Relevant bibliographies by topics / Barcelona International Exhibition (1929)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Barcelona International Exhibition (1929)'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Barcelona International Exhibition (1929)"

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Ferran Boleda, Jordi. "Technology for the Public: Electricity in the Barcelona International Exhibition of 1929." Annales historiques de l’électricité 4, no. 1 (2006): 31. http://dx.doi.org/10.3917/ahe.004.0031.

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Guereñu, Laura Martinez De. "The Sequence of Mies van der Rohe in Barcelona: the German Pavilion as Part of a much Larger Industrial Presence." Heritage of Mies, no. 56 (2017): 56–63. http://dx.doi.org/10.52200/56.a.uy5o2bw6.

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The German Pavilion for the 1929 Barcelona International Exhibition was part of a much larger exhibiting sequence, which Mies van der Rohe and Lilly Reich constructed following their main undertaking in the Barcelona industrial exhibits: to design the entire German section. By the time Mies van der Rohe started the project of the German Pavilion, he had already been working for more than 4 months on the construction of the identity and representation of the strength of the German industrial fabric, which he would architecturally express in the interior design of 8 neoclassical palaces. Hence, the two most innovative architectural elements of the German Pavilion – the milky color double-glazed wall and the chrome-plated cross-shaped posts – can be traced back to the interiors of these palaces. The 16,000 m2 of industrial exhibits, not reconstructed in 1986, form today the immaterial heritage that underpins the historical relevance of the Barcelona Pavilion. 3 documents, including a sequence from the official exhibition film, preserve the order linking the range of Mies van der Rohe’s work in Barcelona and broaden the historical meaning of one of the most important works of architectural modernism.
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Sevilla, Laura Lizondo. "Mies's Opaque Cube: The Electric Utilities Pavilion at the 1929 Barcelona International Exposition." Journal of the Society of Architectural Historians 76, no. 2 (2017): 197–217. http://dx.doi.org/10.1525/jsah.2017.76.2.197.

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Mies's Opaque Cube: The Electric Utilities Pavilion at the 1929 Barcelona International Exposition focuses on the dramatic, opaque, white cube-shaped building designed by Ludwig Mies van der Rohe for the German electricity industry's display at the exposition. Like many emblematic projects of modern architecture, the pavilion was created for a temporary exhibition and is known only through the photographic and graphic documentation of the era. Mies used the Electricity Supply Company Pavilion to experiment with a variety of ideas, including the use of photo murals and a new expression of structure and space, that featured in his later buildings. Through archival research, Laura Lizondo Sevilla has reconstructed this pavilion, the original plans for which no longer exist, and her article reinterprets the building's contribution to Mies's subsequent architecture.
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Tostões, Ana, and Zara Ferreira. "Baukunst and Zeitwille between Europe and America." Heritage of Mies, no. 56 (2017): 2–3. http://dx.doi.org/10.52200/56.a.cp0q3on9.

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Mies enjoyed great prominence in Europe and America. Starting in Europe, his first incursions resulted in the German Pavilion for the Barcelona International Exhibition (1929), the Tugendhat House (1930) and the Krefeld silk factory and houses. The Illinois Institute of Technology (1943-1957), the Lake Shore Drive (1951), the Farnsworth House (1951), the Seagram building (1958) and the Toronto-Dominion Centre (1969), bear witness to his work in North America. Back in Berlin, The Neue Nationalgalerie (1968) testifies to the sublime and perfect achievement of his path towards Baukunst and Zeitwille. These ideas, which one may translate, respectively, as the art of building and the will of the time, are anchored in the Mies’s belief that architecture should be metaphysically charged with creative life force. This led him to the modern achievement of developing a new kind of freedom of movement in space, following his sense of order and his very unique conception of urban space.
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Caetano, André. "ENSAIO: 1929: Reexistência em Barcelona." Revista Prumo 4, no. 7 (2019): 74–86. http://dx.doi.org/10.24168/revistaprumo.v4i7.1124.

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This present article is a case study that seeks to understand the multiplicity of the concept of Reexistence through the Barcelona Pavillion, by Mies van der Rohe. Through an analysis of the context in which the work was thought, of its structure and its design, it seeks to make clear the unique legacy the work has in the twentieth century and it is capable to give new meanings to the idea of Reexistence. In this sense, this notion is both applicable to the bodily experience of the individual in the city, as a work of art, and to notion had about Germany in the international artistic community in a delicate moment for the country, as a symbol of philosophical and constructive thought. Keywords: Barcelona Pavillion, Mies van der Rohe, Reexistence
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García-Ventosa i López, Gerardo. "The 1929 Barcelona International Exposition's Swedish Pavilion: Eighty Years of History, 1928-2008." Ra. Revista de Arquitectura 17 (December 22, 2015): 7–18. http://dx.doi.org/10.15581/014.17.7-18.

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Ferran Boleda, Jordi. "Light and water in the 1929 barcelona exhibition: fighting for the recognition of spectacle authorship [scanning our past]." Proceedings of the IEEE 104, no. 9 (2016): 1766–73. http://dx.doi.org/10.1109/jproc.2016.2594579.

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Alemany, Josepa, and Joaquim Rabaseda. "6th International Accounting Congress of Barcelona (1929) organised by the Association of Accountants of Catalonia." Intangible Capital 13, no. 1 (2017): 185. http://dx.doi.org/10.3926/ic.923.

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Yook, YoungSoo. "The Japanese Empire’s Appropriation of International · Colonial Expositions as a Cultural Tool of Colonialism: Focusing on the 1910 Japan-British Exhibition and the 1929 Choseon Exhibition." Western History Review 146 (September 30, 2020): 122–53. http://dx.doi.org/10.46259/whr.146.122.

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Bergdoll, Barry. "The Synthesis of the Arts and MoMa." Art and Architecture, no. 42 (2010): 110–13. http://dx.doi.org/10.52200/42.a.tlvmhucy.

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1948-49 were key years for the reaction of the Museum of Modern Art’s newly amalgamated Department of Architecture and Design to respond to the rising discourse on the “Synthesis of the Arts.” The response was indirect and took the form of MoMA assessing the progress of modern architecture that it had been describing and forecasting for fifteen years. The exhibition “From Le Corbusier to Niemeyer, 1929–1949” was part of a larger assessment of the fate of the international style and of the interaction between abstraction in painting and sculpture and in architectural design, a theme laid out by Alfred Barr and Hitchcock in the 1948 book Painting Toward Architecture. Niemeyer’s unbuilt Treamine House, designed with Roberto Burle Marx, was upheld as a synthesis not only of the arts but of the movements coalescing towards a postwar abstract consensus.
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Dissertations / Theses on the topic "Barcelona International Exhibition (1929)"

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Muñoz, Torreblanca Marina. "La recepción de "lo primitivo" en las exposiciones celebradas en España hasta 1929." Doctoral thesis, Universitat Pompeu Fabra, 2010. http://hdl.handle.net/10803/7450.

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En España, al igual que en el resto de países europeos a finales del siglo XIX y principios del XX, se hace exhibición de "lo primitivo": personas (indígenas procedentes de los nuevos territorios colonizados) y objetos (piezas de arte y artefactos de la cultura material de los indígenas procedentes de las colonias). Algunas de estas muestras coinciden con las primeras exposiciones organizadas en España: Exposición General de las Islas Filipinas en Madrid (1887), Exposición Universal de Barcelona (1888) y Exposición Internacional de Barcelona (1929). El presente trabajo analiza la presencia o ausencia de "lo primitivo" (personas y objetos) en los principales acontecimientos expositivos españoles, su relación con acontecimientos homónimos en otros países europeos y su posible recepción en colecciones museísticas (museos de antropología, etnología y misionales).<br>In Spain, as in the rest of European countries at the end of the nineteenth century and beginning of the twentieth, aboriginal from the new colonized territories and "primitive" objects (art and artefacts from the material culture of the colonies) were also exhibited. Some of these events coincide with the first organized Exhibitions in Spain: General Exhibition of the Philippines Islands in Madrid (1887), Barcelona World Exhibition (1888) and Barcelona International Exhibition (1929). This work analyzes the presence or absence of "the primitive" (people and objects) in the major Spanish exhibitions, the relationship with similar events in other European countries and the possible reception in museum collections (museums of anthropology, ethnology and missionary).
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Books on the topic "Barcelona International Exhibition (1929)"

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González, Antoni. Barcelona architecture guide, 1929-1994. Gustavo Gili, 1995.

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González, Antoni. Barcelona, 1929-1996: Guía de arquitectura. Gustavo Gili, 1997.

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International Conference & Exhibition on the Recycling of Metals (3rd 1997 Barcelona, Spain). Third ASM International conference & exhibition on the recycling of metals, Barcelona, Spain, 11-13 June 1997: Book of proceedings. ASM International Europe, 1997.

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1932-, Futagawa Yukio, and Neumeyer Fritz, eds. Mies van der Rohe: German Pavilion, International Exposition, Barcelona, Spain, 1928-29 (reconstructed 1986), Tugendhat House, Brno, Czecho, 1928-30. A.D.A. Edita, 1995.

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Barcelona Architecture Guide 1929-1994. Watson-Guptill Publications, 1995.

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d'Exlibristes, Associació Catalana, ed. L' Esport en l'ex-libris: Catàleg del Concurs Internacional d'Ex-libris : Casa Golferichs, gran via de les Corts Catalanes, 491 : Llibreria Ciutat Vell, Rambla, 81 del 14 de juliol al 14 d'agost. Generalitat de Catalunya, Departament de Cultura, 1992.

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Quilt Expo (8th : 2002 : Barcelona, Spain), ed. Feel free: International quilt competition : international touring exhibition : first exhibited at Quilt Expo VIII, April 4-7, 2002, Palacio de Congresos, Barcelona, Spain. Husqvarna Viking Sweden, 2002.

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Book chapters on the topic "Barcelona International Exhibition (1929)"

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Shumilina, Vera, Bogdan Murza, and Aleksandr Shichanin. "Management aspects of a structured work plan of accounts." In Business security management in modern conditions. AUS PUBLISHERS, 2021. http://dx.doi.org/10.26526/chapter_60258635cbe517.81704929.

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For more than 100 years, the accounting community has been concerned about improving the accounting chart of accounts. The Belgian G. Blaikonosh in 1926 put forward the idea of creating a world chart of accounts, M. Aounas in 1929 at the International Congress of accountants in Barcelona developed this idea, and in 1964 in Vienna it was decided to create a single international chart of accounts. Most of the developed charts of accounts are based on the idea of two ways to decompose capital, i.e. determining the cost of capital in the form of net assets and frequent liabilities.
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"Anni Albers and Lilly Reich in Barcelona 1929: Weavings and Exhibition Spaces." In Women's Creativity. ZRC SAZU, Založba ZRC, 2018. http://dx.doi.org/10.3986/wocrea.1.momowo1.14.

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Martinez de Guereñu, Laura. "Anni Albers and Lilly Reich in Barcelona 1929: Weavings and Exhibition Spaces." In MoMoWo: Women Designers, Craftswomen, Architects and Engineers between 1918 and 1945. Zalozba ZRC, 2017. http://dx.doi.org/10.3986/wocrea/1/momowo1.14.

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Davidson, Robert A. "Observing the City, Mediating the Mountain: Mirador and the 1929 International Exposition of Barcelona." In Visualizing Spanish Modernity. Routledge, 2020. http://dx.doi.org/10.4324/9781003135890-12.

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Conference papers on the topic "Barcelona International Exhibition (1929)"

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Roberts, Michael. "Hydrocarbon exploration in the Fylde, Lancashire from 1980 to 2016, changing techniques and public response." In International Conference and Exhibition, Barcelona, Spain, 3-6 April 2016. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2016. http://dx.doi.org/10.1190/ice2016-6544816.1.

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Montegranario, Hebert. "Local radial basis functions for HELMHOLTZ equation in seismic inversion." In International Conference and Exhibition, Barcelona, Spain, 3-6 April 2016. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2016. http://dx.doi.org/10.1190/ice2016-6482140.1.

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Kofi, Evans. "Assessment of the sustainability of a borehole for a small town water supply scheme in MIM-KYEMFRE in the KWAHU AFRAM plains north district-Ghana." In International Conference and Exhibition, Barcelona, Spain, 3-6 April 2016. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2016. http://dx.doi.org/10.1190/ice2016-6544406.1.

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Stoica-Negulescu, Elena-Rodica. "From geophysics to petroleum systems within geological frame of Romania." In International Conference and Exhibition, Barcelona, Spain, 3-6 April 2016. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2016. http://dx.doi.org/10.1190/ice2016-6491064.1.

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Baban, Ezzadin, and Bakhtiar Aziz. "Two dimension resistivity imaging/tomography for hydrogeological study in Bazian basin - west Sulaimani City, Kurdistan region-Iraq." In International Conference and Exhibition, Barcelona, Spain, 3-6 April 2016. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2016. http://dx.doi.org/10.1190/ice2016-6269767.1.

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Casas, Albert. "Assessing GPR and multi-electrode earth resistivity methods for high resolution modeling of stromatolites as petroleum reservoir analogues. The case of Chapada Diamantina (Brazil)." In International Conference and Exhibition, Barcelona, Spain, 3-6 April 2016. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2016. http://dx.doi.org/10.1190/ice2016-6333055.1.

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Berczi, Istvan, and Gabor Tari. "Simon Papp, a prominent Hungarian petroleum geologist: How to run exploration projects from a prison cell." In International Conference and Exhibition, Barcelona, Spain, 3-6 April 2016. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2016. http://dx.doi.org/10.1190/ice2016-6531637.1.

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Testamanti, Nadia, Reza Rezaee, and Ali Saeedi. "NMR T2 cut-off determination for shales." In International Conference and Exhibition, Barcelona, Spain, 3-6 April 2016. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2016. http://dx.doi.org/10.1190/ice2016-6346230.1.

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Bufarale, Giada, and Lindsay Collins. "Stratigraphic architecture and evolution of a barrier seagrass bank in the mid-late Holocene, shark bay, Australia." In International Conference and Exhibition, Barcelona, Spain, 3-6 April 2016. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2016. http://dx.doi.org/10.1190/ice2016-6450704.1.

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Gumprecht, Sasha. "Tectono-stratigraphic evolution of the centaur 3d survey, Exmouth plateau, north west shelf, Australia." In International Conference and Exhibition, Barcelona, Spain, 3-6 April 2016. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2016. http://dx.doi.org/10.1190/ice2016-6455129.1.

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