Relevant bibliographies by topics / Barbara (Motion picture) – Criticism and interpretation / Books
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Books on the topic 'Barbara (Motion picture) – Criticism and interpretation'

Author: Grafiati
Published: 10 December 2022
Last updated: 30 July 2025

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1

Li, Zhen, 1973 April- editor and Zhongguo dian ying zi liao guan, eds. Zheng Junli quan ji: The complete works of Junli Zheng. Shanghai wen hua chu ban she, 2016.

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2

Esquenazi, Jean-Pierre. Hitchcock et l'aventure de Vertigo: Invention à Hollywood. CNRS Editions, 2001.

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3

Salje, Gunther. Antonioni: Regieanalyse, Regiepraxis : Vorlesungstexte mit Übungsaufgaben zum Drehbuchschreiben. Verlag Media-Institut, 1994.

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4

Esquenazi, Jean-Pierre. Hitchcock et l'aventure de Vertigo: L'invention à Hollywood. CNRS éditions, 2001.

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5

Pettersson, Dan. The world is yours: En analys av filmen Scarface. Sekel, 2012.

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6

Tsuzuki, Masaaki. Kurosawa Akira to "Yōjinbō": Dokyumento kaze to shibaki to Sanjūrō. Asahi Sonorama, 2005.

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7

Àngel, Comas, and Comas Àngel, eds. De entre los muertos (Vértigo): Chinatown. Libros Dirigido, 2002.

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8

Miccichè, Lino. Visconti e il neorealismo: Ossessione, La terra trema, Bellissima. Marsilio editori, 1990.

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9

Paramacivam, Mu. Tiraiyulakil Vintan̲. Aruḷ Patippakam, 2001.

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10

Chatterji, Shoma A. Parama and other outsiders: The cinema of Aparna Sen. Parumita Publications, 2002.

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11

Grüneis, Olaf. Schauspielerische Darstellung in Filmen Alexander Kluges: Zur Ideologiekritik des Schauspielens im Film. Die blaue Eule, 1994.

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12

Vancheri, Luc. L' Amérique de John Ford: Autour de La prisonnière du désert. Editions du CEFAL, 2007.

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13

Gómez, Libia Stella. La mosca atrapada en una telaraña: Buñuel y "Los olvidados" en el contexto latinoamericano. Historia y Teoría del Arte y la Arquitectura, Programa de Maestría, 2003.

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14

Tsuzuki, Masaaki. Kurosawa Akira no yuigon "Yume". Kindai Bungeisha, 2001.

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15

Tesler, Mario. Camila y la Bemberg: Del Socorro a Pilar : tragedia y ficción cinematográfica. Ediciones Biblioteca Nacional, 2010.

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16

Harbord, Janet. Chris Marker, La jetée. Afterall Books, 2009.

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17

Harbord, Janet. Chris Marker, La jetée. Afterall Books, 2009.

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18

Harbord, Janet. Chris Marker, La jetée. Afterall Books, 2009.

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19

Soto, Eduardo Contreras. Silvestre Revueltas en escena y en pantalla: La música de Silvestre Revueltas para el cine y la escena. Instituto Nacional de Bellas Artes y Literatura, 2012.

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20

Damour, Christophe. Al Pacino: Le dernier tragédien. Scope, 2009.

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21

Ferrari, Jean-Christophe. Le miroir de Andreï Tarkovski: Le drame d'Éros. Yellow now, 2009.

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22

Martín, Francisco López. David Cronenberg, eXistenZ: El placer de lo siniestro. Ediciones de la Mirada, 1999.

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23

Francesco, Lorenza Di. Bellissima: Tra scrittura e metacinema. Diabasis, 2017.

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24

Roberto, Cueto, ed. La caza: --42 años después. Ediciones de la Filmoteca, 2008.

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25

El-Nawab-Dina. Alfred Hitchcocks 'Psycho': Exemplarische Filmanalyse unter besonderer Berücksichtigung des Suspense. Coppi, 1997.

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26

Fredericksen, Don. Wajda's Kanal. Wydawnictwo Naukowe, 2007.

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27

Schwab, Martin. Unsichtbares, sichtbar gemacht: Zu Samuel Becketts "Film". W. Fink, 1996.

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28

Adamczyk, Zdzisław Jerzy. Przedwiośnie: Prawda i legenda. Oficyna Wydawnicza G&P, 2001.

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29

Marie, Michel. Le mépris, Jean-Luc Godard. Nathan, 1990.

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30

Chimento, Andrea, and Paolo Parachini. Il divo di Paolo Sorrentino: La grandezza dell'enigma. Falsopiano, 2012.

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31

Bächler, Odile. Laura: Otto Preminger. Nathan, 1995.

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32

Lenzi, Francesca. Dario Argento: Tenebre : l'analisi del film. Profondo Rosso, 2009.

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33

Agustín, Sánchez Vidal, ed. Los olvidados: Una película de Luis Buñuel. Fundación Televisa, 2004.

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34

Hastie, Amelie. The bigamist. Palgrave Macmillan on behalf of the British Film Institute, 2009.

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35

Marie, Michel. Muriel d'Alain Resnais. Atlande, 2005.

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36

Irāj, Mā. Tañcai Rāmaiyātās tiraippāṭalkaḷ kāṭṭum camūka-vāl̲viyal āyvu. Kāvyā, 2012.

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37

Cutantiramuttu, Mu. Tān̲āy ellām mār̲um en̲patu pal̲aiya poyyaṭā!: Paṭṭukkōṭṭaiyin̲ pāṭṭup payaṇam. Muraṇkaḷari, 2005.

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38

Valentini, Valentina. Un fanciullo delicato e forte: Il cinema di Gabriele D'Annunzio. Biblioteca del Vascello, 1995.

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39

Fredericksen, Don. Wajda's Kanal. Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2007.

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40

Grüneis, Olaf. Schauspielerische Darstellung in Filmen Alexander Kluges: Zur Ideologiekritik des Schauspielens im Film. Die Blaue Eule, 1994.

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41

Turiašvili, Manana. Mixeil Tʻumanišvilis żiebebi kinomsaxiobtʻa tʻeatrši. Šotʻa Rustʻavelis tʻeatrisa da kinos universiteti, 2007.

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42

Koskinen, Maaret (EDT). Ingmar Bergman's The silence: Pictures in the typewriter, writings on the screen. University of Washington Press, 2009.

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43

Stojanović, Miroljub, and Peter Handke. Dislocation and reconciliation in Kosovo: Essays on Goran Radovanović's film Enclave. Nama Film, 2016.

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44

Safarov, Boris. Nostalghia: UdSSR/Italien, 1983, Regie: Andrej Tarkovskij : Protokoll des Films, Übersetzung der Dialoge. Universitätsverlag, 2015.

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45

Kersti, French, ed. Wild strawberries =: Smultronstället. BFI Pub., 1995.

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46

Nielsen, Steen K. Om betydningsproduktionen i Godfrey Reggios filmvæerk: Koyaanisqatsi. Musikvidenskabeligt Institut, Århus Universitet, 1991.

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47

Pōḷ, Jōṇ. Eṃ. Ṭi. oranuyātr̲a. Kēraḷa Calaccitr̲a Akkādami, 2000.

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48

1950-, Gitai Amos, and Sanselme Marie-José, eds. Amos Gitai: Genèses. Gallimard, 2009.

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49

Riz̤ā, Shukr Allāh, та Tūrānʹpūr Ḥamīd, ред. Qayṣar: Namād-i insān-i muʻtariz̤. Qaṣīdah, 2000.

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50

1966-, Martel Lucrecia, ed. Estudio crítico sobre La ciénaga: Entrevista a Lucrecia Martel. Picnic Editorial, 2007.

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