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Journal articles on the topic 'Barbados Gallery of Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Burbano, Andrés, Ernest Edmonds, Daniel Cardoso Llach, Skawennati, Nā ‘Anae Mahiki, Amy Fredeen, Dima Veryovka, et al. "Art Gallery." Leonardo 51, no. 4 (August 2018): 426–45. http://dx.doi.org/10.1162/leon_a_01694.

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2

Stradling, Bob. "Art gallery." Critical Perspectives on Accounting 15, no. 4-5 (May 2004): 542. http://dx.doi.org/10.1016/j.cpa.2003.11.003.

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3

Jaiswal, Abhilasha. "ONLINE ART GALLERY." International Journal of Research -GRANTHAALAYAH 6, no. 6 (June 30, 2018): 403–6. http://dx.doi.org/10.29121/granthaalayah.v6.i6.2018.1386.

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An online art gallery is new concept of selling and purchasing art works, both digital prints and traditional paintings are available on online sites. Basically, it is a user interface kind of web page on which buyer and seller both gets a platform for their jobs. Online art gallery is a time, energy and money saving web site concept. By this artist also can host their works and art curator can arrange auctions for art works.

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4

Merkel, Jayne. "Yale Art Gallery." Architectural Design 77, no. 3 (2007): 110–15. http://dx.doi.org/10.1002/ad.469.

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5

Wolfe, Rosalee J., Jodi Giroux-Lang, Lynn Pocock, and Karen Sullivan. "Student art Gallery." ACM SIGGRAPH Computer Graphics 32, no. 1 (February 1998): 30–33. http://dx.doi.org/10.1145/279389.564624.

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6

Wolfe, Rosalee J., Jodi Giroux, Lynn Pocock, and Karen Sullivan. "Student art gallery." ACM SIGGRAPH Computer Graphics 32, no. 3 (August 1998): 32–34. http://dx.doi.org/10.1145/281278.564627.

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7

Bila, Vonani. "Baloyi's art gallery." New England Review 38, no. 4 (2017): 11–12. http://dx.doi.org/10.1353/ner.2017.0088.

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8

Brucker-Cohen, Jonah, Tine Bech, Anthony Rowe, Gaz Bushell, Liam Birtles, Chris Bennewith, Oliver Bown, et al. "Data Materialities Art Gallery: Introduction and Gallery." Leonardo 49, no. 4 (August 2016): 352–74. http://dx.doi.org/10.1162/leon_a_01289.

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9

Jurėnienė, Virginija, and Dovilė Peseckienė. "Art Gallery Visitors’ Motivations." Informacijos mokslai 89 (June 5, 2020): 17–33. http://dx.doi.org/10.15388/im.2020.89.37.

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The article discusses the motivational factors of visual art institution consumers. Analysis includes Falk’s identity-related theory of motivation for visiting art institutions that discusses how visitors’ experience begins before visiting a museum and is focused on the consumer’s attitude (identity) validation. Consumers’ motivation to visit an art institution depends on not only the proposals provided by the institution and their value to the consumer, but also on accessibility, the environment, and the personnel’s communication. The article introduces the motivations, expectations of consumers of the services provided by Kaunas Picture Gallery as well as evaluation of the services and infrastructure provided by the organisation obtained during study Visitors’ Expectations in Visual Art Institutions.

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10

Murdoch, Antoinette. "The Johannesburg Art Gallery." de arte 46, no. 83 (January 2011): 77–82. http://dx.doi.org/10.1080/00043389.2011.11877145.

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11

Wong, John, Jieliang Luo, Weidi Zhang, Brigitta Zics, Özge Samanci, Adam Snyder, Gabriel Caniglia, et al. "SIGGRAPH 2019 Art Gallery." Leonardo 52, no. 4 (August 2019): 400–422. http://dx.doi.org/10.1162/leon_a_01783.

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12

Tucker, Alan. "The Art Gallery Problem." Math Horizons 1, no. 2 (March 1994): 24–26. http://dx.doi.org/10.1080/10724117.1994.11974883.

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13

Blair, Jennifer. "Art Museum Image Gallery." Charleston Advisor 21, no. 3 (January 1, 2020): 15–19. http://dx.doi.org/10.5260/chara.21.3.15.

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Art Museum Image Gallery provides access through a subscription to museum collections of over 156,000 high-quality images sourced from the Art Archive of Picture Desk, Inc. and includes paintings, prints, ceramics, sculpture, and other art. The images span from 3000 B.C. to the present, with an emphasis on cultural and area studies. The price varies and is based on subscribers’ overlap with packages and other factors unique to institution needs, but primarily is on bracket determined by number of users. The interface could use improvement in its limiters. But individual item displays surpass similar products by providing comprehensive data including copyright privileges, the artist, original source, subjects with live links, description, and accession numbers. A link also provides a higher quality version of each image with downloadable capability. Art Museum Image Gallery is best suited for educational use and is ideal for academics, schools, the public, and the government.

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14

Art Gallery, Ateneo. "Ateneo Art Gallery Retrospective." Perspectives in the Arts and Humanities Asia 4, no. 1 (March 28, 2014): 156. http://dx.doi.org/10.13185/1857.

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15

Smith, Sarah-Neel. "The Semiperipheral Art Gallery." Third Text 34, no. 2 (March 3, 2020): 271–90. http://dx.doi.org/10.1080/09528822.2020.1757239.

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16

Gangelhoff, Christine, and Cathleen LeGrand. "Art Music by Caribbean Composers: Barbados." International Journal of Bahamian Studies 19, no. 2 (November 11, 2013): 11. http://dx.doi.org/10.15362/ijbs.v19i2.203.

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17

Gollifer, Sue. "Art Space: ACM SIGGRAPH Art Gallery 2014." Digital Creativity 25, no. 4 (October 2, 2014): 360–68. http://dx.doi.org/10.1080/14626268.2014.972060.

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18

Tirohl, Blu. "@art electronic gallery http://gertrude.art.uiuc.edu/@art/gallery.html." Convergence: The International Journal of Research into New Media Technologies 1, no. 1 (March 1995): 133–34. http://dx.doi.org/10.1177/135485659500100114.

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19

Kaye, Peter. "International Jurisdiction over Companies. When is an Art Gallery not an Art Gallery?" International Journal of Cultural Property 1, no. 1 (January 1992): 185–92. http://dx.doi.org/10.1017/s0940739192000146.

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20

Cushing, Deborah. "Art in Dispute at the Beaverbrook Art Gallery." International Journal of Cultural Property 15, no. 3 (August 2008): 297–320. http://dx.doi.org/10.1017/s094073910808017x.

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AbstractA long-running dispute between the Beaverbrook Art Gallery and its benefactor foundations illustrates the need for documentation of gifts or loans of artwork. At issue in this dispute is ownership of over 200 of the paintings on display at the gallery valued at up to $200 million. None of the parties to the dispute has been able to produce records to establish that the paintings were either a gift or on loan to the Beaverbrook. Instead the parties have had to rely on newspaper and magazine articles, speeches, gallery catalogues, and export documents to substantiate their positions. Central to the dispute has been the role of the First Lord Beaverbrook and whether his actions amounted to a breach of his fiduciary duty to the gallery. This article examines the particulars of the parties' claims as well as the decisions that have been made to date. Final resolution of the dispute is not expected until all appeals have been decided.

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21

Shih, Tsui-Yii, and Zhi-An Liu. "Wrong Gallery." Journal of Cases on Information Technology 18, no. 3 (July 2016): 13–28. http://dx.doi.org/10.4018/jcit.2016070102.

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This case gives a depiction of how the founder of Wrong Gallery, Ron, when facing the competition and operational mode of the traditional art gallery industry in Taiwan, capitalizes on the latest trend of emergent social media, and leads his team to break through the shackles or consumers' stereotypical impression. Ron has set up a brand-new age of art space with the brand thinking and innovative approaches, becoming a practical case in regard of the new-pattern art space. In an era where the total value of output from cultural and creative industries worldwide is rapidly increasing, this case's rich materials give readers a better understanding of the operation of an art gallery amongst the cultural and creative industries. This case allows readers to understand how an innovative enterprise's founder starts by analyzing industry situations, incorporates his/her personal strengths, and further determines the strategy application and implementation for the company's market position and business operation model.

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22

Fazra Risky Nasution and Morida Siagian. "Contemporary Art Gallery (Expressionism Architecture)." International Journal of Architecture and Urbanism 4, no. 2 (August 27, 2020): 174–80. http://dx.doi.org/10.32734/ijau.v4i2.4520.

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Some issues prove that the development of art in Medan is relatively slow and does not become a concern of the public because of the availability of minimal and inadequate space, while Medan is a multicultural city in terms of art, many artists in the city of Medan have great potential. The construction of contemporary art gallery aims to meet the needs and facilities of art activities in the city of Medan because Medan does not yet have a decent art gallery for art activities, from exhibitions, artwork making space, to fine arts training venues and also as a center for art development likeness of the City of Medan. This gallery plans to be a productive place or place to introduce and provide attractive insights or knowledge to local people and tourists and to be able to preserve and preserve the fine arts in the city of Medan. The methodology used in this project is by collecting data through from literature review and by doing a site surveys. This building design uses the theme of expressionism architecture, where this building can express the meaning of art that it can be enjoyed visually.

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23

Bull, Hank. "Radio Art in a Gallery?" TDR (1988-) 37, no. 1 (1993): 161. http://dx.doi.org/10.2307/1146277.

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24

Hattingh, Frieda. "New acquisitions: Unisa Art Gallery." de arte 32, no. 55 (April 1997): 70–71. http://dx.doi.org/10.1080/00043389.1997.11761252.

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25

Kellner, Clive, Nessa Leibhammer, and Khwezi Gule. "The Johannesburg Art Gallery Collections." de arte 41, no. 74 (January 2006): 55–60. http://dx.doi.org/10.1080/00043389.2006.11877063.

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26

Burbano, Andrés. "Original Narratives Art Gallery: Introduction." Leonardo 51, no. 4 (August 2018): 420–21. http://dx.doi.org/10.1162/leon_a_01653.

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27

Gurian, Elaine Heumann. "Kelvingrove Art Gallery and Museum." Curator: The Museum Journal 50, no. 3 (July 2007): 358–61. http://dx.doi.org/10.1111/j.2151-6952.2007.tb00278.x.

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28

Eber, Dena Elisabeth. "The SIGGRAPH 2002 art gallery." ACM SIGGRAPH Computer Graphics 36, no. 3 (August 2002): 33–39. http://dx.doi.org/10.1145/570332.570347.

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29

T. S. Michael and Val Pinciu. "The Art Gallery Theorem, Revisited." American Mathematical Monthly 123, no. 8 (2016): 802. http://dx.doi.org/10.4169/amer.math.monthly.123.8.802.

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30

Padilla, Nonon. "Chabet at Finale Art Gallery." Perspectives in the Arts and Humanities Asia 1, no. 2 (September 30, 2011): 125–26. http://dx.doi.org/10.13185/ap2011.01208.

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31

Zoran, Amit. "Hybrid Craft: Art Gallery Curator." Leonardo 48, no. 4 (August 2015): 382–83. http://dx.doi.org/10.1162/leon_a_01092.

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32

Pocock, Lynn. "The SIGGRAPH 98 art gallery." ACM SIGGRAPH Computer Graphics 32, no. 4 (November 1998): 20–21. http://dx.doi.org/10.1145/307710.307717.

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33

Eber, Dena Elisabeth. "The SIGGRAPH 2003 art gallery." ACM SIGGRAPH Computer Graphics 37, no. 3 (August 2003): 20–28. http://dx.doi.org/10.1145/941572.941578.

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34

Martino, Jacquelyn. "The SIGGRAPH 95 art gallery." ACM SIGGRAPH Computer Graphics 29, no. 4 (November 1995): 56. http://dx.doi.org/10.1145/216876.216891.

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35

Ernestus, Maximilian, Stephan Friedrichs, Michael Hemmer, Jan Kokemüller, Alexander Kröller, Mahdi Moeini, and Christiane Schmidt. "Algorithms for art gallery illumination." Journal of Global Optimization 68, no. 1 (September 12, 2016): 23–45. http://dx.doi.org/10.1007/s10898-016-0452-2.

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36

Fekete, Sándor P., Stephan Friedrichs, Alexander Kröller, and Christiane Schmidt. "Facets for Art Gallery Problems." Algorithmica 73, no. 2 (December 14, 2014): 411–40. http://dx.doi.org/10.1007/s00453-014-9961-x.

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37

Stegmann, Rainer, and Cristina van der Westhuyzen. "From waste to art – The IWWG Art Gallery." Waste Management 34, no. 5 (May 2014): 845–47. http://dx.doi.org/10.1016/j.wasman.2014.03.001.

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38

Bennett, James. "Islamic Art at The Art Gallery of South Australia." SUHUF 2, no. 2 (November 21, 2015): 285–90. http://dx.doi.org/10.22548/shf.v2i2.93.

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OVERÂ the past ten years, Australia has increasingly aware of Muslim cultures yet today there is still only one permanent public display dedicated to Islamic art in this country.Â Perhaps it is not surprising that the Art Gallery of South Australia in Adelaide made the pioneer decision in 2003 to present Islamic art as a special feature for visitors to this art museum. Adelaide has a long history of contact with Islam. Following the Art Galleryâ€™s establishment in 1881, the oldest mosque in Australia was opened in 1888 in the city for use by Afghan cameleers who were important in assisting in the early European colonization of the harsh interior of the Australian continent

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39

Jacobs, Julian. "African Art at the Glasgow Art Gallery and Museum." African Arts 19, no. 2 (February 1986): 28. http://dx.doi.org/10.2307/3336321.

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40

Hillary, Sarah. "PART II : AUCKLAND CITY ART GALLERY CONTEMPORARY ART FILE." AICCM Bulletin 11, no. 4 (January 1985): 52–62. http://dx.doi.org/10.1179/bac.1985.11.4.005.

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41

Bush, Sarah B., Karen S. Karp, Victoria Miller Bennett, Liz Popelka, and Jennifer Nadler. "Framing Measurement: An Art Gallery Installation." Mathematics Teaching in the Middle School 18, no. 8 (April 2013): 474–83. http://dx.doi.org/10.5951/mathteacmiddscho.18.8.0474.

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42

Cassell, Lauren, and William Roger Fuller. "Guarding a Koch Fractal Art Gallery." Open Journal of Discrete Mathematics 02, no. 04 (2012): 134–37. http://dx.doi.org/10.4236/ojdm.2012.24026.

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43

O'Kane, Marianne. "Sligo: "Birds" at Sligo Art Gallery." Circa, no. 111 (2005): 102. http://dx.doi.org/10.2307/25564300.

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44

Kelly, Seán. "Cork: "C2" at Crawford Art Gallery." Circa, no. 111 (2005): 107. http://dx.doi.org/10.2307/25564305.

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45

Biedl, Therese, Mohammad T. Irfan, Justin Iwerks, Joondong Kim, and Joseph S. B. Mitchell. "The Art Gallery Theorem for Polyominoes." Discrete & Computational Geometry 48, no. 3 (May 9, 2012): 711–20. http://dx.doi.org/10.1007/s00454-012-9429-1.

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46

Edwards, C. "The Gallery - The Art of Electronics." Engineering & Technology 11, no. 10 (November 1, 2016): 50–53. http://dx.doi.org/10.1049/et.2016.1022.

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47

Singh, Gary. "Her Own Virtual Gallery of Art." IEEE Computer Graphics and Applications 31, no. 6 (November 2011): 4–5. http://dx.doi.org/10.1109/mcg.2011.98.

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48

Phillips, David. "Recipe for an interactive art gallery." International Journal of Museum Management and Curatorship 7, no. 3 (September 1988): 243–52. http://dx.doi.org/10.1080/09647778809515127.

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49

Wikstrom, Britt-Maj. "Nursing Education at an Art Gallery." Journal of Nursing Scholarship 32, no. 2 (June 2000): 197–99. http://dx.doi.org/10.1111/j.1547-5069.2000.00197.x.

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50

Schweppe, Marla. "SIGGRAPH 99 art gallery slide credits." ACM SIGGRAPH Computer Graphics 33, no. 4 (November 4, 1999): 87–95. http://dx.doi.org/10.1145/345370.345426.

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