fable. This chapter argues, though, that the young Thomas Middleton wanted to signal his allegiance with the values and ideas espoused by Spenser, and that he does this indirectly in his 1599 Micro-Cynicon through allusions and analogies that render his formal verse satires circuitously Spenserian. Five years later, Middleton published a much more obviously Spenserian work that, with its nostalgia for Queen Elizabeth’s reign and use of talking insects and birds, suggests more fully the ongoing importance of Spenser as an inspiration to the young poet Middleton before he became the dramatist Middleton. The chapter closes by briefly contrasting the pervasive Spenserianism of the young Middleton with John Donne’s perhaps faddish use of animal fable in his Metempsychosis; Poêma Satyricon.
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Harrison, Jill, and John Ryan. "Diffusion of Technology in Higher Education Classrooms." In Digital Literacy, 1119–33. IGI Global, 2013. http://dx.doi.org/10.4018/978-1-4666-1852-7.ch059.
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Technology use is contextual and tends to follow, often invisible, ground rules. Within the situational context of a higher education classroom the rules and sanctions regarding technology use become increasingly complex. Many universities in the United States now require that all incoming students have laptops, with the rationale being that technology is an important tool used to help students organize and catalogue knowledge. Laptops allow students to connect to library and campus resources. Further, requiring laptops on a networked campus creates a sense of digital unity rather than digital divides among students and faculty. The message to students is that personal laptops are important and even required. However, within the context of the higher education classroom, laptop use is often being limited or banned by classroom instructors, a contradiction of the larger university message. As Marcuse (1982) noted, technology is a social process. The diffusion of laptop technology into higher education has altered the modes of producing knowledge and the social relationships organized around that production process. The purpose of this chapter is to highlight how the use of this technology is negotiated between faculty and students and how issues of engagement, the self-production of knowledge, and security influence this negotiation. The authors argue that issues of laptop use in the classroom are rooted in concerns of power, legitimacy, and identity associated with the production of knowledge.
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"3. The Banned Author and the Oriental Publisher." In Another Modernity, 37–45. Stanford University Press, 2020. http://dx.doi.org/10.1515/9781503613119-006.
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"List of Authors." In Ultra Wide Band Antennas, 273. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2013. http://dx.doi.org/10.1002/9781118557754.oth1.
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"List of Authors." In Wide Band Gap Semiconductor Nanowires 2, 253–54. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118984291.oth1.
Full textConference papers on the topic "Banned Authors"
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Milosavljević, Miroslav, Isidora Milošević, and Jelena Milosavljevic. "TERMINOLOŠKO I POJMOVNO ODREĐENjE BANKE KAO SUBJEKTA USLUŽNOG PRAVA." In XVII majsko savetovanje. Pravni fakultet Univerziteta u Kragujvcu, 2021. http://dx.doi.org/10.46793/uvp21.243m.
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In order to determine the essence of the bank, as an economic entity, the authors first determined its definition, both terminologically and conceptually. Furthermore, the theoretical and lexicographic definition of the bank is analyzed, as well as the definitions given in the positive law of the Republic of Serbia and in comparative law, primarily in the states that emerged from the former republics of SFRY, and then in English and German law, as well as the EU. The authors came to the conclusion that there is a common denominator for all analyzed definitions on the basis of which the terminological and conceptual definition of a bank is precisely determined.
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Canat, Sylvain, and Jean Faucher. "Fractional Order: Frequential Parametric Identification of the Skin Effect in the Rotor Bar of Squirrel Cage Induction Machine." In ASME 2003 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/detc2003/vib-48393.
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In this article, the authors propose a method of modeling of the skin effect in the rotor bars of asynchronous motors. Two compact transfer functions with a fractional order were selected to represent the admittance of the bar. The compactness of these transfer functions makes it possible to take into account the diffusive phenomenon of the skin effect on a broad frequency band and is characterized by a small quantity of parameters to identify. The authors carried out an identification by the method of the model associated with an iterative procedure of Levenberg-Marquardt.
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Chatterton, S., P. Borghesani, P. Pennacchi, and A. Vania. "Optimal Frequency Band Selection for the Square Envelope Spectrum in the Diagnostics of Rolling Element Bearings." In ASME 2014 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/detc2014-35088.
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Diagnostics of rolling element bearings is usually performed by means of a second-order cyclostationary tool applied to the vibration signal, due to the stochastic nature of the contact between the defect and the bearing rolling elements. The most used and simple method is the Envelope Analysis that is based on the identification of bearing damage frequency components in the so-called Square Envelope Spectrum. The main critical point of this technique is the selection of a suitable frequency band for the demodulation of the vibration signal. The most used approach for the frequency band selection is based on the evaluation of the band-Kurtosis index by mean of diagrams as the frequently used Fast Kurtogram or the more recent Protrugram. Both of them may fail in the selection of the optimal frequency band when other vibration sources affect the Kurtosis index. Also critical is the constancy in the time of this optimal band. In the paper, an experimental case of a bearing damage is investigated and an alternative approach for the filter band selection, the so-called “PeaksMap”, will be proposed by the authors and compared with the ones available in the literature.
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Cai, Liang-Wu. "Tunable Phononic Band Gap Crystal Using Eccentric Multilayered Scatterers." In ASME 2004 International Mechanical Engineering Congress and Exposition. ASMEDC, 2004. http://dx.doi.org/10.1115/imece2004-59671.
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Phononic band gap materials are a class of materials having the capability to prevent the propagation of waves in a certain frequency range, forming a band gap in the spectrum. Such a material usually consists of a large number of scatterers embedded in a host material in a regular lattice pattern. The band gap is determined by the material properties and the geometry of the microstructure. Usually, when such a structured material is cast, the band gap is fixed. In a recent study by the author, it is found that in the case of single multilayered scatterer, the scattered wave field is extremely sensitive to any eccentricity in the layers of the scatterer. In this paper, effects of eccentricity on single scattering, along with the solution approach, is briefly reviewed. The multiple scattering effects due to the scatterer eccentricity are studied through deterministic analysis of the multiple scattering process in an array of identical dual-layer eccentric scatterers. The analyses are performed by using an analytically exact multiple-scattering solution developed by the author in his earlier publications. Numerical examples are based on the materials used in a metal-matrix ceramic fiber reinforced composite system. Multiple scattering analyses demonstrated that the capabilities of tuning the wave scattering pattern by adjusting the geometric parameters of the eccentricity are significantly enhanced in the multiple scatterer setting. It is suggested that, if the eccentricity can be controlled through external mechanism, it is possible to design tunable phononic sonic crystals using such multilayered eccentric scatterers.
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Zhang, Qinqiang, Takuya Kudo, and Ken Suzuki. "Theoretical Study of Electronic Band Structure of Dumbbell-Shape Graphene Nanoribbons for Highly-Sensitive Strain Sensors." In ASME 2018 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/imece2018-88431.
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The authors have proposed the formation of dumbbell-shape graphene nanoribbon (GNR) for developing various semi-conductive materials with metallic electrode at both ends. The novel dumbbell-shape structure, which has a center narrow part and wide parts to sandwich the narrow part, can be considered as a composite structure consisting of two single GNRs with different ribbon width. In this study, the electronic band structure of this dumbbell-shape GNR was analyzed by using the first principle calculation method. All the first-principles calculations were performed using DFT. Throughout these calculations, the electronic band structures, densities of states, and orbital distributions of the new dumbbell-shape structure GNR were examined to describe the electronic properties of dumbbell-shape GNRs and predict the performance of strain sensors. The band gap of dumbbell-shape GNRs is different to that of single GNRs. The magnitude of the band gap of the dumbbell-shape GNR depends on the combination of the single GNRs and the difference in the width of narrow part and wide parts. The main change to the band gap is attributed to a change in the orbital distributions of the lowest unoccupied molecular orbitals (LUMO) and the highest occupied molecular orbitals (HOMO). In addition, when a dumbbell-shape GNR undergoes a uniaxial tensile strain, its band gap showed high strain sensitivity as was expected. Therefore, the GNR material with a dumbbell-shape structure has great potential for use in highly sensitive strain sensors.
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Segalman, Daniel J., Matthew S. Allen, Melih Eriten, and Kurt Hoppman. "Experimental Assessment of Joint-Like Modal Models for Structures." In ASME 2015 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/detc2015-47946.
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Several of the authors, and others, have explored the use of modal-like models for structures having nonlinearities associated with compressive joints (such as bolted connections.) In these models, the deformations are treated as consisting of modal expansions, but with the modal coordinates that evolving nonlinearly over time. There have been several theoretical treatments of this strategy and the authors report here on an early effort to confirm the approach through experiment. For this purpose simple structures consisting of pairs of plates were assembled using four bolted connections. The structures were excited by modal hammer at various locations and the modes identified by scanning laser vibrometer. In each case, multiple modes were excited and the evolution of modal coordinates was achieved by band-pass filtering at the relevant frequencies. Making some simple kinematic assumptions about relative deformations of the component plates and exploiting symmetries permits the mapping from ring-down of each mode to constitutive behavior of each joint. If the strategy of using joint-like modal models for bolted structures is valid, the joint constitutive models deduced from any mode should be adequate to predict the apparent, but nonlinear modal behavior at other resonances. Multiple test specimens were manufactured to assess this predictive capability in the context of part-to-part variability intrinsic to the dynamics of such structures.
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Al-jawi, A. A. N., A. G. Ulsoy, and Christophe Pierre. "Vibration Localization in Band/Wheel Systems: Theory and Experiment." In ASME 1993 Design Technical Conferences. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/detc1993-0172.
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Abstract An investigation of the localization phenomenon in band/wheel systems is presented. The effects of tension disorder, interspan coupling, and translation speed on the confinement of the natural modes of free vibration are investigated both theoretically and experimentally. Two models of the band/wheel system dynamics are discussed; a simple model proposed by the authors [1] and a more complete model originally proposed by Wang and Mote [9]. The results obtained using the simple interspan coupling model reveal phenomena (i.e., eigenvalue crossings and veerings and associated mode localization) that are qualitatively similar to those featured by the more complex model of interspan coupling, thereby confirming the usefulness of the simple coupling model. The analytical predictions of the two models are validated by an experiment. A very good agreement between the experimental results and the theoretical ones for the simple model is observed. While both the experimental observations and the theoretical predictions show that a beating phenomenon takes place for ordered stationary and axially moving beams, beating is destroyed (indicating the occurrence of localization) when any small tension disorder is introduced especially for small interspan coupling (i.e., when localization is strongest).
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Ohnishi, Masato, Ken Suzuki, and Hideo Miura. "Effect of Anisotropic Strain Field on the Electronic Conductance of Carbon Nanotubes." In ASME 2013 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/imece2013-64487.
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Since carbon nanotubes (CNTs) have unique electronic and mechanical properties, there have been many efforts to develop CNTs-based electronic devices and sensors. The authors have also validated the possibility of a highly sensitive strain sensor using popular resin in which multi-walled CNTs (MWNTs) were dispersed uniformly. It is, however, indispensable for clarifying how to change the electronic state of a deformed CNT for assuring the stable performance of the sensor because the reported sensitivity has ranged widely. In this study, the relationship between the deformation characteristic of a CNT under strain and its electronic properties was analyzed. The analysis result obtained from density functional theory (DFT) calculation showed that the orbital hybridization was occurred when the maximum local dihedral angle exceeded 10–20° and 25–30° in GNRs and CNTs, respectively, which induced the band gap.
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Liu, Zunping, and Liang-Wu Cai. "Multiple Scattering of Elastic Waves by Cubical Lattices of Spheres." In ASME 2007 International Mechanical Engineering Congress and Exposition. ASMEDC, 2007. http://dx.doi.org/10.1115/imece2007-42983.
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The band gap for elastic waves propagating in a cubical lattice of spherical scatterers is observed through a series of numerical simulations. Along the direction of the incident wave, scatterer arrangements are viewed as comprising layers of scatterers, within which scatterers form a square grid. Starting from one layer and by increasing the number of layers, near-field forward and backward wave propagation spectra are computed as the number of layers increases. In the computations, scatterer polymerization methodology is used. This methodology is based on an analytically exact solution to a general three-dimensional multiple scattering problem obtained by the authors. It can be used to reduce an assemblage of actual scatterers to a lesser number of abstract scatterers. These simulations also demonstrate that the computational system has the capability to simulate multiple scattering of elastic waves in three-dimensional space.
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Yamamoto, Takaei, Takamoto Itoh, Masao Sakane, Hiroshi Sasaki, Kazuhiko Shuto, and Yutaka Tsukada. "Creep-Fatigue Strength of Sn-8Zn-3Bi Solder Under Multiaxial Loading." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-80585.
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This paper describes the multiaxial creep-fatigue of Sn-8Zn-3Bi solder in proportional and non-proportional loadings. Push-pull and reversed torsion tests were carried in proportional test using fast-fast, slow-fast, fast-slow, slow-slow and strain-hold waves. Non-proportional tests were also carried out using box, step and circle strain waves. In proportional test, smallest creep-fatigue lives were observed in push-pull slow-fast test. Creep-fatigue lives in reversed torsion test were longer by a factor of 2 than those in push-pull test compared with the same strain wave. Non-proportional loading reduced the creep-fatigue life. Circle strain wave showed the smallest fatigue life in non-proportional loading. A non-proportional strain proposed by the authors correlated all the proportional and non-proportional fast-fast data within a factor of two scatter band.