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Academic literature on the topic 'Barbar'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Barbar"

1

Zimmermann, Ulf, and Georg Klein. "Barbar Rosa." World Literature Today 76, no. 2 (2002): 200. http://dx.doi.org/10.2307/40157424.

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Selasi, Taiye. "Bye-Bye Barbar." Callaloo 36, no. 3 (2013): 528–30. http://dx.doi.org/10.1353/cal.2013.0163.

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Zaltzman, N. "Wer ist der Barbar?" Zeitschrift für psychoanalytische Theorie und Praxis 29, no. 4 (2014): 450–66. http://dx.doi.org/10.15534/zptp/2014/4/7.

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Özmakas, Utku. "Turgut Uyar’ın “Bir Barbar Kendin Tartar Bir Barbar Aşağlarda,” Şiirine Felsefi Bir Yaklaşım." Erdem, no. 69 (December 1, 2015): 73–86. http://dx.doi.org/10.32704/erdem.537376.

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Thenu, S. F. W. "Corn farming analysis in Babar Island, District of Babar Islands, Southwest Maluku Regency." IOP Conference Series: Earth and Environmental Science 883, no. 1 (October 1, 2021): 012082. http://dx.doi.org/10.1088/1755-1315/883/1/012082.

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Abstract Babar Island is corn production center in District of Babar Islands. Maize is the dominant food commodities and a major food source for the community. Corn is the dominant crop commodity in Barbar Island and become staple food for the community. The farming are traditional and subsystems to meet farmers household needs and the excess (if any) will be sold but in very limited quantities. However the sales purpose is not commercial but just to meet the households needs that can not be substituted by other goods and only by few farmers if necessary. The farming is carried out on slash and burn dry land by polyculture cropping pattern that is combination of annual and perrenial crops. This study aimed to examine the feasibility and profitability of corn farming in Barbar island, using survey methods with stratified random sampling technique. The results showed that the cost of corn production in Barbar Island, district of Barbar Islands, South West Maluku Regency is consisted of fixed cost and variable cost. The fixed cost components is including : equipment depreciation costs and land rent costs. The variable costs includes : inputs costs (seeds, fertilizers, chemical) and labor costs. Variable costs is the largest cost component for corn farming. Corn farming is profitable and viable, as indicated by the average income Rp.2.647.396 compared to the average cost incurred by farmers Rp.2.520.934 and BC ratio of 1.05. This means that the production costs of Rp.2.520.934 will generate benefit 1.05 times of the cost.

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Keith-Smith, Brian, Gunnar Decker, Joachim Dyck, and Jan Bürger. "Gottfried Benn: Genie und Barbar. Biographie." Modern Language Review 102, no. 3 (July 1, 2007): 898. http://dx.doi.org/10.2307/20467512.

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Fierro, Maribel. "Tariq b. Ziyad y los barbar." Al-Qanṭara 45, no. 1 (July 9, 2024): 683. http://dx.doi.org/10.3989/alqantara.2024.683.

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Hojlund, Flemming, Pernille Bangsgaard, Jesper Hansen, Niels Haue, Poul Kjaerum, and Dorthe Danner Lund. "New excavations at the Barbar Temple, Bahrain." Arabian Archaeology and Epigraphy 16, no. 2 (November 2005): 105–28. http://dx.doi.org/10.1111/j.1600-0471.2005.00248.x.

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Hamadi, Ali, and Ziad Barbar. "Two new species of Neomolgus (Acari: Trombidiformes: Bdellidae) from Syria." Acarologia 64, no. 3 (May 31, 2024): 777–86. http://dx.doi.org/10.24349/vm66-fciz.

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Two new species of Bdellidae, Neomolgus neoparacapillatus sp. nov. and Neomolgus syriensis sp. nov. were collected from Al-Hekr, Hama province, Syria. Bdella captiosa Atyeo is reported for the first time from Syria, and Cyta kreiteri Barbar and Ueckermann is re-observed.

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Lestari, Ade Fitria, and M. Hafiz. "PENERAPAN ALGORITMA APRIORI PADA DATA PENJUALAN BARBAR WAREHOUSE." INOVTEK Polbeng - Seri Informatika 5, no. 1 (June 17, 2020): 96. http://dx.doi.org/10.35314/isi.v5i1.1317.

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Dissertations / Theses on the topic "Barbar"

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Heitz, Christian. "Die Guten, die Bösen und die Hässlichen nördliche "Barbaren" in der römischen Bildkunst." Hamburg Kovač, 2003. http://d-nb.info/992158559/04.

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Stahre, Ulrika. "Beundrad barbar : amasonen i västeuropeisk bildkultur 1789-1918 /." Göteborg : Acta Universitatis Gothoburgensis, 2004. http://catalogue.bnf.fr/ark:/12148/cb39941217h.

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3

Banari, Valeriu. "Die Beziehungen von Griechen und Barbaren im nordwestlichen Pontos-Gebiet Untersuchungen zu Handel- und Warenaustausch vom 7. bis. 3. Jh. v. Chr. auf Grundlage der archäologischen Funde und schriftlichen Quellen im Nordwesten des Schwarzen Meeres /." [S.l. : s.n.], 2003. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB11513954.

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Rummel, Philipp von. "Habitus barbarus Kleidung und Repräsentation spätantiker Eliten im 4. und 5. Jahrhundert." Berlin New York de Gruyter, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2866257&prov=M&dok_var=1&dok_ext=htm.

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5

Hassner, Pierre. "Bürger und Barbar : über die Dialektik von Gewalt und Krieg in Philosophie und Geschichte." Universität Potsdam, 1996. http://opus.kobv.de/ubp/volltexte/2006/1111/.

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Are we witnessing a decline of war, the spread of violence or both? The growing number of wars and genocids conveys the impression of uncontrolled violence. Is there any possibility to overcome belligerent conflicts between states? Do imply social, technological, cultural or even anthropological changes moments which could shift the ground of state’s rivalry towards non-belligerent relationships? Peace trough interdependence and democracy seems possible. The priorities of modern states cannot be thought on the basis of attributes like sovereignty and territoriality. The peaceful 'bourgeois islands' not only bring about prosperity but increasing social exclusion as well. New phenomenon of ethnicism and religiosity often originate from, around and in their midst. Threats arising from terrorism and racial or religious riots are the consequences. There are two options, the author considers as possible: an "embourgeoisement" of the "barbarians" or a "barbarisation of the bourgeois". Or is there a new political form emerging?

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Walker, Daniel. "Evidence for charged B meson decays to a10 and a10+ using the BARBAR detector." Thesis, University of Bristol, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500454.

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Rovinsky, Thomas. "Conan fascisten? En idéanalytisk studie kring sword and sorcery och Robert E. Howards fiktive barbar." Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18267.

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This thesis falls within the realm of social studies, specifically social studies in literature, and attempts to establish whether the sub-genre of fantasy literature known as sword and sorcery contains elements which resemble the tenets of fascism. Robert E. Howard is considered the progenitor of the sub-genre and his stories have an influence on the nature of sword and sorcery literature today, 70 years after his death. Howards creation of the sub-genre coincides with the spread of fascist ideologies around the world in the 1930s and the study attempts a societal mirroring analysis of Howards texts. With the help of an analytical model based on fascism expert Robert O. Paxtons so-called mobilizing passions of fascism, Howards stories of Conan the barbarian have been deconstructed and analyzed. The study shows clearly that certain elements of the stories do indeed correspond to basic ideological elements of fascism. However, the results of the study are inconclusive as to whether this indicates that sword and sorcery was inspired by the widespread surge of fascism which occurred at roughly the same time, or if they simply sprang from the same sociocultural soil. The similarities are tempered by the issue of context and the presence of numerous exceptions. Further studies with different scientific tools and parameters would be required to establish the nature of a possible connection between fascist ideology and sword and sorcery based on the similarities found.
Uppsatsnivå: D

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Bucheton, Bruno. "Analyse des facteurs de risques dans une épidémie de leishmaniose viscérale dans l'Est du Soudan : le village de Barbar el Fugara." Aix-Marseille 2, 2002. http://theses.univ-amu.fr.lama.univ-amu.fr/2002AIX20664.pdf.

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La leishmaniose viscérale est une maladie causée par des parasites intracellulaires des macrophages : Leishmania donovani et Leishmania infantum. Ils sont transmis à leurs hôtes mammifères par des diptères hématophages, les phlébotomes. Chez l'homme, l'infection par ces parasites est asymptomatique dans la majorité des cas. Toutefois, certains sujets ne contrôlent pas l'infection, le parasite se multiplie alors dans les organes profonds et cause la leishmaniose viscérale qui est mortelle si aucun traitement n'est initié. La leishmaniose viscérale est une maladie multifactorielle. Cette pathologie dépend de facteurs environnementaux, mais aussi de l'hôte et du parasite. L'existence de facteurs génétiques de l'hôte est suggérée par les études chez l'animal. Le travail présenté dans cette thèse a consisté à analyser les facteurs de risque pour la leishmaniose viscérale dans une épidémie qui s'est produite de 1995 à 2000 dans la population d'un village de l'Est du Soudan. Cette étude a permis d'identifier certains facteurs environnementaux qui ont probablement influencé l'exposition au parasite dans la première phase de l'épidémie. Lorsque l'analyse a été effectuée en incluant tous les cas survenus pendant cette épidémie et alors que la quasi-totalité de la population avait été exposée, les principaux facteurs de risques associés au développement de la leishmaniose viscérale étaient des facteurs d'hôtes, notamment l'appartenance à un groupe ethnique particulier. De plus, l'analyse de la distribution des cas de leishmaniose viscérale au sein du village a montré qu'ils étaient regroupés dans certaines familles. L'analyse génétique conduite sur des paires de germains atteints de ces familles a permis de mettre en évidence l'existence d'un locus majeur sur le chromosome 22 dans le contrôle de la maladie. Par ailleurs, deux autres loci situés sur le chromosome 2 (dont le locus de NRAMPI) pourraient aussi être impliqués. Cette étude montre pour la première fois que des facteurs génétiques jouent un rôle critique dans le contrôle du parasitisme par Leishmania chez l'homme. L'identification du ou des gènes de susceptibilité à la leishmaniose viscérale devrait contribuer à mieux comprendre les mécanismes de contrôle de ces parasites dans l'infection humaine. Un dernier aspect de ce travail a été d'évaluer l'intérêt de la sérologie pour prévoir la leishmaniose viscérale. Nos résultats montrent clairement que les sujets atteints, comme chez de nombreux sujets asymptomatiques qui contrôlent l'infection développent une forte réponse anticorps spécifique de Leishmania. Ainsi dans ces populations du Soudan et contrairement à ce qui a été rapporté dans la leishmaniose viscérale au Brésil et sur le pourtour Méditerranéen, les hauts niveaux d'anticorps anti-Leishmania ne sont pas prédictifs de la leishmaniose viscérale et doivent être utilisés avec précautions dans le diagnostic de cette maladie
Visceral leishmaniasis is a disease caused by intracellular parasites of macrophages: Leishmania donovani and Leishmania infantum. They are transmitted to their mammalian host by various sand flies species. In humans, parasitism by these parasites remains asymptomatic in most cases. However infection is uncontrolled in some subjects leading to an intense multiplication of the parasite in the viscera and to a life threatening disease. Susceptibility to visceral leishmaniasis is complex and depends on host, parasite and environmental factors. In mice, it was shown that host genetic factors are involved in the control of experimental infections. The aim of the work presented in this thesis was to analyse the risk-factors for visceral leishmaniasis in an outbreak that occurred in a population living in a village of Eastern Sudan. We identified several environmental factors that were probably involved in determining exposure to the parasite in the first years of the epidemic. However, at the end of the outbreak, when most of the village inhabitants were exposed to Leishmania, the main risk-factors for disease were host factors, notably the ethnic group. Furthermore, the visceral leishmaniasis cases were not randomly distributed in the village but were clustered in some large families. A genetic study carried out on affected sib-pairs evidenced that a major locus on chromosome 22 was involved in disease susceptibility. This genome scan also suggests that two other loci on chromosome 2 (among which the NRAMP1 locus) are involved. This study shows for the first time that in human as in mice genetic factors are involved in susceptibility to visceral leishmaniasis. Furthermore the genetic loci identified in mice only seem to play a minor role in the genetic control identified in our population. The identification, of the gene(s) underlying visceral leishmaniasis susceptibility should therefore improve our understanding of the host-parasite relationship in human. Another aspect of this work was to evaluate the predictive value of serology for visceral leishmaniasis. Our result clearly showed that, affected individuals as well as subjects who controlled Leishmania infection, mounted a high Leishmania-specific antibody response during the outbreak. Therefore in this sudanese population, high Leishmania-specific antibody responses are of poor prognostic value unlike what is observed in Brazil or in the Mediterranean area. Another implication of this observation is that in Sudan, particularly during outbreaks of the disease, serological tools such as ELISA or DAT may not be reliable for the diagnostic of visceral leishmaniasis

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9

Grandelis, Alessandra. "«Come un Barbaro indecifrabile»: il tema del barbaro nella poesia e nella narrativa di Pasolini (1950-1975)." Doctoral thesis, Università degli studi di Padova, 2009. http://hdl.handle.net/11577/3426092.

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Pier Paolo Pasolini, undoubtedly one of the foremost literary and intellectual figures of our time, has been subjected to a somewhat misguided assessment of his oeuvre. It is a criticism which forces the eclectic poet into too rigid a category, which has from the outset discarded or at best undervalued not just multiple readings of his work but also his artistic innovations. After a remarkable period of indifference there has been a revival of interest in this writer which can be seen by the increasing number of publications which often confuse biography with literature and favour the former without any particular reason and neglect the merits of the writings themselves. It is therefore with a need to revaluate aspects of Pasolini’s work, liberating it from misconceived interpretations, that this paper will look at the recognition of the theme of the barbarian, or better the “marvellous barbarian” as Pasolini himself describes it, in the lyric and narrative, linking this directly to the writing itself and avoiding any preconceived ideas. This research has its roots in the famous study by Fabien S. Gérard published in 1981, Pasolini ou le mythe de la barbarie, which surveys Pasolini’s cinematic work. Without negating the importance of the barbarian in the films and how this is thematically revealed in its cinematic interpretation, it is necessary to go travel backwards before the history of cinema itself. The aim of this work is to reassess Pasolini’s multifaceted universe of the barbarian examining the poetical and narrative (not the dialectal) body of work which includes the interrelationship between the different artistic forms blended together, the numerous essays, reviews and when necessary the transcriptions of the screenplays and theatrical texts spanning the period between 1950 to 1975. It is between this period that the works are enriched and they renew the “simple” primitivism of Friuli, without being restricted to the periphery of Rome. In order not to betray Pasolini’s intentions it has been better to proceed taking two parallel courses. Firstly, the works of the writers Pasolini mentions himself or alludes to have been read. From this emerges a rich array of interesting personalities and literary tastes, ranging from the decadent and Dionysian influences which go on through the more mature work with its sensitivity towards the fascination of the irrational (mainly Rimbaud and Kavafis) including the ancient poverty of Belli, Tommaseo with his “exquisite coarseness”, as well as the inspirational muse, Morante, the mystery of Banti’s Godoari and Vico’s impressions and the magisterial influences of Leopardi. Furthermore, the opportunity to have access to Pasolini’s personal library, his workshop, preserved in Rome by his heir Graziella Chiarcossi has turned out to be essential for a real comparison between what he had read and his own created works. This type of research has proved to be fascinating because of the care Pasolini took in writing his own marginalia on the essays he was reading and based on this it has been possible to make connections between essays and literature. The anthropological passion, able to capture very well the sense of the primitive, wild and ancestral is reshaped by Pasolini according to the necessities of literature. A great part of this work has attempted to examine the motifs of the barbarian in a concrete and objective manner as it appears in Pasolini’s oeuvre, even starting from the etymology of the word. In this way a large amount of heterogeneous material has been put into a cohesive form and separated into the main themes which are the terminology chosen by the author from the exoticism of some lexical tessere to particular “manias” able to express the yearning for regression, up to the compilation of a “Pasolini Bestiary”; the language and its forms both verbal and of the body; Africa as a symbol of all the Souths of the world and finally the barbarian as a symbol of rebellion against the usual forms of literary expression, by means of new forms of communication. Examining his oeuvre from these perspectives, besides allowing one to address questions still open, has shown the reoccurring theme of the barbarian over time and in unimaginable variations which reveal an organic dimension, oxymoronically flowing with a dualism, positive and negative, of meanings. This has allowed one to read Pasolini’s writing in a refreshing way throwing new insights into the texts which have still much to reveal.
La figura di Pier Paolo Pasolini, di sicuro rilevo nel panorama letterario e intellettuale della nostra contemporaneità, è stata accompagnata da uno strano destino per quanto concerne la critica, che nasce già matura: l’immediata conseguenza di questa precocità è stata la costrizione dell’eclettico poeta dentro paradigmi interpretativi troppo rigidi che, spesso, hanno aprioristicamente scartato o sottovalutato non solo prospettive diverse di lettura dell’opera, ma anche capitoli innovativi della creazione artistica. Dopo periodi di notevole indifferenza, il rinnovato e fervido interesse per lo scrittore, osservato negli ultimi anni, ha prodotto un aumento esponenziale delle pubblicazioni, che sovente hanno confuso biografia e letteratura, e il voler a tutti i costi privilegiare senza ragione alcuna la prima, ha trascurato la concretezza delle parole. Nell’esigenza di una generale rivalutazione dell’opera pasoliniana, liberata da fuorvianti categorie interpretative, il presente lavoro desidera procedere a una ricognizione del tema del barbaro – o meglio, del «meraviglioso barbaro» così come ce lo descrive Pasolini stesso – nella lirica e nella narrativa, dentro l’alveo di quegli studi che si legano in modo indissolubile alla scrittura, senza lasciarsi condizionare da formule stereotipate. La ricerca ha le sue premesse in un noto studio di Fabien S. Gérard uscito nel 1981, Pasolini ou le mythe de la barbarie, che circoscrive il campo di indagine al solo ambito cinematografico. Senza negare quanto la rappresentazione della barbarie sia viva nei film e che una fase cruciale della tematizzazione del barbaro si rilevi nel momento della conversione cinematografica, si è manifestato necessario compiere un percorso a ritroso perché, appunto, il fascino arcaico del barbaro è anteriore alla magia della pellicola. Il lavoro ambisce, dunque, a ricomporre, nella sua colorata varietà, l’universo barbaro di Pasolini con un’analisi sul corpus poetico e narrativo (non dialettale) – a cui si sono affiancate, tenuto conto dell’osmosi che intercorre tra le diverse forme artistiche in cui si è cimentato, le innumerevoli pagine saggistiche, le recensioni e, quando necessario, le trascrizioni delle sceneggiature e i testi teatrali – compreso nell’arco cronologico che si estende dal 1950 al 1975: è in questo intervello temporale che la riflessione si arricchisce, con nuovi contributi al “semplice” primitivismo friulano e, nel contempo, senza rinchiudersi nel perimetro dell’inferno della Roma periferica. La volontà di non tradire gli intenti dell’autore, ha consigliato di procedere a un recupero delle fonti pasoliniane attraverso due strade parallele. Come prima cosa, si sono interrogati i testi, con un lavoro sui nomi citati o che si potevano chiaramente intuire, da cui è emersa una galleria ricca di personalità e di gusti letterari: dai primi influssi decadenti e dionisiaci che si protrarranno fin dentro gli esiti più maturi con la loro spiccata sensibilità verso il fascino dell’irrazionale e la felicità delle origini (sopra tutti Rimbaud e Kavafis), sino a comprendere la miseria arcaica del Belli, Tommaseo con la sua «rozzezza squisita», per poi approdare all’ispiratrice Morante, al mistero dei Godoari della Banti, alle suggestioni vichiane e agli apporti, anche in questo ambito, del magistero leopardiano. Inoltre, la possibilità di visionare la biblioteca personale di Pasolini, conservata a Roma dall’erede Graziella Chiarcossi, ha consentito di entrare nell’officina dello scrittore che si è dimostrata essenziale per un confronto reale tra testi letti e opera. Questo tipo di ricerca, qui al suo stadio aurorale, si è rivelata di massimo interesse; vista la cura pasoliniana nell’ “imprimere” la propria curiosità e interesse sulle pagine dei volumi saggistici, è stata fatta una selezione tra questi e si è istituito un rapporto diretto – testimoniato da un apparato iconografico – tra letteratura e saggi. In particolare, le passioni antropologiche, per loro natura in grado di catturare molto bene il senso del primitivo, del selvaggio e dell’ancestrale, vengono plasmate da Pasolini a guisa delle esigenze della letteratura. Poiché un tema, così quello del barbaro, lo si suppone, si è quindi voluto riservare una corposa parte del lavoro all’individuazione nell’opera – presa nella nuda oggettività – di motivi concreti legati alla sfera del barbaro, a partire dagli spunti offerti dall’etimo della parola. In questo modo, la grande quantità di materiale eterogeneo ha trovato un ordine, con l’individuazione degli argomenti principali: le pure scelte terminologiche operate dall’autore, dall’esotismo di alcune tessere lessicali, a particolari “manie” descrittive capaci di esprimere l’anelo alla regressione, sino alla compilazione di un “bestiario pasoliniano”; il linguaggio e le sue forme, quelle verbali insieme a quelle del corpo; l’Africa come simbolo di tutti i Sud del mondo; e infine il barbaro inteso come esigenza di ribellione alle usuali forme di espressione letteraria per ricercare, mediante lo straniamento stilistico, nuove possibilità di comunicazione. Lo scandagliare l’opera con questi presupposti, oltre a permettere di entrare in questioni interpretative ancora aperte, ha evidenziato la persistenza del tema del barbaro nel tempo e nelle variazioni più impensabili: esso mostra una sotterranea dimensione organica che vive, si radica sempre più evolvendosi, in un ossimorico e sempre nuovo dualismo di significati, positivo e negativo. Questo ha permesso di entrare nei testi con una prospettiva nuova che vorrebbe dare ossigeno alla scrittura di Pasolini, che ha ancora molto da regalare.

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Deml, Barbara. "Telepräsenzsysteme Gestaltung der Mensch-System-Schnittstelle /." [S.l.] : [s.n.], 2004. http://137.193.200.177/ediss/deml-barbara/meta.html.

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Books on the topic "Barbar"

1

Osti, Josip. Barbara a barbar: Sarajevská kniha mrtvých. Praha: Ivo Železný, 1995.

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Nankanvi, Pandhi. Barbar vani. Delhi: Punjabi Sahit Bhandar, 1986.

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Müller, Robert. Der Barbar: Roman. Paderborn: Igel Verlag Literatur, 1993.

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al-Ḥalīm, Ibn ʻAbd. Mafākhir al-Barbar. 2nd ed. [al-Ribāṭ], al-Maghrib: Dār Abī Raqrāq, 2008.

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Hrabal, Bohumil. Něžný barbar: Pedagogické texty. Praha: Mladá Fronta, 2000.

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Hrabal, Bohumil. Něžný barbar: Pedagogické texty. Praha: Odeon, 1990.

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Sabrawi, Slamet Riyadi. Negeri barbar: Puisi-puisi. Sleman: Lembaga Penelitian, Pendidikan, dan Penerbitan Yogyakarta, 2012.

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ʻĀlīb, Maḥmūd al-Khiḍr ʻUmar. Faḍl Barbar ʻalá al-bandar. [al-Kharṭūm]: Markaz ʻAbd al-Karīm Mīrghanī al-Thaqāfī, 2019.

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Zarībī, al-Hādī. Uṣūl al-Barbar al-ʻArabīyah. Ṣafāqis, Tūnis: al-Taʻāḍudīyah al-ʻUmmālīyah lil-Ṭibāʻah wa-al-Nashr, 1989.

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Decker, Gunnar. Gottfried Benn: Genie und Barbar : biographie. Berlin: Aufbau-Verlag, 2006.

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Book chapters on the topic "Barbar"

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Wißmann, Jessica. "Der feige Barbar." In Motivation und Schmähung, 352–60. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-04284-2_7.

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Zinzius, Birgit. "Der Fremde — der Barbar." In Der Schlüssel zum chinesischen Markt, 33–35. Wiesbaden: Gabler Verlag, 1996. http://dx.doi.org/10.1007/978-3-322-87109-1_5.

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Keller, Evelyn Fox. "Ein historischer Überblick." In Barbara McClintock, 19–31. Basel: Birkhäuser Basel, 1995. http://dx.doi.org/10.1007/978-3-0348-6366-7_1.

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Keller, Evelyn Fox. "Molekularbiologie." In Barbara McClintock, 159–75. Basel: Birkhäuser Basel, 1995. http://dx.doi.org/10.1007/978-3-0348-6366-7_10.

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Keller, Evelyn Fox. "Die Wiederentdeckung der Transposition." In Barbara McClintock, 177–99. Basel: Birkhäuser Basel, 1995. http://dx.doi.org/10.1007/978-3-0348-6366-7_11.

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Keller, Evelyn Fox. "Ein Gespür für das Leben." In Barbara McClintock, 201–11. Basel: Birkhäuser Basel, 1995. http://dx.doi.org/10.1007/978-3-0348-6366-7_12.

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Ries, Renate. "Nachwort zur deutschen Ausgabe." In Barbara McClintock, 213–20. Basel: Birkhäuser Basel, 1995. http://dx.doi.org/10.1007/978-3-0348-6366-7_13.

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Keller, Evelyn Fox. "Die Gabe, allein zu sein." In Barbara McClintock, 33–53. Basel: Birkhäuser Basel, 1995. http://dx.doi.org/10.1007/978-3-0348-6366-7_2.

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Keller, Evelyn Fox. "Werdegang einer Forscherin." In Barbara McClintock, 55–76. Basel: Birkhäuser Basel, 1995. http://dx.doi.org/10.1007/978-3-0348-6366-7_3.

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Keller, Evelyn Fox. "Eine Frauenkarriere." In Barbara McClintock, 77–90. Basel: Birkhäuser Basel, 1995. http://dx.doi.org/10.1007/978-3-0348-6366-7_4.

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Conference papers on the topic "Barbar"

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Catereva, Irina. "Eugenio Barba: the movement to theater universality." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.20.

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Eugenio Barba is the founder and director of the Norwegian theater Odin, pedagogue, theorist of contemporary theater. She is part of the cohort of directors who have contributed to the creation of the modern lexicon of acting expressiveness. Revealing the cross-cultural aspects and based on contemporary research, Barba aims to reveal the universal acting components, the origins of which he finds in the unity of their spiritual and psychophysiological aspect. He tends to the expressiveness of the actor born of his full human potential. The formation of the language of acting expressiveness in Barba’s creation is indispensable for one of the brilliant tendencies of the development of European theatrical art in the second half of the twentieth century — the movement to theatrical universality.

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Martins, Flávio, João Magalhães, and Jamie Callan. "Barbara Made the News." In WSDM 2016: Ninth ACM International Conference on Web Search and Data Mining. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2835776.2835825.

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"David F. Barber Sr. Memorial Award." In 2015 37th Electrical Overstress/Electrostatic Discharge Symposium (EOS/ESD). IEEE, 2015. http://dx.doi.org/10.1109/eosesd.2015.7314781.

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Pizzetti, Yuri Peregrino. "Projeto Barbie." In 2ª MOSTRA CIENTÍFICA DE EDUCAÇÃO E TECNOLOGIA. ,: Even3, 2024. http://dx.doi.org/10.29327/2-mostra-cientifica-de-educacao-e-tecnologia-2-congresso-sesisc-senaisc-de-educacao-401986.780526.

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Sumrall, Jonathan B., and K. L. Gauvey. "KARST RECONNAISSANCE OF CENTRAL BARBER COUNTY, KANSAS." In Joint 53rd Annual South-Central/53rd North-Central/71st Rocky Mtn GSA Section Meeting - 2019. Geological Society of America, 2019. http://dx.doi.org/10.1130/abs/2019sc-327314.

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Goodnough, Mark A., Brett D. Rosner, John A. Stineman, and Larry J. Hahn. "FPA design methodologies at Santa Barbara Focalplane." In Aerospace/Defense Sensing and Controls, edited by Eric R. Fossum. SPIE, 1996. http://dx.doi.org/10.1117/12.243536.

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Lee, Yong Jae, Nam Kyeong Kim, Kidong Kim, Chel Hun Choi, Keun Ho Lee, Jong-Min Lee, Kwang Beom Lee, et al. "EP396/#252 Effect of fascia closure using barbed suture on incisional hernia in midline laparotomy for gynecological diseases (Barbher trial, KGOG 4001)." In IGCS 2023 Annual Meeting Abstracts. BMJ Publishing Group Ltd, 2023. http://dx.doi.org/10.1136/ijgc-2023-igcs.442.

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Lehn, Pam. "Barbie as Rapunzel." In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/259081.259328.

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HAST, C. "LEPTON FLAVOR VIOLATING τ DECAYS AT BARAR." In Proceedings of the 21st Lake Louise Winter Institute. WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812772541_0024.

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Ghiefmetti, A., and T. R. Schmitz. "A Case History: AGIP Barbara Lateral Pipeline Installation." In Offshore Technology Conference. Offshore Technology Conference, 1989. http://dx.doi.org/10.4043/6101-ms.

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Reports on the topic "Barbar"

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Hacker, Angela, Sherman Hansen, and Ashley Watkins. Santa Barbara Final Technical Report. Office of Scientific and Technical Information (OSTI), November 2013. http://dx.doi.org/10.2172/1117018.

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Roy Barcelona, Rosa. Retratos de Mujeres en Bioquímica: Barbara McClintock. Sociedad Española de Bioquímica y Biología Molecular, December 2011. http://dx.doi.org/10.18567/sebbmdiv_rmb.2011.12.1.

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Seigel, David A. Hyperspectral Ocean Color Science: Santa Barbara Channel. Fort Belvoir, VA: Defense Technical Information Center, November 1999. http://dx.doi.org/10.21236/ada370475.

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Siegel, David A. Hyperspectral Ocean Color Science: Santa Barbara Channel. Fort Belvoir, VA: Defense Technical Information Center, September 1999. http://dx.doi.org/10.21236/ada630871.

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Gunter, Dan, Oluwamayowa Amusat, Timothy Bartholomew, and Markus Drouven. Santa Barbara Desalination Digital Twin Technical Report. Office of Scientific and Technical Information (OSTI), November 2021. http://dx.doi.org/10.2172/1831427.

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Martin, Susan. Trump’s Misuse of Barbara Jordan’s Legacy on Immigration. Center for Migration Studies, February 2018. http://dx.doi.org/10.14240/cmsesy020518.

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Williams, Cameron. Channel Islands National Park: Terrestrial vegetation monitoring annual report - 2020. National Park Service, August 2023. http://dx.doi.org/10.36967/2299696.

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This report presents the data collected in 2020 as part of the long-term terrestrial vegetation monitoring program at Channel Islands National Park. The purpose of this monitoring program is to document long-term trends in the park’s vegetation communities. Data are collected from 30-m-long transects using a point-line intercept method. In the past, each transect was sampled annually. However, beginning in 2012 the program began adding randomly located transects to improve the representativeness of the sampling, and transitioned to a rotating panel design. Now only a core subset of the transects are surveyed annually. Non-core transects are assigned to one of four panels, each of which is surveyed once every four years. Coronavirus disease (COVID-19) caused a global pandemic that prevented field data collection from most of the transects scheduled for 2020. As a result, just 29 of the 127 transects scheduled were visited, distributed as follows: Santa Barbara Island (n = 18), Santa Cruz Island (n = 11). The small size of this 2020 dataset offers limited comparisons to previous years. The program also planned to install 19 new transects on Santa Rosa and San Miguel islands to complete the probabilistic component of the study design (Tiszler et al. 2016a), but the safety response to COVID-19 did not permit these installations. Key 2020 results and interpretation: For the transects visited at both islands in 2020, a long-term decline in mean absolute cover, measured as the mean number of taxa intersecting each point along a transect, was apparent. Annual rainfall correlated positively with mean absolute cover of vegetation. Six vegetation communities were visited at Santa Barbara Island compared to nine at Santa Cruz Island, despite the smaller number of transects surveyed at the latter. Mean absolute cover at both islands together averaged 87%, with native plants covering 44% and non-natives covering 39%. Among vegetation communities, mean absolute cover ranged from a high of 137% in a Lyonothamnus grove to a low of 32% in a riparian community where few plants were encountered along one transect. Mean absolute cover was higher at Santa Cruz Island (105%) than Santa Barbara Island (77%), and mean absolute native cover followed the same pattern (57% vs 36%). For both islands combined, mean richness per transect was 11 taxa. Compared to Santa Barbara Island, Santa Cruz Island supported higher overall mean species richness (14 vs 9 taxa) and higher species evenness (0.70 vs 0.55). Santa Cruz Island’s higher absolute cover, higher native species cover, higher species richness, and higher species evenness indicate that its vegetation is in better overall condition compared to Santa Barbara Island, and that the rate of recovery after overgrazing is faster at Santa Cruz Island than Santa Barbara Island.

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Melliar-Smith, P. M. Protocol, Engineering Research Center, University of California, Santa Barbara. Fort Belvoir, VA: Defense Technical Information Center, December 2005. http://dx.doi.org/10.21236/ada442846.

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Beastrom, Carol. A study of battered children in Santa Barbara, California. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2140.

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O'Hirok, William. SB3D User Manual, Santa Barbara 3D Radiative Transfer Model. Office of Scientific and Technical Information (OSTI), January 1999. http://dx.doi.org/10.2172/761461.

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