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Relevant bibliographies by topics / Barker

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Academic literature on the topic 'Barker'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Barker"

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Tang, Yu. "Simulation Research on how to Improve the Range Resolution of Pulse Compression Radar Based on Phase Coding." Applied Mechanics and Materials 143-144 (December 2011): 634–38. http://dx.doi.org/10.4028/www.scientific.net/amm.143-144.634.

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Phase coded radar signal is one of the pulse-pulse modulation signal in the radar system. Based on the characteristics of matched filtering, we theoretically analyze the basic principle of the phase coded compression radar system. In the Matlab platform, we set up a simulation model which is used for matching filter, when the radar transmitting signal is Barke code signal. The simulation results show that Echo signal can obtain certain pulse compression ratio. By the matched filter, the main lobe amplitude of 13 bits Barker code signal is 22 times the rate of side-lobe. 13 bits Barker codes by the matched filter have the maximum pulse compression ratio.

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Plater, Suzanne, and Garry Egger. "Barker." Obesity Reviews 12, no. 3 (February 22, 2011): 232. http://dx.doi.org/10.1111/j.1467-789x.2010.00853.x.

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Yu, Ruobin. "The Grotesque Body in Pat Barkers Tobys Room." Communications in Humanities Research 18, no. 1 (December 7, 2023): 181–87. http://dx.doi.org/10.54254/2753-7064/18/20231155.

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In Pat Barkers 2012 novel Tobys Room, numerous portraits of grotesque bodies are foundfrom the pregnant mother and the deformed fetus, a dead mans shrunken penis on the dissection table, to the disfigured faces of the soldiers who fought in the First World Warthese grotesque images are closely related and logically intertwined in revealing the characters secret mindset and inner struggles, as well as foreshadowing their fate, arousing the readers a mixed feeling of sympathy and great horror. Relying mainly on Bakhtins and Clarks notions on the grotesque body, this study analyzes the implications of the grotesque body in Tobys Room, articulates the logical connections among them, and explores the authors intention of depicting the grotesque body in the novel. The study concludes that 1) Through the narratives of the grotesque body, Pat Barker weaves the characters tragedies into the dim landscape of British society; 2) Barker is calling for the establishment of a new social order by depicting the grotesque body in the novel.

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Thompson, F. M. L. "Theo Barker." Economic History Review 55, no. 3 (August 2002): v—ix. http://dx.doi.org/10.1111/1468-0289.00225.

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Daunton, Martin. "Theo Barker." Journal of Transport History 19, no. 2 (September 1998): 93–100. http://dx.doi.org/10.1177/002252669801900202.

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Pincock, Stephen. "David Barker." Lancet 382, no. 9899 (October 2013): 1170. http://dx.doi.org/10.1016/s0140-6736(13)62050-4.

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Barker, N. P. "A biosystematic study of Pentameris (Arundineae, Poaceae)." Bothalia 23, no. 1 (October 10, 1993): 25–47. http://dx.doi.org/10.4102/abc.v23i1.782.

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A biosystematic study of the endemic southwestern Cape grass genus Pentameris Beauv. is presented. Results of studies on the macro- and micromorphology, leaf blade anatomy and cytology are discussed and illustrated. The results of a cladistic study indicate that the genus is monophyletic, united by the synapomorphies of ovary and fruit characters. The conservation status of the taxa in the genus is assessed, and conservation status codes allocated. A key to the taxa in the genus is presented, and each species is described. Five new species, Pentameris glacialis N.P. Barker, P. hirtiglumis N.P. Barker, P. oreophila N.P. Barker, P. swartbergensis N.P. Barker and P. uniflora N.P. Barker, and one new subspecies, P. longiglumis (Nees) Stapf subsp. gymnocolea N.P. Barker, are described and illustrated.

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O’Brien, Gemma, Julian Pitt, Daphne James, and Lynne Roberts. "Quality of care on an inpatient psychiatric unit." Clinical Psychology Forum 1, no. 163 (July 2006): 37–41. http://dx.doi.org/10.53841/bpscpf.2006.1.163.37.

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This article summarises a research project which assessed the experiences of care provided by three inpatient psychiatric wards before and one year after the introduction of the Tidal Model (Barker, 2001; Barker & Buchanan-Barker, 2004) – a client-centred nursing model.

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Ihm, Soo Y. "Korean War Project9847Hal Barker, Ted Barker. Korean War Project." Electronic Resources Review 2, no. 5 (May 1998): 52–54. http://dx.doi.org/10.1108/err.1998.2.5.52.47.

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Fan, Zeng, John Rudlin, Giorgos Asfis, and Hongying Meng. "Convolution of Barker and Golay Codes for Low Voltage Ultrasonic Testing." Technologies 7, no. 4 (October 10, 2019): 72. http://dx.doi.org/10.3390/technologies7040072.

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Ultrasonic Testing (UT) is one of the most important technologies in Non-Detective Testing (NDT) methods. Recently, Barker code and Golay code pairs as coded excitation signals have been applied in ultrasound imaging system with improved quality. However, the signal-to-noise ratio (SNR) of existing UT system based on Barker code or Golay code can be influenced under high high attenuation materials or noisy conditions. In this paper, we apply the convolution of Barker and Golay codes as coded excitation signals for low voltage UT devices that combines the advantages of Barker code and Golay code together. There is no need to change the hardware of UT system in this method. The proposed method has been analyzed theoretically and then in extensive simulations. The experimental results demonstrated that the main lobe level of the code produced by convolution of Barker code and Golay code pairs is much higher than the simple pulse and the main lobe of the combined code is higher than the traditional Barker code, sidelobe is the same as the baker code that constitutes this combined code. So the peak sidelobe level (PSL) of the combined code is lower than the traditional Barker code. Equipped with this, UT devices can be applied in low voltage situations.

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Dissertations / Theses on the topic "Barker"

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Mellor, Leo Gwilym. "Calamiterrors : the works of George Barker, 1933-1944." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613032.

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Khamphommala, Vanasay. "Spectres de Shakespeare dans l’œuvre de Howard Barker." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040190.

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Howard Barker fait ses armes de dramaturge en composant en 1971 une pochade sur Henry V de Shakespeare et signe trente ans plus tard l’un de ses textes les plus aboutis avec Gertrude – The Cry, variation sur le thème d’Hamlet. À la faveur de ces réécritures et de quelques autres (notamment Seven Lears en 1989), décrire le dramaturge contemporain comme le « Shakespeare de notre époque », expression attribuée à Sarah Kane, s’est rapidement imposé comme un lieu commun, relayé tant par la presse que par la critique. Pourtant, en dépit de certaines caractéristiques communes, leurs œuvres apparaissent d’abord comme radicalement différentes, ne serait-ce qu’en raison du statut marginal que Barker occupe au sein du paysage théâtral anglais. Dès lors, si Shakespeare se manifeste dans son œuvre, ce sera sous une forme altérée, méconnaissable, transformée, autrement dit sous forme de spectres. Pourquoi l’œuvre de Barker a-t-elle suscité de façon si insistante la comparaison à celle de Shakespeare ? Et que révèle cette comparaison, non seulement de la pratique critique, mais surtout des enjeux poétiques du théâtre de Barker ? Cette étude s’efforce de répondre à ces questions en examinant d’abord les modalités d’élaboration de l’œuvre de Barker, et la manière dont celle-ci place le spectre, figure majeure du doute, au cœur de son esthétique. Elle se penche ensuite sur les critères qui ont pu justifier le rapprochement entre les deux dramaturges, notamment l’histoire et l’écriture, pour montrer que Shakespeare est toujours convoqué sur le mode paradoxal du leurre, modèle avancé pour être mieux rejeté. De la sorte, elle essaie de dégager non pas les traits que partagent les deux dramaturges, mais la manière dont Barker tente d’exorciser la présence étouffante du dramaturge élisabéthain en élaborant une poétique singulière
From his earliest efforts to his latest and most accomplished plays, Howard Barker has often confronted Shakespeare, be it with his irreverent parody of Henry V in Henry V in Two Parts (1971) or with his variations on Hamlet in Gertrude – The Cry (2002). These rewritings, along with some others (notably Seven Lears in 1989) have prompted many, both in the media and in academia, to call him, as Sarah Kane allegedly did, “the Shakespeare of our age”. In spite of a number of common features, their works do however appear as radically different, if only because of Barker’s marginal status within the landscape of contemporary English drama. If Shakespeare manifests himself in Barker’s work, it will therefore be in an altered and possibly unrecognizable form, in other words as a spectre. Why is it that Barker’s work has been so insistently compared to that of Shakespeare? What does this comparison reveal both about critical practice and about the aesthetics of Barker’s theatre? In order to answer these questions, this dissertation first examines the overall design of Barker’s work and the way in which it endeavours to place the figure of the ghost, as an embodiment of doubt, at its core. It then moves on to consider the criteria that have been invoked to draw a parallel between both playwrights, especially their focus on history and poetic writing as the basis of drama, to show how Shakespeare is always paradoxically summoned as a lure, an empty model that both suggests and contradicts modes of interpretation. In doing so, it strives to bring out not the traits shared by both playwrights but Barker’s effort to thwart the haunting and overwhelming presence of Shakespeare by giving birth to his own original voice

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Fraser, M. L. "Reading stage directions : from Robertson to Shaw and Barker." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.599194.

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This thesis argues that an understanding of how to read stage directions involves a non-theoretical but historically-nuanced awareness of the mediating processes of text and performance. In order to illuminate these mediating processes, the thesis maintains that those playwrights involved in all aspects of dramatic production provide the most significant evidence for understanding the reading of stage directions. The thesis further argues that the most decisive redefinition of the literary and critical significance of stage directions emerges in the period spanning the mid nineteenth to the early twentieth centuries. The thesis takes two parts. Part One examines the contexts for reading stage directions historically. It considers the stage direction and its place in the developing censorship and copyright laws of the nineteenth and early twentieth centuries. It then illustrates the development of the written and performed stage direction, drawing upon the work of Robertson, Shaw and Barker and supplementing the discussion with an analysis of the plays, rehearsal techniques and play publications of Gilbert and Pinero. Part Two provides the reader with three case studies. The first, which considers Robertson's play, Caste (1867) challenges the accepted perception of Robertson's staging reforms by reading the stage directions of manuscript and privately published versions alongside the posthumously published text. It then goes on to consider how the information described in the stage directions might have been interpreted in performance. The second case study analyses a group of stage directions at the end of Shaw's Heartbreak House (pub. 1919; perf. 1921). By considering the written and performed stage directions in an historical and theatrical context, the thesis provides a key to interpreting the play. The final study examines Barker's topically resonant play, Waste. In its comparison of the three extant versions of the play, 1907, 1909 and 1927, the thesis seeks to consider how the stage directions mediate the relationship between the play's text and context.

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Knight, M. Eddy. "Howard Barker and the reintroduction of the theatre of language /." Title page, contents and introduction only, 1995. http://web4.library.adelaide.edu.au/theses/09AR/09ark71.pdf.

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吳堉榕 and Yuk-yung Ng. "Cyclic menon difference sets, circulant hadamard matrices and barker sequences." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31211823.

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Belemgoabga, Paul Richard. "Individu et Société dans le théâtre de Harley Granville Barker." Montpellier 3, 1988. http://www.theses.fr/1988MON30026.

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La periode victorienne laisse aux edouardiens un heritage dont la remise en question s'impose a tous ceux qui recherchent une solidarite sociale. Harley granville barker, philosophe et humaniste, s'interesse aux nouveaux devoirs de l'individu. Il developpe un theatre realiste et intellectuel, vehicule d'idees par excellence. Il adhere a la fabian society ou il retrouve son ami personnel g. B. Shaw. Il ne croit pas a la lutte des classes mais a la necessite morale d'une reorganisation sociale. Il concoit l'education comme une liberation qui permet des chances egales d'epanouissement a tout individu. Les meilleurs elements ainsi formes pourront garantir l'avenement d'une societe plus solidaire et plus humaine
The edwardians inherited from the victorians a heritage whose calling into question became imperative to all those who strived for social solidarity. Harley granville barker, a philosopher and humanist, interested himself in the new duties set to every individual. He developed a realistic and intellectual theatre, a paramount medium of ideas. He was member of the fabian society where he met with his close friend g. B. Shaw. He didn't believe in class struggle but in the moral neccesity of a social organisation. He viewed education as a way to liberation which provides equal opportunies to every individual to improve himself. Thus the best trained people in society could ensure the advent of a society showing more solidarity and more humanity

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Belemgoabga, Paul Richard. "Individu et société dans le théâtre de Harley Granville Barker." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37611697p.

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Ng, Yuk-yung. "Cyclic menon difference sets, circulant hadamard matrices and barker sequences /." [Hong Kong] : University of Hong Kong, 1993. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13814291.

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Holmkvist, Lars [Verfasser], Bo Barker [Akademischer Betreuer] Jørgensen, and Jörn [Akademischer Betreuer] Peckmann. "A cryptic sulfur cycle driven by iron below the sulfate-methane transition zone / Lars Holmkvist. Gutachter: Bo Barker Jørgensen ; Jörn Peckmann. Betreuer: Bo Barker Jørgensen." Bremen : Staats- und Universitätsbibliothek Bremen, 2009. http://d-nb.info/1071897535/34.

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Kiehl, Christine. "Le Corps dans le théâtre de la catastrophe de Howard Barker." Metz, 2005. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/2005/Kiehl.Christine.LMZ0502_1.pdf.

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S'affichant comme un " classique contemporain ", Howard Barker reste une voix marginale dans le théâtre anglais. Contre la tradition anglaise de réalisme social et la tendance-nihiliste du mouvement " In-Yer-Face)), le " théâtre de la Catastrophe " propose une nouvelle esthétique de la barbarie. L'univers dramatique exploite la puissance suggestive du paradigme charnel tout en résistant à la nouvelle doxa du corps omniprésent dans la société et les arts vivants. Déjouant l'attente d'un public en quête de message, l'auteur transgresse les limites de l'intimité, exhibant le laurnent viscéral de la passion en dehors de tout jugement de valeur moral. La vision chaotique du corps soufiant dans le monde post-éthique de l'après-Shoah est mise en abArne dans le bouleversement formel des pièces. Après l'état des lieux du corps mutilé, l'analyse s'attache à l'anatomie envisagée à la fois comme transgression de la chair intime et comme quête épistémologique et ontologique de l'être. La compulsion de voir l'intérieur du corps humain inscrit le regard dans une réflexion métathéâtrale sur le spectateur, soulevant la question éthique de l'Esthétique visuelle. Le passage du texte à la scène est pris dans une dialectique entre l'exhibition du corps et sa dissimulation, entre la révélation et le secret. La production récente plaide en faveur d'une " dé-monstration " du corps au profit de la voix et du texte mis en tension avec l'image du corps. Comme l'aporie tend vers le silence, l'esthétique transgressive tend vers la sublimation du corps
A "contemporary classic" as he portrays himself, Howard Barker remains a singular voice in English cirama. Against the English tradition of social realism and In-Yer-Face nihilism, the Theatre of Catastrophe sets up a new aesthetics of cruelty. The dramatic context of the plays explores the powerful paradigm of flesh whilst resisting the new orthodoxy of the body overwhelmingly present in society and art. The play disappoints the audience's expectation of a message, transgresses the limits of intimacy instead; visceral passion is exhibited beyond moral judgement. The chaotic perspective of the body in pain in the post-ethical world of the afler-Shoah is mirrored within the fi-agmented structure of the plays. The analysis opens on an inventory of the mutiiated body, then moves on to anatomy both as a transgression of intimacy and an epistemological and ontological quest. The compulsive need to look inside the human body leads to a reflection on the role of the audience in the spectacle of flesh, questioning the ethics of today's visual aesthetics. In dramatic representation, the body is caught in a dialectics between exhibition and concealment, revelation and secrecy. The conspicuous display of the body gradually fades out in later plays on behalf of language and the spoken voice. As insignificance leads to silence, so the aesthetics of transgression point to the spectrality of the body

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Books on the topic "Barker"

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Rawlinson, Mark. Pat Barker. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-10470-0.

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Rawlinson, Mark. Pat Barker. Basingstoke [England]: Palgrave Macmillan, 2010.

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Council, British, ed. Pat Barker. Tavistock, Devon: Northcote House in association with the British Council, 2002.

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Barker, Kit. Kit Barker. London: Newburgh Street Gallery, 1988.

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Barker, Jane. Jane Barker. Burlington, VT: Ashgate, 2009.

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Rawlinson, Mark. Pat Barker. New York: Palgrave Macmillan, 2010.

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C, Evans Robert, ed. Jane Barker. Burlington, VT: Ashgate, 2009.

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Peggy, Rathmann, ed. Bootsie Barker bites. London: Mammoth, 1995.

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Steve, Niles, and Burke Fred 1965-, eds. Clive Barker, illustrator. Forestville, Calif: Arcane/Eclipse Books, 1990.

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Bottner, Barbara. Bootsie Barker ballerina. New York: HarperCollinsPublishers, 1997.

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Book chapters on the topic "Barker"

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Voigts-Virchow, Eckart. "Barker, Howard." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7947-1.

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Gymnich, Marion. "Barker, Pat." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7949-1.

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Florence, Ronald, Steven N. Shore, Steven N. Shore, Christian Nitschelm, Thomas R. Williams, Raghini S. Suresh, Stephen Gaukroger, et al. "Barker, Thomas." In The Biographical Encyclopedia of Astronomers, 96. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_113.

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Bolt, Marvin. "Barker, Thomas." In Biographical Encyclopedia of Astronomers, 162. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_113.

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Weik, Martin H. "Barker code." In Computer Science and Communications Dictionary, 104. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_1349.

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Itzin, Catherine. "Howard Barker." In Stages in the Revolution, 249–58. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003194255-35.

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Mierowsky, Marc. "Barker, Jane." In The Palgrave Encyclopedia of Early Modern Women's Writing, 1–6. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-01537-4_143-1.

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Mierowsky, Marc. "Barker, Jane." In The Palgrave Encyclopedia of Early Modern Women's Writing, 1–6. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-01537-4_143-2.

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Capinera, John L., Thomas O. Crist, John B. Heppner, Minos E. Tzanakakis, Severiano F. Gayubo, Aurélien Tartar, Pauline O. Lawrence, et al. "Hungerford, Herbert Barker." In Encyclopedia of Entomology, 1892. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_1430.

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Edwards, Matthew. "The Barker Hypothesis." In Handbook of Famine, Starvation, and Nutrient Deprivation, 1–21. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-40007-5_71-1.

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Conference papers on the topic "Barker"

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Luginsland, John, and Brendan Godfrey. "Robert barker memorial session." In 2014 IEEE 41st International Conference on Plasma Sciences (ICOPS) held with 2014 IEEE International Conference on High-Power Particle Beams (BEAMS). IEEE, 2014. http://dx.doi.org/10.1109/plasma.2014.7012485.

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Banket, Victor, and Sergei Manakov. "Composite Walsh-Barker Sequences." In 2018 9th International Conference on Ultrawideband and Ultrashort Impulse Signals (UWBUSIS). IEEE, 2018. http://dx.doi.org/10.1109/uwbusis.2018.8520220.

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Biran, A. "Low-Sidelobe SAW Barker 13 Correlator." In IEEE 1985 Ultrasonics Symposium. IEEE, 1985. http://dx.doi.org/10.1109/ultsym.1985.198494.

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Peng, Hui, Juhong Tie, and Dequan Guo. "Ultrasound strain imaging using Barker code." In Seventh International Conference on Electronics and Information Engineering, edited by Xiyuan Chen. SPIE, 2017. http://dx.doi.org/10.1117/12.2265375.

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Gau, J. N., M. D. Adamo, and R. P. Bernardo. "SAW Barker Code Correlator with Improved Sidelobes." In IEEE 1985 Ultrasonics Symposium. IEEE, 1985. http://dx.doi.org/10.1109/ultsym.1985.198493.

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Liu, Nan, and Chen Peng. "Barker and m-Sequence Auto-Correlation Reception." In 2009 1st International Conference on Information Science and Engineering (ICISE 2009). IEEE, 2009. http://dx.doi.org/10.1109/icise.2009.359.

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Coxson, Gregory E., and Jon C. Russo. "Search for Generalized MPS and Barker Sequences." In 2022 IEEE Radar Conference (RadarConf22). IEEE, 2022. http://dx.doi.org/10.1109/radarconf2248738.2022.9764290.

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Sarkar, Indranil, and Adly T. Fam. "Factored Multiplicative Mismatched Filters for Compound Barker Codes." In 2007 IEEE Radar Conference. IEEE, 2007. http://dx.doi.org/10.1109/radar.2007.374276.

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Li, Peng, Yinjuan Wang, and Jie Yin. "Ultrasonic liquid level detection using Barker coded excitation." In 2013 International Conference on Information and Communication Technology for Education. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/icte130982.

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Lakshmi, Rajya, D. Trivikramarao, Sk Subhani, and V. S. Ghali. "Barker coded thermal wave imaging for anomaly detection." In 2018 Conference on Signal Processing And Communication Engineering Systems (SPACES). IEEE, 2018. http://dx.doi.org/10.1109/spaces.2018.8316345.

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Reports on the topic "Barker"

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Barker, Z. Zachary D. Barker: Final DHS HS-STEM Report. Office of Scientific and Technical Information (OSTI), August 2008. http://dx.doi.org/10.2172/940144.

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Peterson, Mark. Burt Brown Barker, his role in historic preservation in Oregon. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5295.

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Zhang, Luwen. Epstein Barr Virus and Blood Brain Barrier in Multiple Sclerosis. Fort Belvoir, VA: Defense Technical Information Center, July 2013. http://dx.doi.org/10.21236/ada593294.

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Zhang, Luwen. Epstein Barr Virus and Blood Brain Barrier in Multiple Sclerosis. Fort Belvoir, VA: Defense Technical Information Center, January 2014. http://dx.doi.org/10.21236/ada596844.

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Fowler. L51644 Effect of Buckle Arrestors on Pipeline Failure During Pipelaying Operation. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), March 1991. http://dx.doi.org/10.55274/r0010098.

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Abstract:

Submarine pipelines are usually laid from the ocean surface onto the ocean floor using specially designed ships and barges. Lengths of pipes are welded together on board the barge to form the pipeline and then the pipeline is passed over a ramp called a stinger on its way to the ocean floor. A constant tension force is applied to the pipeline on the barge to prevent it from buckling as it approaches the ocean floor. For thin wall pipes, the high stresses could result in local buckling of the pipeline. This report describes ananalytical and experimental research study to determine the effect of buckle arrestors on stresses and buckling behavior of submarine pipelines during their installation.

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6

Gay, David. Barrier Inference. Fort Belvoir, VA: Defense Technical Information Center, July 1997. http://dx.doi.org/10.21236/ada637072.

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7

Skrdla, Ronald, and Jean-Luc Jannink. Barley VarietyTest. Ames: Iowa State University, Digital Repository, 2007. http://dx.doi.org/10.31274/farmprogressreports-180814-1116.

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8

Ritter, Joseph. The Transition From Barter to Fiat Money. Federal Reserve Bank of St. Louis, 1994. http://dx.doi.org/10.20955/wp.1994.004.

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9

Hayashi, Fumio, and Akihiko Matsui. A Model of Fiat Money and Barter. Cambridge, MA: National Bureau of Economic Research, November 1994. http://dx.doi.org/10.3386/w4919.

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10

Ng, K. Y. Stability of barrier buckets with zero RF-barrier separations. Office of Scientific and Technical Information (OSTI), March 2005. http://dx.doi.org/10.2172/15017223.

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