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1

Worshipful Company of Barbers. Barbers' Historical Group., ed. Presentations: Worshipful Company of Barbers Barbers' Historical Group. Barbers' Historical Group, 1994.

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2

Barbers, Worshipful Company of, ed. The Worshipful Company of Barbers. [The Company], 1997.

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3

Stibitz, George R. The zeroth generation. Privately printed], 1993.

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4

Barbers, Worshipful Company of. A handlist of the archives. [The Company], 1993.

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5

Bob, Lee. Gilbert & Barker Gilbarco, Inc.: A pictorial history of the growth of a great company. Harlo, 1989.

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6

United States. Army. Corps of Engineers and Tennessee Valley Authority, eds. Final environmental assessment, barge loading facilities on Pickwick Reservoir, Tennessee-Tombigbee Waterway mile 447.5, right bank Yellow Creek embayment of Pickwick Lake: Scott Paper Company ... Waynesboro, Mississippi. Tennessee Valley Authority, 1991.

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7

Barbee, Annie Mack. Oral history interview with Annie Mack Barbee, May 28, 1979: Interview H-0190, Southern Oral History Program Collection (#4007). University Library, UNC-Chapel Hill, 2007.

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8

Paul, Victor A. Index to Military history (Michigan boys) Company "D" 66th Illinois, Birge's Western Sharpshooters in the Civil War, 1861-1865, by Lorenzo A. "Ren" Barker, Reed City, Mi., 1905 and the 1994 reprint, with additional information, titled, With the Western Sharpshooters, Michigan Boys of Company D, 66th Illinois. V.A. Paul, 1994.

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9

Barber, Lucius W. 1839-1872. Army Memoirs of Lucius W. Barber, Company d, 15th Illinois Volunteer Infantry. May 24,1861, to Sept. 30 1865. Creative Media Partners, LLC, 2022.

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10

The Company of Barbers and Surgeons. Farrand Press, 2000.

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11

The Company of Barbers and Surgeons. Farrand Press, 2000.

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12

Burn, Ian FRCP. The Company of Barbers and Surgeons. Farrand Press, 2000.

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13

Barker, Howard, and Eduardo Houth. A Style and Its Origins. Bloomsbury Publishing Plc, 2007. http://dx.doi.org/10.5040/9781350924475.

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Howard Barker's alter-ego Eduardo Houth first materialised as the photographer of publicity images for Barker's theatre company The Wrestling School, one of many fictional identities assumed by the playwright to screen a range of his activities, including set and costume design. Writing of himself in the third person and in the historic tense, Barker/Houth achieves a fluency and an uncommon measure of objectivity, though objectivity is scarcely the sole intention. The result is a unique exercise in self-description, partisan but without the shrill self-justification so common in a mere autobio
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14

Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011. Taylor & Francis Group, 2020.

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15

Kipp, Lara Maleen. Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011. Taylor & Francis Group, 2020.

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16

Kipp, Lara Maleen. Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011. Taylor & Francis Group, 2020.

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17

Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011. Taylor & Francis Group, 2022.

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18

Minden, Gabriela. Modernism after the Ballets Russes. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198951704.001.0001.

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Abstract Modernism after the Ballets Russes recovers the striking yet understudied role that Serge Diaghilev’s Ballets Russes played in the development of modernist theatre in Britain. Diaghilev’s company holds a renowned position in modernism across various arts. Yet its contributions to dramatic literature and dramaturgy have remained surprisingly elusive. This book establishes the Ballets Russes as an integral part of British theatre history, revealing how the company’s avant-garde repertoire inspired the creation of new composition strategies and performance techniques that privileged the
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19

The Application of Internal Plastic Coatings for Oilfield Tubular Goods and Accessories. AMPP, 1991. https://doi.org/10.5006/nace_rp0191-1991.

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Scope This recommended practice shall apply to the application of internal plastic coatings for oilfield tubular goods and accessories. Plastic coating is defined as a polymeric film applied to oilfield tubular goods (tubing, casing, drill pipe) and oilfield accessories (e.g., fittings, valves, packers) to form a protective barrier between the metal and the environment to minimize corrosion attack, contamination, and/or deposit formation. This standard also addresses inspection, quality control, and in-plant handling and storage. The user, as defined in this standard, is an individual or compa
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20

Bowe, Barbara E., Laurie Brink, and John R. Barker. Biblical Foundations of Spirituality. 2nd ed. The Rowman & Littlefield Publishing Group, Inc., 2017. https://doi.org/10.5040/9798881821197.

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Biblical Foundations of Spirituality invites readers to “touch a finger to the flame” of the Bible by offering guidance on what, how, and why to read Scripture as a source of spiritual nourishment. The second edition builds on Barbara Bowe’s acclaimed book with two new chapters by Laurie Brink and John R. Barker introducing key theological concepts and exploring how biblical spirituality was first experienced and expressed in early Christian communities. The book begins by exploring the many meanings of the word “spirituality,” then leads readers through the Bible—from Genesis to Revelation—to
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21

Podnieks, Elizabeth, ed. Rough Draft. The Rowman & Littlefield Publishing Group, Inc., 2012. https://doi.org/10.5040/9781611496932.

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Rough Draft: The Modernist Diaries of Emily Holmes Coleman, 1929-1937 is an edited selection, published here for the first time, of the diaries kept by American poet and novelist Coleman during her years as an expatriate in the modernist hubs of France and England. During her time abroad, Coleman developed as a surrealist writer, publishing a novel, The Shutter of Snow, and poems in little magazines like transition. She also began her life’s work, her diary, which was sustained for over four decades. This portion of the diary is set against the cultural, social, and political milieu of the ear
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22

Crimmin, Pat. Surgeons and the Royal Navy: Transactions of the Twelfth Annual Conference Held Jointly with the Royal College of Surgeons of England and the Worshipful Company of Barbers. Independently Published, 2010.

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23

Ritchie, Donald A., Terry L. Birdwhistell, and Richard Norton Smith. Washington's Iron Butterfly. University Press of Kentucky, 2022. http://dx.doi.org/10.5810/kentucky/9780813182261.001.0001.

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Had Elizabeth "Bess" Clements Abell (1933–2020) been a boy, she would likely have become a politician like her father, Earle C. Clements. Effectively barred from office because of her gender, she forged her own path by helping family friends Lyndon and Lady Bird Johnson. Abell's Secret Service code name, "Iron Butterfly," exemplified her graceful but firm management of social life in the Johnson White House. After Johnson's administration ended, she maintained her importance in Washington, DC, serving as chief of staff to Joan Mondale and cofounding a public relations company. Donald A. Ritchi
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24

Wagner-Havlicek, Carina, and Harald Wimmer, eds. Werbe- und Kommunikationsforschung II. Nomos Verlagsgesellschaft mbH & Co. KG, 2022. http://dx.doi.org/10.5771/9783748927327.

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For decades, market, communication and advertising impact research has been providing important insights for both the economy and for advertising and media agencies. This book contains a compact overview of the different methods of research on advertising effectiveness and communication. In its individual chapters, these methods are described in detail, their respective advantages and disadvantages are explained, concrete examples of their application in market, advertising impact and communication research are shown in practice and a conclusion is drawn about each one. Adding to the publicati
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25

Dietz, Dan. Complete Book of 1960s Broadway Musicals. Rowman & Littlefield, 2014. https://doi.org/10.5040/9798881833756.

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While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—als
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26

Fields, Sarah K. Owning a Face: Publicity and Advertising. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040283.003.0005.

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This chapter explores the Don Newcombe's lawsuit against Coors Brewing Company Newcombe played in the Negro baseball leagues until 1949, when the Brooklyn Dodgers signed him after Jackie Robinson broke the color barrier in 1947. He had a stellar career, winning the Most Valuable Player award, the Cy Young Award, and the Rookie of the Year award. However, his career in Major League Baseball was cut short in 1960, in part because of a continuing battle with alcohol. Eventually, Newcombe acknowledged his problem, and, as a recovering alcoholic, he served as a spokesman for the National Institute
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27

Mitchell, Verner D., and Cynthia Davis, eds. Encyclopedia of the Black Arts Movement. Rowman & Littlefield, 2019. https://doi.org/10.5040/9798881821432.

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The Black Arts Movement (BAM) encompassed a group of artists, musicians, novelists, and playwrights whose work combined innovative approaches to literature, film, music, visual arts, and theatre. With a heightened consciousness of black agency and autonomy—along with the radical politics of the civil rights movement, the Black Muslims, and the Black Panthers—these figures represented a collective effort to defy the status quo of American life and culture. Between the late 1950s and the end of the 1970s, the movement produced some of America’s most original and controversial artists and intelle
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28

Phillips, Victoria. Martha Graham's Cold War. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190610364.001.0001.

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“I am not a propagandist,” declared the matriarch of American modern dance, Martha Graham, while on her State Department–funded tour in 1955. Graham’s claim inspires questions: the United States government exported Graham and her company internationally to more than thirty nations in Asia, Europe, Eastern Europe, and the Middle East, representing every seated president from Dwight D. Eisenhower through Ronald Reagan, and planned under George H. W. Bush. Although in the diplomatic field she was titled the “Picasso of modern dance,” and in later years “Forever Modern,” Graham was known to procla
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29

Courage, Richard A., and Christopher Robert Reed. Roots of the Black Chicago Renaissance. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043055.001.0001.

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This anthology engages questions about origins of the Black Chicago Renaissance (1930-1955) from wide-ranging disciplinary perspectives. It traces a foundational stage from the 1893 World’s Columbian Exposition to onset of the Depression. Eleven essays contribute to recovering understudied black artists and intellectuals, remapping African American cultural geography beyond and before 1920s Harlem, and reconceptualizing the paradigm of urban black renaissance. Contributors probe the public lives and achievements, class and family backgrounds, education and training, areas of residency, and ins
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30

Rowe, Mickey. Fearlessly Different. Rowman & Littlefield, 2022. https://doi.org/10.5040/9798881821760.

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"... powerfully renders what it’s like to live life to the fullest." Publishers Weekly Starred ReviewMy name is Mickey Rowe. I am an actor, a theatre director, a father, and a husband. I am also a man with autism. You think those things don’t go together? Let me show you that they do. Growing up, Mickey Rowe was told that he couldn’t enter the mainstream world. He was iced out by classmates and colleagues, infantilized by well-meaning theatre directors, barred from even earning a minimum wage. Why? Because he is autistic. Fearlessly Different: An Autistic Actor's Journey to Broadway's Biggest
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31

Berry, Sarah. Staging the Lyric. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350420410.

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Verse drama is not a dead form, but very much alive on the contemporary stage. Drawing on plays from throughout the English-speaking world, including the United States, United Kingdom, Ireland, and the Caribbean,Staging the Lyricseeks to explain the 21st-century resurgence of Anglophone verse drama, tracing it back to an experimental impulse that is present in the modernist verse drama of a century ago. Covering major writers including Derek Walcott, Seamus Heaney, Sylvia Plath, Samuel Beckett, Dorothy Sayers, Djuna Barnes, and Ntozake Shange, it also encompasses lesser known and more recent p
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