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Relevant bibliographies by topics / Bapsi Sidhwa

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Academic literature on the topic 'Bapsi Sidhwa'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Bapsi Sidhwa"

1

Ponmalar, SK. "The Theme of Partition in Bapsi Sidhwa's Ice Candy Man." Shanlax International Journal of English 8, no. 1 (2019): 71–73. http://dx.doi.org/10.34293/english.v8i1.1141.

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Bapsi Sidhwa in her novel, Ice CandyMan focuses on the theme of partition of India along with several other themes like the tragic tales of uprooting wonderful dreams of Ranna and Ayah, enormous vacuity of lifeless air that fills the streets of Lahore and the betrayal of human trust. They are all linked with partition phenomenon which left a permanent scar on the memory of India's history. Though everyone seems to be affected by both political and religious horros, very few writers have written about it. Bapsi Sidhwa is one among them. With her artistic vision, she sweeps into a historically s

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2

Lodhi, Muhammad Arfan, Faiza Khalid, Iqbal Mehmood, Faiz Rasool, Farhan Akbar, and Muhammad Amir Kamal. "Social and Physical Entrapments of Women in Bapsi Sidhwa’s Ice-Candy Man and Arundhati Roy’s The God of Small Things." English Language and Literature Studies 9, no. 2 (2019): 57. http://dx.doi.org/10.5539/ells.v9n2p57.

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The study highlights the social and physical entrapments of women in two novels: Bapsi Sidhwa&rsquo;s Ice-Candy Man and Arundhati Roy&rsquo;s The God of Small Things. Both writers belong to two different cultures. Bapsi Sidhwa is a Punjabi, Parsi, Pakistani novelist while Arundhati Roy is an Indian Author. Regardless of their different cultures, they have discussed similar issues faced by women of their contemporary societies. This case study adopted exploratory research framework to gather data and undergo its content analysis from the text of two selected novels. The findings explica

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3

Puneet Singh. "Sacks of Mutilated Breasts: Violence against Women and Body Politics in Partition Literature." Creative Launcher 6, no. 3 (2021): 66–71. http://dx.doi.org/10.53032/tcl.2021.6.3.13.

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South Asian writers’ partition accounts attest that women from all backgrounds of culture and religion were the worst victims of the newly-created India-Pakistan border of 1947. Women's bodies were kidnapped, stripped naked, raped, disfigured (their breasts were cut off), engraved with religious symbols, and slain before being transported in train carriages to the "other" side of the border. Taking the romantic example of Bapsi Sidhwa’s Ice Candy Man/Cracking India (1988), we will look at the symbol of women's breasts, following on the theories of Judith Butler and Michel Foucault on power and

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4

Whitehead, Andrew. "Bapsi Sidhwa and Urvashi Butalia Discuss the Partition of India." History Workshop Journal 50, no. 1 (2000): 230–38. http://dx.doi.org/10.1093/hwj/2000.50.230.

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5

Mariam, Maira, Sana Baig, and Fareeha Javed. "A Critical Discourse Analysis of 'An American Brat' by Bapsi Sidhwa." Global Language Review VI, no. I (2021): 61–69. http://dx.doi.org/10.31703/glr.2021(vi-i).07.

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This paper presents a critical discourse analysis of the novel written by an eminent 21st-century female writer Bapsi Sidhwa. The text was analyzed critically in the backdrop of the checklist developed by the researcher. The findings reveal that a significantly tough language has been used for the depiction of men and women. Roles and responsibilities given to them have been found to be assigned on the basis of gender discrimination. Therefore, it is contended that colonialism still prevails in the form of social, economic and educational disparities in the third world countries as compared to

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6

GC, Saroj. "The Equation of Iconography of Cracking Bodies in Bapsi Sidhwa's Cracking India." Literary Studies 33 (March 31, 2020): 93–101. http://dx.doi.org/10.3126/litstud.v33i0.38064.

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Lenny, a young Parsi girl coming of age at the time of Partition and independence, in Sidhwa’s novel Cracking India, says “there is no space for us in Queen’s Garden”. She basically refers to the literal space— the lack of space to accommodate herself and other friends in the Garden, for it is being crowded because of increasing communal violence. However, Lenny’s literality of questioning the space cannot be taken for granted. This voice of the innocent, Lenny triggers prominent thematic content in social-cultural context of Partition. If her search for space is seen in broad spectrum of Part

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7

Mourya, Sapna. "Diminishing Voice and Consciousness: An Analysis of the Fiction of Bapsi Sidhwa." DJ Journal of English Language and Literature 1, no. 2 (2016): 32–35. http://dx.doi.org/10.18831/djeng.org/2016021006.

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8

Singh, Sujala. "Postcolonial children representing the nation in Arundhati Roy, Bapsi Sidhwa and Shyaaa Selvadurai." Wasafiri 19, no. 41 (2004): 13–18. http://dx.doi.org/10.1080/02690050408589879.

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9

Shamim Akhter. "Towards Cultural Clash and Hybridity, An Analysis of Bapsi Sidhwa’s An American Brat." sjesr 3, no. 3 (2020): 22–34. http://dx.doi.org/10.36902/sjesr-vol3-iss3-2020(22-34).

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Culture is a way of life that takes into its jurisdiction to all experiences of life and social associations. Culture receives variations over time. Similarly, the culture of the Sub-continent is altered with the arrival of the English here. That is why the Literature of this area is called Post-colonial literature. Cross-Culturalism is also a part of post-colonial theory. Its chief aim is to analyze the morphological organization which takes to the origination of the conception. Culturalism indicates the tractability of the self to absorb in the transmission and understanding of spoken and wr

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10

Khan, Hashim, Khalid Azim Khan, and Muhammad Umer. "A Psychological Exegesis of Displacement in Bapsi Sidhwa's Novel The Bride: A Sociolinguistic Analysis." Global Social Sciences Review VI, no. I (2021): 373–82. http://dx.doi.org/10.31703/gssr.2021(vi-i).38.

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This reports the psychological perspective of displacement in the English Pakistani novel The Bride (also published as The Pakistani Bride), written by a Pakistani American novelist Bapsi Sidhwa. This is a sociolinguistic study with the employment of Close Reading (CR) and Systematic Functional Linguistics (SFL). The study involves social, psychological and semantic aspects with the aim to present the psychological impact of displacement on the personal and social life of the characters. Close-Reading provides the analysis of the novel and the author. Systematic Functional Linguistics provides

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