Relevant bibliographies by topics / Barbeau

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Barbeau'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Barbeau"

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Lefebvre, Marie-Thérèse. "Marius Barbeau." Les Cahiers des dix, no. 59 (March 7, 2011): 89–125. http://dx.doi.org/10.7202/045755ar.

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Durant sa carrière au Musée national (1911-1942), Marius Barbeau joua un rôle de mentor auprès des compositeurs et interprètes classiques afin de diffuser dans le milieu savant le répertoire folklorique qu’il avait enregistré et transcrit. S’inspirant des modèles proposés par le médiéviste Jean Beck et les interprétations d’Yvette Guilbert, il proposa des formules de concert visant à rejoindre l’élite intellectuelle et s’inséra dans le milieu des compositeurs classiques de son époque. À partir de 1939, l’engouement créé par le phénomène de La Bonne Chanson de l’abbé Charles-Émile Gadbois modifie la perception du folklore auprès du public. La diffusion de la collection originale du Musée quitte alors les salles de concert et passe désormais par le milieu universitaire où Barbeau entreprend à l’invitation de Luc Lacoursière, à partir de 1942, une seconde carrière au Centre des archives folklore de l’Université Laval.
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Mimeche, Fateh, Abdelghani Zedam, Smail Chafaa, Hayet Mimeche, and Mohamed Biche. "Étude saisonnière du régime alimentaire du barbeau Luciobarbus callensis (Valencienne 1842) dans le réservoir de K'sob (M'Sila, Algérie)." Revue des sciences de l’eau 31, no. 2 (2018): 163–71. http://dx.doi.org/10.7202/1051698ar.

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La composition du régime alimentaire du barbeau (Luciobarbus callensis) a été étudiée dans le réservoir du barrage de K'sob, situé en amont de la ville de M'Sila (Algérie). La capture des barbeaux a été effectuée entre septembre 2010 et août 2011. Le régime alimentaire a été étudié à partir de 379 spécimens récoltés par filet trémaillé. Au cours de la période d'étude, on a noté que le spectre alimentaire était constitué essentiellement de Chironomidae, de copépodes et de Simulidae qui sont abondants dans le milieu. Le barbeau du réservoir de K'sob présente un rythme alimentaire saisonnier influencé d’une part par les conditions climatiques et écologiques du milieu, et d’autre part, par son cycle reproductif. Dans la zone d’étude du réservoir de K'sob, L. callensis possède un régime alimentaire omnivore à tendance zoobenthophage.
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Roth, Christopher F. "Marius Barbeau: Man of Mana:Marius Barbeau: Man of Mana." American Anthropologist 99, no. 1 (1997): 210. http://dx.doi.org/10.1525/aa.1997.99.1.210.1.

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Lahoud, Pierre. "Barbeau, le photographe-enquêteur." Terrains 14 (September 22, 2016): 65–78. http://dx.doi.org/10.7202/1037448ar.

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Marius Barbeau a mené plusieurs carrières de front : anthropologue des cultures autochtones, folkloriste en quête de chansons et de contes au Québec, communicateur diffuseur et commissaire d’expositions, muséologue et conservateur. Son legs est d’une richesse fascinante et exceptionnelle. On connaissait moins de lui le photographe de terrain qu’il a été et la grande qualité de son oeuvre photographique. À l’exemple de ces grands photographes qui nous ont apporté des témoignages extraordinaires et émouvants, Barbeau a parcouru le Canada à la recherche de scènes en voie de disparition. Mais au-delà du témoignage photographique, il émerge une photographie à la fois esthétique et documentaire dont il fallait rendre compte pour situer autrement ce grand homme dans l’Histoire. Pêcheur d’images représentant l’humain dans son quotidien, avec la patience du pêcheur qui l’a bien servi, Barbeau se souciait évidemment de la dimension humaine, mais il accordait aussi de l’importance au décor, qui donne un sens à l’image et la positionne ainsi dans le temps et l’espace.
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Blanchette, Jean-François. "Présence de Marius Barbeau." Rabaska: Revue d'ethnologie de l'Amérique française 14 (2016): 208. http://dx.doi.org/10.7202/1037462ar.

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Bergeron, Bertrand. "La correspondance Barbeau-Tremblay." Rabaska: Revue d'ethnologie de l'Amérique française 13 (2015): 164. http://dx.doi.org/10.7202/1033759ar.

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7

Gauthier, S., and G. Geoffroy. "Andre Barbeau 1931-1986." Neurology 36, no. 6 (1986): 802. http://dx.doi.org/10.1212/wnl.36.6.802.

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Gauthier, Serge, and Guy Geoffroy. "André Barbeau: 1931-1986." Movement Disorders 1, no. 2 (1986): 89–90. http://dx.doi.org/10.1002/mds.870010201.

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Klamkin, M. S. "Polynomials (E. J. Barbeau)." SIAM Review 32, no. 4 (1990): 699–700. http://dx.doi.org/10.1137/1032150.

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da Silva, Roberto, Paulo Britto, Rodrigo Joaquim, et al. "Clinical accuracy of reverse Barbeau test in the diagnosis of radial artery occlusion after transradial catheterization." Journal of Transcatheter Interventions 29 (February 19, 2021): 1–6. http://dx.doi.org/10.31160/jotci202129a20200037.

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Background Radial artery occlusion is an infrequent complication of transradial catheterization. Assessment of radial artery occlusion is a critical aspect of clinical care, and it should be done with an additional test, commonly by a plethysmographic test (reverse Barbeau test) or ultrasound (Doppler), the last is the gold standard. The objective of this study was to evaluate the accuracy of the reverse Barbeau test in detecting radial artery occlusion after transradial catheterization. Methods A study carried out in two centers encompassing patients submitted to procedures by radial access. All patients received at least 5,000IU of heparin. Sheaths were immediately removed after the procedure, using a patent hemostasis protocol. Patency of the radial artery was verified by reverse Barbeau test and duplex Doppler evaluation within the first 24 hours. Results A total of 350 patients were enrolled, with a mean age of 61.7 (±9.7) years. Radial artery occlusion was verified after the procedure in 19 (5.4%) patients, using duplex Doppler scan. Application of reverse Barbeau test had the following results: 64.0% type A curve, 15.7% type B, 8.3% type C, and 12.0% type D (the last suggesting occlusion). With reverse Barbeau test, patients with confirmed occlusion by ultrasound evaluation, 21.1% would be missed by a false-negative test, and in the ones, without radial artery occlusion, 8.2% would be misdiagnosed as having it (sensibility 78.9%; specificity 91.8%). Conclusion Reverse Barbeau test has good accuracy to detect radial artery occlusion, and it is a good option for clinical day use, although using reverse Barbeau test results in the overestimation of radial artery occlusion.
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Dissertations / Theses on the topic "Barbeau"

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Gingras, Chantale. "Victor Barbeau : un réseau d'influences littéraires /." Montréal [Québec] : l'Héxagone, 2001. http://catalogue.bnf.fr/ark:/12148/cb38854478w.

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Nurse, Andrew. "Tradition and modernity : the cultural work of Marius Barbeau." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq22486.pdf.

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Gingras, Chantale. "La correspondance de Victor Barbeau, création et consolidation d'une figure d'autorité." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0028/MQ41912.pdf.

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Martin, Roxanne. "François Barbeau et son approche du costume : récit de carrière (1955-2016)." Doctoral thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/66749.

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François Barbeau est reconnu comme l’un des plus grands concepteurs de costumes du Québec. Sa réputation n’est plus à faire, mais la nécessité d’avoir une vue d’ensemble de sa carrière restait à faire et elle est peut-être encore plus importante aujourd’hui que le costumier est décédé. La thèse propose de faire un récit de sa carrière qui serait le témoin de la longévité et de l’ampleur du travail de Barbeau, mais aussi de sa qualité d’artiste, inégalée dans le domaine au Québec. Il s’agira donc de décrire les différentes étapes qui composent son approche du costume en faisant le récit des moments qui ont ponctué sa carrière et qui ont entraîné un ajout ou un changement dans l’élaboration de sa façon de faire, et ce, à l’aide du témoignage du principal intéressé. La thèse aura également pour but de consigner le travail effectué par le concepteur de costumes par le recensement complet des productions auxquelles il a participé. La carrière de Barbeau a débuté alors que le théâtre québécois professionnel en était à ses balbutiements et le concepteur a été activement impliqué dans certaines des productions les plus marquantes de l’histoire des arts de la scène au Québec, comme Les belles-soeurs, La Sagouine, Casse-noisette et Dralion. En l’absence de formation en scénographie, Barbeau a entamé une formation en dessin commercial pour ensuite bifurquer vers une école de haute couture afin d’apprendre la confection des vêtements. Les troupes de théâtre amateur l’ont engagé alors qu’il n’avait pas encore terminé sa formation. Déplorant le fait de n’avoir pas eu la chance d’étudier dans une école de scénographie, le concepteur a cherché, sans le trouver, un guide qui l’initierait au métier de costumier. Dès ses débuts en 1955, Barbeau a appris son métier, a façonné son approche du costume, a établi sa réputation et a élaboré son style qui allait devenir sa signature à travers ses expériences et les rencontres qu’il a faites. Curieux de nature et désireux d’en apprendre toujours davantage, il a défini sa façon de faire au fur et à mesure de sa pratique. Son métier de costumier lui a permis d’explorer plusieurs disciplines artistiques comme le théâtre, le ballet, le cirque, le cinéma et plusieurs métiers en lien avec la scène, comme le jeu, la conception de décors et la mise en scène ou en lien avec le cinéma, comme la direction artistique, sans oublier l’enseignement. Cette exploration des différents médiums a établi un cycle où des connaissances acquises dans une discipline ont nourri son approche d’une autre et où l’expérience d’un des métiers a fait comprendre la réalité de l’autre. Ce cycle a ainsi façonné l’artiste qu’il est devenu. Par conséquent, la visée de la thèse a pour ambition de relater, selon une perspective diachronique, le récit de ces étapes, des moments marquants de sa carrière qui, tels un fil d’Ariane, se sont succédé, l’un menant à l’autre, dans l’élaboration de son approche du costume.<br>François Barbeau is recognized as one of the greatest costume designers in Quebec. His reputation no longer needs an introduction, but the overview of his career remained to be done and it is perhaps even more important today that the costumer has died. This thesis proposes to make a narrative of his career that would be a witness to the longevity and breadth of Barbeau's work, but also his quality as an artist, unequaled in the field in Quebec. It is therefore a matter of describing the different steps that make up his approach to the costume by telling the story of the moments that have punctuated his career and that have led to an addition or a change in the development of his way of doing things, thanks to the testimony of the primary subject. The purpose of this thesis will be to document the work done by the costume designer through the complete census of the productions in which he participated. Barbeau's career began when the professional Quebec theater was in its infancy and the designer was actively involved in some of the most significant productions in the history of the performing arts in Quebec, such as Les belles-soeurs, La Sagouine, Casse-noisette and Dralion. In the absence of academic training in scenography, Barbeau began a course in commercial design and then branch off to haute couture school to learn dressmaking. The amateur theater groups hired him when he had not yet finished his training. Without the possibility to study in a school of scenography, the designer sought, without finding, a guide who would initiate him to the job of costume designer. From his beginnings in 1955, Barbeau learned his craft, shaped his approach to costume, established his reputation and developed his style that would become his signature through his experiences and the encounters he made. Curious by nature and eager to learn more, he has defined his craft progressively through his practice. His career as a costume designer allowed him to explore several artistic disciplines such as theater, ballet, circus, cinema and several trades related to the stage, such as acting, set design and stage directing, or related to the film industry, as the artistic direction, in addition to teaching. This exploration of different mediums has established a cycle in which knowledge acquired in one discipline has nourished its approach to another and where the experience of one of the trades has allowed to understand the reality of the other. This cycle has shaped the artist he has become. Consequently, the aim of this thesis will constitute, according to a diachronic perspective, the narrative of these stages, the highlights of his career which, like a breadcrumb trail, have followed each other, one leading to the other, in developing his approach to the costume.
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Dyck, Sandra. "These things are our totems : Marius Barbeau and the indigenization of Canadian art and culture in the 1920s /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1995. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/MQ26893.pdf.

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Dyck, Sandra. "These things are our totems Marius Barbeau and the indigenization of Canadian art and culture in the 1920s /." Ottawa : Library and Archives Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/MQ26893.pdf.

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Gauthier, Ninon. "Marcel Barbeau : échos et métamorphoses : catalogue raisonné des peintures (1944-1971) et catalogue raisonné des sculptures (1944-2000)." Paris 4, 2004. http://www.theses.fr/2003PA040057.

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Ce catalogue décrit, illustre, " historise " et commente chaque oeuvre dans le contexte de la production de l'artiste et de celle de ses contemporains. Les notices, l'introduction, les notices complémentaires et la chronologie situent l'oeuvre en regard de ses sources et du voisinage de ses contemporains. Le chapitre sur la fortune critique et l'annexe "sources" apportant un complément d'information sur sa réception. Cette thèse montre la contribution de Marcel Barbeau à l'Automatisme, un mouvement expressionniste abstrait québécois, pionnier de l'abstraction au Canada au milieu des années quarante. Artiste en constante mutation, Barbeau fut aussi associé à̧ des tendances très diverses de même qu'à des productions poétiques phoniques, musicales et chorégraphiques. L'étude rend compte de ces relations passagères en montrant la prégnance des origines expressionnistes de l'artiste et de ses références surréalistes, dada et extra disciplinaires sur son oeuvre, pour en dégager l'originalité<br>This comprehensive catalogue describes, illustrate, historicizes and comment each work, showing its relationship with the artist's own production and those of his contemporaries. The main commentary, the introduction, the complementary notes and the chronology situate the artist's oeuvre with regards to its sources abs relationship to contemporary works. The chapter on the critiques as well as the annexes. Sources bring complementary information regarding their reception. This thesis shows Barbeau's contribution to Automatism, a Quebec abstract expressionist movement. Barbeau was a pioneer of abstraction in Canada in the mid-forties. With this ever-changing style, Barbeau produced a crossbred work, related to very diversified movements as well as to productions in phonic poetry, music and dance. This study takes into account these transient encounters, showing the permanency of surrealistic, Dadaist and transdisciplinary references within his work
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Laliberté, Michel. "Comparaison du "Think fast", du Barbeau Pinard et de l'écoute dichotique dans la mesure de la latéralisation hémisphérique." Thèse, Université du Québec à Trois-Rivières, 1989. http://depot-e.uqtr.ca/5624/1/000583345.pdf.

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DeChamplain, Virginie, and Virginie DeChamplain. "Les falaises ; : suivi de L'héritage de la filiation féminine brisée dans La femme qui fuit, d'Anaïs Barbeau-Lavalette; réparer le passé par le présent." Master's thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/37665.

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Ce mémoire en recherche-création s’articule en deux parties, soit un roman et un essai. Le roman Les falaises relate le retour d’une jeune femme dans l’ancestrale maison familiale à la suite de la mort de sa mère, avec qui elle entretenait une relation d’amour/haine destructrice. Elle y découvre des carnets rédigés par sa grand-mère qu’elle n’a pas connue, qui racontent les aléas de la maternité et la soif d’un retour à ses racines islandaises. Soif que la protagoniste poursuit, en quête d’une rencontre avec sa mère et sa grand-mère, d’une réunion improbable entre les membres de sa lignée insaisissable. L’essai L’héritage de la filiation féminine brisée dans La femme qui fuit, d’Anaïs Barbeau-Lavalette ; réparer le passé par le présent répond aux questionnements sur la gestion de l’héritage soulevés par la lecture du roman La femme qui fuit (2015) d’Anaïs Barbeau-Lavalette et par l’écriture en cours de Les falaises. La femme qui fuit est analysé de façon à faire ressortir les changements de paradigmes entre les époques des différents membres de la lignée familiale féminine dépeints dans l’oeuvre (arrière-grand-mère, grandmère, mère et fille) et la façon dont ces paradigmes, ainsi que l’héritage reçu influencent le rapport entre maternité et création. Il est question de déterminer comment l’autrice, grâce aux avancées du féminisme – tant social que littéraire – peut doubler sa position d’héritière de celle de testatrice et transformer l’héritage troué d’absence, de silence et de souffrances qui se transmet au sein de sa filiation familiale.<br>Ce mémoire en recherche-création s’articule en deux parties, soit un roman et un essai. Le roman Les falaises relate le retour d’une jeune femme dans l’ancestrale maison familiale à la suite de la mort de sa mère, avec qui elle entretenait une relation d’amour/haine destructrice. Elle y découvre des carnets rédigés par sa grand-mère qu’elle n’a pas connue, qui racontent les aléas de la maternité et la soif d’un retour à ses racines islandaises. Soif que la protagoniste poursuit, en quête d’une rencontre avec sa mère et sa grand-mère, d’une réunion improbable entre les membres de sa lignée insaisissable. L’essai L’héritage de la filiation féminine brisée dans La femme qui fuit, d’Anaïs Barbeau-Lavalette ; réparer le passé par le présent répond aux questionnements sur la gestion de l’héritage soulevés par la lecture du roman La femme qui fuit (2015) d’Anaïs Barbeau-Lavalette et par l’écriture en cours de Les falaises. La femme qui fuit est analysé de façon à faire ressortir les changements de paradigmes entre les époques des différents membres de la lignée familiale féminine dépeints dans l’oeuvre (arrière-grand-mère, grandmère, mère et fille) et la façon dont ces paradigmes, ainsi que l’héritage reçu influencent le rapport entre maternité et création. Il est question de déterminer comment l’autrice, grâce aux avancées du féminisme – tant social que littéraire – peut doubler sa position d’héritière de celle de testatrice et transformer l’héritage troué d’absence, de silence et de souffrances qui se transmet au sein de sa filiation familiale.<br>This master’s thesis in research and creative writing is divided in two parts – a novel and an essay. Les falaises [ Cliffs ] recounts the return of a young woman to the ancestral family home, following the death of her mother, with whom she maintained a destructive love/hate relationship. She discovers journals written by a grandmother she never knew, which reveal her grandmother’s views of maternity and her longing for a return to her Icelandic roots. The protagonist follows that longing, going in search of an unlikely meeting among the members of her elusive lineage. The essay L’héritage de la filiation féminine brisée dans La femme qui fuit, d’Anaïs Barbeau-Lavalette ; réparer le passé par le présent [ The Legacy of Broken Feminine Lineage in Suzanne by Anaïs Barbeau-Lavalette; repairing the past with the present ] answers questions about the management of legacy raised by the reading of the novel La femme qui fuit by Anaïs Barbeau-Lavalette and the writing of Les falaises. La femme qui fuit is analyzed in order to highlight the paradigm shifts between eras of the different members of the female family lineage depicted in the work (great-grandmother, grandmother, mother and daughter) and the way in which these paradigms, as well as the received legacy, influence the relationship between motherhood and creation. The essay tries to establish how the author negotiates the broken legacy of absence, silence and suffering that is transmitted in her family’s lineage.<br>This master’s thesis in research and creative writing is divided in two parts – a novel and an essay. Les falaises [ Cliffs ] recounts the return of a young woman to the ancestral family home, following the death of her mother, with whom she maintained a destructive love/hate relationship. She discovers journals written by a grandmother she never knew, which reveal her grandmother’s views of maternity and her longing for a return to her Icelandic roots. The protagonist follows that longing, going in search of an unlikely meeting among the members of her elusive lineage. The essay L’héritage de la filiation féminine brisée dans La femme qui fuit, d’Anaïs Barbeau-Lavalette ; réparer le passé par le présent [ The Legacy of Broken Feminine Lineage in Suzanne by Anaïs Barbeau-Lavalette; repairing the past with the present ] answers questions about the management of legacy raised by the reading of the novel La femme qui fuit by Anaïs Barbeau-Lavalette and the writing of Les falaises. La femme qui fuit is analyzed in order to highlight the paradigm shifts between eras of the different members of the female family lineage depicted in the work (great-grandmother, grandmother, mother and daughter) and the way in which these paradigms, as well as the received legacy, influence the relationship between motherhood and creation. The essay tries to establish how the author negotiates the broken legacy of absence, silence and suffering that is transmitted in her family’s lineage.
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Decamp, Eleanor Sian. "Performing barbers, surgeons and barber-surgeons in early modern English literature." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:42cdcea1-56b8-4d3d-961f-d2a3e7fa0d13.

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This study addresses the problem critics have faced in identifying contemporary perceptions of the barber, surgeon and barber-surgeon in early modernity by examining the literature, predominantly the drama, from the period. The name ‘barber-surgeon’ is not given formally to any character in extant early modern plays; only within the dialogue or during stage business is a character labelled the barber-surgeon. Barbers and surgeons are simultaneously separate and doubled-up characters. The differences and cross-pollinations between their practices play out across the literature and tell us not just about their cultural, civic and occupational histories but also about how we interpret patterns in language, onomastics, dramaturgy, materiality, acoustics and semiology. Accordingly, the argument in this study is structured thematically and focuses on the elements of performance, moving from discussions of names to discussions of settings and props, disguises, stage directions and semiotics, and from sound effects and music, to voices and rhetorical turns. In doing so, it questions what it means in early modernity to have a developed literary identity, or be deprived of one. The barber-surgeon is a trope in early modern literature because he has a tangible social impact and an historical meaning derived from his barbery and surgery roots, and consequently a richly allusive idiom which exerted attraction for audiences. But the figure of the barber-surgeon can also be a trope in investigating how representation works. An aesthetic of doubleness, which this study finds to be diversely constructed, prevails in barbers’, surgeons’ and barber-surgeons’ literary conception, and the barber-surgeon in the popular imagination is created from opposing cultural stereotypes. The literature from the period demonstrates why a guild union of barbers and surgeons was never harmonious: they are opposing dramaturgical as well as medical figures. This study has a wide-ranging literary corpus, including early modern play texts, ballads, pamphlets, guild records, dictionaries, inventories, medical treatises and archaeological material, and contributes to the critical endeavours of the medical humanities, cultural materialists, theatre historians and linguists.
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Books on the topic "Barbeau"

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Gagnon, Carolle. Marcelle Barbeau: Fugato. Editions du Centre d'étude et de communication sur l'art, 1990.

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Barbeau, Marcel. Marcel Barbeau: Mastering the accidental. [S.n.], 1998.

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Tippett, Maria. Marcel Barbeau: Mastering the accidental. s.n.], 1998.

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Marius Barbeau: Le grand sourcier. XYZ éditeur, 2001.

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Gagnon, Carolle. Marcel Barbeau: Le regard en fugue. Éditions du Centre d'étude et de communication sur l'art, 1990.

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Québec, Bibliothèque nationale du. Répertoire numérique du fonds Victor-Barbeau. Bibliothèque nationale du Québec, 1992.

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Nowry, Laurence. Man of mana, Marius Barbeau: A biography. NC Press, 1995.

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Martin, Michèle. Victor Barbeau: Pionnier de la critique culturelle journalistique. Presses de l'Université Laval, 1997.

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Martin, Michèle. Victor Barbeau: Pionnier de la critique culturelle journalistique. Presses de l'Universitoe Laval, 1997.

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Jean-Marc, Brunet. Le prophète solitaire: Raymond Barbeau et son époque. Ordre naturiste social de Saint-Marc l'Evangéliste, 2000.

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Book chapters on the topic "Barbeau"

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Dhir, Sanjay, and Sushil. "Barbeque Nation." In Flexible Systems Management. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-7064-9_3.

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Ertler, Klaus-Dieter. "Barbery, Muriel." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11579-1.

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Beviá, Carmen, and Jordi Massó. "Salvador Barberà." In Studies in Choice and Welfare. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-62769-0_6.

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Huggins, Richard H. "Pseudofolliculitis Barbae." In Dermatology Atlas for Skin of Color. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-54446-0_16.

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Bährle-Rapp, Marina. "Folliculitis barbae." In Springer Lexikon Kosmetik und Körperpflege. Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_4057.

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Kole, Lauren, and Boni Elewski. "Tinea Barbae." In Acneiform Eruptions in Dermatology. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-8344-1_10.

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Lamb, Angela, and Gregory N. Yañez. "Pseudofolliculitis Barbae." In Acneiform Eruptions in Dermatology. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-8344-1_41.

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Babst, Gordon A. "Barber, Benjamin." In Encyclopedia of Global Justice. Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9160-5_418.

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Gooch, Jan W. "Tinea Barbae." In Encyclopedic Dictionary of Polymers. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_14964.

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Milner, Robin, and Davide Sangiorgi. "Barbed bisimulation." In Automata, Languages and Programming. Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/3-540-55719-9_114.

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Conference papers on the topic "Barbeau"

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Baixas, Alex. "Planet one barbeque." In ACM SIGGRAPH 2006 Computer animation festival. ACM Press, 2006. http://dx.doi.org/10.1145/1179196.1179267.

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Jorgensen, K. L., and K. B. Jakobsen. "Slot-coupled barbel antenna." In 2016 IEEE International Symposium on Antennas and Propagation (APSURSI). IEEE, 2016. http://dx.doi.org/10.1109/aps.2016.7696076.

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Cheng, Yang, and Sizhen Liu. "Examining National Identity Australian Barbecue Culture." In Proceedings of the 2018 6th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/ieesasm-18.2019.60.

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Smith, Christian A., and Delbert D. Franz. "The Flood Protection of Barbers Corners." In 29th Annual Water Resources Planning and Management Conference. American Society of Civil Engineers, 1999. http://dx.doi.org/10.1061/40430(1999)107.

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Hubbard, Boyd, and William S. Janna. "Resistance Curve Calculations for a Soloflex Machine." In ASME 2006 International Mechanical Engineering Congress and Exposition. ASMEDC, 2006. http://dx.doi.org/10.1115/imece2006-13116.

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A Soloflex machine was analyzed mathematically. Dimensions of the components of the machine were measured, and calculations were made to determine a resistance curve. The machine consists of a mainframe bent into an L-shape, having a vertical post height of 6 ft. A loading post with 27 drilled holes is attached along the back of the vertical post. The loading piece receives a bench pin and the barbell arm pin. To perform an exercise, the barbell arm is attached with the barbell arm pin to the loading piece. Weight straps of equal rating are placed on both sides of the load and barbell arm pins. Pushing upward on the barbell arm will stretch the weight straps which provides resistance to the motion of the barbell arm. The weight straps behave like springs. The straps were stretched with a Tinius-Olsen machine to determine the force vs deflection behavior for a standard set of weight straps, including one pair each of 2.5 lb, 5 lb, 10 lb, 25 lb, 50 lb and 100 lb weight straps. The objective of this study was to make measurements of force versus deflection for each matched pair of weight straps, and then to calculate the force required at the barbell arm to perform an exercise for a particular "weight." Although several different exercises can be performed, the focus here is on a simple bench press, for which the resistance curve was determined.
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Simmons, Matthew, and Carlos J. Montalvo. "Vibration Modes of a Barbell Electric Sail." In AIAA Scitech 2020 Forum. American Institute of Aeronautics and Astronautics, 2020. http://dx.doi.org/10.2514/6.2020-0718.

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Cheng, Zhiyuan, James Caverlee, Himanshu Barthwal, and Vandana Bachani. "Who is the barbecue king of texas?" In SIGIR '14: The 37th International ACM SIGIR Conference on Research and Development in Information Retrieval. ACM, 2014. http://dx.doi.org/10.1145/2600428.2609580.

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Wu, Boping, and Tingting Mo. "Barbed transmission lines for crosstalk suppression." In 2012 Asia-Pacific Symposium on Electromagnetic Compatibility (APEMC). IEEE, 2012. http://dx.doi.org/10.1109/apemc.2012.6237933.

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"David F. Barber Sr. Memorial Award." In 2015 37th Electrical Overstress/Electrostatic Discharge Symposium (EOS/ESD). IEEE, 2015. http://dx.doi.org/10.1109/eosesd.2015.7314781.

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Dorbolo, Stéphane, Michael Marck, and Alexandre Delory. "Video: Barbe-A-Papa." In 72th Annual Meeting of the APS Division of Fluid Dynamics. American Physical Society, 2019. http://dx.doi.org/10.1103/aps.dfd.2019.gfm.v0010.

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Reports on the topic "Barbeau"

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Lynch, Gary C. Barbers Point Harbor, Nighttime Simulation. Defense Technical Information Center, 2007. http://dx.doi.org/10.21236/ada468127.

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Cawood, P. A., N. P. James, and J. W. Botsford. St Pauls Inlet, St Barbe South District, Newfoundland. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1986. http://dx.doi.org/10.4095/130034.

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Bottiger, Jerold R. Limits of Applicability of the Barber and Hill T-Matrix Code. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada262998.

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Cawood, P. A., H. Williams, and R. Grenier. Portland Creek, St Barbe South District, Indian Lookout, Newfoundland. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1987. http://dx.doi.org/10.4095/130216.

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Clemente, Filipe Manuel, Rui Silva, Zeki Akyildiz, José Pino-Ortega, and Markel Rico-González. Validity and reliability of the inertial measurement unit for assessment of barbell velocity: A systematic review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2020. http://dx.doi.org/10.37766/inplasy2020.12.0135.

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Feng, Kun, Yifei Lin, and Jin Huang. The biomechanical properties of barbed suture in human cadaveric model: a systematic review and meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2021. http://dx.doi.org/10.37766/inplasy2021.8.0100.

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Segura Tornero, Alfredo. El ethos enunciativo de los protagonistas de Barbe bleue como desdoblamiento de la ‘posture’ de Amélie Nothomb. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/luc.21.22.07.

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Source of salts in the Waianae part of the Pearl Harbor aquifer near Barbers Point water tunnel, Oahu, Hawaii. US Geological Survey, 1987. http://dx.doi.org/10.3133/wri874247.

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Numerical Simulation of Regional Changes in Ground-Water Levels and in the Freshwater-Saltwater Interface Induced by Increased Pumpage at Barbers Point Shaft, Oahu, Hawaii. US Geological Survey, 1995. http://dx.doi.org/10.3133/wri954206.

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In-depth survey report: a laboratory evaluation of prototype engineering controls designed to reduce occupational exposures during asphalt paving operations at Caterpillar Paving Products (Barber-Greene), DeKalb, Illinois. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1999. http://dx.doi.org/10.26616/nioshectb20816a.

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