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Dissertations / Theses on the topic 'Barnes, Julian'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

Henke, Christoph. "Vergangenheitsobsessionen : Geschichte und Gedächtnis im Erzählwerk von Julian Barnes /." Trier : WVT, Wissenschaftlicher Verl. Trier, 2001. http://catalogue.bnf.fr/ark:/12148/cb38899872z.

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2

Guignery, Vanessa. "Postmodernisme et effets de brouillage dans la fiction de Julian Barnes." Paris 4, 2000. http://www.theses.fr/1999PA040160.

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Cette étude propose d'analyser le concept de brouillage en tant que modalité du postmodernisme dans la fiction de Julian Barnes. La notion de brouillage est envisagée d'une part au sens neutre de mélange, et d'autre part au sens plus actif de confusion délibérée. Il apparait tout d'abord que les ouvrages de Barnes se caractérisent par une prédilection pour l'hybridité : prônant la multiplicité et le décloisonnement, ils s'appliquent à gommer les frontières entre les genres, les textes, les arts et les langues. La subversion des conventions génériques et l'oscillation entre la célébration et l'
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3

Kotte, Christina. "Ethical dimensions in British historiographic metafiction : Julian Barnes, Graham Swift, Penelope Lively." Trier : Wissenschaftlicher Verlag Trier, 2001. http://catalogue.bnf.fr/ark:/12148/cb389003523.

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4

Sherriff, Minna. "Myth as a framework in two novels by Julian Barnes and David Malouf /." Title page, table of contents and introduction only, 1998. http://web4.library.adelaide.edu.au/theses/09AR/09ars553.pdf.

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5

Walker, Brian David. "Character and characterisation in Julian Barnes' Talking it over : a corpus stylistic analysis." Thesis, Lancaster University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.625457.

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This thesis combines stylistics with tools and methods from corpus linguistics to investigate character and characterisation in Julian Barnes' novel Talking It Over. The analysis is guided by Culpeper's (2001) checklist of textual character cues, which I first assess and then amend in I order to take into account the presence of a narrator in prose fiction. The corpus analysis uses primarily WMatrix (Rayson 2009), but is assisted, when necessary, by AntConc (Anthony2011). My analysis focuses on the three main characters in the novel (Stuart, Oliver and Gillian), who are also the principle narr
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6

Chiesa, Valentina <1979&gt. "L'(in)utilità del "pit-gazing": morte, memoria e narrazione nell'opera di Julian Barnes." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7731/.

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Questa tesi si prefigge di evidenziare, nell’ambito dei diversi quadri teorici e critici di riferimento, i nessi tematici che legano a doppio filo morte, memoria e narrazione nell’opera di Julian Barnes, nonché di verificare come tale opera sia attraversata dall’ossessione dell’autore per il pensiero della fine nelle sue molteplici forme, a partire dal disimpegnato Metroland sino ad arrivare al più recente The Noise of Time, il cui protagonista Šostakovič addirittura teorizza su come affrontare la paura della morte. Davanti alla “finestra che dà sul niente”, Barnes adotta un atteggiamento di r
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7

Eklöf, Fredrik. "Med tiden på sin sida : Narratologi, retorik, och moral i Julian Barnes The sense of an Ending." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-225293.

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Jag vill i den här uppsatsen lyfta fram olika berättartekniska aspekter i romanen, och visa hur dessa samverkar med varandra samt ger extra dimensioner till idéinnehållet. För att uppnå det vill jag använda mig av flera ingångar – såväl narratologiska som retoriska – för att på det viset framhäva flera olika effekter.
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8

Pateman, Matthew Elliot. "A critical study of the fiction of Julian Barnes with reference to selected theories of narrative and legitimation." Thesis, University of Leeds, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365278.

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9

Galkina-Gromer, Anna. "Etude comparative de l'ironie chez M. Spark et A. S. Byatt d'une part et chez D. Lodge et J. Barnes d'autre part." Nice, 2011. http://www.theses.fr/2011NICE2016.

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Le sujet de l’ironie est en vogue depuis la fin du 20ème siècle où plusieurs travaux fondamentaux sont apparus. L’objectif de cette étude n’est pas de chercher une définition de l’ironie mais de déterminer s’il existe une différence entre l’ironie des écrivains-femmes et des écrivains-hommes. Pour cela, on a sélectionné quatre auteurs contemporains : Julian Barnes et David Lodge d’une part, et Muriel Spark et A. S. Byatt d’autre part. Les six oeuvres de notre corpus ont été regroupées par paires en fonction de leur proximité thématique et stylistique : Flaubert’s Parrot et Possession sont deux
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10

Moraru, Viorel-Dragos. "Histopias : narration, narrativization, and interpretation of history in Julian Barnes's A History of the world in 10½ chapters and David Mitchell's Cloud atlas." Master's thesis, Université Laval, 2014. http://hdl.handle.net/20.500.11794/25259.

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Comme beaucoup d’autres romans historiques postmodernes, Une histoire du monde en 10 chapitres et ½ de Julian Barnes et Cartographie des nuages de David Mitchell misent en fiction une vision personnelle sur l’histoire et examinent la relation entre les narrations historiques et les fictions. Outre ces projets metahistoriques et metafictionnels, les deux romans proposent un récit historique original de la vie humaine sur la terre. Les narrations de Barnes et de Mitchell s’étendent sur des milliers d’années et sont caractérisées, à tour de role, par la continuité et par la discontinuité. Celle-c
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11

Touaf, Larbi. "Narration, représentation et lecture dans le roman anglais postmoderne : The French lieutenant's woman de John Fowles, The White hotel de D.M. Thomas, Waterland de Graham Swift, Flaubert's parrot de Julian Barnes." Paris 4, 1997. http://www.theses.fr/1997PA040028.

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La question des formes narratives, de la représentation et de la lecture dans le roman anglais postmoderne s'inscrit dans une perspective qui vise à relier la pratique littéraire et artistique au contexte historique et culturel postmoderne de la fin du vingtième siècle. Ce contexte est caractérisé par un sentiment d'incertitude et de doute. En rapport avec ceci, l'étude est centrée sur les stratégies de déstabilisation de la représentation réaliste et des modes la construction du sens. En effet, le roman anglais postmoderne remet en question le sens commun qui constitue le fondement de l'écrit
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12

Ball, Elaine Catherine. "Resistant spaces in Kristeva and Foucault, and their literary formation in Barnes and Lorde." Thesis, University of Liverpool, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367191.

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This thesis examines, in the light of Julia Kristeva's and Michel Foucault's recent theorisations of the productions of meaning, the work of two authors, Djuna Barnes and Audre Lorde, whose writing, it argues, sets up virtual spaces which can become places of resistance to the normative functioning of a given culture. Having sketched a philosophical background to notions of extra-linguistic space through reference to Plato, Kant, Hegel and Lacan, the first chapter considers what is distinctive in the theories of space provided by Kristeva, who (in Revolution in Poetic Language) develops Plato'
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13

Serrano, Graciela. "A subversive version of Noah´s Ark : A History of the world in 10 ½ chapters." Bachelor's thesis, 2014. http://hdl.handle.net/11086/1585.

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Barnes’ A History of the World in ½ Chapters constructs an unconventional approach to history from the very beginning. The non-traditional narrative structure differs from the chronological narrative typical of history books, since this novelist´s account exposes different historical world events without following a definite timeline. Moreover, the novel has many different narrative voices which convey a different perception and experience of same events. This use of form indicates an unorthodox view of history.
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14

Pereira, Anabela Cristina Antunes. "Arthur & George por Julian Barnes: na Pista de um Crime sem Castigo." Master's thesis, 2008. http://hdl.handle.net/10348/139.

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Dissertação de Mestrado em Cultura e Literatura Inglesas<br>Julian Barnes recria em Arthur & George o caso que aconteceu nos finais do século XIX e ficou conhecido no Reino Unido como “Os Ultrajes de Great Wyrley”1. Seguindo os eventos, o romance aproxima-se dos percursos vivenciais das duas personagens, Arthur e George, ao mesmo tempo que explora as suas particularidades psicológicas. O intimismo e a auto-reflexão são recursos constantes na recriação das circunstâncias que levaram à condenação injusta de George Edalji a uma pena de prisão e à intervenção em seu favor por parte do famoso escri
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15

Bollinger, Elena Alexandrovna Malinovskaya. "“There is Something Behind It All”: The Narrative Construction of Russian Cultural Memory in Julian Barnes." Doctoral thesis, 2020. http://hdl.handle.net/10451/51693.

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This dissertation addresses the narrative construction of Russian Cultural Memory in the work of Julian Barnes. The literary analysis of the selected texts reflects upon the significance of blurred borders between cultural and communicative dimensions of memory, and a metonymic and metaphorical intertextuality, thus challenging the belief in a homogeneous national identity. Conveying the idea that memories are always constructed, The Lemon Table (2004) displays the memory process as a transcultural mode of the creation of identities. Sweeping across and beyond national boundaries, England, Eng
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16

Salman, Volha. Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12610310/index.pdf.

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The present thesis argues that the present era of post-postmodernism experiences a revival of revised metanarratives through &lsquo<br>fabulation&rsquo<br>, the process masterfully depicted in Julian Barnes&rsquo<br>s novels Metroland (1980), Flaubert&rsquo<br>s Parrot (1984), History of the World in 10 &frac12<br>Chapters (1989) and England, England (1998). The age of postmodernism with its undermining irony, hopelessness, pessimism and the sense of the looming end could not but leave the world in a state of despair, characterised by a propagated rule of the simulacra and the subaltern, hyb
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17

Caissie, Denis Jean. "Paths towards self-discovery : transitional objects and intersubjectivity in four late-twentieth-century British novels /." 2003. http://dopey.hil.unb.ca/ETD-db/available/etd-08082003-140903/.

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Thesis (M.A.) -- University of New Brunswick, Dept. of English, 2003.<br>Typescript. Works cited: Leaves 119-123. Also available online through University of New Brunswick, UNB Electronic Theses & Dissertations.
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18

Kolenda, Karolina. "Some Contemporary Representations of British National and Cultural Identity as Exemplified by the Work of Peter Ackroyd, Julian Barnes and Adam Thorpe." Praca doktorska, 2015. http://ruj.uj.edu.pl/xmlui/handle/item/44117.

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19

Ficza, Tomáš. "Rozdílné koncepty britské post-modernistické dystopie v románech Londýnská pole od Martina Amise a England, England od Juliana Barnese." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-305581.

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The aim of this thesis is to examine the poetics of postmodernism and explore to what extend were the dystopian novels London Fields (1989) by Martin Amis and England, England (1998) by Julian Barnes influenced by this concept. The first part of the work deals with the biographies of the authors, dystopian features of both books and the theory of postmodernism. The second part focuses on practical analyses of both novels. In the second part, the thesis theoretically introduces various concepts of postmodernism and then practically illustrates them on the works.
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20

Ribeiro, Gabriel Monteiro de Suzano. "Estudos sobre a matéria em estado liminar: viscosidade, contaminação e moral." Master's thesis, 2021. http://hdl.handle.net/10451/48282.

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The purpose of this theoretical-practical dissertation is to investigate the liminal state as a transition or gap between social positions, often enacted through rituals of passage. In parallel, the employment of liminality as a formal and conceptual device in contemporary practices of sculpture will be mapped out and explored. This dissertation approaches discussions that advance the concept of liminality as a tool at the service of turbidity, ambiguity and the blurring of limits between categories. In the first chapter, a sociological and critical perspective of liminality will be introduced
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