Academic literature on the topic 'Barbara Kruger'

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Journal articles on the topic "Barbara Kruger"

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Gunawan, Elizabeth, Helena Calista, and Alfiansyah Zulkarnain. "ADAPTASI TANPA ISI: PENGARUH DESAIN “UNTITLED - I SHOP THEREFORE I AM” KARYA BARBARA KRUGER TERHADAP DESAIN LOGO BRAND SUPREME." Jurnal Dimensi Seni Rupa dan Desain 18, no. 1 (2021): 1–12. http://dx.doi.org/10.25105/dim.v18i1.10599.

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AbstractOne of the conceptual artists of postmodernism, Barbara Kruger, is known for her work that combines visual images with text to convey criticism of social issues directly to society. One of the most famous works that she has is "Untitled - I Shop Therefore I am (1987)" which is a form of criticism of the issue of consumerism. In 1994, Supreme arrived, which had a logo in the exact same style as Kruger. Ironically, the brand actually had ideas that ran counter to the original purpose of Kruger's work. Therefore, this paper aims to deepen the knowledge of how to properly adapt a reference work in a new work based on analytical methods; especially to explore a work that has a considerable influence on society. The analysis method used in this paper is qualitative analysis through literature sources. There are three steps of analysis used in this paper. First, a study of postmodernism design style is done as the theoritical viewpoint. Then, qualitative investigations of form, content, and context were conducted on “I Shop Therefore I Am” artwork and Supreme brand logo design. Lastly, a comparison of creative process between both design was done to formulate results. The analysis result shows that there were critical views of how the Supreme logo designer adapt Barbara Kruger’s design. The conclusion reveals directions for graphic designers in doing design references. Keywords: Post-Modernism, Barbara Kruger, Consumerism, Supreme Brand AbstrakSalah satu seniman konseptual pada zaman postmodernisme, Barbara Kruger, dikenal dengan karyanya yang menggabungkan gambar visual dengan teks untuk menyampaikan kritik terhadap isu sosial secara langsung pada masyarakat. Salah satu karyanya yang paling terkenal adalah “Untitled - I Shop Therefore I am (1987)” yang merupakan sebuah bentuk kritik terhadap isu konsumerisme. Pada tahun 1994, hadirlah muncul brand fesyen Supreme yang memiliki logo dengan style yang identik dengan gaya Kruger. Ironisnya, merek tersebut justru memiliki gagasan yang betentangan dengan tujuan awal dari karya Kruger. Oleh karena itu, makalah ini bertujuan untuk memperdalam pengetahuan tentang bagaimana cara yang benar saat mengadaptasi karya referensi dalam sebuah karya desain. Metodologi analisa yang digunakan adalah dengan menggunakan analisa kualitatif berdasarkan sumber literatur. Untuk mencapai tujuan tersebut, pembahasan akan dilakukan dengan beberapa tahapan. Pertama, dilakukan kajian gaya desain post-modernisme sebagai sudut pandang konteks sejarah yang diambil. Lalu dilakukan investigasi form, konten, dan konteks atas karya “I Shop Therefore I Am” serta logo brand Supreme. Terakhir, dilakukan perbandingan antara kedua pendekatan proses kreatif. Hasil kajian menunjukkan adanya pandangan kritis terhadap bagaimana desainer logo Supreme mengadaptasi desain karya Kruger. Kesimpulan kajian menghasilkan arahan-arahan bagi desainer grafis dalam proses referensi karya desain. Kata Kunci: Post-Modernisme, Barbara Kruger, Konsumerisme, Brand Supreme
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Kamimura, Masako. "Barbara Kruger: Art of Representation." Woman's Art Journal 8, no. 1 (1987): 40. http://dx.doi.org/10.2307/1358339.

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Mitchell, W. J. T., and Barbara Kruger. "An Interview with Barbara Kruger." Critical Inquiry 17, no. 2 (1991): 434–48. http://dx.doi.org/10.1086/448590.

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Bilirdönmez, Tuba. "Barbara Kruger Enstalasyonlarının Tipografik Açıdan İncelemesi." Journal of humanities and tourism research (Online) 11, no. 11-4 (2021): 770–84. http://dx.doi.org/10.14230/johut1178.

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Val Cubero, Alejandra. "I shop, therefore I am: Barbara Kruger." Cuestiones de género: de la igualdad y la diferencia, no. 7 (June 20, 2012): 315. http://dx.doi.org/10.18002/cg.v0i7.916.

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La artista Barbara Kruger formada en la <em>Parson Design School</em> de Nueva York, bebió de las corrientes feministas de los años setenta y ochenta, y sirviéndose de las técnicas publicitarias con el uso de sloganes directos, breves e impactantes en tonos rojos y negros, utilizó el lenguaje de los medios de comunicación para criticar, durante más de cuatro décadas, aspectos relativos a la sociedad de consumo y las relaciones de género. En la actualidad su obra ha sido fagocitada por el propio mercado artístico y es necesario abrir nuevos caminos que conozcan la lógica de la publicidad comercial y la subviertan.
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Smith, George. "Fire in Heterotopia: Henry James and Barbara Kruger." Henry James Review 24, no. 1 (2003): 82–88. http://dx.doi.org/10.1353/hjr.2003.0009.

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7

Bahr, Amelie. "Small Riots - Reviewing an artwork by Barbara Kruger." Maastricht Journal of Liberal Arts 8 (September 8, 2017): 65. http://dx.doi.org/10.26481/mjla.2016.v8.515.

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Loughery, John, and Kate Linker. "Love for Sale: The Words and Pictures of Barbara Kruger." Woman's Art Journal 12, no. 1 (1991): 56. http://dx.doi.org/10.2307/1358195.

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Arruda, Lina Alves, and Maria de Fátima Morethy Couto. "Ativismo artístico: engajamento político e questões de gênero na obra de Barbara Kruger." Revista Estudos Feministas 19, no. 2 (2011): 389–402. http://dx.doi.org/10.1590/s0104-026x2011000200005.

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O presente artigo introduz e contextualiza as primeiras manifestações feministas que compuseram o panorama artístico do final da década de 1960 até 1980. São analisadas as circunstâncias históricas (incluindo a história da arte) que facilitaram a ponte entre as esferas da arte e da política, bem como os problemas formais e estéticos que a prática artística ativista apresentou e sua recepção como movimento. Para tanto, nos basearemos no trabalho da artista norte-americana Barbara Kruger, que produziu obras fundamentais para a consolidação da arte feminista, abordando criticamente uma ampla variedade de temas relacionados à mulher (violência, aborto, identidade, papel social, estética). O conteúdo das obras de Kruger está em sintonia com importantes circunstâncias políticas e temas sociais contemporâneos à sua produção e estabelece relação direta com teorias feministas da época, permitindo uma análise do contexto artístico e sócio-político do período.
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MORRA, JOANNE. "Barbara Kruger, Remote Control: Power, Cultures, and The World of Appearances." Journal of Aesthetics and Art Criticism 53, no. 4 (1995): 435–36. http://dx.doi.org/10.1111/1540_6245.jaac53.4.0435.

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