Relevant bibliographies by topics / Barbara Kruger

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Barbara Kruger'

Author: Grafiati
Published: 4 June 2021
Last updated: 21 February 2023

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Journal articles on the topic "Barbara Kruger"

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Gunawan, Elizabeth, Helena Calista, and Alfiansyah Zulkarnain. "ADAPTASI TANPA ISI: PENGARUH DESAIN “UNTITLED - I SHOP THEREFORE I AM” KARYA BARBARA KRUGER TERHADAP DESAIN LOGO BRAND SUPREME." Jurnal Dimensi Seni Rupa dan Desain 18, no. 1 (October 1, 2021): 1–12. http://dx.doi.org/10.25105/dim.v18i1.10599.

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AbstractOne of the conceptual artists of postmodernism, Barbara Kruger, is known for her work that combines visual images with text to convey criticism of social issues directly to society. One of the most famous works that she has is "Untitled - I Shop Therefore I am (1987)" which is a form of criticism of the issue of consumerism. In 1994, Supreme arrived, which had a logo in the exact same style as Kruger. Ironically, the brand actually had ideas that ran counter to the original purpose of Kruger's work. Therefore, this paper aims to deepen the knowledge of how to properly adapt a reference work in a new work based on analytical methods; especially to explore a work that has a considerable influence on society. The analysis method used in this paper is qualitative analysis through literature sources. There are three steps of analysis used in this paper. First, a study of postmodernism design style is done as the theoritical viewpoint. Then, qualitative investigations of form, content, and context were conducted on “I Shop Therefore I Am” artwork and Supreme brand logo design. Lastly, a comparison of creative process between both design was done to formulate results. The analysis result shows that there were critical views of how the Supreme logo designer adapt Barbara Kruger’s design. The conclusion reveals directions for graphic designers in doing design references. Keywords: Post-Modernism, Barbara Kruger, Consumerism, Supreme Brand AbstrakSalah satu seniman konseptual pada zaman postmodernisme, Barbara Kruger, dikenal dengan karyanya yang menggabungkan gambar visual dengan teks untuk menyampaikan kritik terhadap isu sosial secara langsung pada masyarakat. Salah satu karyanya yang paling terkenal adalah “Untitled - I Shop Therefore I am (1987)” yang merupakan sebuah bentuk kritik terhadap isu konsumerisme. Pada tahun 1994, hadirlah muncul brand fesyen Supreme yang memiliki logo dengan style yang identik dengan gaya Kruger. Ironisnya, merek tersebut justru memiliki gagasan yang betentangan dengan tujuan awal dari karya Kruger. Oleh karena itu, makalah ini bertujuan untuk memperdalam pengetahuan tentang bagaimana cara yang benar saat mengadaptasi karya referensi dalam sebuah karya desain. Metodologi analisa yang digunakan adalah dengan menggunakan analisa kualitatif berdasarkan sumber literatur. Untuk mencapai tujuan tersebut, pembahasan akan dilakukan dengan beberapa tahapan. Pertama, dilakukan kajian gaya desain post-modernisme sebagai sudut pandang konteks sejarah yang diambil. Lalu dilakukan investigasi form, konten, dan konteks atas karya “I Shop Therefore I Am” serta logo brand Supreme. Terakhir, dilakukan perbandingan antara kedua pendekatan proses kreatif. Hasil kajian menunjukkan adanya pandangan kritis terhadap bagaimana desainer logo Supreme mengadaptasi desain karya Kruger. Kesimpulan kajian menghasilkan arahan-arahan bagi desainer grafis dalam proses referensi karya desain. Kata Kunci: Post-Modernisme, Barbara Kruger, Konsumerisme, Brand Supreme
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Kamimura, Masako. "Barbara Kruger: Art of Representation." Woman's Art Journal 8, no. 1 (1987): 40. http://dx.doi.org/10.2307/1358339.

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Mitchell, W. J. T., and Barbara Kruger. "An Interview with Barbara Kruger." Critical Inquiry 17, no. 2 (January 1991): 434–48. http://dx.doi.org/10.1086/448590.

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Bilirdönmez, Tuba. "Barbara Kruger Enstalasyonlarının Tipografik Açıdan İncelemesi." Journal of humanities and tourism research (Online) 11, no. 11-4 (January 1, 2021): 770–84. http://dx.doi.org/10.14230/johut1178.

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Val Cubero, Alejandra. "I shop, therefore I am: Barbara Kruger." Cuestiones de género: de la igualdad y la diferencia, no. 7 (June 20, 2012): 315. http://dx.doi.org/10.18002/cg.v0i7.916.

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La artista Barbara Kruger formada en la <em>Parson Design School</em> de Nueva York, bebió de las corrientes feministas de los años setenta y ochenta, y sirviéndose de las técnicas publicitarias con el uso de sloganes directos, breves e impactantes en tonos rojos y negros, utilizó el lenguaje de los medios de comunicación para criticar, durante más de cuatro décadas, aspectos relativos a la sociedad de consumo y las relaciones de género. En la actualidad su obra ha sido fagocitada por el propio mercado artístico y es necesario abrir nuevos caminos que conozcan la lógica de la publicidad comercial y la subviertan.
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Smith, George. "Fire in Heterotopia: Henry James and Barbara Kruger." Henry James Review 24, no. 1 (2003): 82–88. http://dx.doi.org/10.1353/hjr.2003.0009.

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Bahr, Amelie. "Small Riots - Reviewing an artwork by Barbara Kruger." Maastricht Journal of Liberal Arts 8 (September 8, 2017): 65. http://dx.doi.org/10.26481/mjla.2016.v8.515.

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Loughery, John, and Kate Linker. "Love for Sale: The Words and Pictures of Barbara Kruger." Woman's Art Journal 12, no. 1 (1991): 56. http://dx.doi.org/10.2307/1358195.

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Arruda, Lina Alves, and Maria de Fátima Morethy Couto. "Ativismo artístico: engajamento político e questões de gênero na obra de Barbara Kruger." Revista Estudos Feministas 19, no. 2 (August 2011): 389–402. http://dx.doi.org/10.1590/s0104-026x2011000200005.

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O presente artigo introduz e contextualiza as primeiras manifestações feministas que compuseram o panorama artístico do final da década de 1960 até 1980. São analisadas as circunstâncias históricas (incluindo a história da arte) que facilitaram a ponte entre as esferas da arte e da política, bem como os problemas formais e estéticos que a prática artística ativista apresentou e sua recepção como movimento. Para tanto, nos basearemos no trabalho da artista norte-americana Barbara Kruger, que produziu obras fundamentais para a consolidação da arte feminista, abordando criticamente uma ampla variedade de temas relacionados à mulher (violência, aborto, identidade, papel social, estética). O conteúdo das obras de Kruger está em sintonia com importantes circunstâncias políticas e temas sociais contemporâneos à sua produção e estabelece relação direta com teorias feministas da época, permitindo uma análise do contexto artístico e sócio-político do período.
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MORRA, JOANNE. "Barbara Kruger, Remote Control: Power, Cultures, and The World of Appearances." Journal of Aesthetics and Art Criticism 53, no. 4 (September 1, 1995): 435–36. http://dx.doi.org/10.1111/1540_6245.jaac53.4.0435.

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Dissertations / Theses on the topic "Barbara Kruger"

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Craver, Allie. ""'Picture This:' Barbara Kruger's 'Imperfect Utopia'"." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3291.

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California contemporary artist Barbara Kruger created the colossal, three-dimensional work "Picture This" as part of the winning outdoor park design "Imperfect Utopia" (1986-1997) held by the North Carolina Museum of Art in Raleigh. Situated in the landscape outside the museum’s original building designed by Edward Durell Stone, 80-foot-tall letters inscribe Kruger’s phrase "Picture This." The letters are embedded with quotations, historical markers, cultural figures, as well as elements pertaining to North Carolina’s history and environment. This thesis proposes that "Picture This" functions as Kruger’s conceptual critique of museums; more specifically, it critiques their traditional utopian goals and simulacral stature. This thesis will demonstrate that Kruger’s phrase "Picture This" functions as a dialogue with the museum and the state. By drawing parallels between Kruger’s work and French philosopher Jean Baudrillard’s theory of simulation, this study will elucidate alternative readings of "Picture This" as well as foreground its impact on Kruger’s oeuvre.
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TREVISAN, Bianca. "«Architecture was my first visual interest». Una rilettura critica in chiave architettonica dell’opera di Barbara Kruger." Doctoral thesis, Università degli studi di Bergamo, 2019. http://hdl.handle.net/10446/128679.

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Il presente elaborato si propone di rileggere il lavoro di Barbara Kruger secondo la chiave interpretativa dello spazio e della sua passione per l’architettura. Nelle molte mostre dedicate all’artista infatti, così come negli studi critici, non si è mai considerato approfonditamente questo aspetto, concentrandosi più sulla sua esperienza alla Condé Nast come art director e dunque sull’influenza della grafica sul suo lavoro collagistico, oppure sulle questioni di genere. Se è indubbio il suo impegno in tal senso – Barbara Kruger è un’artista femminista –, così come l’importanza della sua esperienza nel mondo della pubblicità, a noi pare che queste letture non permettano una visione d’insieme del suo lavoro e di accedere alle sue ragioni più profonde. Rileggere l’opera di Kruger attraverso l’architettura – suo «first love», «visual interest», secondo le sue stesse parole – permette anche di concentrarsi sul nucleo di opere realizzate tra la fine degli anni Sessanta e la fine degli anni Settanta, quasi sconosciute e alle quali non è mai stato dedicato uno studio: gli arazzi, le poesie e i racconti, i reading e le performance, i pannelli testo-immagine e il prezioso libro d’artista Picture/Readings, tra le cui pagine è contenuta tutta la poetica di Kruger, precedente e soprattutto successiva. Nelle sue opere, il punto è «to deal with the power of everyday», come lei stessa ribadisce: indipendentemente dal medium scelto, l’architettura le permette di operare nello spazio sociale e di mostrarlo nelle sue stesse dinamiche di potere.
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Sohn, Youngsil. "L' énonciation en photographie en tant que tension entre le matériau et l'idée : étude d'analyse sémiotique du discours photographique dans un environnement numérique." Paris 8, 2006. http://www.theses.fr/2006PA082627.

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L’énonciation, acte de parole, permet d´analyser de manière significative l’activité d’un sujet. C´est également le cas du travail basé sur la sémiotique subjectiviste. L’énonciation en tant que tension entre matériau et idée dérive des caractéristiques à la fois artistique et technique de la photographie. Notre analyse du discours photographique de Barbara Kruger montrent qu’à un niveau stratégique, l´artiste nous invite au jeu de l’énonciation par la combinaison entre la photographie et le texte. Il semble clair que la recherche systématique de l’image amène à comprendre de façon effective la genèse du sens à travers la position du sujet et ses corrélations intersubjectives, et contribue à la compréhension approfondie du sens des images. La recherche sur l’énonciation en photographie à travers l’approche théorique et les analyses des oeuvres photographiques nous retracent les caractéristiques du médium photographique
Enunciation, as an activity of speech, allows to analyze in a significant way the activity of a subject. This is also the case of the work based on subjectivist semiotics. The enunciation as tension between material and idea results of the characteristics both artistic and technical of photography. Our analysis of Barbara Kruger’s photographic discourse shows how at a strategic level, this artist invites us in the enunciation game by means of the combination of picture and text. It seems clear that the systematic study of the image helps us to understand in an effective way the genesis of the meaning through the position of the subject and its intersubjective correlations, and contributes to the profound understanding of the meaning of the images. The study on photographic enunciation through a theoretical approach and the analysis of the photographic works reveals the characteristics of the photography medium
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Zwiener, Nicole V. "One in Four." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/770.

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One in Four is an ad campaign targeted at raising awareness of on-campus sexual assault and the effects that assault has on survivors. This ad campaign will include testimonies of survivors of sexual assault within the Claremont Colleges and will be shared through social media and printed on physical flyers. This thesis will explore how marketing strategies, such as, social norms marketing, has the potential to change the audiences behavior in relation to their peers’ behavior. It will also explore the work of the Guerrilla Girls and how anonymity was crucial to their success. In addition, One in Four will examine the work of Barbara Kruger and her use of graphics and red text. Through the use of various marketing strategies and influence of the work of the Guerrilla Girls and Barbara Kruger, One In Four will be successful in it's goal of raising awareness, destigmatizing sexual assault and have survivors feel that their stories are important and they are not alone.
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Fischer, Kathrin Barbara [Verfasser], and H. [Akademischer Betreuer] Krug. "Genotoxicity of Synthetic Nanomaterials / Kathrin Barbara Fischer. Betreuer: H. Krug." Karlsruhe : KIT-Bibliothek, 2009. http://d-nb.info/1014099870/34.

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Egnolff, Mareike [Verfasser], and Barbara [Akademischer Betreuer] Krug-Richter. "Die Sehnsucht nach dem Ideal : Landlust und Urban Gardening in Deutschland / Mareike Egnolff. Betreuer: Barbara Krug-Richter." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2015. http://d-nb.info/1079217487/34.

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Egnolff, Mareike Verfasser], and Barbara [Akademischer Betreuer] [Krug-Richter. "Die Sehnsucht nach dem Ideal : Landlust und Urban Gardening in Deutschland / Mareike Egnolff. Betreuer: Barbara Krug-Richter." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:291-scidok-63033.

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Saito, Hiroyuki [Verfasser], Gerd [Akademischer Betreuer] Schwerhoff, Gerd [Gutachter] Schwerhoff, and Barbara [Gutachter] Krug-Richter. "Jugendliche Gewaltkultur und soziale Kontrolle in der frühneuzeitlichen Stadt : Das Beispiel Leipzig, ca. 1570-1650 / Hiroyuki Saito ; Gutachter: Gerd Schwerhoff, Barbara Krug-Richter ; Betreuer: Gerd Schwerhoff." Dresden : Technische Universität Dresden, 2019. http://d-nb.info/1226897193/34.

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Saito, Hiroyuki [Verfasser], Gerd Akademischer Betreuer] Schwerhoff, Gerd [Gutachter] Schwerhoff, and Barbara [Gutachter] [Krug-Richter. "Jugendliche Gewaltkultur und soziale Kontrolle in der frühneuzeitlichen Stadt : Das Beispiel Leipzig, ca. 1570-1650 / Hiroyuki Saito ; Gutachter: Gerd Schwerhoff, Barbara Krug-Richter ; Betreuer: Gerd Schwerhoff." Dresden : Technische Universität Dresden, 2019. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa2-330820.

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Chen, Yu-Jing, and 陳育菁. "Feminine Consciousness and Body Politics in Barbara Kruger\'s Works with Pictures and Words." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/6ek2n7.

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博士
國立臺灣師範大學
美術學系
107
Barbara Kruger's works changed with the evolution of feminism. She ironically deconstructed and reconstructed pictures and words, and critically understood the social mechanisms of daily life construction, consumption, seduction and control. This thesis divides Kruger's works into three categories: "gender discourse", "patriarchal hegemony" and "subject self". Kruger's works with pictures and words convey gender differences which are meanings under cultural interpretation, and gender forces bodies to become cultural symbols. Male phallus symbolizes power in patriarchal society, and disparaging to female body leads to ideological domination. Stereotypes even facilitate to create standardized subjects. In the patriarchal society, women are the exploited objects, exchangeable commodities, and women are shaped into objects of sexual desire, and lost themselves under the mask of femininity. Body aesthetics makes bodies to become alienated products and consuming objects. The "slim tyranny" of bourgeois is a powerful discipline which culturally standardizes women. Bodies are the struggling fields of power, and women become gloomy silent victims under normative rights. Women should declare a war to patriarchy arbitrary discourse through writing to break the rule of Phallogocentric discourse. The ironic combination of Kruger's works of pictures and words with humor reveals hidden realities of society and women's unspeakable claims. Women's long-repressed and domesticated minds and bodies are swayed by resonating with Kruger's works, therefore the shackles of rigid bodies and minds are loosened. The works of Kruger's feminine issues complete stage tasks, they are full of great historical significance and value.
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Books on the topic "Barbara Kruger"

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Angela, Vettese, Fabbri Paolo 1939-, Pierini Marco, and Palazzo delle papesse, centro arte contemporanea (Siena, Italy), eds. Barbara Kruger. Siena: Palazzo delle Papesse, Centro arte contemporanea, 2002.

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National Art Gallery (N.Z.), ed. Barbara Kruger. Wellington, NZ: National Art Gallery, 1988.

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Kruger, Barbara. Barbara Kruger. Wellington, New Zealand: National Art Gallery, 1988.

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Ciara, Moloney, and Modern Art Oxford, eds. Barbara Kruger. Oxford: Modern Art Oxford, 2014.

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Kruger, Barbara. Slices of life: The art of Barbara Kruger. Urbana-Champaign, Illinois: Krannert Art Museum, 1986.

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Kruger, Barbara. Barbara Kruger: Castello di Rivoli, 6 ottobre-3 dicembre 1989. [Rivoli?]: Museo d'arte contemporanea, 1989.

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Kruger, Barbara. Love for sale: The words and pictures of Barbara Kruger. New York: Harry N. Abrams, 1990.

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Kate, Linker, ed. Love for sale: The words and pictures of Barbara Kruger. New York: H.N. Abrams, 1990.

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Kruger, Barbara. Love for sale: The words and pictures of Barbara Kruger. New York: H. N. Abrams, 1996.

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Kruger, Barbara. Barbara Kruger: 7 January to 28 January 1989, Mary Boone Gallery. New York, N.Y: The Gallery, 1989.

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Book chapters on the topic "Barbara Kruger"

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Mulvey, Laura. "Dialogue with Spectatorship: Barbara Kruger and Victor Burgin." In Visual and Other Pleasures, 127–36. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19798-9_11.

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Corazzo, Nina. "Cultural Dummies and Barbara Kruger." In Semiotics, 255–65. Semiotic Society of America, 2003. http://dx.doi.org/10.5840/cpsem200322.

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Mulvey, Laura. "Dialogue with Spectatorship: Barbara Kruger and Victor Burgin." In Illuminations, 377–85. Routledge, 2021. http://dx.doi.org/10.4324/9781003135630-54.

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Bejarano, Bruna. "THE ART OF RESISTANCE IN THE WORKS OF GUSTAVE COURBET, JACOB LAWRENCE, PABLO PICASSO AND BARBARA KRUGER." In CONTEMPORARY DISCUSSIONS IN ART HISTORY: SOCIOHISTORICAL AND PSYCHOLOGICAL OBSERVATIONS, 1–17. Editora Artemis, 2020. http://dx.doi.org/10.37572/edart_0310406201.

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"Commonplaces: the woman in the street: text and gender in the work of Jenny Holzer and Barbara Kruger." In Language and Gender, 254–70. Routledge, 2014. http://dx.doi.org/10.4324/9781315843810-29.

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Heine, Klaus. "Comment on Barbara Krug and Hans Hendrischke." In Institutionelle Hintergründe und Konsequenzen von Wissen., 171–78. Duncker & Humblot, 2010. http://dx.doi.org/10.2307/j.ctv1q69s89.13.

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